#or the sequels way overusing the force theme

[stairset]

I think society has progressed past the need for Ahsoka vs Maul Duel of the Fates edits it’s time we appreciate Kevin Kiner’s score and recognize that it’s fantastic on its own. If the music when they fight in the rafters doesn’t make you hyped then fuck you I hate you.

#in my house you appreciate kiner's talent or you die by my hand #in all seriousness though duel of the fates doesn't need to be in every lightsaber duel ever #if you overuse a theme it doesn't matter how good it is it'll get annoying #and if you don't believe me look no further than endgame playing the avengers theme every five seconds #or the sequels way overusing the force theme #also fight scene music is generally meant to match up with the choreography of the fight #and duel of the fates just doesn't match up with that particular fight #all this also applies to say putting battle of the heroes over ahsoka vs vader #sometimes...giving a fight its own theme...is better #shut up tristan

[joonsdiary]

the proposal

↳ part one of the: (not) the love of my life series

pairing. ceo!seokjin x hotelier!reader (female) genre. arranged marriage au // humour with a dash of fluff and sprinkle of angst (mayhaps future smut?) word count. 4,8k summary. after losing ownership of your hotel to the satan-spawned ceo-to-be, kim seokjin, you are forced by the powers that be (your parents) into marrying him. you agree under the assurance that you won’t be out of job, but with the title of manager instead of owner. as it turns out, he has other plans and approaches you with a proposal that’s hard to refuse.

note. a cliché, overused trope? check. a series with (maybe) no plot and is just about jin as a billionaire ceo? check. this was initially supposed to be a sequel, but i couldn’t follow it up with the same ambience and mood, so i decided to leave the drabble [as a standalone] and write a spin-off instead. this has been in my drafts for the longest time, so i’m excited to share to you a series that literally nobody asked for.

warning-but-not-really. not all corporate ceos are as chilled out as jin will be portrayed here. may give you high expectations of literally some of the worst people on this planet lmao also purely self-indulgent! read at your own risk tbh

the proposal | the first date | the ceo’s keeper | the engagement

The premise was simple.

Get married so you can keep running your hotel business or refuse and lose everything to the man your parents have personally hand-picked to become the owner.

Scratch that.

The man your parents sold your hotel to, thus making him the newly appointed owner.

Choosing the latter and having your freedom would mean giving up your hard-earned company to the lousy billionaire’s first-born son, who happened to own half the hotels in metropolitan Seoul.

The Kims.

Notorious for their enormous amount of wealth, their class, and having three strapping young men for sons who knew nothing else, but privilege handed to them in a silver platter.

Despite growing up in a well-off family, you’ve always taught yourself that independence and hard work was the key to success. You distanced yourself as much as you could from your parents’ money, stuck it out for four years in college, and graduated with a degree. Running the hotel full time while attempting to finish your master’s in business administration part-time had been the theme for the past year. Until your parents dropped the bomb on you.

Words like, do you really think you had full ownership of that run-down hotel of yours and we had to sell, or we’ll go under had been thrown around. As if keeping the secret of having a huge amount of debt would make you feel better about seeing your hotel assimilated into Kim Hotels. Not only would you lose ownership, but you knew that you were bound to get fired, if not demoted. It usually came with the change of proprietor.

Conveniently enough, the Kims had other plans. Their current CEO, Seokjin’s father, agreed to let you keep working as the hotel manager instead of the owner, which is honestly miles better to you than being jobless. But it came with a hefty price: you were to marry their oldest son, Kim Seokjin. They drove a hard bargain, and you found yourself agreeing. You loved the hotel more than anything you’ve ever owned; having to pour your heart and soul into making it worth being proud of. And you were. That’s why hearing your parents say that it was in debt felt gut wrenching.

Initially, you tried to get a hold of him, hoping you could convince him to re-think the situation. You thought perhaps the media had been wrong about him, and all the talks of him being a calculating corporate shark was a lie. Maybe he would let you work as the manager without having to marry him. But the COO of Kim Hotels refused to meet with you, despite hearing from your parents that he’d been “more than willing” to be married to you.

You scoffed at their baseless statement. Seokjin had a reputation for taking women to bed one night before leaving them to dust by the next morning. As if selling his soul to the devil in order to be worth billions of dollars wasn’t enough; of course, he was sleeping around as well. You weren’t one to judge anybody’s lifestyle choices, but you were sure that someone in that calibre wouldn’t agree to be wed to a person they hardly knew just because. There was something in your gut that told you there was more to the agreement than a simple arranged marriage.

Or maybe the feeling in your gut was due to the bad pasta you had.

“Good evening, Ms. Hwang.”

You’re greeted by Mr. Park, the doorman as soon as you enter the lobby, cradling a piping hot tea you hoped would alleviate the stomach cramps you were having. His smile gave away his old age, wrinkles dotting the corner of his eyes and the lines in his cheeks. You returned the gesture.

“How was your dinner?”

“Ugh, don’t remind me,” you laughed softly, shrugging away your coat without spilling your drink. “I’m never eating out ever again. Please tell me Yoongi is in.”

He nodded, gesturing to the entrance not too far from the lobby. You bid him good night and head to the restaurant in the hotel, which was sparse with customers. Friday nights were usually teeming with life and excitement, but unfortunately business had been relatively slow all week. The worry pooled deep in your stomach – as if you needed any more ratification that your hotel needed to be bought, or you’ll close down.

“Yoongi! I need your cure-all soup,” you called out as soon as you sat on the barstool, propping your tote on the table. Jungkook waved at you from the far end of the bar, concocting a drink for the eager gentleman waiting in front of him. Yoongi popped his head out from the kitchen’s double doors to scowl at you but was met with your beaming smile.

He returned several minutes later with your request and you quietly thank him.

“Bad date?” he asked, wiping his palms over his well-worn apron. Jungkook had inched closer by this time, mindlessly wiping the area beside you.

You nodded. “And terrible food. I should’ve just asked him to take me here to Grigio instead.”

Yoongi raised his brows, but a grin was threatening to burst from his lips. “Why didn’t you?”

“He insisted on going to that posh new restaurant that just opened last week. Said it took months to book and he couldn’t just cancel on a whim,” you rolled your eyes, carefully blowing cold air into your steaming soup.

“This is why I told you to stop looking around,” Yoongi leaned into the counter, studying your expression.

“It’s cuffing season,” you joked. “Blame social norms for my behaviour.”

He gave you an impassive stare, before sighing. “You’re literally cuffed already.” He said, followed by a quiet, “I still can’t believe you’re getting married soon.”

You waved your right hand nonchalantly before lifting the spoon to your lips. You moaned as soon as the flavour filled your senses.

“Did you know you’re the best chef ever?”

“It’s just chicken noodle soup,” he said drily.

“Exactly! The simplest meal yet you manage to bring out so many spices at once.” He rolled his eyes at your attempt to boost his ego. Either way it was true; for you, nothing beat Yoongi’s cooking, no matter how simple he thought the meal was.

You forgo the tea and asked Jungkook for a bottle of white wine. “Nothing fancy — Les Capriades is fine. I heard they came in last month, and I have yet to try them.”

He nodded at your instructions before disappearing off to the back to find your drink.

“Stop avoiding the topic, Y/N,” Yoongi rested his chin in the palm of his hand.

“I’m not avoiding anything,” you stated confidently, yet you couldn’t meet his gaze. “The devil incarnate himself refuses to see me. I guess I’ll have to meet him at the altar.”

“Three weeks from now,” Yoongi said, almost exasperated.

“Until then, I’ll enjoy my freedom.”

“What freedom?” Yoongi scoffed, rounding the table to slide into the seat next to you. Jungkook returned with your promised bottle and your eyes beamed with excitement before quietly thanking him. “You didn’t even date around before any of this marriage circus happened.”

You agreed with the “circus” part and ignored the indirect jab. Besides not having a say in any of the planning for your wedding, your supposed fiancé refused to introduce himself when you tried to reach out multiple times.

Okay, perhaps it wasn’t multiple times. You called his office when your parents broke the news to you a week ago, but his assistant said he was busy with a meeting and that you should call back. You didn’t, and that was the end of it. You’ve been putting off trying again, but it’s been a week and he hasn’t contacted you back either.

Maybe it was mutual disdain; if one of you was testing the other to break, you didn’t want the first to be you. It already felt undignified to be marrying someone for the sake of keeping a semblance of ownership to your hotel, so you weren’t about to grovel and demand to be spoken to when it seemed like he wasn’t willing to spare you a second of his time.

Yoongi chatted for a bit before he had to go back to work, so you were left to pull out your laptop from your tote. For the next few hours you immersed yourself into finances, staring at the excel spreadsheet displayed on the screen far longer than was medically allowed. Surely, you’ll go blind before you see your hotel overcome the negative deficit you were in.

“See you tomorrow, Ms. Hwang,” Jungkook thrummed his fingers on the table as he passed by. You looked up in time to see him mime something unintelligible. Your brows raised in confusion.

“Your glasses,” he laughed quietly, fingers hovering close to your cheek. You mumbled a quiet oh, before pushing the rim higher until it settled snugly against your nose bridge.

“Thanks.” You sighed, tipping your head to one side. After feeling the satisfying pop! you turned back to Jungkook with a grin. “I’ll see you tomorrow.”

You slumped back to your work as soon as Jungkook was out of sight. Glancing at the clock on the corner of your laptop, it blinked 00:37, which automatically caused you to yawn. Yoongi should be out soon, so you willed yourself to stand up and prop the close sign by the entrance.

From where you stood, you could see the lobby clearly, as well as the spinning doors of the hotel entrance. A few patrons trickled in, no doubt coming in from their busy day, and filed sluggishly to the elevators where it would take them up their floors.

That was the most fulfilling part of being a hotelier to you. The satisfaction of giving people a comfortable stay, whether they were mere tourists or locals wanting a getaway from their normal life. It certainly isn’t as posh and sleek as the Kim Hotel with their towering glass buildings and boring black, white, and grey colour palettes. But what you had was something you were proud to consider your home, with the vibrant earth tones of the walls and furniture, as well as the rich velvet tapestry draped along the ornate windows. High ceiling chandeliers peppered the lobby, casting an ambience of warmth and security without lacking luxury.

“‘Night, Y/N.” Yoongi clasped your shoulder, startling you out of your mini daydream. “Stop using my restaurant as your office, will you?”

You mustered a small grin. “Bye, Yoongles. Drive safe.”

Yoongi turned to you as his face contorted violently. “I hate that nickname.”

“Love you too!” You called out as he exited through the revolving door before placing your hand down with a sigh. Back to work. You were about to turn and go back to your forgotten laptop when the door welcomed in another guest.

With bated breath you watched the man stalk towards you, eyeing you dangerously as if you were his prey. His midnight black suit made him look slim but highlighted his broad shoulders all the same. You were arrested at the spot, unable to look away and felt as if you’ve been robbed of oxygen. The more he stepped closer, the more unclear your thoughts became.

It’s not as if you hadn’t seen the man. He often appeared on several business magazines — gossip tabloids more so. Yet there was something different about seeing him in person, in front of you, in your hotel.

No. His hotel.

“Ms. Hwang. I was hoping to find you here.”

You blinked up at him, not trusting your voice to form words under such immense pressure. His usually slicked back ebony hair is more mussed; a day’s worth of stress was evident in his restless feature.

When you didn’t reply, he took it upon himself to study you from head to toe, and your body went rigid. Your long, honey-coloured hair had been tied up in a lazy bun and glasses framed your face. You didn’t bother changing out of your mini black dress from your date earlier, whose thin straps clung onto your shoulders for dear life.

You squirmed uncomfortably, finding a small ounce of strength to wrap your hands protectively around yourself. “What are you doing here, Mr. Kim?”

“Please,” he rolled his eyes, supple lips bending upwards for a grin. “Call me Seokjin. Mr. Kim is my father.”

And with that, he welcomed himself in the threshold of your restaurant.

Technically, it’s his restaurant now, too.

You let your anger simmer for a bit before turning to follow him.

“You didn’t answer my question,” you declared. It was hard to keep your annoyance down when he had showed up unannounced after ignoring your existence for a whole week.

