What should have been a mundane, unexciting flight for Rey Smith turns into far more than she bargained for when superstar actor Poe Dameron ends up sitting next to her.
Welcome to my 'love letter' to the Oscar Isaac fandom.
I'm a theatre major and currently reading if we were villains for the first time and i was sitting in my auditioning class, partnered with my friend for an exercise to work on her monologue and i was just sitting there, listening to her, absorbing her words, and i couldn't help thinking, this is real, more than real, the words of her monologue blending in with the facts and circumstances surrounding her life, swirling in a concoction of the written word and the unscripted outcomes
the moon is always brighter over someone else's house
A director must be a policeman, a midwife, a psychoanalyst, a sycophant and a bastard.
Billy Wilder
Austrian-born American filmmaker, screenwriter, producer, artist and journalist Billy Wilder is regarded as one of the most brilliant and versatile filmmakers of Hollywood‘s golden age. With ‘The Apartment’, Wilder became the first person to win Academy Awards as producer, director and screenwriter for the same film.
Born Samuel Wilder in Sucha, Austria (now part of Poland) in 22 June 1906, Billy Wilder spent his early professional life as a reporter in Vienna. In 1926 he relocated to Berlin, where his reputation as a journalist grew. But by then a different dream had taken hold - the movies. Selling his first script to an extremely grateful and quite naked producer he helped hide from the jealous boyfriend of a neighboring young lady, Wilder’s career as a screenwriter began. After several successful years in the German film industry, Wilder fled to Paris a week after the Reichstag fire in 1933.
Ten months later he emigrated to America, where an initially difficult time in Hollywood gave way to employment as a screenwriter.
In 1938 Wilder was teamed with Charles Brackett. Through their scripts for such films as ‘Bluebeard’s Eight Wife’, ‘Ninotchka’, and ‘Ball of Fire’, they became the best-known and most respected writing team in Hollywood. This success enabled Wilder to fight for and win his first American directing assignment, the now-classic comedy, ‘The Major and the Minor’, and “the Billy Wilder Film” was born.
“The Billy Wilder film.” The phrase is at once as specific and difficult to casually categorise as the filmmaker himself. Billy Wilder, the master of the American comedy who wrote and directed the grand melodramas of ’Sunset Boulevard’ and ‘Double Indemnity’. The hard-hitting dramatist who created the funniest movie ever made, ’Some Like It Hot’. The “great cynic” who steeped us in the lyric romanticism of ‘Love in the Afternoon’ and ‘Avanti!’. The “classic romantic” who confronted us with the harsh realities of ‘Ace in the Hole’. Simultaneously one of the most European and American of all directors, the man refuses to stand still long enough to allow us our neat and easy definition. But, to put it in his own words, “Nobody’s perfect.”
Through his work on films as daringly varied as ‘The Lost Weekend’, ‘A Foreign Affair’, ‘The Apartment’, and ‘The Private Life of Sherlock Holmes’, this “imperfect genius” has proven himself a true master of all aspects of the language of film, as comfortable and adept t telling a story thorough his brilliant visual style as through his unparalleled dialogue. And although the characters, the locales, the tone and genres may change, one subject seems to remain constant - the bizarre and glorious state know as the human comedy. Through the drama and the farce and the romance and despair, what we’re watching up there is, as in all great art, a reflection of ourselves.
Often running into criticism for his presentation of taboo topics such as alcoholism and prostitution, the high quality of the films redeemed him in the eyes of both the public and the industry. Of the many great stars he directed, Marilyn Monroe, Marlene Dietrich, Shirley MacLaine, Jimmy Stewart and Jack Lemmon are only a few.
The late 1960s and 1970s, however, were not as kind to Wilder. His brand of cynicism, irony and satire were out of step with this generation’s view of peace, love, revolution and individual experimentation
A 7 time Oscar winner, Steven Spielberg called him "the greatest writer/director who ever lived." Here's some amazing footage from his birthday party where he was joined by a host of famous directors.