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#or at least that that development is more accessible to the public
zvaigzdelasas · 3 months
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[The Economist is Private UK Media]
Making someone do porridge (or “eat rice and beans”, to use the Korean expression) for expressing their political views is [...] not generally associated with [South Korea]. Yet Lee Yoon-seop, a South Korean poet, is currently languishing in prison for just this. The 68-year-old was sentenced to 14 months in November for threatening South Korea’s “existence and security”. His crime? Writing a poem in praise of the North.
The law used to prosecute Mr Lee, the National Security Act (nsa), is designed to protect South Korea from spies and traitors. But it also bans South Koreans from visiting or making contact with the North, reading or watching North Korean media or saying anything good about Kim Jong Un’s [...] regime. Though South Korea replaced its former military dictatorship with a democracy in 1987, such restrictions on free speech show that some of the generals’ autocratic tendencies endure.[...]
The NSA was modelled on a law designed to quash pro-independence activities during Japan’s occupation of Korea from 1910 to 1945. Since 2003 there have on average been more than 60 NSA prosecutions a year, often for pretty clear espionage cases. A businessman and an army officer were arrested for allegedly selling military secrets to North Korea. Soldiers in the South have been prosecuted under the act for endangering morale by distributing pro-North propaganda.
But the NSA is too often used to prosecute satirists and raid the homes and offices of leftists. Some cases have been ridiculous. Kim Myeong-soo, a PhD student, received six months in prison and a two-year suspended sentence for selling books on North Korea that were widely available in public libraries. A South Korean woman was given a two-year sentence, suspended for four years, for owning recordings of 14 North Korean songs.
This is not Mr Lee’s first offence. But the claim that the sexagenarian posed a threat to South Korea is absurd. His ode was published on a North Korean website. Access to such sites is banned by the NSA and forbidden from a South Korean IP address. [...] It consists of a list of South Korean problems that Mr Kim, in the poet’s view, would instantly solve given the chance.
Mr Lee’s real offence appears to have been believing his own nonsense. By contrast, police decided not to investigate a man under the draconian law for selling shirts with a smiling Mr Kim and the slogan “Walk a flowery path, comrade”. That was OK, officials said, because he was selling them to make a buck.
Worse, the issue points to a broader authoritarian tendency in the South. Its president, Yoon Suk-yeol, often demonises his political opponents by calling them “anti-state forces”, a phrase lifted directly from the NSA. Unfavourable press coverage is routinely labelled “fake news” and the offices of offending outlets have been raided. The administration and its allies have sued more press outfits for defamation—which in South Korea can be a crime even when the offending words are manifestly true—in Mr Yoon’s first 18 months in office than any of its three predecessors did in total.
Yet even a more liberal government would be unlikely to remove the NSA’s illiberal clauses. No administration has made a serious attempt to address it in 20 years. There is no significant political support for scrapping the law [...]. The current administration at least flirted with allowing South Koreans access to North Korean media, but recently abandoned the idea. [...]
Mr Yoon talks often about South Korea’s democratic values. They are at the heart of his pitch for the country to be a strategic link between East and West, developed and developing countries. For that reason alone he should take them more seriously. South Korea is undoubtedly a democracy, but not a terribly liberal one so long as it locks up old men for their dotty opinions. Reforming the NSA would be a better rebuttal to the sentiment Mr Lee expressed than banning it.
22 Jan 24
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Uncle Sam paid to develop a cancer drug and now one guy will get to charge whatever he wants for it
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Today (Oct 19), I'm in Charleston, WV to give the 41st annual McCreight Lecture in the Humanities. Tomorrow (Oct 20), I'm at Charleston's Taylor Books from 12h-14h.
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The argument for pharma patents: making new medicines is expensive, and medicines are how we save ourselves from cancer and other diseases. Therefore, we will award government-backed monopolies – patents – to pharma companies so they will have an incentive to invest their shareholders' capital in research.
There's plenty wrong with this argument. For one thing, pharma companies use their monopoly winnings to sell drugs, not invent drugs. For every dollar pharma spends on research, it spends three dollars on marketing:
https://www.bu.edu/sph/files/2015/05/Pharmaceutical-Marketing-and-Research-Spending-APHA-21-Oct-01.pdf
And that "R&D" isn't what you're thinking of, either. Most R&D spending goes to "evergreening" – coming up with minor variations on existing drugs in a bid to extend those patents for years or decades:
https://www.ncbi.nlm.nih.gov/pmc/articles/PMC3680578/
Evergreening got a lot of attention recently when John Green rained down righteous fire upon Johnson & Johnson for their sneaky tricks to prevent poor people from accessing affordable TB meds, prompting this excellent explainer from the Arm and A Leg Podcast:
https://armandalegshow.com/episode/john-green-part-1/
Another thing those monopoly profits are useful for: "pay for delay," where pharma companies bribe generic manufacturers not to make cheap versions of drugs whose patents have expired. Sure, it's illegal, but that doesn't stop 'em:
https://www.ftc.gov/news-events/topics/competition-enforcement/pay-delay
But it's their money, right? If they want to spend it on bribes or evergreening or marketing, at least some of that money is going into drugs that'll keep you and the people you love from enduring unimaginable pain or dying slowly and hard. Surely that warrants a patent.
Let's say it does. But what about when a pharma company gets a patent on a life-saving drug that the public paid to develop, test and refine? Publicly funded work is presumptively in the public domain, from NASA R&D to the photos that park rangers shoot of our national parks. The public pays to produce this work, so it should belong to the public, right?
That was the deal – until Congress passed the Bayh-Dole Act in 1980. Under Bayh-Dole, government-funded inventions are given away – to for-profit corporations, who get to charge us whatever they want to access the things we paid to make. The basis for this is a racist hoax called "The Tragedy Of the Commons," written by the eugenicist white supremacist Garrett Hardin and published by Science in 1968:
https://memex.craphound.com/2019/10/01/the-tragedy-of-the-commons-how-ecofascism-was-smuggled-into-mainstream-thought/
Hardin invented an imaginary history in which "commons" – things owned and shared by a community – are inevitably overrun by selfish assholes, a fact that prompts nice people to also overrun these commons, so as to get some value out of them before they are gobbled up by people who read Garrett Hardin essays.
Hardin asserted this as a historical fact, but he cited no instances in which it happened. But when the Nobel-winning Elinor Ostrom actually went and looked at how commons are managed, she found that they are robust and stable over long time periods, and are a supremely efficient way of managing resources:
https://pluralistic.net/2023/05/04/analytical-democratic-theory/#epistocratic-delusions
The reason Hardin invented an imaginary history of tragic commons was to justify enclosure: moving things that the public owned and used freely into private ownership. Or, to put it more bluntly, Hardin invented a pseudoscientific justification for giving away parks, roads and schools to rich people and letting them charge us to use them.
To arrive at this fantasy, Hardin deployed one of the most important analytical tools of modern economics: introspection. As Ely Devons put it: "If economists wished to study the horse, they wouldn’t go and look at horses. They’d sit in their studies and say to themselves, ‘What would I do if I were a horse?’"
https://pluralistic.net/2022/10/27/economism/#what-would-i-do-if-i-were-a-horse
Hardin's hoax swept from the fringes to the center and became received wisdom – so much so that by 1980, Senators Birch Bayh and Bob Dole were able to pass a law that gave away publicly funded medicine to private firms, because otherwise these inventions would be "overgrazed" by greedy people, denying the public access to livesaving drugs.
On September 21, the NIH quietly published an announcement of one of these pharmaceutical transfers, buried in a list of 31 patent assignments in the Federal Register:
https://public-inspection.federalregister.gov/2023-20487.pdf
The transfer in question is a patent for using T-cell receptors (TCRs) to treat solid tumors from HPV, one of the only patents for treating solid tumors with TCRs. The beneficiary of this transfer is Scarlet TCR, a Delaware company with no website or SEC filings and ownership shrouded in mystery:
https://www.bizapedia.com/de/scarlet-tcr-inc.html
One person who pays attention to this sort of thing is James Love, co-founder of Knowledge Ecology International, a nonprofit that has worked for decades for access to medicines. Love sleuthed out at least one person behind Scarlet TCR: Christian Hinrichs, a researcher at Rutgers who used to work at the NIH's National Cancer Institute:
https://www.nih.gov/research-training/lasker-clinical-research-scholars/tenured-former-scholars
Love presumes Hinrichs is the owner of Scarlet TCR, but neither the NIH nor Scarlet TCR nor Hinrichs will confirm it. Hinrichs was one of the publicly-funded researchers who worked on the new TCR therapy, for which he received a salary.
This new drug was paid for out of the public purse. The basic R&D – salaries for Hinrichs and his collaborators, as well as funding for their facilities – came out of NIH grants. So did the funding for the initial Phase I trial, and the ongoing large Phase II trial.
As David Dayen writes in The American Prospect, the proposed patent transfer will make Hinrichs a very wealthy man (Love calls it "generational wealth"):
https://prospect.org/health/2023-10-18-nih-how-to-become-billionaire-program/
This wealth will come by charging us – the public – to access a drug that we paid to produce. The public took all the risks to develop this drug, and Hinrichs stands to become a billionaire by reaping the rewards – rewards that will come by extracting fortunes from terrified people who don't want to die from tumors that are eating them alive.
The transfer of this patent is indefensible. The government isn't even waiting until the Phase II trials are complete to hand over our commonly owned science.
But there's still time. The NIH is about to get a new director, Monica Bertagnolli – Hinrichs's former boss – who will need to go before the Senate Health, Education, Labor and Pensions Committee for confirmation. Love is hoping that the confirmation hearing will present an opportunity to question Bertagnolli about the transfer – specifically, why the drug isn't being nonexclusively licensed to lots of drug companies who will have to compete to sell the cheapest possible version.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/10/19/solid-tumors/#t-cell-receptors
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My next novel is The Lost Cause, a hopeful novel of the climate emergency. Amazon won't sell the audiobook, so I made my own and I'm pre-selling it on Kickstarter!
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bisexualbaker · 6 months
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Crochet Pattern for Palestine and Israel Relief
At long last, it's done!
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This crochet pattern is for small cats, of a good size to make into keychains, magnets, or even hair clips! There are six PDF versions available:
- US stitch names in 12 point Atkinson Hyperlegible - US stitch names in 22 point Atkinson Hyperlegible - US stitch names in 22 point Comic Sans
- UK stitch names in 12 point Atkinson Hyperlegible - UK stitch names in 22 point Atkinson Hyperlegible - UK stitch names in 22 point Comic Sans
Between those six options, that should cover most pattern accessibility needs. If you need something else, though, let me know! I'm prepared to offer a .doc or similar file on an individual basis if you need a screenreader to access crochet patterns, and have a sheet I can use to translate things to German stitch terms (though more in-depth instructions would still be in English). The pattern is worked primarily in (US) single crochet/(UK) double crochet, with the ears in (US) double crochet/(UK) treble crochet popcorn stitches, and is bundled with similar file options of a popcorn stitch tutorial PDF (no stitch names used).
"Socchan," you say, "These cats are super cute! And you said that this pattern is for charity? How does that work exactly?"
I'm glad you asked! Simply donate a minimum of $3 or close-enough local equivalent to a related charity, then take a screencap of your receipt/proof of donation. Block out any information that could doxx you; it's nice if you trust me, but it's not impossible that my email could get hacked, and I want you to be safe! Finally, email the altered screencap to socchan (at) protonmail (dot) com.
Once I get and check the screencap, I will email you back with a link to a MediaFire folder and the password you'll need to open the PDFs. Yes, it is a bit of a pain to need a password to open these files, but this was the simplest way I could figure out how to do things without needing to upload and send a minimum of six files to every person. Download as many of the variations as you want, keep a copy of the password somewhere safe (and don't delete the email with it), and go to town!
As a bonus, if you take your donation up to at least $5 (or close-enough local equivalent), I'll throw in an additional link and password for a very cute little flower pattern!
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"That sounds pretty easy," you go on to say, "but where should I donate? There are so many options to choose from!"
No problem! Here's a couple of short lists of options that can help you narrow things down:
Palestine: Palestine Children's Relief Fund - Focuses on medical aid to children in Palestine Medical Aid for Palestine - "[H]elp MAP respond to the ongoing emergency in Gaza, as well as provide medical supplies, support healthcare services and deliver long term development to healthcare in the occupied Palestinian territory and Palestinian refugee camps in Lebanon." MAP reportedly has a team on the ground in Gaza, providing critical medical aid. Anera - Providing food, hygiene kits, and medical care in Gaza, the West Bank, and East Jerusalem. Palestine Red Crescent - More medical support in Palestine; the rest of the webpage is in Arabic, so be prepared if you want to click around at all. Basically the Palestinian Red Cross. Gaza Cemetery Project - "Al-Hamdulillah, a ​​5,500 square meters’ piece of land has been secured to create a public cemetery for the city and neighbouring areas." This area still needs a fence to protect the burial plots before it can be used.
