WAIT I WANNA BRING UP ANOTHER THING ABOUT HOW BULLYING IS ADDRESSED IN NERDY PRUDES MUST DIE. one thing I really liked about how Max is shown as a bully is his talk with Pete at the Pasqualli's parking lot. When Pete tries to stand up to Max, Max pushes him down and emphasizes that Pete isn't a loser because of his own qualities - rather, Pete is a loser because Max simply said so.
Of course we can attribute this to Max's god complex but I think that this point in particular is less than often really brought up in teen-centered media featuring bullying: that bullying exists not because of nerdy behavior or whatever the fuck, but because bullies will it into being. And to have a BULLY of all people say that out loud - to have the main villain point out the root of their behavior without showing any kind of shame whatsoever - showcases just how much of a menace Max is.
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“When toxic behavior is portrayed as romantic, it’s problematic. When problematic behavior is portrayed as a character flaw for a character to work through, it’s good storytelling.”
Katsuki Bakugou, my friends.
His behavior was problematic but never once portrayed as romantic at the same time. Katsuki said and did awful abusive things, and he also chose to be better when he was given the chance. If you’re still hung up on chapter 1 Katsuki now then I don’t think you’ve been reading the same story I have.
I can’t speak for everyone, but I’m not shipping Izuku with an irredeemable abuser. I’m shipping him with his most important person. His narrative foil. His childhood friend who made awful mistakes and then made it right when he saw he was wrong. The person Izuku looks up to and strives to emulate, despite their past struggles.
Bakudeku is so good because of how flawed these boys are, and how hard they’ve worked to get over it, and how much they matter to each other after it all
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something something qfit telling everyone who says that their gift isn’t that good that they are the gift by showing up to his birthday party something something he’s never celebrated his birthday with anyone let alone people who care about his well-being so them just being there to celebrate with him is enough
something something his birthday party with a giant castle and many gifts and people and huevitos who practically smother him with fanart and happy-birthday messages and the god forsaken earth-shattering heart-wrenching birthday letter that ramon writes him about how he loves being his son and how he loves that fit loves him, sings him lullabies, calls him ridiculously cute nicknames, even points out how fit says his name in a specific, softer tone
something something how he treats pac’s letter different than the others because he’s his boyfriend, and even though the message is the same, reacts differently because it’s definitive proof that someone he loves, loves him back, gave him a meaningful gift, wrote him a letter even though he couldn’t wake up, the letter more than enough for him to be fine with his absence in the party because it’s from his boyfriend
something something qfit has never felt this much appreciation or love in his entire lifetime something something “yeah 2b2t fit and qsmp fit are very different” because now he has people he cares for, people who care for him something something im so normal about his birthday party seriously guys
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im really not a fan of Rick's recent trend of recycling bits of his writing that got a good reaction the first time and acting as if that's a valid substitute for. actually bothering to write something original a second time around. It's clearly just there as a callback and nothing more.
It's "Nico's rage exploded" and "Percy's rage exploded" with the exact same paragraph formatting. It's CoTG having titles like "My Singing Makes Things Worse, and Everyone Is Totally Shocked" (reference to TLO, when Percy says he thinks his singing would cause an avalanche) or "Pretty Much the Best Good-Night Kiss Ever" (reference to TLO "Pretty much the best underwater kiss of all time") or any other number of near word-for-word references to the first series. It's Nico calling Percy "seaweed brain" in Un Natale Mezzosangue (when Percy says in TTC that anybody but Annabeth calling him that is a major offense). It's Nico and Will falling into Tartarus in TSATS word-for-word referencing Percy and Annabeth in House of Hades, despite it not making any sense for their characters (and otherwise being written as Percabeth 2™). It's the show making huge changes but keeping random "fan-favorite references" (mostly overusing "seaweed brain" and "wise girl" and emphasizing percabeth) only because they're popular in-jokes and considering that a faithful enough adaptation to market it heavily as such. It's lazy writing.
And it's a disservice to the series and to the audience, because it clearly shows Rick doesn't have original ideas anymore (though given all his writing is heavily derivative to begin with, it begs the question how much was original in the first place and how much he has difficulty when he doesn't have a structured mythological plot to work from) and that there is an expectation that the audience will just sit down and accept that behavior hook-line-and-sinker. Everything recently is clearly such lip-service to the audience, either in retcons that are overt speaking-to-camera acknowledgements of things he's been criticized on or wink-wink-nudge-nudges of community in-jokes that have no business in the actual text (see: over-use of ship names in canon). Especially since Rick tends to be about 5 years behind on the fandom uptake. It's just so disappointing to see.
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astarion, the man who was dying and offered eternal life, but had no idea that it meant becoming a slave to a sadistic master.
astarion, the man who had his freedom and bodily autonomy ripped away from him.
astarion, the man who was forced to befriend, seduce and sleep with people to lure them back to his master, resulting in severe sexual trauma and the struggle to form any sort of intimate relationship.
astarion, the man who was horribly punished whenever he refused his master’s orders (one punishment being sealed away in a dusty tomb, starving, for an entire year. he scratched his hands raw trying to carve his way out).
astarion, the man who was forced to eat rats.
astarion, the man who hasn’t even been able to see his own face since he turned.
astarion, the man who had his body mutilated as cazador carved scars onto his back, which he later found out was to bind him to a ritual.
astarion, the man who is so severely traumatised that he admitted he doesn’t know how to say “no” or ask for help (and he feels guilty when he does).
astarion, the man who waited two centuries to be helped and freed from torture, but no one came.
astarion, the man who was always treated like a monster when all he wanted was to be treated like a person.
astarion, the man who came up to you in the middle of the night just to thank you for defending him and allowing him to make his own decisions.
astarion, the man who said that no one ever looked out for him or showed him kindness, and that you’re the only one. “other people don’t have a heart like you. you’re you. no one is like that.”
astarion, the man who broke the cycle of power and terror that started centuries ago thanks to the love, care and compassion that you showed him when no one else did.
astarion, the man who confessed that he loves you and feels safe with you; something he has never felt with anyone before.
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In the majority of the Httyd franchise Snotlout is trying so hard to be what he thinks people want from him. Which is why I love his development in rtte so much because he is always so scared of being unimportant to people but then he has to actually confront his deep fears and anxieties and reconcile with parts of himself he pretends doesn’t exist. And then he is able to see that he desires his own approval over the approval of others even if the two goals overlap occasionally. Then he is able to become the best version of himself and the best version of him is the one that is kindest to himself
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