He slid next to the seat you had claimed yours, and you almost tripped in your heels as you followed, immediately snapping your laptop shut. There was no new information he could have garnered from looking at the finances of the hotel, as he’s probably aware of them. But the thought of him snooping around made you feel queasy.

“I wanted to see what had my father so enamoured that he’d actually buy this…” he trailed off, waving his hand dismissively, “…hotel?”

You hated the underlying judgement in his tone of voice. You had also heard rumours that he’s unabashedly forward and hard to deal with, on top of all the other rumours that plagued him. So far, all the boxes in the checklist were proving to be true.

“It’s quaint. Not at all what I expected.” His gaze studied you momentarily, and you can tell he wanted to say more but he smartly held himself back. Good. You don’t know what you would do if he strung one criticism after another.

“Well, you’ve seen it. You can kindly screw off now.”

Seokjin seemed taken aback for a second, but his surprise didn’t linger. He leaned back on the stool and swiveled forward before pointing at the shelves lined with alcohol.

“I’ll have a whiskey, neat.”

In an attempt to ignore his ridiculous demand, you powered up your laptop once more. No way in hell would you let him step all over you, not even when he owned the hotel where you now stood. “You have very capable legs and arms. I’m sure you can whip one up yourself.”

Was this man joking? Granted, you know your way behind the bar since you had the privilege to work as a bartender for a few years during your college tenure. But that doesn’t mean he’s welcomed here to treat you as if you were a subservient of his. Which, semantics aside, you were, though that’s beside the point. But if he made an effort to come down here and order you around like a scullery maid in an attempt to intimidate you or put you in your place, then he was barking up the wrong tree.

“I was told you have terrific hospitality. I guess they were mistaken.”

Not for the likes of you, I don’t. You rolled your eyes, not bothering with an actual reply.

Seokjin maneuvered off his suit jacket and unbuttoned his cufflinks before he rolled his sleeves up meticulously. He then rounded the bar and began grabbing materials with familiarity, not stopping to ask where anything was located. You watched in awe from the corner of your eyes, attempting to be discreet.

“Want one?” he gave you a slanted gaze.

You wrinkled your nose in disagreement and raised your wine glass.

“A refill, then?”

Pressing your lips firmly together, you gave him a defiant headshake.

The mild shock of seeing him traipsing behind the bar had rendered you absolutely mute. The fact that he knew where everything was piqued your interest. Was it an outcome of years of experience as a habitual drinker? Or did he often just randomly raid bars, hence his extensive knowledge of their layout? You didn’t want to know, but at the same time you did.

It took him a while to find a coaster before settling back to the spot beside you. Typing away at your laptop, you refused to give him even an ounce of attention despite his attention solely being yours. The silence that ensued was more uncomfortable than anything you’ve experienced.

Suddenly, you were all too aware of your crooked posture and your body snapped, straightening your shoulders rigidly. It felt stupid, but necessary for the sake of your sanity to keep your façade. Although it crumbled ever so slightly when Seokjin laughed beside you.

“I didn’t mean to make you feel tense,” his voice was languid and inviting.

You steeled yourself, refusing to be lulled into a trance by his intoxicating presence. “What did you really come here for, Kim Seokjin?”

“She speaks!” he exclaimed, clearly amused. You turned to give him an impassive stare. “Do I need a reason to visit my fiancée?”

His statement caught you by surprise, your poor heart bearing the brunt of suddenly having to pump more oxygen than usual. It brought warmth to your cheeks and you allowed yourself to fall into the fantasy of marrying the most eligible bachelor in all of Seoul. The fantasy, however, was short-lived as his wink broke the spell you were under.

“Don’t worry, this will be strictly business,” his back straightened up on cue. You tried and subsequently failed not to watch the way his deft fingers moved to loosen up his necktie. He then slightly deflated with a sigh, before grabbing his drink and taking a sip.

For courage, perhaps? It brought a small amount of accomplishment to know that you might have The Kim Seokjin nervous before you.

“It’s about the wedding, which you know is coming up soon.”

This was it. The topic you’ve been narrowly avoiding for the past week suddenly poured on you all at once like a bucket of ice-cold water. It wasn’t the most refreshing way of waking you up to reality, but it got the job done.

“I hope you aren’t getting cold feet now, Kim,” he grins at your attempt at humour.

“I apologize for not getting back to you sooner, by the way. My secretary said you tried to get a hold of me.” You remembered the woman’s monotone voice on the other end of the phone call. Part of the reason why you were reluctant to call back was due to nervousness from hearing her apathetic voice.

You shrugged in response, finding him less of an asshole than you had previously. Was your expectation of decency so low that you found anything remotely human he did to be an act of chivalry on his part?

Yes. Yes, it was.

“I tried calling because I wanted to know if I would be able to talk you out of this deal.”

Seokjin was visibly surprised by your candor.

“Oh yeah, and how would that have played out?”

You shifted uncomfortably in your seat. Surely, it was too late to take anything back, so you tossed all caution out of the window. He might as well hear your piece.

“The ceremony preferably cancelled. The Hwang Hotel back to its rightful owner, as if the whole thing hadn’t occurred in the first place.”

Seokjin regarded you with amusement in his eyes. The warm lights of the Grigio soften his rugged features, making it seem like he was glowing. You came to understand how he had the whole country enamoured by him. He was distressingly handsome.

You gagged at where your thoughts ended up and leaned back a little, terrified of feeling too intimate with the man who had claimed your hard-earned success for himself. The hotel means more to you in ways you know Seokjin will never be able to relate. A man who, with a little twirl of his fingers, would be making more money than you could ever hope to imagine. They say no hard work goes unpaid, but for him it was probably akin to: No hard work, but I get paid either way. How comfortable must it be to sit atop that domineering tower of his, overlooking the city he practically owns?

“And what do I get out of that possible scenario?” he began after a brief pause.

You refused to wilt under his imposing gaze. With a confident voice, you said, “The satisfaction of doing a noble deed.”

He barked out a laugh, tilting his head back in obvious enjoyment. You didn’t share the sentiment as you sighed before removing your prescription glasses. Perhaps hoping for the impossible was futile, after all.

“Look, I don’t care about this little passion project of yours,” Seokjin waved his hands around condescendingly, and you felt a familiar pang of anger surging from your chest. “And you’re lucky my father swooped in to purchase this hotel before you went bankrupt.”

“Thank you for the constant reminder,” you deadpanned, but he ignored you and continued. The gall of the man to show up and ridicule you made you irate. I take that back, he’s still an asshole in every aspect imaginable.

“To be frank, I think we’re both in a pinch here. You want your hotel back, and I’m willing to grant you that tiny little wish.”

You perked up; interest piqued. But you felt an ultimatum coming, so you squashed all hope arising from his statement. There was always a catch.

“My parents have been grooming me to become CEO ever since I learned how to walk. For me, acquiring the position is a no-brainer.”

“But?” you offered, and his grin widened.

“But lately my father refuses to hand me the reins. He’s been wanting to retire, but every year he keeps sticking it out. Then I unceremoniously learned my engagement with you. All of a sudden, his mood shifted, and his plans for retirement began piling up.”

Your brows creased in confusion, unable to see how you fit into all of this.

“My reputation precedes me, so I’m sure you’re aware of what I’m insinuating here.”

Something clicks in your mind, and you willed yourself to hold back a scoff.

“Enlighten me, Kim,” you propped your chin against your palm. If you were going to agree to this, you might as well have a little fun for yourself.

“My parents aren’t amused by my…” Seokjin trailed off.

“Decision to debauch half the women’s population of Seoul?” you offered, unable to hold yourself back. You grinned triumphantly; he had set himself up for that moral beating.

“I was going to say my inability to settle down, but sure, we’ll go with that,” Seokjin was unfazed, much to your disappointment. “He hadn’t explicitly said it but seeing the way everything is being handled so quickly, I can tell it’s what he wants. For me to get married; then maybe he’ll consider giving me the position.”

“And you didn’t oppose?” you asked incredulously. It seemed at the moment you were the one who is prepped to lose the most. What if it wasn’t you who the Kims chose for their son? Were you supposed to just accept defeat and give up your hotel?

“Oh, trust me, I vehemently opposed,” you nodded at his statement. At least you agreed on something. That was a start. “But that’s partly the reason why I’m here.”

“What more can we possibly do? We’re basically left with no option,” you grumbled, turning back to your laptop. For you, there was no way around this. Both your families have decided for you, so you have to either fall in line or risk losing your business.

“What if I tell you we can go back to our normal lives a few months from now? We won’t be married to each other. You’ll have your hotel back, and I’ll still be the CEO.”

You inadvertently leaned towards him, eager to know where the conversation was going.

“We just have to convince my parents and yours, as well as the board of directors of Kim Hotels and the public alike how we’re hopelessly in love with each other.”

Your mouth formed into a visible scowl, forehead creasing in confusion. You searched for hints of frivolity, waiting for him to say just kidding! at any moment. But his stoic face told you that he was being serious.

“And we’re doing this because…?” your patience had worn thin, expression marred by weariness and fatigue. You had a lot to get back to; you didn’t have time for silly games.

“It will make the divorce more believable.”

You paused, the gears in your brain turning. The agreement your parents told you about hadn’t involved a divorce; so, you were curious as to where Seokjin was going with his idea.

He was offering you an out; a way to get out of his family’s mess unscathed. You’ll have your only prized possession, and he can go back to sleeping with as many people as he wanted while retaining his coveted position. The proposition was too good to be true.

“What’s the catch?” your lips pursed, and you found yourself considering his ludicrous proposal.

“No catch,” he holds his two hands up in surrender, the corner of his mouth forming a smirk. You eyed him with suspicion.

“Just that you give effort into this whole thing. Make my father and the board believe enough to think I’ve ‘cleaned up my act’,” he paused to roll his eyes, “so that they’ll hand me the position without question. I promise you full ownership of the Hwang Hotel, without debt, as soon as we separate.”

While your parents’ original plan had been to marry you off entirely (which you did not want at all) Seokjin was sensible enough to figure out that you had no desires of tying the knot to someone you barely knew. He probably shared the sentiment, hence his proposal.

“This doesn’t make sense though,” you said pointedly. “Wouldn’t they find out about your motives when we divorce? And our parents technically arranged this, so they’ll be mad — I’m sure yours will be more than mine.”

You’re all in for finding a loophole in this whole arrangement, but you’re not sure you’ll agree if it will give you more problems in the long run.

He shrugged, unconcerned. “They can question it all they want. But like I said, if we make it believable enough, we can always reason that we ‘fell out of love’.”

In an attempt to alleviate a developing headache, your hands slowly massaged your temples. The information was a lot to hand, but no matter how many scenarios you played in your head, they all seemed to have the finale you wanted. Regardless of what happened within the upcoming months, you were going to get your hotel back.

“If you’re really that worried, let’s just say I cheated,” Seokjin’s words snapped you out of your muddled thoughts.

Your eyebrows creased in confusion. “Wouldn’t that be worse for you?”

“The public already thinks I’m a man-whore,” he said wryly. “The board is not going to kick me out of office for something tedious like a divorce once I’m CEO. And I’m sure I can reason it out with my parents when the time comes.”

You laced your fingers together, hoping to wring the concerns away. There was no use in overthinking the situation; it certainly beats staying miserably married to someone you barely know.

You let out a shaky breath, before mustering the confidence to say, “Fine.”

“Great, I knew you’d be reasonable.” He flicked his wrist to look at his watch, gaze composed despite the tiredness in his eyes. “I’ll have my secretary e-mail you a written agreement.”

“Great,” you mimicked his deadpan tone. Gone was the casual Seokjin who paced around behind the bar with much familiarity. This was the COO of Kim Hotels Seokjin; precise and straight to the point.

Better get used to that.

“Thanks for the drink, future wife,” he slid off the barstool with poise, the distance between you and him closing ever so slightly. He smelled like pine and cedar, with a hint of citrus; it was enough for you to suddenly sober up, unaware you were inebriated, to begin with.

“No need. You forced your way in, anyway.” You said dismissively, pretending to switch tabs on your screen. Where was that random website you were looking at earlier?

With a quiet laugh, he turned to leave. You listened to his rhythmic steps and perked up when he paused.

“See you tomorrow, fiancée,” he said without turning.

“Tomorrow?” you tried not to give away the surprise in your voice.

“We have to start going on dates to convince them that we’re serious about this, right? Pick you up at eight, sharp.”