Israel: Zaka - A group of first responders and people who identify bodies and prepare them for burial (sadly, sorely needed right now); they are in need of safety equipment, medical supplies, first aid kits, and more. Red Magen David - The Israeli/Jewish equivalent of the Red Cross; first responder medical support and similar. (This one has some pretty immediate upsetting text, so take care!) Hatzalah - Similar to Red Magen David, another first responder and emergency medical group. The Koby Mandell Foundation - Focuses on bereavement aid in Israel for people who have lost loved ones in traumatic circumstances; they've got support hotlines and can arrange for support visits, among other things. The Refuser Solidarity Network - Providing support for Israeli citizens who refuse government mandatory military service.
I think that's everything, aside from: Please Signal Boost! If I end up having to send out two hundred emails in the next couple of days, that still won't be too many.
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reasonsforhope · 8 months
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"When Ghana’s parliament voted to decriminalise suicide and attempted suicide in March, Prof Joseph Osafo felt a weight lift from his shoulders.
Osafo, head of psychology at the University of Ghana, had been engaged in a near 20-year battle to abolish the law – brought in by the British – which stated that anyone who attempts suicide should face imprisonment or a fine.
“It was a very good feeling. I felt like a certain burden had been removed. I was extremely elated,” he remembers. “Then the next morning, I realised we had a lot of work to do.”
Four countries decriminalised suicide in just the past year
Ghana is one of four countries to have decriminalised suicide in the past year – Malaysia, Guyana and Pakistan are the others. More could soon follow, which campaigners say is a sign of greater awareness and understanding of mental health. Kenya and Uganda have filed petitions to overturn laws and members of the UN group of Small Island Developing States have committed to decriminalise. Discussions are also being held in Nigeria and Bangladesh.
“There seems to be a domino effect taking place,” says Muhammad Ali Hasnain, a barrister from United for Global Mental Health, a group calling for decriminalisation. “As one country decriminalises suicide, others start to follow suit.”
“It is quite unusual,” adds Sarah Kline, the organisation’s chief executive. “It’s a huge sign of progress and an important step forward for the populations most at risk, as well as the countries as a whole.” ...
A large number of laws were introduced by the British during colonial rule. Suicide was decriminalised in England, Wales and Northern Ireland in the 1960s – it was never criminalised in Scotland...
The results of these punishments can be “devastating” and present “a huge barrier” to addressing the problem, says Natalie Drew, a technical officer with the mental health policy and service development team at the World Health Organization. Health experts and advocates argue that suicide should be treated as a public health issue rather than a crime.
Criminalising suicide denies people the right to access health services and discriminates against them because of something they’re experiencing, Drew adds. Research shows that in countries where suicide has been decriminalised, people can seek help for mental health and rates tend to then decline.
Next Steps
In September, the WHO is due to release a guide on decriminalising suicide for policymakers, with explanations of how countries have managed it...
“[Ghana’s decision] should have an impact on the work ongoing in other countries, especially in the Africa region,” says Osafo. Within the past couple of months, he has set up a mental health working group with representatives from about 20 African countries, and one of the biggest issues on the agenda is decriminalisation of suicide, he says. “Nigeria is active, Cameroon is active … Kenya has joined and is doing fantastic work. We have Uganda. People have been asking us how we did it.”
Since suicide was decriminalised in Malaysia last month, Anita Abu Bakar, founder and president of the Mental Illness Awareness and Support Association (Miasa), has already seen things change. Crisis response teams and helplines are expanding, and money from the mental health budget is being given to organisations who work in the community. “This is the shift we’re so happy to see,” she says. “It was such an archaic law.”
She adds: “I’m a person with lived experience. What does decriminalisation mean to people like me? We feel supported, we feel this conversation can go to a different level. Obviously decriminalisation is not the only way to prevent suicide, but it’s a big one. I’m happy for this progressive move – better late than never. I’m excited to see what happens next, not just for Malaysia but for the rest of us.”"
-via The Guardian, July 20, 2023
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mariacallous · 2 months
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Earlier this month, the Alabama Supreme Court issued an opinion, complete with a wildly theocratic concurrence from Chief Justice Thomas Parker, that functionally outlawed in vitro fertilization (IVF) in the state.
In the wake of the ruling, Republicans have tried to unwind this mess, with the Alabama legislature considering passing a law to ensure IVF access and Donald Trump coming out to say he strongly supports access to IVF. 
All of this is a bit of rearranging deck chairs on the Titanic, as the damage is done. The entire spectacle was inevitable once the GOP gave the party over to anti-choice zealots decades ago.
In brief, the reason the Alabama Supreme Court’s opinion implicates and outlaws IVF is that the state has a Wrongful Death of a Minor statute, and the court decided this applies to “all unborn children, without limitation.” But there’s no language in the statute that says this. Rather, it’s just that over the last 15 years, the Alabama Supreme Court has issued a series of rulings saying that the undefined term “minor child” in the statute can be stretched to “unborn children” regardless of what state of development the embryo is at. Once the court created such an expansive definition, the decision that frozen embryos are people was inescapable. 
To be fair, though, the Alabama Supreme Court is entirely made up of conservative Republicans, they were a bit hamstrung in their decision. Alabama’s state constitution states that “it is the public policy of this state to ensure the protection of the rights of the unborn child in all manners and measures lawful and appropriate." But that doesn’t necessarily mean the court was required to, as it did here, extend that “unborn child” definition to what it calls “extrauterine children” — embryos frozen by people pursuing IVF. 
That IVF is even controversial is an indictment of the GOP
An IVF cycle is designed to produce multiple eggs that can be retrieved in one procedure. The more eggs produced, the greater the likelihood of a viable embryo that can be implanted, hopefully resulting in a pregnancy. Because of this, multiple embryos often remain, and people freeze those for several reasons. People may use them if the first attempt at implantation doesn’t work, thus avoiding multiple egg retrieval cycles. They may save them for later if they decide to have more children. They may donate them to other people struggling with fertility issues. 
For people not saddled with the misguided anti-choice belief that a tiny clump of cells is the same as a person, this is a non-controversial process. It enhances the chance of pregnancy and allows people to plan for future children without undergoing multiple invasive egg retrieval cycles. But if one subscribes to the notion of fetal personhood — that a fetus is quite literally a person, with all the attendant privileges that confers — then those frozen embryos are the same as babies. 
This is, of course, a religious, not scientific belief. Chief Justice Parker, in his concurring opinion, made clear that his vote, at least, stems directly from his religious beliefs rather than being grounded in the law. Citing Augustine, Thomas Aquinas, John Calvin, the Ten Commandments, and the King James Bible, Parker concludes that “even before birth, all human beings bear the image of God, and their lives cannot be destroyed without effacing his glory.”
Notably, none of those things are legal precedent. Indeed, in a country founded on the separation of church and state, they shouldn’t inform a court holding. However, since religious conservatives dominate the US Supreme Court, that separation has largely collapsed. This has emboldened conservative litigants and conservative state and federal judges to take ever more anti-choice stances. 
Reproductive health activists have been sounding the alarm about the anti-choice attacks on IVF for years, particularly in the wake of the Dobbs decision overturning Roe v. Wade. At least two prominent anti-choice groups, Americans United for Life and Students for Life, have railed against IVF. The chief legal officer for Americans United for Life, Steve Aden, called IVF “eugenics” and said that IVF created “embryonic human beings” that were destroyed in the process. Students for Life called IVF “damaging and destructive.”
These same anti-choice groups also hate birth control, and the Dobbs decision paved the way for them to mount a theocratic attack on it too. Christopher Rufo, who ginned up a panic over benign diversity initiatives and helped force out the first Black president of Harvard, Claudine Gay, has already telegraphed that this is his next attack.
Over on Elon Musk’s increasingly Nazi-fied social media site, X, Rufo is spewing rhetoric about how “the family structure disintegrated precisely as access to birth control proliferated” and that recreational sex is bad and leads to single-mother households. 
Rufo isn’t alone. The Heritage Foundation, which is also busy with a blueprint for a second Trump presidency that would destroy the administrative state and whose leader is still pushing the big lie that Trump won the 2020 election, has also called for the end of birth control. Also over on X, Heritage’s official account posted last year that “a good place to start would be a feminist movement against the pill and … returning the consequentiality to sex.”
And there you have it. Religious conservatives are calling for a return to a world where sex isn’t recreational or for pleasure but is instead fraught with consequences — namely, pregnancies that can’t be terminated even when the pregnant person’s life is in danger. To do this, however, they would need to succeed in getting the Supreme Court to overturn Griswold v. Connecticut, the 1965 case that invalidated restrictions on birth control. 
More importantly, Griswold affirmed the constitutional right to privacy. It’s that right that not only underpinned the right to an abortion in Roe but also underpins other cases related to the rights of Americans to pursue sexual and marital relationships without government interference. In Lawrence v. Texas, decided in 2003, the Supreme Court relied upon Griswold to throw out laws that criminalized sexual contact between members of the same sex. Twelve years later, that same reasoning was used in Obergefell v. Hodges to affirm a constitutional right to same-sex marriage. 
Justice Clarence Thomas hates the right to privacy and has made no secret he wants it gone. In his concurring opinion in Dobbs, he called on the Court to “reconsider” all these cases and overrule them as “demonstrably erroneous.” Justice Samuel Alito has been a bit more evasive about this, writing in Dobbs that “nothing in this opinion should be understood to cast doubt on precedents that do not concern abortion.” However, Alito’s Dobbs opinion is littered with references to “fetal life” and how abortion destroys an “unborn human being.” As recently as last week, Alito wrote a statement decrying Obergefell because he doesn’t think it’s fair that people who are bigots about same-sex marriage ever get called bigots. 
It isn’t just Thomas and Alito. During her confirmation hearing, Justice Amy Coney Barrett refused to say whether she thought Griswold, Lawrence, and Obergefell were rightly decided. In 2012, she signed an open letter stating that the Affordable Care Act’s required coverage for birth control was an assault on religious liberty. Similarly, Justice Brett Kavanaugh, in his confirmation hearing, also wouldn’t say whether Griswold was correctly decided. Justice Neil Gorsuch did the same. 
That makes five likely votes — with Chief Justice John Roberts a possible sixth — for a rollback of privacy rights in America. With that pillar of law gone, states would be free to outlaw same-sex marriage, get rid of birth control, and impose any other theocratic conditions they’d like. 
The dog that caught the car
Right now, Republicans are scrambling to undo the damage they’ve wrought, realizing that an anti-IVF stance is alienating to most. Last year, the Pew Research Center found that 42 percent of adults had used fertility treatments or knew someone who had. From 1996 to 2018, over 1 million babies were born as a result of fertility treatments. Mike Pence has spoken publicly about how he and his wife used IVF and that the procedure should be protected. 
In Alabama, Republican legislators are planning to introduce a law that would say the embryo isn’t a person until implanted in a uterus. But legislation doesn’t trump the state constitution, which means the Alabama courts could throw out any law they deem contrary to their fetal personhood interpretation of the constitution. Several Alabama fertility clinics have stopped IVF services, citing the legal risk. The state’s GOP attorney general, Steve Marshall, said he wouldn’t use the decision to prosecute IVF providers or people seeking IVF treatment, but that’s a slender reed to rely upon. What provider or patient wants to rely upon the vague assurances of the attorney general rather than a law that protects access?
And it isn’t just IVF. Elected officials in states that have banned abortion have openly mocked those people who have come forward with horror stories of being refused abortions even as they developed sepsis or faced the possibility of permanent future infertility. Doctors have no clear guidance on when they can terminate a pregnancy to save the life of the pregnant person, leaving them vulnerable to prosecution. People who currently have frozen embryos have no idea what to do with them, and nor do clinics. If the hardest-line anti-choice people get their way, access to birth control will become as spotty and politicized as access to abortion is now. 
This type of amorphous fear is a feature, not a bug, of the post-Dobbs landscape. When the entire spectrum of reproductive health is murky, and the threat of prosecution looms large, doctors won’t perform abortions or IVF treatments. Patients won’t seek abortions even as their health deteriorates to a level that could result in death. People who can get pregnant will have their lives narrowed to nearly nothing as they try to sidestep the landmines of an ever-shifting jurisprudence over their bodies. 
And that’s exactly the way conservatives want it, no matter their current feeble attempts to get out from under an IVF disaster of their own making. The GOP made common cause with the worst people in the country on this issue, and now we’re all stuck with the consequences. 
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changbunnies · 3 months
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Crave, Part 2 (18+)
♡ Pairing: Romantic Demon!Hyunjin x Human Fem!Reader
♡ Genre: supernatural au, demon au, age gap relationship typical in monster fucker fics, coworkers to lovers and love triangle vibes :')
♡ Word Count: 6.5k
♡ Summary: "The more a thing is perfect, the more it feels pleasure and pain." - Dante Alighieri, The Divine Comedy. In which Hyunjin, a demon from the nine circles of hell, finds himself impossibly infatuated with the very human he once set upon himself to destroy.