With a wave of his right hand, he stalked off towards the exit, leaving you alone in the restaurant.

Suddenly, the premise didn’t appear so simple. You reached for your glass of wine and finished the rest of your courage drink in one gulp.

NEXT ; 

thanks for reading! feedback is always appreciated ;u;

#seokjin fic #seokjin scenarios #jin scenarios #bts scenarios #ceo!seokjin #seokjin fanfic #seokjin x reader #jin fic #bts fanfic #seokjin fluff #seokjin angst #seokjin smut #bts smut #seokjin #yoongi scenarios #yoongi fic #writing

[aconstantache]

MY FAVOURITE ROMANCE NOVELS OF 2020

HM: The Minute I Saw You by Paige Toon; Fair As A Star by Mimi Matthews; You Deserve Each Other by Sarah Hogle 

10. Take A Hint, Dani Brown by Talia Hibbert - loved, loved, loved these MCs. They were both so well-realised and multi-faceted. Zafir may be one of my favourite heroes ever and the depiction of a South Asian family here is also an all-time fave?? No boring, tired, sad diaspora vibes? No overused tropes re: Muslims? MIRACULOUS. So Zaf is a romance novel-reading lover of love and Dani is Not About Relationships. Unstoppable force meets immovable object etc etc.

9. Two Rogues Make A Right by Cat Sebastian - the ultimate in hurt/comfort decadence. Literally the entire plot is one person is really sick and the other person spends the entire rest of the book looking after them. LIKE, MAYBE THAT IS THE ONLY THING THAT HAPPENS?  It takes a bit to get into it but also the sick one is kinda villainous and the one looking after him believes there’s good in him despite all evidence to the contrary. V good dynamic! 

8.  Wild At Heart by K.A. Tucker - I read and LOVED The Simple Wild last year and was so happy the author decided to write a sequel. I would read ALL the books about these two characters just living their life in this universe. I know Tucker is branching out and writing about other characters in the ‘verse and: eh. I only want to read about Calla riding snowmobiles and Jonah telling her how competent she is I’m sorry!!! Wild At Heart focuses less on romance and more on Calla getting used to Alaska but it’s still satisfying seeing them work out how to compromise and start a new life together. 

7. Beach Read by Emily Henry - I love when a romance novel has a lot of hype and it lives up to expectations (see The Roommate for the opposite, ugh that book was bad.) Honestly I get off just on the blurb of this book: he writes pretentious literary fiction! she’s a bestselling romance author! they help each other write and slowly fall in love at the same time! It also deals with slightly heavier themes and there is focus on a recent death and some other stuff which I know a few people struggled with but there’s plenty of humour and light-heartedness so it all works imo

6.  A Dangerous Kind of Lady by Mia Vincy - It is so rare for me to like every book in a Historical Romance series but Mia Vincy’s Longhope Abbey is 3/3 atm. I loved the first two (as mentioned last year) and this one is an A+ addition (ngl I have qualms about the fourth book but I think MV has won some trust at this point so.) We originally met these MCs in the first book when they were introduced as very happily married and devoted so rewinding to them being conflict-stricken and angst-ridden youths was great.

5. You Say It First by Katie Cotugno - So I simultaneously adored this and also found it irritating. This book focuses on ‘liberal’ Meg who has progressive values and is very involved in things like voter registration phonebanks. She ends up on the phone with Colby who is her age and struggling with his family’s lack of money, his dead-end job, etc and has no time to discuss how the electoral system could help him. From a political point this had the potential to be really interesting but I think it’s pretty mishandled by the author. I think she could have done a much better job at writing a character who has no faith in the political system for valid reaons but like, some of Colby’s opinions are just nonsensical? Also Meg often feels ‘liberal’ in a way that is twee and annoying and superficial. Why did I place this so high when I have such a list of complaints??? Despite all this, the relationship between Meg and Colby is so sweet and satisfying and well-built. Most it it takes place over the phone and I love that liminal space that exists just for the two of them. It managed to outweight my negatives!!!

4.  If We Were Us by K.L. Walther - I know people have had qualms with this book but I still loved it. The boarding school vibes; the friendships; the siblings. Quintessential YA things done well! Sage and Charlie are best friends and would be perfect together (valedictorian types) except Sage is far more into Charlie’s twin brother (v not valedictorian type) and Charlie isn’t into girls at all. Two good, satisfying romantic relationships found here folks!

3. Boyfriend Material by Alexis Hall - FAKE DATING EXCELLENCE. I think every year I need something new to fill this particular category and Boyfriend Material is a really stellar entry. That being said, I don’t think there’s much actual fake dating going on in this book apart from premise-wise but we move! Luc and Oliver have a good mix of awareness and conflict so you get the Good Stuff TM of them being together and sweet and wonderful while still having to wait for their climactic Get Together.

2. Today Tonight Tomorrow by Rachel Lynn Solomon - I’m obsessed with “I’ve hated you all along! Wait... have I?” narratives and it’s executed so perfectly here. Rowan and Neil are two massive nerds and competitive rivals who end up spending their last hours of school together. There is very little plot to this book - it is almost 100% relationship development and hangout time - which is almost always all I ever want from romance.

1. Mix Tape by Jane Sanderson - I read this all the way back in January (what a completely different time in the world!) so it’s a testament to how good it is that I still feel strongly enough about it to give it pride of first place. This is the kind of book - because it’s not reeeeally genre fiction - that seems destined for a sad or, at the very least, ambigious ending but (HA!) it provides a warm, wholly satisfying happily ever after. Anyway if you’re into second chances after decades and decades apart and people communicating through songs and yearning and never being able to Let Go - this is for you!

#romance novels #romance recs

[tsukumosanaappreciationblog]

Why SDR2 is the best Danganronpa Game

If you’re a Danganronpa fan you probably have personal favorites whether it be characters, class trails or the topic of this essay favorite games. Despite all of the games having the same formula they still have a distinct identity from each other which is commendable but alas that’s not what we will discuss. In this essay I will explain why Danganronpa 2:Goodbye Despair is the best Danganronpa game.

Let me discuss the setting of the game Jabberwock Island. Immediately the tropical island serves as a stark contrast to the two schools of the trilogy. This isn’t just for show either while the schools are claustrophobic Jabberwock Island feels like an open space which makes the world  more fun to move around in. Speaking of contrast in Danganronpa 2 each island does a good job of feeling distinct from one and another. When you get more floors to the school in the other game you do find interesting things. I especially like V3’s Talent Development Labs compared to the islands of SDR2 it’s no contest. The other games take place in a school and thus are limited to things that would logically be in a school were as you’re allowed much more freedom with the islands. From the bright and colorful amusement park of island four to the futuristic setting of island five there is no doubt that SDR2 has the most creative and diverse setting of any of the Danganronpa games.

Another thing that SDR2 executes well is feeling like a true expansion of the themes of DR1.Unlike V3 SDR2 plot is directly affected by the plot of DR1 without feeling like a rehash which can be difficult to pull off. I think the virtual world is an interesting concept that is executed quite well. Let’s use Chiaki as an example: the twist of her being an AI is foreshadowed with her direct similarities with Chihiro and Alter Ego. While not being overly obvious if you take a look at their designs they do share a lot in common. There designs both include a white button up shirt,similar bowties, an overcoat, a skirt with black stockings, along with similar shoes and haircuts. Once you spell it all out the design parallels become pretty obvious but they also share similar personality traits Chihiro they both share a love of gaming even though Chihiro isn’t as explicit about it. They also have a very sweet and well meaning personality along with a certain  degree of intelligence which in Chiaki’s case is very analytical in nature which reflects her nature as an AI. There’s also some information in her free time events that foreshadows her nature as an AI which furthers her alter ego parallels. During one of her free time events she didn’t know that cows made milk which is basic human information and in a later free time event the only genre of games she’s bad at is dating sims which directly involves human connection as it’s primary gameplay mechanic.

That’s enough about Chiaki for now let’s discuss another character that uses parallels to another character that uses character parallels to great effect Nagito Komeda. The Makoto parallels are pretty obvious but let's still go over them starting with his design and also the fact that Nagito Komeada is an anagram of Makoto Naegi. Both characters wear a hoodie,have a similar haircut including the patented anime protagonist ahoge and his generally unremarkable design makes the Makoto comparisons clear. Were the parallel really shine however is in personality. During the early game the Makoto parallels are effective are used to create a false sense of security. During the early game he spends a lot of time helping you out and general doesn't come off as a bad person even if he does come across as a bit odd. This makes him an effective wolf in sheep's clothing. Even after revealing his true nature the Makoto parallels only grow stronger. Let’s take a look at both of their talents and how they operate in the narrative. Despite having the same title of The Ultimate Lucky Student there talents operate very differently. Makoto’s luck while powerful in it’s own way primary is used to keep him alive with conscience that make sense due to his talent. On the flip side Komeada’s luck is truly supernatural and he relise on it for his plans to work like when he used the random raffle to get himself on cleaning duty. Even though his luck is powerful it does come at a price. During his free time events he is revealed to have a cycle of luck where bad luck is preceded by good luck and vice versa As an example Komeda has said that he was kidnapped and then immediately found a lottery ticket that was worth ten million dollars Komeda’s luck serves as a powerful force of nature that is even beyond his control which is a real interesting subversion of Makoto’s luck. Another parallel is Makoto’s humility versus Komeada’s self deprecation. They both stem from the fact that they don’t see themselves as having worthwhile talents. Makoto sees himself as mundane compared to the exceptional people at Hope’s Peak Academy but he learns to overcome that insecurity and recognize his own value. Komeada on the hand sees himself as inherently worthless because of his lackluster talent and is willing to sacrifice his own life for the sake of the other ultimates Despite him seeing himself as worthless that couldn’t be further from the truth in fact he’s one of the most intelligent characters in the series but he refuses to acknowledge himself because of the way he see himself as worthless. Another thing the two characters have in common is the desire for hope but there methods are very different. Komeada like the founders of Hope's Peak sees ultimates as the embodiments of hope and he wishes to sacrifice himself for them and is willing to become the adversity they overcome and is willing to kill just so that he can become an obstacle that hope overthrows. Makoto is comparatively simpler in this regard and only becomes a symbol of hope because of his undying optimism and becomes known as the Ultimate Hope because of the adversity he faced and his ability to inspire Komeda also tried to become the Ultimate Hope by killing all remnants of despair including himself.  This is a somewhat sound motivation however it ignores to hope of recovery and the ability to create their future. Speaking of hope for the future, let's talk about SDR2’s ending because it does a good job of thematically tying into Trigger Happy Havoc. It’s revealed that the world is a virtual world created by a The Future Foundation which was created by the survivors of DR1. The purpose of this world was to reform the sixteen students from the game which were revealed to be remnants of despair. This explains the nature of Monomi and the seeming peaceful beginning of the game however this turns into a killing game because of AI Junko. Let’s address the most common complaint about this finale which is that Junko was overused and this game should have had a new mastermind which is a fair complaint however if you consider the fact that SDR2 was created as a direct continuation of DR1 it works thematically for Junko to be the mastermind and it was a satisfying conclusion to finally kill Junko excluding the anime because the anime doesn't deserve rights. The Future Foundation also helps continue the story of DR1 due to the fact that we get to see these characters again in a way that furthers the plot. The new finales use’s characters from the previous game however it adds a different theme that feels natural with the theme of being able to change the future regardless of the past. This isn’t something that the survivors of the first game had to deal with because of the SDR2 survivors' unique situation of being remnants of despair. This while different is still a fundamentally optimistic theme so it feels thematically consistent with the themes of hope and despair from the first game

As I hope I’ve made clear that due to the thematic parallels of DR1,SDR2 is a true sequel that expands on the thematic elements of the first and becomes something greater than its predecessors.

#sdr2 #danganronpa #dr1 #danganronpa v3 #Nagito Komaeda #chiaki namani #makoto naegi #chihiro fujisaki #junko enoshima #long post #jabberwock island

[ghostbustershq]

Ghostbusters: Afterlife - Trailer A Breakdown

“Troy, wondering what you thought about that new Ghostbusters trailer?”