♡ Warnings: this is a part 2! read part 1 here, more immoral behavior and thoughts + ideas from hyunjin ofc, supernatural abilities, themes of possesiveness and jealousy, more talks of sinful acts / feelings from the perspective of a demon, reader's age is not specified but it is implied to be at least mid twenties.
♡ Notes: sorry ya'll it took longer for this to come out than i intended, i wasn't feeling well so i was resting ;v; and tbh i still don't feel well but i really wanted to keep writing so i powered thru to get this done!! this part is story focused but dw, explicit smut is coming next <3 the focus here is building up their relationship so that the smut feels like a natural development and they aren't just instantly in love lol i hope you enjoy it!
♡ Disclaimer: please read responsibly, and remember that this work is fiction and meant strictly for imaginative fun. the idols used in fics are more accurately faceclaims and personality outlines for imaginary characters, and should not be interpreted as factual representations of existing people.
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How do you make a human fall in love? A question that is perhaps simple in theory, but Hyunjin hasn't wooed a human in centuries, and much has changed since he last blended in with society. In the modern age of technology, sin is at the most rampant it's ever been. The common man can access all manner of sin from the palm of his hand with a single device, and it has made the act of integrating into human society an unnecessary practice for demons. 
There's a plethora of human sin to feed from at any given moment, and obsolete is the need for a demon to blend in with the humans that walk the earth, no longer required to be a snake in the community garden just waiting for their moment to strike and consume. Though an outdated method to obtain their wants, integration with humans can still be done, if only the demon in question wishes to do so- and as Hyunjin has come to realize, he does if he wants to win over the object of his desire. 
Despite how long it's been since Hyunjin walked among them, he wasn't ignorant of modern human culture; he still had to be well-informed if he wanted to be effective and efficient in sowing the seeds of sin in feeble minds, after all- his work in the second circle required such knowledge, and it was also a benefit when it came to deciding which soul he would drink from to sustain himself. 
He knew perfectly well how to use most modern technology, knew how to dress in a manner that was unique to his own tastes but suited the trends of the era, and whatever "pop culture" knowledge he lacked, as it was called by humans, he could blame it on things such as "preferring to stay off social media," or "not watching much tv or playing much games," and most would take it as a fair, reasonable enough excuse, even if the person asking questions of him could not relate to his answer. 
In the last century especially, most of Hyunjin's public outings were limited to a few hours at most, spending that entire time scoping out who'd sustain his cravings the most. Nightclubs in particular were an easy place for Hyunjin to get a quick fix of the lust he needed, sustaining him well enough when his preferred love-drenched lust was still being built to its peak. 
Despite all his experience in human matters, there was something that posed a problem for him initially. Since moving into your lavish suite, you worked from home- a luxury Hyunjin assumes you have from a high ranking position within whatever company you work for (especially if this is the kind of place you can afford to live in on a single salary.) But if you only ever left the house long enough to run errands, how was he supposed to meet you organically? And further still, how does he meet you in such a way that makes contact with you consistent, that makes you want to talk with him and be in his presence? 
He could, theoretically, stage a meeting, pretend to be a neighbor entering the building at the same time or "accidentally" bump into you while shopping for something he has absolutely no use for, only to then charm you the moment your eyes lock with his. The problem with that approach is that charming you defeats the purpose of what he wants; for you to have genuine, real love for him, and only him. And asking you out after meeting you just once, in a situation where you have no reason to connect with him further, could be uncomfortable or off-putting in the eyes of women. What woman likes to be hit on by a stranger while she's grocery shopping? 
Hyunjin's human form is attractive, sure, but looks can only carry him so far when it comes to making a woman fall for him. His appearance is useful for one night stands, but he needs to show you more substance than that if he wants you to desire him beyond the physical- and he was sure based on his observations of your character that you weren't vain or superficial enough to fall for him based on looks alone. 
Thankfully, he didn't have to ponder on these questions for much longer, because only a few short days after you finished all your unpacking and decorated your apartment to your liking, you returned to work. He could tell easily enough what your destination was when your routine suddenly deviated; for the first time since moving in, you had turned on a repeating alarm for 6 A.M, and your choice of business casual clothing and subtle, office appropriate makeup told him all he needed to know. 
Hyunjin followed you there, naturally; presence hidden, lingering in the shadows with the intent to best establish how to infiltrate your work environment. As he expected, you held a high ranking position inside a corporate office- head of human resources for one of the many subsidiaries of some conglomerate Hyunjin had never heard of, as typically there is no need or reason for him to be well versed in human's business dealings. 
Becoming someone you work with directly would be the best route, he was sure. Whether on equal ground or as someone answering to you on a team, it was the option that gave him the most opportunity to create a connection with you, and maybe be the start of one of those sappy office romances that humans seem to enjoy in their media. 
It was fine if there were no employment openings- it'd be simple for Hyunjin to create one by exerting his influence over a human's mind. He'd pick out whomever you liked the least, someone who bothered you either overtly or simply by being an inefficient worker, and he'd take their place. He could plant the idea of a career change, a desire to move across the country, or simply get them fired should the gentler, subtle approach be deemed too time consuming for Hyunjin's taste. 
Of course, Hyunjin knew jack fucking shit about how your job truly works or what would be required of him if he was on your team, but that was fine too- it would be easy for him to fake his performance when necessary, and charm any who questioned his work abilities. He wouldn't enjoy lying to you directly if there was ever a need for it but, well.. The ends justify the means, don't they? And while he wouldn't charm you for love, certainly it wouldn't hurt to do so to make him appear a better worker than what he would be in reality, right? 
No matter what his hypocritical justifications were, he’d do anything necessary to make you his, even if it meant having to lie at times. It was a foreign feeling, being conflicted about lying when typically lying came second nature to a demon, but he supposed his infatuation for you is what makes it feel different. Is that why truth was considered a godly virtue? It was the first time in his life that just the thought of lying, before it could even be an act done in the first place, felt.. wrong.
Maybe because on some subconscious level he recognized that love woven from lies isn’t true, no matter how much he’d wish it to be. Even if you fell sincerely in love with him, would it still satisfy him to have gotten there based on tricks and lies? When he determined that the answer to that question was a firm “no,” he vowed he would do his best to keep lies far from his lips when it came to you, even if that made his goal more difficult to achieve. Strange, how this was easily the most human he’d ever felt. 
In a way, it is almost natural to feel this way, to be met with internal conflict for the first time in ages; most demons are born directly from human sin, after all. What is he, if not the physical manifestation of a human who has fallen from perfection? More powerful than a mere human though he was, his proverbial soul still held an innate inclination towards sin, the struggle with temptation and decadence inherent to his very being, as hypocrisy and corruption went hand in hand with sin, hand in hand with the very human condition he would oft wrongfully deny he felt.
And that wasn’t the only human emotion that came to him when he watched you at work for the first time. Most of the morning was spent rather uneventfully, Hyunjin’s time dedicated entirely to scoping out the environment and determining where he’d best fit within your corporate world. He observed the people on your team, who was designated where and what their duties were, keeping track of what feelings and opinions you had for whom, looking out for who he would be able to effectively replace.
Without warning, he sensed it, felt it, tasted it- love, seeping out of your pores, heart suddenly alight and a smile that should be reserved for him lingering on your lips. Jealousy pricked Hyunjin’s skin before he could even fully process the scene before him, a deep fondness in your eyes as a man that Hyunjin could only assume was from another department approached you with a smile of his own.
Shit. It was expected that he would find out who you loved eventually, but he didn’t anticipate that it would be here, in the very environment he was setting up to be the stage for your romance with him. The man asked you questions and talked in ways you’d expect to hear between friends or coworkers- “how’d the move go?”, “are you settling in well?”, and “you should invite me over sometime!”
It was the last statement that made Hyunjin’s eye twitch with suppressed anger, not much liking the idea of the person you’re in love with being alone with you in your apartment. Every time you giggled at something he said or blushed when the man held your gaze, it nearly made him sick with envy. Fuck him, he didn’t deserve you, Hyunjin thought, I'm better than him in every conceivable way, that should be me.
This man didn’t love you the way you loved him; Hyunjin could tell, could feel the platonic affection that radiated from him. And instead of being happy about the implication that Hyunjin would have no rival for your affection when he pursued you in earnest, it almost made him more pissed off. This guy didn’t even know how fucking perfect you were, didn’t seem to notice the way your eyes sparkled with affection, how your heart raced when he hugged you, or the bashful smile that lingered when he invited you to share your lunch hour with him.
He’s a complete fucking idiot for not being head over hells for you- you, who’s only sin is lust, who is beautiful, intelligent, humble, and positively radiant in presence without even realizing just how much value she truly has. It’s okay, he has to remind himself, it’s a good thing his one-sided rival doesn’t share your sentiment; because when Hyunjin shows you how beautiful you are, treats you with the reverence you deserve, your heart would surely shift to beat for him instead. He’ll make sure of it.
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You let out a sigh as you come through the next resume that found its way to your desk, exhausted from the amount of interviews you've conducted today. This was probably your least favorite aspect of your job if you were being honest; being the head of human resources put you in charge of all recruiting efforts, scanning through countless applications to determine who was the best fit for the company, but you never enjoyed doing it. 
It always makes you feel guilty to determine someone else's worth based on a flimsy piece of paper and interview first impressions, where nerves are almost always at their peak as the person sitting across from you makes their best conscious effort to impress you. It is also not a job you can delegate to someone else on your team, unfortunately; your place at the top of the HR department made all hiring decisions entirely up to your own discretion. And apart from the guilt of knowing you couldn't hire everyone that walked through your door, it was so tiring to go over the same questions multiple times a day with a myriad of strangers. 
Hwang Hyunjin was the name of the last person you'd be interviewing today (much to your relief) and you hoped he'd be the person to wow you in the end, as you have lukewarm feelings to who you've met thus far. Despite the impressive credentials on most resumes you reviewed, none of the people you'd met seemed to be a good long term fit for the company; some of them would likely only be good as temps, needing to be let go unless they showed substantial improvement in the areas they were lacking in. 
It was a terrible thing to judge someone based on whether or not they were able to calm their nerves or had enough charisma, but when working for corporate conglomerates you can't afford to be meek. It was okay to be shy and reserved in your personal life, many people in the office were, but for the sake of professionalism you're required to have the ability to put meek tendencies aside. If the interviewee couldn't speak with confidence, then you had reason to believe they'd crack under the daily pressures of speaking with representatives of other departments or when handling sensitive negotiations. 
Unfortunately, you don't typically have the luxury of giving applicants the benefit of the doubt or the ability to give them the opportunity to change your first impression of them. You take a glance at the clock handing about the door to your office, opposite of your desk; it's just a few short minutes until you meet your last applicant, and you pray he'll be the person you've been looking for. Despite how desperate you are to fill the hole in your team after Mina's extremely abrupt resignation and move out of the country, you still don't want to hire just to fill the gap she left- you want someone capable and confident on your team. 
You take one last passing glance at the man's resume, making sure you're familiar with his education and work history, not wanting to be mistaken on any of the details listed. A short succession of knocks are heard on your door a few moments later, and you look up from the resume you're rereading to see Nayeon opening the door just enough for her head to come into view. "M-Ma'am, H-Hwang Hyunjin, uh- he's here for his interview," she speaks in a timid voice, face flushed the brightest pink you'd ever seen on her. 
Your brows furrow ever so slightly in wonder and concern at her out of character demeanor; Nayeon is among the most confident and well spoken employees on your team, and you've never known her to stutter or appear so off kilter. "..Right, send him in," you say after a moment, wondering if her attitude shift is due to the stranger you'd be meeting shortly; if that is the case, you'll have to talk to her about it once the interview is over- you wouldn't want to hire someone the people on your team are uncomfortable around. 
She nods and opens the door further, the silhouette of the taller man coming into view just slightly behind her. "Right in here," she mutters, stepping to the side and motioning for Hyunjin to enter your office. It becomes immediately apparent what the reason for Nayeon's abnormal behavior is; Hwang Hyunjin is easily one of the most beautiful men you've ever seen in your entire life. 
Black hair that just begins to touch his shoulders tucked neatly behind his ears, a few strands left untouched to frame his face, accompanied by wide circle glasses that seem to further enhance his beauty. He's dressed well, his suit modern and sleek but not overly formal for the setting, his accessories tasteful and understated, as they should be in an office environment- just a simple, long chain necklace and small, almost dainty hoops on his pierced ears. 
The reason that a man this gorgeous would even be applying to work here when he could easily make a fortune being a model is beyond you. You're quick to correct the initial surprise on your face, hoping that the man you'll be interviewing didn't notice how struck by his beauty you were when he stepped in. And how could you even know that he did notice you had a reaction to him- and not because of any overtly obvious expression of attraction, but because he could hear the beating of your heart with his inhuman ears, its steady rhythm taking a sudden, erratic jump the very moment he first stepped through the door. 
Nayeon is quick to close the door behind Hyunjin once he has stepped fully inside your office, leaving you in privacy for what will likely be the most difficult interview you have ever conducted, and not for the reasons you would've otherwise expected. "Have a seat," you speak clearly, as if your heart wasn't stuttering just mere moments ago, motioning for Hyunjin to take one of the chairs sitting opposite of your desk. "Pleasure to meet you, Hyunjin," you say after he's taken a seat, politely holding out your hand to shake his.
"Likewise, ma'am. I'm grateful to be considered for this position," he responds with a smile so effortlessly charming that you have to once again remind yourself that this is a professional setting and you shouldn't be thinking about how handsome the potential new addition to your team is. If you were a worse woman with lesser morals, you'd hire him on appearance alone- his flawless skin, plush, soft, almost inviting lips, and the little mole that sits daintily under his left eye are all positively bewitching to look at. 
You collect yourself after a brief mental scolding, deciding to get straight into the most pertinent questions you have once he's settled in his seat, opting to waste no time in getting straight to the point. While this approach does make the interview more tense for the applicant, you find it best to go about it this way to make sure they're truly ready for the sort of discussions that will be expected of them should they get hired. You don't expect perfection, but more accurately determination- if they can maintain a confident air about them under pressure, that's typically a good indicator to you they'll be a good fit for your team. 
Equally, you don't mind if they stumble over their words a few times throughout the course of the interview as long as they show the ability to bounce back from any slip ups. Error is expected at some point, as we are all human- you just want to assess their ability to come back from a mistake when speaking, and to see if they are able to maintain their composure in situations that may not be the most ideal or comfortable. 
The ease at which Hyunjin answers your questions has you convinced that he's perfect. He speaks confidently, coming across as self-assured and charismatic, not at all stuttering or faltering when you ask him to speak candidly with his own words. You appreciate a well rehearsed answer of course, but you like to ascertain whether or not the person you're considering for the job is able to maintain confidence when not using an internal script or reciting their memorized resume. 
Some struggle to do so, losing confidence in themselves the moment they are expected to go off the cuff, while others find it to be a trick question of sorts, as if you're baiting them to say a flaw that would place them out of consideration for the position they're applying for. What you value most on your team is adaptability- it's okay to falter for a brief moment, as long as they are able to collect themselves quickly and continue where they left off. And Hyunjin's ability to do just that is utterly astounding. 
He has an almost effortless sort of confidence and charisma about him; something unique and special that you don't often see, a state of being that isn't learned, but rather is innate to who he is. Even when he briefly pauses or lets out a small "hmm" as he thinks about his answer to your question, it never feels like he's struggling to find his answer- more accurately, it seems that he already knows what his answer is, and is just pondering on the best way to phrase it before speaking. 
It seemed that even his unrehearsed, unfiltered answers were nearly perfect, his ability to speak leaving you almost in awe. Truly, in the year and a half it's been since you were promoted to head of human resources, you'd never conducted an interview where the person you were speaking to seemed this effortlessly natural and comfortable in what is otherwise a tense situation. Honestly, you'd be a fool not to hire him right on the spot- his ability speaks for itself, and you're confident that any weaknesses he has can be corrected quickly and easily with more experience in the work environment. 
So you congratulate him, smiling as you once again hold out your hand and welcome him as part of your team. And Hyunjin smiles too as he takes your hand in his, knowing that this is just the start of what is his grand plan to make you his.
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In the months it’s been since you first hired Hyunjin, he’s come to learn so much more about you than he did just lingering around in your apartment, and with that has come an even deeper appreciation and desire to have you. Your good nature, which he knew you had from little interactions at shops and cafes, was now able to be fully seen by him- from the way you cared about your team, treated them like equals despite the fact that you were their superior in rank, and how you encouraged and fostered true friendships between everyone on your team. 
You held so much sincere care for everyone around you, and you lead with compassion and kindness at the forefront. If someone was sick, having an off day due to mental health, or simply felt the pressures of life weighing them down, you always met them with compassion, encouraged them to get better, and never made them feel bad about themselves for any small slip ups that occurred while they were struggling with something. 
Of course, in this line of work it’s vital that they show up always ready to do their utmost best and show others the best versions of themselves, but you weren’t some militant manager that expected people to always be at 100%. It’s unrealistic, and hypocritical to expect perfection, so instead you always did your best to accommodate them when they were low, and that consideration resulted in your coworkers and employees having a great deal of respect for you, and caused them to always put in their best effort. 
By extension, your care for your team resulted in equal care towards you, and it seemed they greatly missed you when you were absent due to your move. They had fine enough leadership while you were gone, sure, but it wasn’t the same without you- the one who made them feel comfortable, secure, and made them want to perform well at their jobs. What Hyunjin felt watching you was something akin to pride- and it was strange, as he had never felt pride for someone else before, usually not even for himself. 
He just liked seeing you succeed, if he had to guess; he liked knowing the woman he desired was not only beautiful in body but also in soul, just as he suspected her to be when he first came to put aside his anger and truly know her for who she is. What a happy accident it was, that he happened to be gone when you finalized your move to suite 13; because otherwise how would he ever have known what it was like to care about someone other than himself? To understand what it is that makes a human God’s greatest creation? 
He gets it now, he thinks- why God prioritized humanity, why he loves them despite how flawed and drenched with sin they are. And again, it occurs to Hyunjin how hypocritical he was before, and continues to be even now, how foolish it is for him, the very embodiment of sin, a being who is supposed to uphold depravity and ruin, to be infatuated with you, who is the very image of benevolence.
Hyunjin got to see so many new sides of you, sides that didn’t make themselves known within the 4 walls of your apartment, sides that made him fall for you more and more. A demon can’t experience love the way a human does, but he thinks this is the closest to love a creature like him will ever have. Obsession, longing, desire.. Isn’t that all a manifestation of love? Perhaps one does not need a true heart and soul to experience what love is, maybe all that one really requires is feeling. 
Most sins are a feeling- lust, pride, envy; all are an emotion you feel strongly within your gut, a natural reaction that cannot be prevented from pricking your skin or making your stomach twist. It’s innate, woven into the DNA of every creature with higher understanding. With all that mind, who is to say a demon can’t love? Maybe it won’t be felt in the same way a human feels it, but if love is a feeling, and sins are a feeling, then what truly prevents him from knowing love? 
As equally as he learned about you and himself, he also learned about the man you had developed feelings for- Yunho. According to Nayeon, who was apparently a wealth of information when it came to the subject, you met Yunho in college and have been friends with him since. You grew quite close in your time studying the same major, and as fate would have it, you both ended up working for the same conglomerate after college. 
While you ended up here, promoted to head of the department when the opening became available, Yunho worked for a different subsidiary within the same building; so while you technically worked for different companies, you shared the same CEO, and had ample opportunity to meet and talk during the company lunch hour and maintain the friendship you had in college. 
Well, he imagines you would’ve still been friends with Yunho regardless of where the two of you ended up in life after graduation, but still seeing him daily certainly didn’t help you get over the college crush you had on the man. And you had tried to move on- you’re not stupid, you know Yunho doesn’t feel the same way as you, but your relationships never worked out as you’d hoped, and you’d always be left still battling your unrequited love for your best friend. 
Though you are always professional, it was obvious, at least to the other women in the office, that you had deep feelings for Yunho. They could always tell in the way your face changed when he was near, displaying a timid smile that only ever showed up for him, the flush on your face subtle but recognizable to those who knew you well.  
And by extension, it became increasingly obvious to the rest of the office that Hyunjin was down bad for you, and hated seeing you with Yunho. His face too always changed when Yunho arrived, though in an entirely different way from you- Hyunjin would be positively seething with jealousy, always failing to mask the frown of disapproval when Yunho stepped into your office to talk and invite you out for lunch outside the building. 
And Hyunjin, who was always a gentleman anyways, was even more so when it came to you- holding open doors for you when walking somewhere together, carrying stacks upon stacks of heavy paperwork so you wouldn’t have to do it, memorizing the way you liked your coffee so he could get it for you and you could focus instead on your work. The only time Hyunjin ever wasn’t smiling, it was when you were giving your affection to Yunho, and it was painfully obvious how bad he wanted you. 
If Hyunjin was trying to keep his feelings a secret, well.. He failed to do so at every turn. Everyone in the office could tell how he felt, and while they would never admit it, most were just waiting for the day he’d ask you out, as it seemed to be more and more inevitable that he would. Some who had been your coworkers since long before you were even promoted and knew of your unrequited feelings, hoped that Hyunjin could be the person to finally give you the happiness you deserve. 
Even you yourself began to suspect that Hyunjin liked you as more than a friend or coworker, because why else would he go so out of his way for you? Why else would his face change whenever he saw Yunho? You can still remember the way his smile dropped when Yunho stepped into the room when you were having lunch with your team, how Hyunjin subtly clenched his teeth and tightened his fists, how he’d practically glare at the man before replacing his expression with the most forced smile you’d ever seen him have for the sake of professionalism. 
Were you being delusional? To say Hyunjin is fucking gorgeous is an understatement- he’s practically ethereal. And while you wanted to move on from your stupid school girl crush on Yunho that continued to grip you all these years later, wasn’t it too much to fantasize about Hyunjin being the person to finally make you happy? He could have anyone, and you couldn’t understand why he’d want you of all people when he could easily bag someone more impressive than you. 
You did well for yourself, but you didn’t consider yourself particularly desirable.. Maybe years of unrequited love and failed relationships made your confidence tank more than you realized, at least when it came to love and romance. And while there were other couples in the office, you worried it’d be unprofessional of you to date someone who you are technically the boss of.. Shouldn’t you be more concerned about the power dynamic instead of worrying about whether or not you were desirable enough for Hyunjin to want you? 
God, you really needed to get your priorities straight before you did something stupid; and certainly you were just reading too far into things. But still, while your feelings for Yunho didn’t go away, you still couldn’t deny that your heart would race whenever Hyunjin smiled at you, couldn’t ignore how goosebumps would erupt on your skin when his hand lingered on yours as he handed you a perfectly made cup of coffee, couldn’t help but linger on the the thought of what a perfect lover he must be.
As if sensing you were thinking of him, you hear a knock on your door, breaking you out of your thoughts and seeing Hyunjin crack open the door. “May I?” he asks, and you smile politely with a nod, motioning for him to enter your office. “Hey Hyunjin, what’s up? Need something?” you ask and he shakes his head, sitting on the chair in front of you. “Nothing work related, though I do want to ask you something,” he replies, and immediately your mind wanders to delusional territory again, though you quickly try to shut it down. 
“What is it?” you ask, trying your best not to fill your brain with the thought of Hyunjin making a move on you. Be professional for God’s sake. “I was wondering,” he starts, looking at you with that charming smile that is so natural to him and you always have to stop yourself from folding over, “If you don’t have any prior obligations today, would you like to have lunch with me?” 
Oh no. He’s adding fuel to your delusional fire. “Just us?” you ask, trying to mask your hope or the way your heart is picking up speed. You really want to be chill about the invite, but you really can’t help but hope the invitation means something more. He’s perfect, how could you not? You’re only human, after all. Isn’t it natural to want someone this fucking beautiful to want you? 
“Yes, just us. You don’t have to consider it a date, but.. I would be happy if you did,” he smiles, head tilting to the side in an almost playful display, and your heart jolts. He’s not just playing with you, right? He wouldn’t, would he? But you have to ask, “You make it sound as if you want me to consider it a date. Are you saying you like me?” 
“That’s exactly what I’m saying, ma’am,” he replies without hesitation, confidence fully on display. It’s as if the possibility of you saying “no” has never crossed his mind. Well, you’d probably be confident too if you looked anything like him; you don’t imagine he’s been rejected often. And well, you certainly won’t be the person to hit him with his first rejection either; you’ll have to ask a third party to handle the necessary paperwork if things go well between you and Hyunjin, as the head of the department can’t approve and oversee her own consensual relationship agreement, but it’ll be worth it, you think. 
After all, if someone this beautiful and seemingly perfect wants you, why deny yourself the opportunity? Even if it doesn’t work out, maybe he’ll be the person to finally help you get over your stupid crush on your best friend that’s been going nowhere for years. Apart from his beauty, he’s always been chivalrous and attentive towards you, a true gentleman in every sense of the word. And even if it's only for a brief time, you think he can make you feel happy, desired, truly cared for.
And truly, Hyunjin had him beat. Somehow, he knew that this was the end of your feelings for him. How ironic it is to lose due to his own complacency, his expectation that you’d always be there no matter what relationships you found yourselves in. How arrogant and selfish he’d been, assured that no matter whom he slept with or pursued, you’d be there just waiting for the day he’d finally ask you out. And now Hyunjin has you, and he’s certain he’ll never let you go.