Well, I’ve waited thirty years for this moment. Something tells me that my long-winded and verbose writing sensibilities won’t be able to convey my thoughts in a text message or 140 characters on Twitter. Welcome anyone that I’ve pointed in this direction. I’ve been waiting an awful long time for this. And that’s not to be dismissive of the wonderful experience and entertaining film we received just three short years ago. This is something different. But the same. Something new, but also something familiar. In one word?

Wow.

Quite a bit to unpack in a trailer revealing the first details on what has otherwise been a very tight-lipped production. Needless to say, the first real look at Jason Reitman’s Ghostbusters: Afterlife blew me away. The direct sequel to Ghostbusters II looks to take some twists and turns, while incorporating the iconography and elements that made the original film and its sequel so popular in the 80’s. To be completely honest, it’s quite difficult to sit here and put into words my reaction to seeing a trailer for a movie I’ve been waiting 30 years to see. Excited doesn’t even begin to describe just how fun and exciting this trailer release has been. Not to mention just how special this film release will be.

But you’re not here for a review or my sentiments, you’re here for a breakdown to the trailer with a few comments and screen grabs.

Let’s do it, eh?

Hitting the Road

Right out of the gate, some stunning cinematography from Eric Steelberg on full-display here as a car full of teenage kids approach what appears to be an old mine elevator at the top of an incredible looking vista. Kids being kids, golden hour in full effect, it’s a lovely first introduction to the world in which this film will inhabit. Finn Wolfhard’s character Trevor answers a pointed question that his family has moved to Summerville because they’re completely broke. To the point that he’s getting a haircut at home by his own mother, Callie (played by Carrie Coon). We’re meeting a family on some hard times, forced to make a hard turn in their lives because of finances.

Grandpa’s “Creepy Old Farmhouse”

The family pulls up to a farmhouse and barn that looks like they’ve both seen better days. A giant barn with a collapsed roof and several silos surround a Gothic looking weather vein riddled house that may as well be out of the Addams Family. Dire circumstances have forced them to move to a family farm inherited from an, as of now, unknown grandfather. Phoebe (played by Mckenna Grace) gets out of the car with a look on her face that says it all. And those eyeglasses… well, we’ve all talked about who those look like they belong to at great length.

Something’s Amiss

Trevor’s tender moment with a new friend (Celeste O’Connor’s still as-of-yet-unrevealed character) is interrupted by the mine elevator they’re sitting on shakes violently and a green glow emanates from the mine below them. All is not picture-perfect Americana in Summerville as we’ve been led to believe. An entity explodes from the mine, escaping into the air and pushing the teenagers back in the process. That glimpse of our paranormal haunting kicks us into the studio and production company logos.

Bron Studios/Bron Media Logo

Interestingly, no Ghost Corps logo attached to the trailer. But there is a newcomer to both the trailer and the teaser poster released on Friday, Bron Studios. A Canadian company, Bron gets a logo right after Sony/Columbia possibly suggesting they’re a financial backer of the film or a large partner in some shape or form. A quick look at iMDB shows that Aaron L. Gilbert of Bron Media has been added as an Executive Producer to the film as well.

Earthquakes and Mr. Grooberson

Here’s our first real taste of how Paul Rudd’s character will factor into the film. He’s intrigued by Summerville’s seismic activities, given the fact that it doesn’t lie on a fault line, nor does it have any of the telltale signs of locations that should be moving and shaking. The protagonist family huddles under a table during a quake where we get a good taste of the film’s humor courtesy of Trevor with a quippy one-liner about the summer that they died under a table. So what is happening? Stay tuned. Also, admittedly I was too distracted by the beautiful lighting in the shot with Trevor to notice the symmetrical book stacking visual gag in the background until others pointed it out. Well played, set dec team. I’d expect there will be visual easter eggs like this throughout the entirety of the film.

Mystery Box Revealed

Following one of the quakes at their new home, Phoebe seemingly finds a loose floorboard and a sliding puzzle that has been left behind by their grandfather to hide the presence of a familiar ghost trap. Which Phoebe takes to school and shows off to her still unnamed friend, played by Logan Kim. The sight of a ghost trap tickles Mr. Grooberson, who connects it with the famed-Ghostbusters who saved New York City back in the 1980’s. The kids have no idea of the existence of ghosts, nor what occurred back in 1984 near Central Park. Grooberson is more than happy to educate them.

Jason Reitman Front and Center

After the ghost trap’s appearance, Jason Reitman (deservedly so) gets a card proclaiming the film coming from him as a writer-director hyphenate. The credit comes over an industrial space with a whole lot of Ridley Scott creep-factor going on. If I had one nit to pick with the trailer, it’s the producer in me that is concerned poor Jason’s credit never resolves with the “R” in Reitman not obstructed by the light blooming in the center of the frame.

A Free-Roaming… Something?

Right after Jason Reitman’s card, comes a panning shot across the same industrial space where a gelatinous blob is in the distance doing something. It’s tough to make out exactly what type of entity we’re looking at here, but it seems to appear (and move) like a microscopic organism or something found at the depths of the sea. Which I quite enjoy. A ghost that looks unlike anything we’ve ever seen before. Also worth noting that the movements feel practical - there is weight and almost a rubbery movement to it just like the creature designs from the shop in the 80’s. Love it.

New York Was Like the Walking Dead

Mr. Grooberson shows Phoebe and Logan Kim’s character archival footage from the 1980’s where he remembers seeing the ghost trap utilized as a kid. The Ghostbusters were a phenomenon 35 years ago, but have been forgotten. As history tends to move on and generations aren’t impacted by the events of their elders, they’re learning about who the Ghostbusters were. Phoebe comments that her mother has never spoken of the events that took place in New York and that their father isn’t in the picture.

Of note, these two shots are incredible angles that I don’t believe I’ve seen before. Perhaps the result of Jason Reitman and his post production team digging into the mines and finding the original dailies and negative from the 1984 film for use in Afterlife?

PKE Readings and “Does This Pole Still Work?”

Phoebe seems to have found other Ghostbusting equipment and uses it to trace readings back to a makeshift shed. Presumably a continuation of the scene based on the editing, Phoebe slides down a fire pole (!!!) to a subterranean hidden space. She continues to follow readings on the PKE Meter, finding equipment including the orange piece of machinery taken from the original Ghostbusters at Columbia University, a Betamax recorder in the far distance, an oscilloscope, and a whole lot of fungi growing in jars. The camera pans over sample dishes of spores, molds and fungus collections, (subtly cued with Phoebe talking about picking through the rubble of her grandfather’s life) and then continues past a proton pack in progress of assembly.

Admittedly, this was the first moment in the trailer where I could feel my heart doing backflips. We’re seeing the past through Phoebe’s eyes and everything looks, feels, and sounds like Ghostbusters. I love it. This movie is about discovery, as we’ve heard over and over. To me, it feels a bit like we’re (the viewer - the broader public outside of us fans) are rediscovering our love for what made these movies so popular.

The Shoe Drops

This is where any other trailer would take the opportunity to pepper in the bass drops, kick in the soft-breathy cover version of Ray Parker Jr.’s theme song, or some other overused trope. But Ghostbusters Afterlife takes a pretty bold stance and tries something different. And to me, it really works. When Mr. Grooberson discovers that the ghost trap isn’t a replica and is, in fact a real ghost trap (and may be occupied still), he questions who Phoebe is, as there’s a cut to Phoebe’s hand grazing over a rack of flight suits revealing the name tag, “Spengler” barely having enough time to resolve before a smash to black.

In what is absolutely a stroke of genius of whomever is responsible for this wonderful trailer, Bill Murray’s line for the original movie as Venkman and Stantz share a bottle of Apricot Brandy talking about going into business for themselves takes on a whole new meaning: “Call it fate, call it luck, call it karma. I believe everything happens for a reason,” is said while - - to my ear - - a new rendition of the same Elmer Bernstein cue that plays under the scene swells.

A Certified Genius or an Authentic Wacko

After a “Next Summer” sell card, another beautiful Americana (c/o Calgary) vista of the Shandor Mining Company. Interesting, perhaps Ivo Shandor from the original film fancied himself an entrepreneur at one point before he became an architect? Or perhaps this is a result of his interest in metallurgy mentioned by Stantz? Perhaps he mined his own supplies for projects? Either way, I’m starting to think that Sumeriaville… ahem… sorry… Summerville might be following in a classic trope of some of the best horror stories. A town with an incredibly horrible secret. Warning signs don’t matter to Phoebe and Logan Kim’s character as they trudge ahead.

Hello, Beautiful

Meanwhile, in the narrative of our trailer, Trevor follows in Phoebe’s footsteps into the fields of the farm and finds something of his own: a beautiful (but a little rusty) 1959 Miller-Meteor Cadillac as the ground shakes again, something shatters through a row of school buses seemingly attacking Phoebe, and the town goes into high-alert. Amid the chaos, there’s a striking 20 frames or so of Phoebe staring into a horrifying fire pit of arms - lost souls? Something else? And immediately after that, Mr. Grooberson frantically tries to escape from a snarling beast that slams a foot on the hood of his automobile. Trevor’s Ecto-1 adventure continues as he turns the key and an homage that would make Laszlo Kovacs proud reveals the familiar license plate and front grill emerging from the garage and into the field for a joy ride. The ol’ Ecto has a whole lotta horsepower left in the tank.

Damn Right, This Thing Has a Gunner’s Seat

And that’s when the trailer hits us. What can and should be the most amazing surprise in the trailer (if not unfortunately spoiled for you by a few self-interested rotten apples with horrible cell phone photos) - this isn’t the Ecto we’re familiar with. Perhaps an explanation as to why it’s the ol’ Ecto-1, or maybe the car was always being changed throughout the duration of the Ghostbusters’ longevity, THIS Ectomobile looks to have been heavily modified for field work. Phoebe, with a thrower in her hand, swivels out into an attack position and we’re off to the races. The Ecto-1, with Phoebe in the gunner position, looks to be chasing the microscopic entity seen earlier in the industrial space - though some people have speculated that might be Slimer, I don’t think that’s the case. Either way… Dear Hasbro, take my money now. My goodness, what an awesome set-piece (and toyetic moment) that looks like it will be.

Everything about this movie speaks to me. It’s playing with my nostalgia. It’s also giving us something new and the promise of the next generation discovering the Ghostbusters both on-screen and off. The fact that a main character is named Trevor for some reason immediately made me think of my amazing former boss and now guide to the next generation of comedy Trevor Albert, who was a long-time friend and colleague of Harold Ramis. Phoebe’s an intriguing character and the friendship that we saw Mckenna Grace and Logan Kim develop via social media throughout the course of the production seems to have carried over to their on-screen performances.

Of course, noticeably absent are any of the original cast members. But, as the theme of this trailer and seemingly the movie as a whole is discovery and things slowly unfolding, I can imagine that moment will be saved until the absolute very end of the marketing campaign. If the cast isn’t kept in secret similar to Mark Hamill in The Force Awakens completely. To be completely honest, I don’t want to see another frame until opening day of the film itself. And if this is the only trailer they release, that would be a wonderful mystery box. Particularly for this Ghostbusters podcast host who would have to break another TV spot or trailer down frame by frame. I get the sense that the less we know and see about this movie before the first viewing experience, the better.

But most of all - - the iconography, the designs from Stephen Dane, Michael C. Gross, and so many other artists has carried over successfully and looks authentic. This is no replica, as the trailer blatantly tells us. This is the real deal.

#ghostbusters afterlife #ghostbusters (2020) #trailer #Jason reitman

[themagiciansreccenter]

Author Spotlight: greywash

Every week we are going to be interviewing a writer from The Magicians fandom. If you would like to be interviewed or you want to nominate a writer, get in touch via our ask box.

First things first, tell us a little about yourself.

Hi, I'm greywash! I usually go by Gins, I'm 37, I'm an engineer, and I live with my beta/writing and queerplatonic life partner HBBO (havingbeenbreathedout) in the cheap(er) seats outside San Francisco.

How long have you been writing for?

I apparently "wrote" and "illustrated" a story for my mom about a dragon who forgets his best friend's birthday when I was three, so. It's been a minute. I kill fewer crayons these days.

What inspired you to start writing for The Magicians?

Well... basically, I followed @longnationalnightmare in from another fandom, and a few people on my Tumblr dash were reblogging gifsets, so I originally watched the show basically just for more context. (The threeway. By "more context," I mean "the threeway.") Anyway, it took me about 0.3 episodes to be completely hooked: I had read the books a few years back and was ambivalent about a lot of things in them, so when I started watching the show I was expecting a lot less than I got? I'd expected a sort of silly B-show with lousy acting, and, I mean... it is frequently *very* silly, but then it turned out that the cast ranges from 'very good' to 'incredible', and the interpersonal dynamics are *fantastic*, and those are both pure fannish bait for me. The show's not perfect, but they fixed a lot of my problems with the books, a lot of which lived on a character development level... I think the show really has done some incredible work with Quentin, especially; and also with depictions of complex, liminally-sexual queer friendships, like the relationship between Margo and Eliot, which I feel like I've never encountered represented this well in any other visual media source, ever.

Who is/are your favourite character(s) to write? What it is about them that makes them your favourite?

Ooh, that's hard. Eliot is just my hands-down full-stop favorite character, but there's always that tricky question of "who is your favorite character to write *in the point of view of*" versus "who is your favorite character to write *about*," especially when you have a relationship or relationships you're really invested in (for me, the asymmetrical Quentin/Eliot/Margo triad). When I want to write stories that are love letters to Eliot Waugh, which is often, then I want to write from Quentin or Margo's point of view, because when I write Eliot's point of view, I am inevitably writing love letters to one or the both of them.

Do you have a preference for a particular season/point in time to write about?

Well, since I came into the fandom during the post-S3 hiatus—I started watching the show in October—just by default that's where most of my work is grounded, so far.

Are you working on anything right now? Care to give us an idea about it?

Oh boy, I sure am! I have a lot of work to do on my 39 Graves fic, and then I still have, hm, probably another... twenty or thirty thousand words, ish? On "The Marriage Plot," which is the sequel (...sort of) to "Firebird" and also my sort of... emotional raison d'fanfic, for The Magicians. It's sort of a, uhh... well, let's call it an un-arranged-marriage fic, is the best way I can think of to put it.

How long is your “to do list”?

Oh gosh. It's atrocious, but it's also not all for /The Magicians/. There's "The Marriage Plot," but I also have a long-running /Sherlock/ WIP that got toootally hijacked by me suddenly desperately needing to write hundreds of thousands of words about Eliot and Quentin not getting married, and so I'm just getting back into that; and then I have 39 Graves. I also still owe my partner a /Sneaky Pete/ storylet and have two other outstanding prompts from the summer, one for /Lewis/ and the other for... I.... totally don't remember! /The Good Place/, I think? I saved it around here somewhere. On top of that, I'm doing fan_flashworks bingo over on Dreamwidth, and I don't want my entire bingo card to be "The Magicians," though so far that's been somewhat difficult to resist. And I love the weekly prompt idea that the Rec Center and the Neitherlands Library are running for S4! I had a blast writing for the "Identity" prompt and am looking forward to this week's as well. Well, at least I write fast.

What is your favourite fic that you’ve written for The Magicians? Why?

I think I have to say "Firebird," because I haven't finished "The Marriage Plot," and who knows how that'll go; but they're so inextricably linked in my mind it's hard for me to think of "Firebird" as like—its own separate thing? I guess I can say that "Firebird" was really uncomfortable in places to write, so I'm proud of myself for getting it done without flinching away from all the, like, body horror and murder and super dubious consent; and I think it does what I want it to do. We'll see how I feel when I finish "The Marriage Plot."

Many writers have a fic that they are passionate about that doesn’t get the reception from the fandom that they hoped for. Do you have a fic you would like more people to read and appreciate?

Well, I definitely haven't been here long enough or written enough stuff to have that feeling, but—let's say "The Get Down," which is just a little bonbon about Margo and Eliot being best friends and banging a psychic. I love themmmmm~ ~ ~

What is your writing process like? Do you have any traditions or superstitions that you like to stick to when you’re writing?

I'm not particularly superstitious about writing, but I am hugely invested in my writing routine—I'm a write-every-day person, and I do mean 'every day'; I'm on a 2,179 day streak on 750words.com—that's a little shy of six years. People are usually horrified when I admit this, but: I get up at 5:15 in the morning seven days a week so that I can put on headphones and write for at least an hour and often more like two before work, or whatever it is that I'm doing that day. (I also go to bed at like.... eight forty-five. I am a party animal.) I also very frequently write on my lunch breaks and have the excellent fortune to live with my writing partner, so we spend loads of time writing on the weekends and talking about fiction. This is literally the life of my dreams, but you have to be a very specific kind of obsessive weirdo to feel that way, I think.

Do you write while the seasons are airing or do you prefer to wait for hiatus? How does the ongoing development of the canon influence and inspire your writing process?

I am too much of an egg in this fandom to have an answer to this one yet, I think. :) I probably wouldn't start a longfic during the season, but shortfic, sure, why not?

What has been the most challenging fic for you to write?

"Firebird," because of all the aforementioned body horror and murder and super dubious consent. I am a delicate flower, who happens to be fascinated with narrative about people confronting their personal monstrousness. It's a tough row to hoe, man.

Are there any themes or tropes that you like particularly like to explore in your writing?

For /The Magicians/, the particular dead horse that I love to flog is Fillorian marriage, and the implications that forced fidelity have for consent; and also just for how intimacy *works*, within a marriage or a long-term relationship where that sense of choice, of choosing and being chosen, is so much of what lends richness to the relationship.

Are there any writers that inspire your work? Fanfiction or otherwise?

Nonfannishly: Georgette Heyer, Sarah Waters, Herman Melville, Miranda July. Fannishly.... whoo boy. In /The Magicians/, I'm still catching up on all the great stuff that people have written! @longnationalnightmare , @adjovi , @achray , @shmazarov, @numinousnumbat , and @ohmarqueliot are some of my favorites so far... in other fandoms: gosh, where to even start, I've been in fandom for 20+ years, we could be here a while. I guess since we're on the subject (sort of) of the monstrous, I reread @1001cranes ' "disguise fair nature with hard-favoured rage" the other day and was just as floored by it now as I was... gosh, was that really seven years ago? Well, it's evergreen, go read it again. @septembriseur for fiction about altered consciousness. @drawsaurus for the interplay between warmth and brittleness and humor and darkness. @helenish for her endings. @havingbeenbreathedout for the interplay between sex and story, and basically everything else as well.

What are you currently reading? Fanfiction or otherwise?

Right now, I have open on my laptop: (1) @astolat 's "And I Alone Have Escaped to Tell You [which I've read before], (2) @ohmarqueliot 's "Reaching in the Dark" [which I haven't started], and (3) what is, in context, the most ironic thing *ever*: a handbook on strategies for managing ADHD. What? Don't judge me.

What is the most valuable piece of writing advice you’ve ever been given?

Basically that learning to write is just figuring out how to ask yourself "What are you trying to do with this _______?" (comma, word, line, paragraph, chapter, story), and then figuring out how to answer. (Thanks, Dad!)

Are there any words or phrases you worry about over using in your work?

Oh, I mean—I'm pretty okay with even the totally predictable bits of my narrative voice, I don't stress about it too hard anymore, but yes, there are a bunch of words I *know* I overuse. Especially since I'm a little bit blind to repeated words if I'm reading and not listening to my work read aloud, which—I try to do at least one pass where I get my computer to read to me when I'm editing, but I need to have both time and focus to make that work, both of which, I find, are often in short supply. "Tells"—he tells her, she told him—is *the worst*; I'm always looking for it my brain just skips over completely, it's like it's not even a word for me anymore.

What was the first fanfic that you wrote? Do you still have access to it?

Oh dear. I'd been in fandom for several years before I started writing, but as I recall, the first thing I actually wrote was an exceptionally overwrought and tragic Snape POV Remus/Sirius story. I have no idea what happened to it and I'm almost certainly happiest that way.

Self-edit or Beta?

Both!

Comments or Kudos/Reblogs or Likes?

All are delicious.

Smut, Fluff or Angst?

Smut.

Quick & Dirty or Slow Burn?

Quick and dirty on the sex and slow burn on the feelings.

Favourite season?

Season Two

Favourite Episode?

Cheat Day

Favourite book?

The Magicians

Three favourite words?

lovely, devastating, yearning

Want to be interviewed for our author spotlight? Get in touch here.

#The Magicians #the magicians rec center #author spotlight #author spotlight: greywash

[jdateidea-blog]

When is horror funny?

When is horror funny? I found myself pondering this question in late 2015, as I read a review of John Dies at the End on the Fangoria website. Do monsters become funny with overuse? Zombie flicks such as Shaun of the Dead and Zombieland suggest this may be true. Yet, the work of Jason Pargin is quite original, except that it takes place during the apocalypse. No zombies or vampires, just a supercomputer made of flesh named ‘Korrok.’

John Dies at the End (JD@TE), and the following two books in the series, follow the story of David, Amy, and the titular John. Through David’s narration, the trio discover extra dimensional forces that are, of course, after them simply for knowing about the world outside their imaginations. The only goal of beings such as Korrok, the Shadow Men, and “The Fake Jamaican,” is to control everything they can, and when they face resistance, to torture it into submission. Thanks to a drug called ‘soy sauce,’ Dave, John, and Amy are privy to this knowledge.

Where to start in answering the question of funniness? Is horror comedy the art of putting funny and scary events together with the perfect timing? Or is it the art of relating scary events in a funny way?

Over the course of the next few months, I hope to answer these and other questions using and analyzing JD@TE and its two sequels. By the end, I hope to have gained a better understanding of how horror comedy relates to the human experience, as well as how it can be understood in light of certain social issues and themes that intersect in Jason Pargin’s novels.

Until next time.

[brianna-lei]

Butterfly Soup Asks #16

This time including the squad as DnD characters, Liz facts, Noelle getting her yaoi education, and more

I’ve only played Dungeons & Dragons once (1) in my life so I’m no expert! I’d consider my thoughts suggestions (like with my takes on the charaters’ MBTI types, which I’m not an expert of either): 

Noelle as a Wizard sounds right, since she definitely can’t do anything reliant on physical strength. She would be an asshole and attempt things like building a Clone Army

AKARSHA THE BARD. Rogue sounds too cool for her

Diya: I actually want to say she’s a Ranger because the Wiki on 5th edition says “The Beast Master archetype forges a connection between civilization and beasts, allowing the character to interact with animals in certain ways including gaining an animal companion to control.“ Fighter and Knight also sound plausible though! 

Min: Barbarian with high Strength and no Intelligence and Wisdom

I don’t want to say too much because I want to save things for the sequel, but here’s some stuff:

She actually played against Diya in youth leagues before she transitioned. That’s why she recognizes Diya+specifically approached her to sign the baseball club form while Diya doesn’t recognize her. At the first club meeting Liz tells her “I was at one of your games when you were little” -- This is purposefully ambiguous/misleading (sounds like Liz was just watching) because she passes and doesn’t want to out herself to a bunch of club members she doesn’t know well

After transitioning she quit baseball and switched to softball. It was weird being the one trans girl on a team of cis dudes, and additionally when she was younger she sort of felt like she had to prove she was a girl; she naturally has feminine taste, but she’d overperform it by 25%. It wasn’t until she got close to Chryssa and found out she also liked baseball that she reclaimed her interest in it

She has a nice resting face so strangers tend to ask her for directions 

Sunburns easily

Yesss check the FAQ guys! Fangames are fine as long as you explicitly say it’s a fangame!! 

I’m almost mad I didn’t think of this myself. I’m one of those people who overuses “spoopy” 

All art in the game (including the title screen) can be downloaded here!

NO!!! 

Noelle. The day the others find out will be the End of her

Akarsha was reading some yaoi so it came up in conversation, and since Noelle had never heard of it Akarsha gleefully educated her (to Noelle’s horror). Noelle was extremely scandalized that Akarsha kept sending her inappropriate images, and Akarsha was like “i’m doing this out of the kindness of my heart! it’s for ur education!! me: Master Teacher. call me sensei”  

Following this Akarsha changed her chat name to YAOI SEME as seen at the beginning of the game 

Diya and Noelle: Never tried it

Min: Has tried it 

Akarsha: She constantly makes weed jokes but actually only does it rarely 

Yes, I’m planning on exploring this more in the sequel! 