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interstellarsystem · 28 days
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Endogenic Systems and Experiences in the Neurodivergent Community
We tend to stay mostly on the fringes of syscourse nowadays without directly interacting with it too often but I'm going to post this more broadly and less focused on our specific instance of this because community-wise I think it's important to talk about.
Endogenic and other non-traumagenic systems are so commonly excluded from so many neurodivergent-safe spaces where they would otherwise be able to gain knowledge about the disorders they might have, share experiences and coping strategies with peers, or at least have a sense of community that is so commonly valuable to disabled and/or neurodivergent people. In a lot of cases, even people who only support non-traumagenic systems get shoved out.
[Continued under the readmore as it's long.]
This obviously harms non-traumagenic systems, but I have to point out that when people sit there and say "we care about REAL disabled people!", I have to say.... Do you? Because if you did care about those with mental illness, physical disability or neurodivergence, you in my mind wouldn't exclude them based on something unrelated to the topic itself which might even be something as small as holding an opinion that other people get to be the judge of their own experiences. You can say that you care about "real" disabled people, but what about when a traumagenic DID system also has a tulpa that they consider just as valid and real as their alters? What about when a system labels themselves as quoigenic because in reality, you owe no one the knowledge that you are vulnerable and traumatised? What about when a system starts out as endogenic but gains so much trauma later on that they develop dissociative symptoms?
We're quoigenic because while yes we are diagnosed with DID:
DID does not have trauma in the diagnostic criteria so our diagnosis doesn't mean anything by way of origin. Nontraumagenic is not the same as nondisordered the same way that traumagenic isn't the same as disordered.
We cannot remember a time before we were plural so we cannot say with accuracy what our actual origin was.
We have headmates we consider to be from both traumagenic and endogenic origins and it feels unfair to pick one.
We don't owe anyone a quick little "hey, we have trauma!" flag on our pinned post which can easily paint us as a target. This is the exact reason we don't share our triggers online--it's not safe.
You don't owe anyone personal medical information including your diagnostic history, your trauma history or lack thereof, your current medications or how many times you've been in a hospital. That is your business and yours alone to decide who you share it with. It's downright dangerous to share some of it, especially so publically. So who is anyone online that clearly isn't your specific medical practitioner to decide whether your experiences are real enough to allow you into spaces meant for a usually completely unrelated thing? Why would someone holding the opinion that endogenic systems get to decide what labels they use be denied access to spaces just because they support people with differing beliefs and/or experiences?
If we as a system with multiple disabilities want to go into a space for people who are schizoaffective because we need others who won't immediately jump on the ableism train when discussing something we're diagnosed with that has so much stigma, should we be denied that just because we don't label our origin with a clear-cut "we are traumatized!!" label? Should we be denied access to spaces because we don't want to sit around and smile while parts of our system and other members of our community are called fake and evil and whatever else they come up with? It's so common in spaces for people with disabilities to be exclusive to traumagenic systems and people with an anti-endogenic mindset that people don't realise they're not only hurting the endogenic community, but literal chunks of their own community itself.
I can't even begin to understand the reason why.
Endogenic systems by just existing do not cause harm. They're not like a transphobe you would not be safe around by default of having a label. Not every nontraumagenic system is a saint but if you took any communtiy and called everyone in it the equivalent of an unproblematic holy angel, you'd be lying. People are bad in every community, some worse than others, but the nontraumagenic system community literally just wants to exist--and yes, sometimes a nontraumagenic system (or supporter of such) does have dissociative symptoms, or maybe they have autism, or maybe they're physically disabled. Should they be not allowed access just because of the way they chose to label their system, or their opinion of people picking their own labels for their personal identity?
What exactly is the reason they're so excluded everywhere? I'd try to assume that this level of exclusion (to the point of endos being on DNIs next to transphobes and racists) would mean there's some real harm being done on a community-wide scale, but even when looking for it there isn't any explanation we've been able to find. "They're fake" is all we seem to see which has no actual backing whatsoever. "They're harmful" is another but.. How? We might be looking in the wrong places, but we have never seen an actual explanation for how nontraumagenic systems cause harm as a community just by being themselves.
At this point, I have to wonder how many people who say "we care about real disabled people!" are just covering up their "we care about socially acceptable disabled people who I understand and/or do not find cringey" sentiment instead. Being neurodivergent should never be about fitting into tight little boxes--it's part of the whole point of having a community like this. You're not the majority, and that's okay. So why are we dividing the disabled community into boxes too?
Of course, this doesn't only apply to ND spaces. LGBT+ spaces are similar and even more divided from the concept of being a system that it makes even less sense to block nontraumagenic systems from entering the space. How does their system origin relate to their LGBT+ identity? Sometimes it can, but should a trans person be excluded from a trans space because they have a friend who is an endogenic system and they support them fully?
Overall, the main point is that it makes no sense whatsoever to be anti-endo in general, let alone so violently anti-endogenic system to the point where you hurt members of your own community due to it. Sometimes from something as simple as them supporting endogenics alone. Your safe spaces aren't actually safe if you exclude a nonharmful group who also belong in that space due to having a personal identity or opinion different to yours. If you want somewhere to be a safe, inclusive space, it should include everyone as long as letting those people in won't cause harm. People who are seeking to cause harm (racists, transphobes, etc) obviously do not belong in a safe space because they seek to harm others, thus making the space unsafe. But people who just want to be themselves without harming anyone should be included in your space if they fall under whatever it may be topic-wise. Even the "cringey" ones. Even the ones who don't quite make sense to you or have "contradicting" labels. Even the ones who use labels completely differently to the way you do. And even the ones who are uninformed or misinformed but trying their best to learn. Your safe space is not safe if it excludes those who do not follow your every single mindset and thought without any deviation.
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ohnococo · 3 months
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Eyes On You | MMA Fighter!Sukuna x F!Scientist Reader
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Summary: Sukuna takes a keen interest in you after a meeting discussing having him promote the protein powder you helped develop.
Notes: A one shot within the mma!au, though this isn’t part of the main canon of Fight Night. A request for @rosemaydone321
Warnings: public sex, mutual masturbation, rough sex, cum shot
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You hated being dragged along for these sponsorship meetings. It wasn’t your thing: sucking up to clients, listening to them negotiate fees, nodding the approval you’d already detailed and reviewed with legal in emails over the product claims in the ad copy. That didn’t stop you from getting dragged along though. Kusakabe, the company’s marketing lead, absolutely insisted that you added an air of legitimacy to the product just by sitting there. You drew the line at his suggestions that you wear a white lab coat to these meetings. There was no need to give some performance of your job, because it was simply something you did and did well, not needing to add niceties or fakeness to bolster your accolades. Not like most of the other people in this room laughing louder than they needed to, smiling wider than necessary.
Not the subject of this meeting though. In lieu of making conversation and underhanded suggestions of sponsorship requirements or costs, his focus was on you through most of it, face unamused by his manager’s banter. He seemed much more interested in watching you squirm under his gaze. You aren’t exactly sure what it was he seemed to get out of it, brows raised, peering down his nose at you as he leans on one hand and waits for your side of the table to agree to what he wants without even having to be the one to ask for it. It feels like he’s judging you, staring into your mind at every little thing you were thinking. It makes it hard for you to listen, not that you really needed to. All they asked was that you “look smart” and “use some science-y words.” All your years of education and experience to be told to look smart when you were smart. It almost made you regret getting into the health and fitness business.
The only thing making these meetings semi-tolerable was at least knowing Kusakabe was good at dealing with these people, having done press management for fighters himself in the past before deciding it was too much stress for the pay. He had to put out less fires this way, now he just helped the company push protein powder via sponsorships and deals. Or in this case, a very important brand deal with a highly sought after man like Sukuna. His being reliable, and doing most of the talking, made up for you being forced to be here rather than where your costly degrees had given you access to. It still didn’t make his client-facing persona any less grating though.
Sukuna leans forward, picking up his glass of water on the long table separating you and your coworkers from him and his management, and Kusakabe makes a show of acting impressed by him to pay him a compliment. It was usually what these men liked most.
“God, look at the size of his hands! No wonder you’re a menace on the ground.” Kusakabe mimics wrenching an opponent’s arm back, but Sukuna seems to be too concerned with watching you intently to be plied by the praise. Though from how disinterested he seemed the entire meeting you were beginning to think flattery wouldn’t work on him anyway. Kusakabe nudges you, encouraging you to join in, “Can’t claim that’s because of the protein powder, can we?”
Sukuna’s lip curls into a sneer, and you feel a small sense of camaraderie that he was just as put off by the charade of it all as you were, though you note this was the first time someone hadn’t been taken in by Kusakabe.
You’d have to tease him for it later when he lets the facade slip on your way back to the more comfortable lab-based aspects of your job. He knew the product inside and out. Not on a chemical level like you, but he was knowledgeable.
You found his penchant for playing dumb exhausting though, and since Sukuna seemed to as well you take the chance to speak your mind for once. “Don’t be stupid.”
For the first time since this meeting had started, the large man across from you actually looks amused, lifting his head from where it was resting atop his hand with the smallest hint of a smile.
“Don’t mind her. You know how brainy types are, right?” Kusakabe deflects, trying to recover from his parried compliment.
That wipes the smile off of Sukuna’s face, and he turns his steely gaze to the man next to you. “She’s right. You were being stupid.
Kusakabe looks frightened for a second, with your new client’s ability to intimidate even without threats, then his business brain kicks in, forcing that fake smile back onto his face as he laughs nervously. “Of course I was!”
He was, really. A claim like that would be preposterous. It was already a stretch for them to try and act like any of the considerable musculature before you was due to your product anyway. A body like that wasn’t built by a year’s worth of free product and the promise of a sizable check…
From the corner of your eye you can see Kusakabe deflate a little, before redoubling his efforts with Sukuna’s management, having noted they were much more receptive than the brooding man who was the guest of honour here.
The meeting wraps up without further incident, except for you spending the majority of it trying to look unbothered by Sukuna’s unwavering gaze. As Kusakabe walks you back to your little hideaway many, many floors down from the fancy meeting room, he places a lollipop into his mouth in lieu of heading outside for a cigarette to calm his buzzing nerves.
“If I didn’t respect you so much I’d have asked you to show a little leg to make that whole thing easier for me.”
It catches you off guard, “Firstly, if you respected me you would have kept that little thought to yourself. Secondly, what are you even talking about?”
He twirls the sweet by its stick on his mouth, pulling it out to gesture at you broadly. “I’m talking about the sexy eyes you were getting the whole damn time. Typical meathead, thinking with his dick.”
“Sexy eyes? Do you mean scary eyes? He looked like he was going to eat me alive.”
Kusakabe laughs as he leans against the wall while you press your keycard to the sensor for the entrance to your floor, “Yeah he wanted a taste of you, all right.”
The door beeps, then the locks click signifying your entry was permitted. Kusakabe’s, however, is not, so he waves at you over his shoulder as he heads back towards the elevator, “I’ll let you know when they decide on the deal.”
“I don’t care.”
It was all the same to you, and while your interest might have been piqued despite the brutishness of being ogled for nearly an hour and a half, your job there was done. Whether he promoted the protein powder or not, or made an appearance in a few commercials or print ads, had nothing to do with you past this point. Hell, it technically didn’t have anything to do with you before, but Kusakabe was adamant your quiet presence made a difference.
When Kusakabe approaches you in the lobby three days later, walking alongside you as you make your way to your car to head home, you think maybe you might care just a little. Enough to see it through at least. He looks serious, disappointed even, feigning having to deliver bad news, before he’s breaking into a smile and patting your back the way he always did when asking you to celebrate a victory that wasn’t yours.
“We did it. Sukuna’s team is signed on.”
“You did it.” You assert. No amount of money would have made you go on all the networking luncheons and meetings he spent his time in to soften people up. One was your limit, agreed to after a lengthy begathon from your coworker, so you let him ask you to come to a celebratory meal with the rest of the marketing team as usual, so you can also shoot it down as usual.
“Well, how about food and drinks tonight to celebrate, eh?” He acts like he might make it sound appetising by phrasing it like that for the dozenth time. But then he adds, “Their team is coming too. Sukuna insisted on paying. He asked us to bring everyone from the meeting too, and that includes you.”
This was a little unusual. It was a rarity for anyone other than the direct lead to be invited out, even if it was his company card getting thrown on the table for it. You can’t say you aren’t interested, even if the thought of being watched through the whole meal intimidated you. So you say yes, and Kusakabe is taken aback, smiling wide and patting you on the back like it was some feat to actually get out of either your lab, your office, or your home.
The meal is as insufferable as the meetings usually are. The ass kissing is somehow even more intolerable now that you know the contracts are signed so it was all even more unnecessary theatrics. Sukuna seems more focused on people in the room other than you, bordering on outright ignoring you, save for a few glances down at you in your seat across from him at the table.
It forces you to reckon with the fact that you had possibly been a little self-indulgent, coming to this meal to see him, to see if he was as interested as Kusakabe had seemed to think. You did trust his judgement after all, he had a good read on people, but now you’re just confused. It closes you off from the room even further, starting to feel awkward as your coworkers are drinking fast, bordering on making themselves a nuisance with their boisterous talking and laughter in the little reserved room of this restaurant.
Once they’re shuffling round seats, talking to each other, taking shots, cheersing again and again to a supposedly great fortune this year long contract - with a hope of renewal - would bring, you’re just sitting quietly at your seat in the corner, waiting for Kusakabe to finish his loud story to one of Sukuna’s team so you can say goodbye and leave.
Then, your interest is piqued again, as Sukuna breaks off from the few people he was speaking with, coming to sit down next to you. He peers down at you and you find yourself sitting up a little straighter, blinking when he speaks as if he’d made some sudden frightening movement.
“Are you always so quiet?”
You couldn’t tell if he was trying to be rude or not, but you answer honestly. “Yes.”
It surprises him that you don’t come up with some defence, and that you were comfortable with your quietness, his brows raising gently as he appears to be scanning you head to toe all over again. It has you feeling tense, swallowing hard as he’s silent, though not in the same way you were.
He catches that, smiling with a predacious twinkle in his eye before he leans a little closer than necessary. “Don’t be scared. I only hurt people who have it coming.”
You don’t know if it was supposed to intimidate you, but it worked. It made your hairs stand on end, your mouth feel dry, but it also made a familiar heat pool low in your stomach. He’s caught onto something that lets him know that too, flashing his teeth at you.
“I said don’t be scared.” He says it like an order, leaning back in the seat he’d taken, looking out at the room and you take the opportunity to try and calm yourself a little without being obvious about it.
He crosses one leg over the other, putting an arm over the back of your chair. “They’ll be shitfaced by the end of the night. Half of them already are.” He swings his head slowly to look down at you, “Why aren’t you?”
You shrug. Because it didn’t interest you, maybe. Because you were bored enough that it couldn’t even help anything and would leave you with a hangover that wasn’t worth it tomorrow morning. You don’t tell him any of that though, deciding that you didn’t want to volunteer any unnecessary information right now.
So you answer with the same question, “Why aren’t you?”
There it is again, that smile that would be outright terrifying if you were one of those people that ’had it coming.’ Then, he tempers the smile, running his tongue over his teeth before relaxing into a more neutral expression.
“If I’m partying I’m not holding back, and this is technically business. But,” he leans in, close enough that you’re holding your breath, eyes wide, “maybe we can have our fun some other way…”
You lick your lips, trying to keep your breathing under control, trying to temper whatever had clued him in to his effect on your body before because by now you were absolutely soaked. He doesn’t let you have that control though, bringing a hand up and brushing your lower lip with his thumb and tilting your head up towards him. He’s so close you’re sure he’s going to kiss you, but instead he speaks.
“You need to do something with all that nervous energy, or you’ll wind up passing out.”
He’s mocking you, you know he is. You don’t exactly like to feel so frail in front of him but you can’t deny how your body was reacting, or that you might just be considering letting him kiss you within eyeshot of several of your coworkers. But he doesn’t. He pulls back and stands, eyes barely visible with how low he has to look to gaze down on you.
“I’m going to the bathroom.”
Then, he just walks away, leaving you blinking, unsure of why he’d announced his departure with such weight. You catch up to his thinking as he stops at the entryway to the little private room you’d all been dining and drinking in, and quirks his head to the side, raising his brows in a face that wordlessly communicates, ’well?’ before he’s walking away.
It leaves you blinking again, swallowing hard, looking around the room as if to ask what you should do. No one was looking back, all involved in their own discussions. You take a breath, wondering why you suddenly felt the need to confer over something you very much didn’t want anyone else here to know you were even considering. Then, you realise even as you stand to follow along the path Sukuna had taken, it was because you knew it was probably a very, very bad idea.
When you reach the bathroom, you see it’s unlocked. You grab the handle and take a deep breath, half hoping he’d been joking, that he hadn’t even come into here and instead walked outside to get some air and laugh at the dirty little scientist who really thought he was inviting her to fuck in a public restroom. The door is only open a little before Sukuna is in view, very much waiting for you as he’d said, and very much stroking his frankly intimidating cock.
With the way your blood rushes downward between your thighs you almost feel lightheaded, and it’s as if your legs are moving of their own accord as you enter the bathroom and shut and lock the door behind you.
“Anyone could have come in here and seen that.” He laughs at the way you refer to his monster of a cock as that, but it doesn’t stop his slow strokes.
“But you came in here.” He’s still mocking you. And you’re still taking it, responding by grabbing at his shirt, and looking up at him. It spurs him on to release his grip on his cock and kiss you, one hand in your hair the other on your hip.
The force of his kiss borders on painful, teeth clashing with yours, tongue pushing into your mouth like it was his to claim. Then he’s gripping your ass, hoisting you up onto the sink, and only parting from your kiss once his hands migrate downward and feel how wet you already were. He spreads your legs wide, shoving your sensible grey dress upward to unveil the wet patch on your panties and smiling wickedly.
“Were you this wet in that meeting?” His eyes flick upward to meet with yours, and you feel defensive, like he was accusing you of being unprofessional.
“N-no.”
“Don’t lie to me.” He tugs your panties down, hard enough you have to reach behind yourself to grip the sink and keep yourself from sliding off. “I thought you were supposed to be smart.”
That doesn’t help the defensiveness bubbling up inside you, competing with the arousal. “I am.”
He gives you a pitying look, like he wasn’t so sure anymore, “Then be a smart girl and get that cunt ready for me.”
He takes a step back, resuming his slow strokes on his cock, waiting for you to perform for him. Your fight is gone with the way his words have you letting out a horny little whine at the sight of him touching himself. He lets out a pleased groan at that, and if you hadn’t already cast caution and logic aside for a moment you’d be embarrassed at how enthusiastically you begin moving your fingers through your wetness for him. He nods approvingly, picking up his pace a little as his silent encouragement only makes you go further, bringing a knee up to perch one of your feet on the sink, giving him a better view as you circle your clit and let out a stifled moan.
He doesn’t let you work your way up like that for long though, “Go on, fuck that cunt open for me.”
His words are only getting filthier, and it makes your head spin, letting a louder moan slip out as your mind goes blank and you do just as he says. You didn’t know you could be so needy so fast, knuckle deep with two of your fingers, rocking your hips into your movements the best you can without slipping from your precarious position. He flicks his wrist, twisting his hand as he strokes his cock, and his deep groans have you sliding a third finger in, knowing your fingers will hardly approximate his girth. The obscenity of it all is getting you close, breath hitching, eyes struggling to keep focused as your legs get shaky.
Then he’s got you by the wrist, pulling your hand away, and replacing your fingers with his cock in one steady push. You wrap your arms around him, moaning and clutching at his back, squirming until he has to hold your hips still to bottom out inside of you properly.
You’re so full that it’s like you can’t think, mind needing to reset as your body takes over all the work for you, rocking against him, begging him with soft whines until he’s chuckling at your desperation.
“All of your little coworkers are going to hear us if you don’t keep quiet.”
His words are undercut by his actions, as he starts fucking into you in long, deep strokes, only speeding up to snap his hips against yours just as he’s bottoming out, and you find yourself taking it happily as he hits all the right spots inside of you.
The force of his thrusts has his pants slowly shifting from his hips and down his legs, heavy belt buckle hitting the tile floors with a clang as they pool around his ankles. His pace is unaffected, the more pressing matter being your pussy squelching obscenely around his cock.
“Oh- oh my god, oh my god…” you’re clinging to him, despite being in no danger of falling now that he was gripping you so tightly, mouth open and incapable of stopping the little whines coming out with every thrust.
He puts a hand over your still open and panting mouth and chuckles, low and breathy, “Not such a quiet little mouse now, hm?”
You’re still talking now, babbling into his palm about how good it feels, how bad you need him to make you cum. Even with how muffled it is you can still feel how it’s making him throb inside of you, and you clench around him. His hand on your mouth, large enough that he was gripping your entire jaw, and the other hand firmly locked onto your hip, are the only things keeping you from being a fucked out puddle on the floor, too close to do anything but take it as your moans get higher and louder.
As he starts climbing towards his end as well, he doesn’t even pretend to hold those sounds in anymore, releasing your face to have his other hand on your hip, and you resume your desperate talk unrestrained as he fucks you hard enough your head is left lolling. You’re lucky enough to have him obliging your every request, namely because they all centre around begging him to keep fucking you. He does it happily, until he’s growling his approval as you grip him tight, creaming around his cock as he fucks you right through your orgasm until he’s right on that edge himself. Suddenly he pulls out, pulling your dress higher and out of the way as he pumps himself roughly til he’s cumming hard, coating your pussy and thighs.
You lean back, until you’re against the mirror with the faucet uncomfortably pressed into your back, catching your breath, watching him squeeze out the last of his cum as he takes in the view of his handiwork. Then, when the stars behind your eyes have dissipated, and you look down at the mess, the reality of what you’ve just done settles in.
“Oh God…”
Sukuna only smiles at you and helps you off of the sink onto your shaky legs to begin cleaning yourself off. As you both make yourselves look presentable, something you’re putting much more effort into than him, he offers you a playful, “You’re welcome.”
You shoot him a look, much less warmed up to him now that the haze of lust has worn off.
He pats you on the back, then runs his hand down until he can squeeze at your ass. “You look much more relaxed.”
He takes a final look in the mirror and gives you another smile, still hungry despite having his appetites satisfied. “Looking forward to working with you.”
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In honour of 4/13x15 I'm posting (a very slightly edited version of) the paper I wrote on the Unofficial Homestuck Collection for one of my classes last term. The language/tone is a bit more academic than what I would usually put up on here, but it's exam season so... 
Don’t Turn Your Back on the Body:
The Resurrection of Homestuck After the Death of Flash
Digital media is, broadly speaking, very difficult to preserve. The rapid pace of technological development means that obsolescence and decay present a consistent threat to the availability of natively digital works. Most computers produced in 2023 no longer have built in CD drives, and I feel fairly confident in asserting that none are being produced with floppy disk readers outside of hobbyist spaces. Issues with the accessibility of physically stored digital media can be mitigated (at least for now) by the use of external readers, but the preservation of fully digital media, born and hosted in its entirety on the Internet, is a different beast entirely.
This is, in part, an issue of pure volume; no one organization could ever hope to archive the vast amounts of stuff that the Internet is constantly producing, let alone organize it into a resource that could be used effectively. Like Borges’ cartographers who created “a Map of the Empire whose size was that of the Empire,” to fully archive the Internet would be to replicate it in its entirety. Thus scope becomes a central question of fully digital archiving. 
The Internet Archive, which also operates the Wayback Machine, answers that question with a resounding and all-encompassing ‘yes’ — their stated goal is to “provide Universal Access to All Knowledge,” but even this comes with caveats. The organization freely permits members of the public to upload files to the archive and save pages on the Wayback Machine, but the work carried out by its official volunteers is more curated, and prioritizes webpages which have been identified as particularly important.
The Internet Archive is very effective within its own space, yes, but it has its limits. When the piece of work you are trying to archive is composed of not just static text and images, but longform animations and complex browser-based games, where do you put it? What do you do when the software necessary to access these elements of the work has been taken offline? And what happens if the people who were supposed to safeguard it fail to do so?
These were the issues that the fans of Homestuck faced in 2020 as the impending deactivation of Flash loomed on the horizon.
But first, before I properly explain what the Unofficial Homestuck Collection really is and why it is so effective as a digital archive, let me tell you about Homestuck. 
Frustrated with the poorly implemented official preservation of the comic, and with a lot of free time on his hands, one fan began the Unofficial Homestuck Collection as a personal project during lockdown, during the “depths of 2020.” As the project changed hands and more fans became involved over the following years, its true scope came into focus: the Collection would preserve not only Homestuck itself, in its entirety and with its Flash-dependent pages intact, but also as much of its contextual material as possible, thus making it a prime example of the effectiveness of fan-driven digital archiving and preservation. Because the people who created the Collection are long standing fans of Homestuck, they know which pieces of peripheral material will provide the context the comic demands. The Collection preserves Homestuck as a text in a way that would be impossible in an analogue format, creating an archive both of the work and of the experience of reading it in a serialized format.
Andrew Hussie began* Homestuck on April 13th of 2009, and published it serially on mspaintadventures.com, his personal website at the time, until its conclusion on April 13th, 2016. Prior to beginning Homestuck, Hussie had been publishing short webcomics and pieces of fiction for several years on his older website, Team Special Olympics, since 2004, which had gained him a small but very loyal following. This following was centered mostly around the forum attached to the TSO website, which hosted the first of Hussie’s ‘MS Paint Adventures,’ Jailbreak, in September of 2006. Jailbreak was a short comic which Hussie produced as a collaborative writing game on these forums, in the style of early text adventures.