Diya; Dee-ya. Rhymes with “See ya”

Min-seo: Korean way, but most characters like Diya pronounce it like Min-so, with the “Min” rhyming with “win” (not like “mean”). The “so” is one syllable (not like “see oh”)  

Akarsha: uh-KAR-sha

Noelle: No L 

I was planning on making the sprites blink! I’m still a bit sad I didn’t end up doing it

It’s supposed to be fall 2008 when they’re in high school, but I took a LOT of artistic liberties when it came to the references. For example, Akarsha makes a Durarara reference even though the anime didn’t come out until 2010, and there’s a lot of modern memes that ended up in there too...I couldn’t hold back...

The IGF trailer video is especially modern-day meme-wise -- since it broke the 4th wall, it was like, all bets are off. Don’t think too hard about it!

I wanted to put a lot of 90s and early 00s hits in the game for the nostalgia factor, like Complicated, Rock Your Body, Dilemma, etc. I think it would’ve made the experience even more surreal for players who are around my age!

I don’t own the rights to all the music so I can’t distribute it around for people to download! Here’s where you can find everything:

Thought Projection by Ketsa

Holding Your Breath by Ketsa

Thoughts of You by Ketsa

2011-13 by Ketsa

Miyauchi Yuri/110515 (miltata remix) by Miltata

Night Tourist by Miltata

Sound413_Images(short) by Miltata

Sound429_Floating Cloud (draft) by Miltata

Side by Side by Miltata

Blooming by Miltata

Romaras by Miltata

Little Circle by Miltata

Daydream by Miltata

Calling Project 2 by .que

Flame of Love by YOSHI

Valar Morghulis by Bloodgod

Overflowing by Tatsuya Kato

My Heart Will Go On - Recorder By Candlelight by Matt Mulholland

At one point Diya finds out what it means on her own. After she finds out, she uses it for the actual meaning :) (added this to the FAQ now) 

I can totally relate to all of them, but I’d say Diya! (added this to the FAQ now) 

that sounds a bit alarming

(I added this to the FAQ page now, thanks for reminding me)  I’m fine with people shipping whatever!! The only thing I can think of that’d make me uncomfortable is incest and shipping Diya and Min with male characters – other than that, go nuts

Oh noo im sorry, that must’ve been stressful! For those who don’t know, I chatted about my game for a few minutes last week with MEGA (a USC club I used to be in!). I’ve adapted them here with what I assume what the questions were: 

1. Is that your cat on your Skype icon? 

yeah it is!! it's burrito 

(people think it’s a cute name) 

LOL glad you guys approve

2. Was the game made in Renpy? What do you think of Renpy vs. Twine? 

yep! it's made in renpy! I actually started out in twine -- twine is impossible if your game is like longer than an hour and is image heavy. the engine started lagging so bad it would take 30 secs to do anything

2. Would you eat a tiny 2 inch man for $100 million?

LOL it's hard..it's a lot of money. I don't think I would

(but you could use that money to save many more lives! utilitarianism) 

it's a real dude tho! i'd feel awful for him haha it's hard when you have to physically do it LOL

3. How long did it take for you to make Butterfly Soup? 

FOREVER. I thought of it in my junior year over winter break

4. Was it for school (like an assignment)? 

nah! just on my own

(people saying that’s impressive) 

yeah!! self motivation

5. What’s your favorite part of the game? 

hmmmmM I like the "date" with min in the dream. it's so fun, with the dog park

6. Which character do you relate to the most? 

diya!! social anxiety queen, so relatable

(people comment on how she runs around when anxious) 

i really did that before my sat once, ran 2 miles at the school's track

7. Are you from the San Francisco Bay Area

yeah i'm from the bay! east bay

8. Which year did you first come up with Butterfly Soup? 

winter 2014 i think

(people trying to calculate which year was my junior year) 

i graduated a year early so junior year was also senior year

9. Are you making a sequel? 

yes!! once ihave more time. i have a lot of ideas for stuff that goes after

10. Was this a prequel to Pom Gets Wi-Fi? Or maybe spiritual successor?

this is a prequel. i dunno about spiritual successor tho, they're a bit differnt

11. Any tips on how to balance schoolwork and working on personal projects? 

hmm...i honestly sucked at this and could only work on it on breaks lol...if you can try to work it into your school projects, like some bit of it...

other than that i cant think of anything LOL it's hard

12. How did you organize yourself making such a long game? Any tips? 

it was SUPER hard to organize, i was really lost until i split it into 4 sections with each character. so if you're planning on making a game this big definitely think about forcing yourself into sections like that

the art was the most confusing to do bc of how many assets there were. i was going to say "have consistent naming conventions" but that's literally impossible LOL it'll always become inconsistent no matter how hard u try

13. What part of the game took the longest (writing? art?) 

writing, actually, despite how much i complain about art assets. it's really hard making sure the structure and themes come across correctly. like pacing is so hard. art is like #2 biggest time sink

14. How early in did you write the Akarsha/Min skateboard scene?

that came pretty late haha i put it in at last second

15. Are the characters based on real people? 

they're all inspired by combinations of ppl i know! i wouldn't say based on them, tho. for example min is like a combination of 3 friends i have, strategically arranged to play her part in the story

character design is design so u still gotta be deliberate about it

16. Who’s the other cat on the computer? (they’re referring to the cat on my desktop wallpaper) 

that one's maru! he's a famous japaense cat. he's super photogenic

(people speculating that he’s the “tube one”) 

the tube one? probably. he's famous for going into stuff

17. What was your favorite aspect of working on the game? 

definitely getting to put specific Asian-American experiences into it

i was like HAHOH i can do this and no one can stop me! it was really fun getting to do this without any creative direction from like, a studio or anything. so i could just go bonkers. i hate pitching stuff so

18. Any writing advice? 

definitely have other people beta your writing as soon as possible! they always catch stuff you missed. also this is like a cheat, make your characters really extreme. like find one aspect of yourself, and turn it up to 11 and make it into a character. that way they'll be relatable and memorable at the same time. i think most people don't make their characters extreme enough so they're all kinda samey

19. (I can’t remember what they asked me here, sorry! They were asking if a specific meme was in the game)

LMAO nah it's not. i did briefly think about it though, i will admit

20. Would you eat a Gusher the size of your hand? 

that would be pretty cool. i don't think i could eat it all at once tho...i would try to save it. like half

You’re welcome, I’m really happy to hear it helped the game feel relatable!!  

Thank you! I hope you have a good day too!!

haha I feel like my game is almost propaganda bc so many people wish they had girlfriends after playing it! the agenda...Thank you for waiting for the sequel, it makes me super happy to hear people are looking forward to it! 

You’re welcome!! I’ll do my best!!! 

You’re welcome!!!! :>

You’re welcome!!! 

same I’m really happy so many people find them relatable! you’re welcome!! 

You’re welcome!! my kids can never get enough love im very happy 

I’m glad you liked it! Thanks for the support! TT_TT

#briANSWER #ask #my post #Butterfly Soup #socialpoison

[ramajmedia]

5 Things Alien Did Better Than Aliens (& 5 Things Aliens Did Better)

It’s an age-old question: which movie is better, Alien or Aliens? It’s not often that fans debate whether a sequel is better than the original, but it’s not usually this close a call. In the Alien fan base, this debate is considered to be comparing apples and oranges. Alien is more of a horror movie, and Aliens is more of an action movie. They’re both as good as they can be in those genres.

RELATED: 10 Questions The Alien: Covenant Sequel Needs To Answer

Still, there are certain basic filmmaking elements that each movie does better than the other. Here are 5 Things Alien Did Better Than Aliens (And 5 Things Aliens Did Better).

10 Alien: Suspense

A lot of horror movies these days are criticized for their overuse of jump scares, but the problem isn’t that jump scares are bad – it’s simply that a good horror film will build up suspense towards a jump scare to make it more effective. Unearned jump scares aren’t scary, but when they’re earned, they definitely are. Alien is a perfect example of this in practice. When the baby alien scuttles off, that’s what the crew goes looking for – a baby – and that’s what the audience is expecting. So, when a full-grown xenomorph suddenly shows itself, we get a jump scare that works, thanks to suspense and subverting the audience’s expectations.

9 Aliens: Dialogue

Good dialogue is the cornerstone of keeping a movie-going audience hooked. The dialogue in Alien isn’t bad, but it feels impersonal. A lot of the lines could’ve been swapped around the characters and it wouldn’t have affected the viewer’s understanding of the plot too much. James Cameron’s dialogue in Aliens, however, is a vast improvement.

RELATED: 10 Most Memorable Quotes From The Alien Franchise

The characters are all well-rounded and clearly defined – even the one-liners have been tailored to the characters who utter them – and Cameron’s exposition doesn’t feel like exposition; it feels like a conversation that happens to reveal information that’s relevant to the plot. Aliens’ dialogue beats Alien’s dialogue, hands down.

8 Alien: Pace

Alien’s first big scare is the infamous chest-burster scene, which doesn’t appear until around 45 minutes into the movie. This is because Ridley Scott is a master of pacing. He doesn’t rush into introducing the titular creature. He lets us get to know the characters and builds up the tense atmosphere of the space station. When John Hurt is attacked by a facehugger, there are no immediate consequences, so the crew all have a party to celebrate his good health. And that’s when a baby alien forces its way through his chest. The first Alien film is a masterclass in pacing.

7 Aliens: Final Battle

In the final battle sequences of both Alien and Aliens, it boils down to Ripley fighting a xenomorph, and both times, she’s hopelessly outmatched. However, there are a couple of points that make James Cameron’s version of this fight more thrilling than Ridley Scott’s. For starters, Ripley has more to fight for the second time around. She’s not just fighting for her own survival; she’s fighting for Newt’s, too. And by hopping into one of the exoskeleton suits that was introduced earlier (this is a prime example of the screenwriting principle of “plant and payoff”), she can actually fight the xenomorph herself.

6 Alien: Composition

Both Alien and Aliens look fantastic, but the work that Ridley Scott and his cinematographer Derek Vanlint did on the first Alien movie is unparalleled. The scenes on the space station look like Kubrick could’ve shot them, while some of the scenes on the planet where they find the xenomorph eggs with the dead Space Jockey could easily stand on their own as terrifying futuristic works of art. James Cameron and his cinematographer Adrian Biddle included some great shots in Aliens, but it’s not the dazzling visual experience that Alien is. When you’re watching Alien, it’s so engaging that you feel hot when it’s hot, and cold when it’s cold.

5 Aliens: Subtext

James Cameron made Aliens as a pretty clear allusion to the Vietnam War. An American corporation sends soldiers to a foreign world to fight a war that isn’t theirs, and the bureaucrats respond to every potentially dangerous situation by immediately opening fire. The movie can be watched and enjoyed without reading into this subtext, but the political overtones give a deeper meaning to all the intergalactic action. And it’s not even the overarching theme of the film – the film is really about motherhood, and the maternal instinct (both in the hero and in the villain). Cameron is a master of subtext.

4 Alien: Realism

Okay, obviously, Alien isn’t realistic. But realism in science fiction simply means selling to the audience that the fantastical things that are happening to people are really happening. As an example, Tony Stark’s original Iron Man suit was absurdly advanced technology, but we felt the weight of it. We heard it clank, we saw that it was difficult to put on and operate. Contrast that with his Infinity War armor, which is made of “nanites” that just swarm his body to put a suit around it within five seconds whenever there’s danger. The technology in Alien, the atmosphere on the space station, the exploration of the alien planet – it all felt real in a way that Aliens, and every sci-fi film that came before it, didn’t.

3 Aliens: Escalating The Stakes

In Alien, the stakes escalate when the space station that previously didn’t have a bloodthirsty alien on board suddenly has a bloodthirsty alien on board. But in Aliens, the stakes escalate continuously throughout. For starters, there are a lot more bloodthirsty aliens this time. And then the humans’ ride back to base is destroyed.

RELATED: Ranked: The 10 Scariest Moments In James Cameron's Aliens

And it becomes apparent that the corporate suits want to take an egg back to Earth. And the xenomorph queen abducts Newt, motivating Ripley to rid the planet of them once and for all. Aliens kicks off with some stakes and then keeps raising them from start to finish.