Beginning with the prompt, “You wake up locked in a deserted jail cell, completely alone. There is nothing at all in your cell, useful or otherwise,” Hussie then wrote the rest of the comic according to the first comment posted after every page. This, perhaps predictably, resulted in a barely coherent mess of a story.
Following the conclusion of Jailbreak after a short 134 pages, Hussie would produce two more comics prior to beginning Homestuck: the unfinished Bard Quest (June-July 2007) and Problem Sleuth (March 2008-April 2009), which was his longest work so far at the time of its conclusion. Problem Sleuth in particular represented a substantial increase in production quality and general coherency over Jailbreak, as Hussie gained experience using the MSPA forums as tools for collaborative storytelling, reigning in the meandering narrative by allowing himself to be more selective about which forum responses he followed.
Hussie would continue this more controlled style of forum collaboration throughout the first three Acts of Homestuck, which followed a much more focused story than any of his prior work, thanks to his decision to use reader input only in specific parts of the comic. In the introduction to the print edition of the first Act, Hussie described his own role during the production of these first Acts as “dungeon master, a game engine responding to input, and an improv comic all in one.” During the process of writing Act 4, Hussie stopped taking prompts from readers entirely, and would construct the rest of the comic ostensibly as its sole author.
‘Okay,’ you might now be thinking, ‘you’ve given me the context, but what the hell is Homestuck? And what’s it about?’ Well, to wildly oversimplify a very complex piece of media, Homestuck is a webcomic about four young online friends who play a video game that causes the end of their universe and grants them the power to create a new one as they see fit. It is a story about growing up and realizing you’ve been forever changed by your experiences, a story about leaving behind the life you knew and constructing a new one. It is also a story about time travel and paradoxes, genetics and cloning, a large number of aliens, a possibly larger number of puppets (at least one of which is sentient), and an unfortunate amount of clowns. 
This story slowly unfolds over the course of 8126 pages, 817,929 words, and 166 animated panels, 95 of which contained some degree of interactivity and all of which total over four hours in length. Most of the comic’s pages consist of a main image, usually a short looping gif, accompanied by a text description or dialogue, which is almost always written in the format and style of online chat-logs between characters. As mentioned previously, however, these simpler gif-and-description pages are interspersed with longer videos, animated in Flash and soundtracked by one of Hussie’s several collaborators.
The first of these animated panels was uploaded a few weeks into Homestuck’s publication — an animated opening title-card for the comic, scored ominously with sounds of howling wind and windchimes. This first Flash panel was relatively simple, but the next would introduce a bespoke soundtrack (“Harlequin” by Mark Hadley), and the third would include simple interactivity. These soundtracked animations and interactive segments increased in scope and complexity over the course of the comic’s run; the final animated page in the comic, “[S] Collide,” comes in at nearly twenty minutes in length, and some of the larger interactive segments can take upwards of two hours to fully explore. 
While some of the later interactive pages were developed in an engine based on HTML5, most of Homestuck would be built using Adobe Flash, and would depend on the program for basic functionality. This would prove disastrous for the comic’s long term preservation. Flash was very popular, and had become ubiquitous by the early 2010s, but it had security issues which were easy to exploit, its range was fairly limited in terms of what kinds of animations it could produce, and, as its most fatal flaw, it couldn’t run on mobile. Thus with the expanding use of smartphones and tablets, Flash became less and less practical as a tool for web developers, and Adobe began slowly preparing to kill it. On December 31st, 2020, Adobe sent Flash off to the farm where it could frolic and play in the digital sunshine, leaving many online communities facing a crisis. How do you preserve a text when its foundations have crumbled?
With Homestuck using Flash in such an integral way, the issue of preservation was an important one. After the finale, Hussie would post some short post-credits stories to Snapchat from October 2016 to August 2017, as well as a longer epilogue in April 2019, before stepping away from any formal involvement with the comic in 2020. In 2018, Hussie had given the distribution rights for Homestuck to VIZ Media, which primarily handled the English-language publication of several manga series, and had left the rights to the IP and the freedom to produce new work to former collaborators. Thus it was VIZ who took on the task of officially preserving Homestuck against the death of Flash.
To say their efforts were unsatisfactory would, I think, be paying them too great a compliment. The complex and highly detailed Flash animations were replaced with embedded YouTube links to low-quality screen-captures of the originals. The hours-long walkaround games were not translated at all, replaced with ‘choose your own adventure’ style pages of text and links. The official version of Homestuck as it currently exists fails to capture a lot of what made the comic work, because it removes a lot of the gamified elements of the comic that are so integral to its storytelling.
There are many snapshots of the website from before the walkaround games were taken down on the Wayback Machine, but the Flash emulator that archive.org uses is very inconsistent, frequently becoming stuck on looping loading screens or failing to process assets correctly. While the dubious preservation of the long Flash animations is a real issue on its own, the lack of any attempt to replicate the format of these longform games represents the loss of something essential to the comic. Homestuck is, throughout the whole of its story, intertwined with the visual and cultural language of video games. The loss of the complex interactivity of these panels fundamentally changes how the reader is permitted to engage with them and, by extension, with Homestuck’s narrative as a whole. The official version of Homestuck that exists online is no longer complete. 
This incredibly poor preservation was the impetus behind the creation of the Unofficial Homestuck Collection. In its most basic form, the Collection is simply a preserved and restored version of Homestuck, intact and in high quality, accessible through a downloadable client, rather than online — reducing the Collection down to this basic description does it a disservice. The Unofficial Homestuck Collection includes not just Homestuck, but all of Hussie’s prior work: Jailbreak, Bard Quest, and Problem Sleuth are in there, but so are the full contents of his first website, Team Special Olympics, alongside archived versions of his now-deleted accounts on various social media platforms, and copies of threads from the MSPA forums that he would later reference in the main comic. The Collection also includes material that Hussie released alongside Homestuck, like the in-fiction blog of one of the main characters, various short comics written by guest authors, and a full episode of an in-universe childrens’ cartoon.
These peripheral materials are interesting and provide context for some of the more obscure references throughout Homestuck, but many of them were not produced until well into the comic’s run, and assume an audience that is caught up with the most recent update, making them dangerously full of spoilers for the unaware new reader. This issue is solved by the appropriately named ‘new reader mode.’ One of a variety of useful accessibility tools included in the Collection, the new reader mode tracks which page a user has reached, and implements a universal spoiler cloak over the whole program, hiding all materials that were released after their most recent page’s publication. This tool is what transforms the Unofficial Homestuck Collection from an archive of a text, into an archive of an experience.
De Kosnik argues that fan-driven archiving serves as a way for fans to mediate their own temporal experience of a text, describing websites hosting fanworks as mechanisms which “maintain the possibility of individuals joining fandoms… long after a media text has ceased to air.” While De Kosnik’s focus is on archives of fanworks and their function in ongoing fan spaces, I would argue that this framework, which centers the impact of serialization on the dynamics of fan communities, fits extremely well when applied to the Unofficial Homestuck Collection. Homestuck was published serially over the course of seven years, accompanied by blog posts, side comics, music, and other pieces of peripheral media that were released in tandem with the comic itself.
Updates were highly anticipated events, and fan communities were structured around them — one user on Tumblr found an unlisted part of the MSPA forums where Hussie posted new pages before they were published, and this “MSPA Prophet” became a fixture of the fandom for their ability to predict when the next update would come. The event that was an update (or upd8, after the typing style of a popular character) was a central aspect of the experience of reading Homestuck during its publication, and it is one that is very difficult to recover now that the comic exists as a static, completed work. The Unofficial Homestuck Collection, through its new reader mode, functions as a solution to that absence. It does more than safeguard the reader against unwanted spoilers: it temporarily transforms Homestuck back into an incomplete text. 
Homestuck makes use of the assumed preexisting knowledge of the reader, and their “intuitive familiarity” with various types of digital media and culture, especially ones which are inherently participatory. The story’s use of narrative motifs and referential easter-eggs allows Homestuck to function, in Hussie’s own words, as “both a story and a puzzle,” but that “There [are] a range of ways to interface with it[…] Failing to grasp everything shouldn’t preclude basic enjoyment, nor is it a symptom of failure by either the reader or the story.” In the most frequent example of repeated symbology in Homestuck, Hussie peppers the text with references to the number ‘413,’ simplified from April 13th, the day the comic began.
The story follows four friends who are all thirteen years old, many of the songs on the comic’s soundtrack are exactly four minutes and thirteen seconds long, and the timestamps on chat-logs show that characters frequently begin important conversations at precisely 4:13, to name just a few of the number’s appearances. The combination of puzzle and story in Homestuck extends beyond these kinds of motifs, however, and into the way Hussie employs referential humour.
Some of these references are fairly easy to catch; in Act 4, one of the main characters is gifted the Warhammer of Zillyhoo — a brightly coloured weapon which originally appeared in Problem Sleuth. Others, however, are much more obscure. The older brother of another main character runs a business creating bizarre, semi-ironic puppet pornography. Most of the audience read this as an absurdist joke about the internet’s love for offputting porn; the subset of fans who had been following Hussie for several years, or those who looked into Hussie’s early activity on the MSPA forums, however, would find themselves with new understanding of a long-running joke. This element of the experience of reading Homestuck is something that the Unofficial Homestuck Collection not only preserves, but makes readily accessible to the comic’s readers in a way that would not have been possible during the comic’s publication.
On a purely theoretical basis, I would argue that the Unofficial Homestuck Collection is valuable not just in the context of contemporary fan activity, but as a potentially valuable resource for future research. Homestuck is a foundational piece of the current cultural landscape, its influences permeating both digital and analog media in subtle (and sometimes not so subtle) ways.
Undertale, titan of online culture that it is, was created by Toby Fox, who was the composer behind a large amount of the music in Homestuck and was, during the game’s production, living in Andrew Hussie’s basement. Tamsyn Muir, author of the Locked Tomb tetralogy, began her writing career as a prominent figure in the Homestuck fandom on Tumblr and Archive of Our Own. Although the reach of her original work has thoroughly outgrown her fandom roots, Muir includes sly references to Homestuck in several places in her books. Hell, one of the animators working on Bluey, a cartoon aimed at very young children, included references to Homestuck in the backgrounds of episodes they worked on, as easter-eggs for the benefit of parents in the know. All of this is to say that Homestuck has its hooks deep within the culture of the Internet, and its impacts will, I think, be felt for a long time yet.
The Unofficial Homestuck Collection is certainly not immune to digital decay or link rot, but it is resistant to them, since it is hosted on a large and well established website (GitHub), and, once downloaded, can be accessed without an internet connection, and shared freely. For the hypothetical future researcher, the Collection contains resources to mitigate the frustration of trying to hunt down pieces of contextual or peripheral material by packaging them with the text itself — it functions like a sourcebook. 
Bibliography
Bamboshu, and GiovanH. The Unofficial Homestuck Collection. 2020. https://bambosh.dev/unofficial-homestuck-collection/ 
De Kosnik, Abigail. Rogue Archives: Digital Cultural Memory and Media Fandom. Cambridge, Massachusetts: The MIT Press, 2016. https://doi.org/10.7551/mitpress/10248.001.0001.
Glaser, Tim. “Homestuck as a Game: A Webcomic between Playful Participation, Digital Technostalgia, and Irritating Inventory Systems.” In Comics and Videogames. Edited by Andreas Rauscher, Daniel Stein, and Jan-Noel Thon. 96–112. Routledge, 2021. https://doi.org/10.4324/9781003035466-8.
Hussie, Andrew. Homestuck. MS Paint Adventures, 2009-2016. https://homestuck.com. 
Nakhaie, FS. “Reproduce and Adapt: Homestuck in Print and Digital (Re)Incarnations.” Convergence, 2022. https://doi.org/10.1177/13548565221141961.
Read MS Paint Adventures. “Statistics.” Last modified April 7, 2018. http://readmspa.org/stats/.
Veale, Kevin. “‘Friendship Isn’t an Emotion Fucknuts’: Manipulating Affective Materiality to Shape the Experience of Homestuck’s Story.” Convergence 25, no. 5-6 (2019): 1027–43. https://doi.org/10.1177/1354856517714954. 
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blueiskewl · 10 months
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2,000-Year-Old Roman Mausoleum Unearthed Near London Bridge
No burial artifacts were recovered from the structure itself, but the surrounding area yielded over 80 Roman burials containing copper bracelets, coins, glass beads and a bone comb.
A "completely unique," 2,000-year-old Roman mausoleum that has emerged from the rubble of a development site in central London is the most intact ever discovered in the U.K.
The monumental tomb — of which low walls, entrance steps and interior flooring remain — is bejeweled with two mosaics composed of small red tiles, each featuring a flower enclosed in concentric circles. More than 100 coins were also strewn across the tomb's floor.