2 Alien: Subtle Acting

There is some terrific acting in Aliens (such as Bill Paxton’s “Game over, man! Game over!” monologue), but the performances in the original Alien film are much more nuanced. Sigourney Weaver doesn’t have any ‘80s-flavored one-liners (although, to be fair, her one-liners in Aliens are pretty cool: “Get away from her, you b***h!”) and instead plays Ellen Ripley as a calm, collected professional who’s just there to do her job until she’s forced to survive. Ian Holm gives a chilling portrait of an android from a future where humans don’t trust androids. John Hurt masterfully lulls us into a false sense of security to make the chest-burster all the more shocking. The acting in Alien is superb.

1 Aliens: Character Development

The screenplay for Alien was written with no genders specified for the characters. They were interchangeable, and as a result, they hardly progress. The Ripley we meet at the beginning is the same Ripley who jets off into space at the end. However, in Aliens, she has a real character arc. She learns that while she’s been in space, her daughter has lived to old age and died. And then she meets Newt, a young girl who has lost her mother to the xenomorphs, and they bond over being a motherless daughter and a daughterless mother. This gives her a reason to join the fight against the xenomorphs, and develop as a character.

NEXT: Every Alien Movie in the Franchise, Ranked From Worst To Best

source https://screenrant.com/alien-aliens-comparison-better-worse/

#screenrant

[dazais-guardian-angel]

Thoughts On Tales of Berseria

Soooooooo this is a very long overdue post (like a month late lol), but my health was in a meh state for a long time pretty much starting with when I first beat the game and technically still isn’t over yet but it’s bearable now so so that killed a lot of my motivation to do... much of anything, so here we are now. I also rewatched a good portion of the game while my friend was playing it for the first time and that helped me figure out my thoughts on it better (while talking with her about it).

I want to clarify that despite the... kind of negative tone of this analysis, I still really enjoyed Berseria. After all, it is a Tales game, and I love Tales, and there isn’t a single one I outright dislike. This also contains some spoilers for Tales of Zestiria, as the distant sequel to Berseria and a game that is very important to me as one of my favorite Tales so yeah, just a warning, I love Zestiria, and that’s gonna be prevalent here some.

Spoilers below. Also this is incredibly long, I am so sorry; if you read it all you deserve a medal, as usual:

This will mostly just be a collection of random points, not organized really in any particular way:

Burn is a badass opening. Fucking love it, and the animation with it; watched it every time, as expected.

I really enjoyed Berseria’s battle system; normally I’m not one to really scrutinize how good a gameplay system is or isn’t because I’m not actually good at playing lmao but I liked the soul system, and the break souls, and how you can do an epic chain of mystic artes together in a row <333 also Eizen’s dragon MA is just rude, okay.

The weapon upgrading system is so much easier and less confusing compared to Zestiria’s; thank fucking god

The cameo character side quest in this game is just... what the fuck, Bamco. not only did you use two of my least favorite characters in the entire Tales series, but you used them in the weirdest scenario ever. i’m so disturbed i want to... forget all of that... lol.

The soundtrack is okay, sadly not as standout as Zestiria’s but I expected that. :/ There are still a few amazing tracks though that I have listened to by themselves a lot; specifically Eizen’s theme, Rokurou’s theme, Shigure’s theme, all variations of Velvet’s theme (”True Will” is just UGH), Oscar’s theme okay so all the character themes lol, the Hellewes song I think, the song that plays in Palimedes Temple, “Time to Relax” (Titania Prison’s softer and more homey theme song), “The Last Word” (</3), the credits song, and the epilogue cutscene song ughhhh (my favorite).

Really wish there were more anime cutscenes. Feels like there were a few at the beginning and then..... literally none until almost the very end of the game; kinda disappointing.

I was really concerned when I first was told by somebody that most of the dialogue in the game is told through mandatory skits, but in the end it didn’t bother me as much as I expected it to. Still, I think they were overused a bit too much; I get that it’s easier but there’s only a limited number of expressions that the sprites can show, no matter how much movement they’re given, and the models can get across emotions specific to a certain situation much better, so I wish they would have utilized them more just for talking.

Voice acting is amazing, as usual. Cristina Vee did an INCREDIBLE job as Velvet, just wow, and I was also really impressed with Ray Chase as Artorius ughhh, so good. <3

I love Velvet’s outfit; no shame, sorry. also Eizen without his jacket is mmmmMMMMM

Berseria has really good writing, storywise. The plot is well-conceived and I love the themes behind it, the focus on the importance of family, and where it eventually leads to in the end. Lot of emotion with Velvet’s story with Phi, Laphicet, Artorius, (and Celica/Seres), and it really hits hard ugh. </3 So I really respect the game for the main underlying plot, the message it was trying to get across, how hopeful it is despite how frankly depressing the entirety of the game is, and for the parts that it did well, because those parts are incredible.

but

I’m sorry but there is a big but

My biggest problem with Berseria stems from the fact that aside from Velvet, Phi, and Eleanor, everyone else is... rather flat. Sort of related to that (but not entirely) is the fact that despite me liking almost everyone in the party to varying degrees, they honestly didn’t feel that close? I was told this game had a huge found family aspect to it, which is what I always expect and want from Tales, and I was especially anticipating it in this game with Velvet’s initial setup, and how excellently (and emotionally) that prologue was handled. But although by the end of the game, they do feel closer to each other in some ways, it takes an insane amount of time to get there, and even then, it’s not that strong except in certain skits. For a lot of the game it feels like half of the characters in this party have absolutely no reason to be traveling with this group, and although that can happen in Tales, usually by the middle of the game, and especially at the end, you know they definitely belong with the group, in your heart. But I just wasn’t feeling that here, and it doesn’t help that Rokurou is constantly rubbing in my face that he’s only here to repay his “debt”, and Magilou constantly reminding us that she absolutely couldn’t care less about anything we’re doing, making the feeling even worse. Eizen, too, has this issue, even though eventually he has a unbearably tragic motivating reason to follow them, but again, it comes so late. ...Ironically, I felt more of a found family vibe in the side characters and the party than I did within the party itself (Kamoana, (with Eleanor and Medissa), Dyle, Kurogane (with Rokurou), Percieval (with Phi kinda), and although I wholeheartedly enjoyed every moment of that... I also wanted it in the party more. And like I said, it is there SOME, and the moments that do happen are so sweet... but I just wanted and expected so much more from their dynamic. And the relationships within the party that exist as much as they do are split up into specific pairs and trios, which are Rokurou&Eizen, Rokurou&Phi&Eizen, Eleanor&Phi, Eleanor&Velvet, and of course, Velvet&Phi, and the latter vastly overwhelms the others by an enormous margin. Give me different match-ups; give me Velvet and Eizen having quiet talks as the group parents and two broken people who know what it’s like to lose, know what it’s like to care about family, and can relate to one another (the dialogue where she talks to him before the final battle and worries about his condition with the malevolence was just everything I ever wanted), give me Eizen and Eleanor, because she is so kind and changes so much throughout the game and so would be (and is) sympathetic towards him, like she is towards Rokurou, give me more blatant Eizen and Phi brotherly stuff okay just everyone with Eizen, give me more Velvet and Rokurou because I honestly adored their interactions in the very begnning, give me Phi trying to talk to Magilou and forcing her to break out of her comedic farce personality to try to find out why she is the way she is, just... give me more, game. ugh.

Getting back to how I said everyone who isn’t Velvet/Phi/Eleanor is pretty flat. Berseria has this weird thing about... no flashbacks being allowed, ever, unless they’re related to Velvet’s story and the immediate characters related to her. Honestly, if I had to summarize it, that’s what I’d say: this game is too Velvet-centric. Which, I mean, she’s a great character! And her story is amazing! ...But I play Tales for the entire party, and so the entire party should get focus as well, and the connections between them and the protagonist(s) should be balanced evenly. That’s not the case here. Soooooo many characters could use more depth in this game (sometimes even depth at all...), but the game chooses to adopt a “tell not show” method of giving it to them, and often far, far too late in the game, with absolutely no build-up to it, which... fails. Really hard; worse in some places than others. Older Tales games have a slew of side quests that do nothing but give further development to party members and side characters, but in Berseria, there’s only one side quest for each party member plus an important side character, and none of them have flashbacks at all if they involve a backstory. Party-wise, Rokurou and Magilou suffer the worst from this. I love Rokurou as a person, but honestly? I couldn’t tell you why I love him. He’s cool, and that’s about it. His story with his clan is so confusing because it’s barely expanded on at all, and the emotion that should be there with him and Shigure just... isn’t, because Rokurou himself isn’t emotional about it at all, so how can we feel anything? We just get a bunch of cryptic statements from him that we’re supposed to accept, and move on, just as the party moves on from it, confusedly. Shigure’s death made me feel a little because the scene itself was executed ha ha well, but it could have made me feel so much more. And then after that we get some info about their mom, which is all told to us in dialogue and nothing shown at all, and then it’s over. Magilou suffers from this even WORSE... like, I’m sorry, but I really just don’t care for Magilou. At all. I tried! I really did! And by the end of the game, I had gone from straight-up disliking her to just being neutral about her, at least! ....But the game literally just gave me zero reason to care about her, ever. She is nothing but the comic relief character for most of the game, her only role being to rudely butt in on the end of important conversations to add her own two cents (which usually amount to “haha look how much I don’t give a crap about any of this”) and messing with Phi. When they finally do start trying to show a darker side to her, when Melchior starts torturing her and taunting her, and then later when she asks Velvet what it feels like to hate, I... just can’t bring myself to care/try to figure out wth is going on? Because there’s been no build-up to it. She stays stagnant throughout the entirety of the game, unlike typical Tales characters of her type that are broken from their pasts and use cheerfulness to cover it up, that gradually show signs of becoming closer to the party throughout the game until there’s usually a Big Moment(tm) where they have to decide what they’re going to choose (see: Alvin, Zelos, Dezel, Jade minus the big moment, Raven, etc etc). The first scene I mentioned should be Magilou’s Big Moment(tm), but it doesn’t work because we’re suddenly getting this backstory hastily shoved in our faces all of a sudden, with absolutely no hints of it beforehand and thus no emotion at all from the scene. Instead it’s just confusing, not unlike Rokurou’s scenes I mentioned. Her backstory is cryptically shoved into side quest npc dialogue that you’ll absolutely miss if you’re not looking for it instead of in the main game, where it should be, and even what you get is barely anything, with no flashbacks to give you that emotion you really need for her. Magilou treats it casually, so, I treated it casually too. It’s not important to her, or the game, so I couldn’t care either. When she verbally takes down Melchior in Merchio later, I cheered, but that was literally the strongest emotions I ever felt towards her, and it didn’t have nearly the amount of oomph it should have because of everything I stated. Just. Why did they not handle her better; it makes me so sad, because she could have been AMAZING. I’ve never felt like a character belongs less in a Tales party than Magilou, tbh; she stood out so much and I just kept asking “why are you still here, again?”, and the party basically asks the same thing lol. Bienfu felt like he belonged more than she did... >.> Eizen in particular wounds me deeply because we’re already predisposed to care about him so much because of Zestiria (and lbr, Bamco knows everyone who is playing this has played Zestiria, so there’s no excuse), and so I so desperately wanted flashbacks of him and Edna. I can’t even begin to describe how much I wanted them *sobs* and the skits where he talks about her were perfect and beautiful and made my heart soar and yet break into a thousand pieces, but... I wanted them to go further with it. I wanted to see him get more emotional, and I understand that the way he is is just his personality, but like... this character is so crucial to one of the mains in Zestiria, and we love Edna and we know how important Eizen was to her, so I just wanted the game to treat him with so much more love because Zestiria frankly handled that subplot so terribly. *sighs* That being said, though, his relationship with Zaveid in Berseria is by far one of THE best done parts of the game (more on Zaveid later)... and the Aifread subplot literally destroyed me. Just. Destroyed. Yet another example of flashbacks I wanted, with the two of them (BAMCO I WOULD LITERALLY PAY YOU SO MUCH TO SEE AIFREAD AND BBY!EIZEN, DO YOU KNOW HOW MUCH I WOULD PAY *sobs*), but even still, it was done pretty well compared to other things, and I’m still crying over it. ;________; </3 <3 ...In the end, though, although I do really like Eizen (his nerd rambling speeches were just b l e s s, and the black humor with his curse omg poor baby; and of course HIS RELATIONSHIP WITH THE PIRATES WHICH IS THE BEST FAMILY IN THE GAME TBQH *tears*), I didn’t adore him as much as I assumed I would, and that sucks. :/ Eleanor is an amazing character, 10/10, and it’s kind of baffling how much focus she gets over the three mentioned above. Her side quest about her mother once again gets the obnoxious “tell not show” treatment, but it’s alleviated by the fact that she’s had so much development in the main story so it’s not as huge of a letdown (did I mention that regulating backstories to side quests, and not even well-executed ones, is a huge problem? :))) ). She’s so sweet and pure and I honestly just adore here ugh <3 unexpected favorite. Other characters in the game who suffer from the problem of not having flashbacks dedicated to them but then the game trying to make us care about them too late are again Shigure, Melchior only in the sense of in relation to his past with Magilou, and most importantly Teresa and Oscar. I love Oscar for shallow reasons, but neither of them are well-fleshed out, only getting a handful of backstory lines thrown in by Teresa right before her death and after Oscar’s, again, just telling it to us. Their relationship honestly creeped me out throughout the game, Teresa treating Oscar reallllllllly obsessively, but if we had gotten their past way ahead of time, we could understand them better even if she is still a bitch. Sadly, that’s not how it’s handled, and it’s a shame. Like I said, I sobbed got upset at Oscar’s death, but there was no justification for getting upset at all, really. Other than them, Artorius I would have liked to have gotten more scenes. His flashbacks near the end of the game were done beautifully (as was that entire segment period), but I wished that it didn’t take me that long to really feel for him, with how three-dimensional he was set up in the prologue. for those who have read the manga Akatsuki no Yona, I was expecting a Soo-won/Hak/Yona(/Il) vibe from the Artorius/Velvet/Laphicet trio because of how similar the setups were, kinda, and that wasn’t quite what I got, unfortunately More scenes on the legate side of things earlier in the game would have done him and the others a world of good, essentially. Also wished that he and Velvet had a little more to say to each other in the end, but that’s a nitpick really.

Tying in talk of Velvet’s character arc with something else: Berseria’s pacing. This game is oddly paced, if I’m being honest. I can pick out about probably ten specific big events that I remember, and everything else is rather foggy, for having just recently played it. The prologue and Velvet breaking out of prison starts the game off extremely strong, and then it feels like it hits a lull until the first confrontation with Artorius... and then there is a lonnnnnng lull until Innominat’s first appearance... and then suddenly everything is happening with absolutely no breaks until the end. Velvet’s character development matches this, as well; she stays pretty much the same for most of the game, with occasional flashes of ptsd (which are done perfectly, by the way) until Innominat’s reveal, and then her subsequent massive mental breakdown and rising up again to become someone who is still going to get revenge, but now she knows why she is, and why she needs to, and she’s happier for it. She’s definitely my favorite character in the game, and one of the best Tales protagonists out there imo, but I wish her development was more evenly distributed throughout the game, instead of nothing and then this HUGE moment where she honestly completely and utterly breaks down and shows how she truly feels and has felt about what happened to her, and then it sort of goes back to how it was before, albeit not entirely. That is the high point of the game, the best part of the game, for so many reasons, which is why I keep mentioning it; it’s done so well, and I don’t feel like anything after it even comes close to matching it, and I wish some parts did. Still love her, but her arc could have been better paced imo, and the flow of events in general (all the deaths that happen one after the other in the last fourth of the game (minus Artorius and Innominat) feel even more rushed because of the problems I stated earlier, and also this).

Phi’s a perfect pure angel cinnamon roll, his arc is amazing, and his relationship with Velvet is so touching; nothing else needs to be said. :’) <3 Although I will say I loved that he stood up to her about his identity; major props for them doing that, because it really needed to be said.

One last thing to end this on a positive note because I’ve spewed so much negativity ugh, and that is: I absolutely cannot even begin to describe how happy I am at all of the references to Tales of Zestiria in this game. Zestiria is one of my favorite Tales; it has major writing flaws, but I love almost all of the characters dearly, and even though some of them too could use some more depth, the party’s dynamic in that game is just done so well and makes me feel so good, gives me that warm Tales vibe that I just love so much (I won’t talk specifically about why I love Zestiria in this post lol, but basically what it comes down to is that it has heart, even though it has so many problems, and I respect it and love it for that, even though I acknowledge that it’s not that great). So when I heard that Berseria was a prequel to Zestiria, I was ecstatic. And it delivered to me, as a Zesty fan. Berseria may be a really long time before Zestiria, but all of the references, of which there are SO MANY, in npc dialogues and terminology and specific in-game events, are treated with so much care, obviously added in so purposefully and logically thought about how things that are considered normal in Zestiria’s time would be not quite developed all the way or have entirely different names in Berseria, and I just... I love that so much??? I loved standing in a town and getting a strange sense of deja vu, I was screaming when malevolence was mentioned and the truth about “daemonblight” was revealed, I was screaming about Edna and Eizen of course, I was screaming at “Artorius’ Throne” of course, I was screaming at Zaveid of course, I was screaming when the Shepherd was mentioned, when the Lord of Calamity was mentioned, and how they’re flip-flopped in roles from Zestiria (!!!!!), when the imperfect ARMATUS was introduced, oh my god, and when Phi became Maotelus at the end I was in tears, and got chills. Just... Zestiria didn’t do so well with its lore, and even though at the end of the day, Berseria’s existence can’t magically make Zestiria’s story writing and character writing better, it did add something to it, something special, something beautiful, something poignant, and for that, I am so happy. Zaveid in particular I have no words for; he was the single character I never have cared about in Zestiria, with how rude he is about a certain traumatic incident that happens right before he forcefully shoves himself into the party, and overall his type is just one I don’t care for. Then Berseria happened, and I adore him in Berseria. It honestly weirds me out and haunts me to realize and admit, but yes, he’s one of my favorite characters in this game, and by far one of the best written ones, and to see how different he is in this game compared to the other is just surreal, and chilling, and sad, and to play Zestiria from here on out knowing how and why he eventually becomes the way he does, after seeing how his beliefs used to be and seeing what he lost, and what his relationship with Eizen was like? I’m so upset, and fucked up, good GOD. ;______; All in all, I love Berseria purely because it made me love Zestiria even more, and whenever I play Zestiria from here on out I’ll never look at it the same way again, especially when Sorey sleeps with Maotelus in the end. </3 <3 and Zestiria the X and whatever the hell it was trying to do can go fuck itself lol >_______> Instead, can we just have something where Sorey learns all about the first Lord of Calamity and her gang from Zaveid? *cries* and about how Eizen was with them? BETTER YET, CAN WE HAVE MAOTELUS!PHI JUST TELLING SOREY EVERYTHING AND SOREY GETS SO EMOTIONAL OVER IT BECAUSE HE’S HIM; MY HEART

The ending. What the fuck, Bamco. My heart is in pieces, and then also you just... do that with the credits.... seriously WHAT THE FUCK KIND OF SATAN IDEA IS THAT

Despite all of my criticisms, which I promise I give out of love because I love this series so much, Berseria is still a really really good Tales. I don’t think it’s as godly as everyone is hyping it up to be, and definitely not Abyss tier (I don’t think the Tales series will ever create another Abyss, honestly, as sad as I am to say it) like some are saying, but still, it’s up there. I wish the party’s development and dynamic was handled better, and I wish the game wasn’t so damn insistent on never using flashbacks, and me not being attached to the party is why I didn’t like it as much as I thought I would, but the writing is very solid, and the parts that Berseria does well are godly. I’d probably give it a 7/10; it gave me a lot of feels though I wish more and now I’m just really depressed about everything. :’)))) and I can write fic about the characters I wanted more depth for if no one else will Final character ranking in terms of favorites would probably be Zaveid > Velvet > Phi > Eleanor > Rokurou > Eizen > Magilou

#personal posts #dana plays berseria #tales of berseria #tales of berseria spoilers #meta #guys i swear i like this game lol #i just had my expectations too high #and it really let me down in some aspects #*sigh* #BUT I STILL HAVE SO MANY FEELS SO YOU KNOW TALES IS DOING ITS JOB IF I DO #also I'm gonna read the prologue novel tonight because it looks like it has some of the stuff I wanted from the game and im sobbing #i love velvet and laphicet and arthur and celica why couldn't they just have been a family forever #OTL #and why couldn't Eizen have LIVED #BASICALLY WHY COULDN'T EVERYONE WHO DIED LIVE #i'm salty and yet also fucked up all the time #RIP

[whoslaurapalmer]

is having many wips difficult? how do you know which ones to continue and which ones to scrap?

I have been thinkingabout this for HOURS because this is surprisingly a complicatedanswer

the one benefit tohaving quite a few wips at once is, besides always having somethingto think about, you’re a lot more likely to spot phrases or wordsor themes that you might be overusing. especially handy when all yourwips are for the same fandom!! I am Terrified of writing the samestory or theme over and over again, so before I really commit to awip I try to make sure I know where it’s going and that I canidentify the theme and/or vibe of the fic.

some of the ones Ihave right now? family (the parent trap au outline). fear ofcommitment (the buttercup fic). love and recovery (the sequel to ‘iwill get there’). truth and protection (the moxie fic). the badspiral of grief and despair, among other things (the olaf fic). thedissolution of sibling bonds and associated sadness (the…….undecidedinjury fic). honesty and trust (the shenanigans fic, but also thewedding fic). the wrong way to avoid life trauma (the prequel to thebabybea fic, but also the heavy vfd fic). (those last two get awaywith being applied to two different fics each because how each of thefics happen and deal with those things is very, very different.) whatyou want vs. what you think you have to do vs. letting yourself justfucking go for it (the singin in the rain fic, which has that jumblebecause I can’t think of it off the top of my head and I freakedmyself out, oops). just some plain old almost phone sex fun/lettingloose (the crossword fic).

anyway, the cleareryou are to yourself about a fic and what’s going to happen andwhere it’s going to go, I think the easier it’ll be to write it.once you have all that outlined in one way or another, it’s just amatter of actually sitting down and trying to get it done.

how you figure outwhat to keep and what to scrap, that’s a little harder. I generallybelieve (or I sure fuckingtry to) that you should finish every story you start, because it’sa good practice to keep. you start it, you finish it, it might SUCK,but you have something that didn’t exist before, and you can editfrom there!! also it’s good to finish things!!!!!!!!!! it’s goodto force yourself to find an ending to a story!!! it’s good toCOMPLETE A THING!!!!

but sometimes youstart a fic. say you started a valentine’s day fic, and then you gothrough a few different brief scene drafts and even vaguely outlineit, and then you discard the first idea because it honestly won’tgel with the characters and go to a second idea that makes moresense, still revolving around valentine’s day, but you can’t getthe dialogue to work, but the theme is still solid, and then througha series of (not unfortunate) events you get a BETTER idea anddiscard the valentine’s day part but keep the theme cause it’s agood theme and you’re really digging this idea, and that’s whatyou’re going to write now.

that’s ‘thebuttercup fic’.

so like, becausei’ve played around with it for months, and changed from my originalidea, does that mean i’m still writing the wip or i’ve scrappedit? idk, anon. the thing about writing is that you’re going tochange your mind about an idea and think of something even BETTER andwrite that for that idea instead, you’re going to pull parts ofpast wips into new wips because it’s a scene that makes a lot moresense in this fic than the fic you had it in before, you’re goingto write something you love a whole damn lot and then realize youjust can’t get it to fit and you have to let it sit for a while.and maybe that is scrapping it, but that’s why you save weird linesand scenes you’ve taken out of things and you just see whathappens. or you just write a little bit of something just to have it down with no real commitment, just to have it written down!! that’s the singin in the rain crossover, a fic I didn’t even mention, and the babybea prequel!! 

some wips i’ve hadsitting around for over a year, because i’ve gotten sidetracked byother wips and writing just takes time. Iintend to write most of them – it’s just about getting them to the pointwhere I can write them and also SITTING DOWN AND ACTUALLY PUTTINGWORDS INTO THEIR DOCUMENTS. and if they change over time, then theychange! it’s really how you feel about them and what feels good forthe story!!! you do what you can and what’s going to be fun and interesting!! 

and,yeah, also just. consistently write. and see what happens. 

#Anonymous #lulu talks about fanfic