Archeologists only found the second mosaic when they dug beneath the first one. This indicates the mausoleum floor was raised at least once while it was still being used for burials, they said.
The discovery, which is nestled within the city's central Southwark area, "provides a fascinating window into the living conditions and lifestyle in this part of the city in the Roman period," Antonietta Lerz, a senior archeologist at The Museum of London Archeology (MOLA), said in a statement.
Roman invaders under Emperor Claudius founded London, or Londinium, around 47 A.D. and ruled the city through to the early fifth century, when dwindling military resources and incursions across the rest of the empire forced their withdrawal from Britain.
The recent excavation bears the marks of this decline. "This relatively small site in Southwark is a microcosm for the changing fortunes of Roman London — from the early phase of the site where London expands and the area has lavishly decorated Roman buildings, all the way through to the later Roman period when the settlement shrinks and it becomes a more quiet space where people remember their dead," Lerz said.
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The mausoleum would have originally housed coffins and other burial artifacts, according to the statement, but none were recovered from the structure itself. However, the excavation site around the monument yielded Roman-era items belonging to more than 80 burials, including copper bracelets, glass beads, pottery and a bone comb.
Archeologists will now examine these recovered items to better understand central London's Roman past.
Only the wealthier members of society would have had access to the mausoleum, which may have been used as a family tomb or belonged to a "burial club," requiring a monthly fee to secure a future grave, according to the statement.
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What remains of the structure indicates that it was a two-story building with large buttresses in the corners for support. The high walls were probably dismantled for reuse elsewhere during the medieval period. Inside, a raised platform cemented with pink mortar containing crushed bits of pottery and brick — a widely used Roman building material known as "opus signinum" — designates where the burials would have taken place around three sides of the mausoleum.
The discovery follows that of a 26 foot (eight meter) long Roman mosaic — the largest unearthed in London for more than 50 years — in February 2022. The newly excavated mausoleum will be put on public display once construction has concluded, according to the statement.
By Sascha Pare.
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shepherds-of-haven · 5 months
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SHEPHERDS OF HAVEN ALPHA PREVIEW UPDATE [11/29/23]
The Shepherds of Haven alpha preview has been updated here!
Note: This is not the same thing as the public demo, which is available for everyone and covers the first four chapters of the game: the alpha preview is the early access version available to Patrons and testers!
TOTAL WORDCOUNT: 1,047,415 WORDS WITHOUT CODE
WHAT’S NEW:
9,000 words of new content!
Croelle, Sibella de Vespe, and... an item from an earlier chapter that you might have been wondering what to do with? 👀
A little hint of Prihine at the end if she's alive...
Play it cool like a courtier or go hogwild like the feral gremlin you've always dreamed of being: it's your choice!
Please be sure to read the specific developer notes on Patreon for more info, as well as check the Incomplete Routes Guide linked in the alpha build post if you have questions about how to proceed through the alpha build! 
WHAT’S NEXT:
At least Prihine's part of Chapter 9, plus a character interlude or some Ascendancy Festival stuff! Chapter 9 has a big politicking section coming up next, so I'm likely to take a bit of a break from that by chipping away at supplementary routes before working up the nerve to tackle the big fish--but on the other hand, I have to admit that I'm having way more fun with Croelle than I thought I would. In the books, I was like, ambivalent towards him at best, and I know I spent years telling you guys not to like him because he doesn't have to eat fruit, but you know what... now that he's fully present, I'm kind of digging him. He is rotating around in my mind and I want to pick him apart like a little bug. So we'll see where the magnetic pull is strongest next month!
Anyway, I really hope you enjoy! I look forward to seeing your thoughts, and hope you had a great Thanksgiving if you celebrated and that you have a great end to your November! 🧡🤎🦃
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dusty-daydreams · 1 year
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Beyond the setting of elite school and working class town in Young Royals, education is also a great setting to examine the implications of class.
On the surface, Simon and Sara have this great opportunity to study at this Elite school, it should in theory set them up for life. Except class is not as a simple as getting into the right classes (if you'll excuse the pun).
Sara is clearly talented with horses and attending Hillerska gives her opportunities to develop this talent - BUT horses are an expensive hobby/field. Sara cannot get as far in horse related fields, as say Felice, despite Felice having zero talent with horses, because where Felice can afford to buy and upkeep a horse, Sara can't. Sara's family can't even afford to keep her in long-lasting jodhpurs.
Simon is extremely talented with music and singing, and attending Hillerska gives him opportunities to develop this talent - BUT he has not had formal music lessons, and can't read music, or fully play piano, beyond what he has been able to figure out himself (or potentially with his dad's help). Wille, with no interest in music (beyond getting starry eyed at his boyfriend's voice) can play piano and read music as a result of a royal upbringing.
The working-class kids with the passion and talent, are starting behind the upper-class kids with the resources (but no genuine interest in the areas)
The resource gap is even more overt in the straight academic classes. It is implied that math at least, but possibly all the academic classes are subjects that Simon and Sara excelled at, but Simon's math mark drops, not because his work ethic has but because he does not the resources to pay for the corrupt bribery marking system at Hillerska. He also doesn't have the same time resources as the other students who board and have weekend access to the teachers. Attending an elitist school serves no purpose if you 'fail' at the school.
Which brings back the drug issue in season 1 - Simon is caught in a catch 22. He sells drugs to afford to bribe the teachers. BUT his position is precarious - if he as a working-class second generation immigrant is caught selling drugs he risks prison and criminal charges. Whereas the upper class kids he is selling too (via August!) get caught, they depending on their degree of privilege will be expelled and sent to a different elite school (lower-upper class), be suspended and need to make a 'donation to return' (middle-upper class like Alexander, or potentially be on the receiving end of in-school punishment (upper-upper class). The consequences for Wille at the pinnacle of the hierarchy depends on who finds out - if it is kept under wraps, he is unlikely to receive any direct punishment - as that would expose the secret (which isn't to say that he would be mistreated by his emotionally abusive family), if the public finds out, he is likely to quietly withdrawn and put into a rehab to 'correct his ways'.
Being poor is expensive.
The consequences for what happens to Simon and Sara, may not be worse than the consequences for their upper-class counterparts, but they are more expensive.
Let's take the example of the sex tape -
There are three people involved: Wille, Simon and August
The consequences for August for perpetrating a sexual crime, recording and publishing revenge child porn: the crime is covered up in order to protect him, and the royal family by his association with them. Ultimately he is prepared to promoted to the ready-made job of 'working royal' a career that we know he desires.
The consequences for Wille: He is potentially outed, this poses a threat to the royal family's stability, he denies the video and immediately frees himself from the public consequences of the video, loses his relationship with his lover as a result. This is all very sad, and the undeniable tragedy of season 1 but it is not expensive.
The consequences for Simon (notably the only one that cannot deny any connection to the video): Simon is outed to the entire public, interested world. His undeniable visage is publicly blasted, attached to his name. We are shown that 'Sweden Crown Prince Boyfriend' is a top search. Any potential employer that does a cursory google of Simon (if they didn't already know who he was) would stumble across his scandalous underage sex tape (that most people think was with the Crown Prince, but pre-season 2 finale would be politely pretending it wasn't). Revenge Porn, is in part 'revenge' because it demonstrably limits it's victims ability to be employed.
If Simon were to take August to court, August would have the support of lawyers from the royal court (as we are told in Season 2). Simon with fewer resources, would possibly end up in a long, expensive war of attrition that August would win, and that would even more publicly tie Simon, his name, his face to the video.
I also think that it is significant that Simon and his mother consider withdrawing him from Hillerska in the immediate aftermath of the tape. Something that Wille and August don't need to think about. August's actions could have cost Simon's education as well as his future employment prospects.
TLDR: Class is about more than money, it's about the resources that give people opportunities that others don't have and disproportionately punishes people at the bottom of the hierarchy. It's a system that holds Simon and Sara back even when they get into class with their "class betters". It's a system that makes any mistake made by or against the working class, expensive as well as traumatic.
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fayrobertsuk · 6 months
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Poetry for ALL
Some personal anecdotes and a plea follow...
As quite a few of you know, I’ve been engaged in disability awareness and rights campaigning and other work since sometime in the 90s, so when I was given an opportunity to support and host an event dedicated to making performance poetry as accessible as possible in 2018, I jumped on it.
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Poetry for All is the brainchild (and heartchild, and soulchild) of Rose Drew, who I first met through one of Richard Tyrone Jones’s Utter events in London. She’s an extraordinary writer and performer, and a powerhouse of an events host and organiser. Within about 30 seconds of watching her on stage, I knew I wanted to be like her when I grew up as an artist. When she got in touch three years later to ask if I’d like to help out with what turned out to be the inaugural event, I threw myself into providing as much support as possible with enthusiastic abandon, and we pulled together a line-up which included the extraordinary performers Raymond Antrobus and DL Williams (“DeafFirefly”), both of whom I’d performed with before and was keen to see again. 
Now, there’s a whole section on our new website about the history of the events where you can read the facts, but I want to say here that, personally, that first event in March 2018 (coincidentally on my birthday!) was an absolute eye-opener – seeing how poetry events could expand and develop the ideal of accessibility in ways I hadn’t considered. It was also extremely inspirational as I realised that, well, I was allowed to write about my disabilities. Seeing and hearing artist after artist sharing so much and so eloquently unlocked something in me that I didn’t even know I’d been repressing:
I’m allowed to be an openly disabled poet. I’m allowed to express my neurodivergence. I can tell my truth. 😱🤯
Bit of a culture-shock, but I owe so much to the poets and to Rose (and to Dave Wycherley, BSL interpreter extraordinaire – that’s a hard and physically/ mentally taxing job as it is, but to do that with poetry? on the fly?! breathtaking...) for helping me get to that starting point, knocking down the walls of my own internalised ableism.
So, apart from a paean to self-expression and why representation and finding tribe matters, and a screed of gratitude for new friends made and old friendships strengthened through the course of these events, why am I writing this? What’s with the hashtag? “Plea...?”
Well, so far, since you ask, all of our events have had local funding in York, where they’ve taken place exclusively so far. Rose applied for Arts Council England funding for this and next year for a tour comprising several venues and a host more disabled artists and BSL interpreters from various parts of the UK (all getting paid properly!), but we found out last week that we’d not got the money. Any of it. So our forthcoming event on 24th November in the gorgeous National Centre for Early Music is in jeopardy and, since the thought of Rose (herself a disabled artist on low wages) having to pay for this out of her own pocket was not to be supported, I threw myself at a plan of creating a (somewhat last-minute) Crowdfunder, so that we can at least pay for the venue, the artists’ and interpreters’ fees, the travel and accommodation expenses of those of us coming from out of town, and the costs of producing merchandise to sell. We’ll be producing an anthology in print and ebook form, as a joint publication between indie publishers Stairwell Books and Allographic Press. And, if we exceed our funding goal, there’ll be video and audio available of the event to boot!
We’ve created a frankly very exciting range of pledge rewards for people wanting to support us (all the way from £1 and £2 options, since money is tight, especially for disabled folk, right now, to more chunky ones like private mentoring, workshops, and a publishing package), and we’ve got three weeks(!) to raise our £1,500 to cover the shortfall from ticket and merch sales. Eeep! So, if you’re able to and would like to help us, we’d be ever so grateful. The campaign is here:
https://www.crowdfunder.co.uk/p/poetry-for-all-2023-fundraiser
And if you have absolutely no funds to share with us at all, we’d be incredibly grateful if you shared on social media, with friends, on blogs, all of that!
Thanks for reading all this, and have a great day!
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arminreindl · 7 months
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Baru iylwenpeny: The Last Baru
Happy to announce that there's just been a major new publication for mekosuchines. The Alcoota Baru, which I briefly touched upon in my post on the genus, has finally been named. The new name, Baru iylwenpeny (pronounced eel-OON-bin-yah), derives from the Eastern Anmatyerr dialect (part of the Arrernte language) and means "good at hunting". A name that seems quite fitting when you look at the skull.
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As a reminder, this animal stems from the Alcoota Fossil Site in Australia and dates to the Late Miocene, making it the youngest of the three recognized Baru species.
Previously this species was already referred to as being "the most robust Baru" and they weren't kidding. This thing looks more like something out of the Cretaceous than an animal that lived a mere 8 million years ago.
The morphology is interesting in many ways. Many of the ridges that are so prominent in Baru wickeni and less developed in Baru darrowi are absent. The seventh and eight tooth are so close they theres basically no space. Instead of four teeth like other Baru it has five in each premaxilla and the nasals reach the nares, like in Baru wickeni but unlike in Baru darrowi. The teeth also show the same small serrations as Baru darrowi and, unlike either of the other species, the jaws appear much less wavy not because they are but because the first festoon of the maxilla is followed up by a second one so developed it makes the first look almost flat. It's a fascinating mosaic of characters that makes its relation to the other species a puzzling question. You'd think that the ridges for instance point at it being derived? After all wouldn't it make sense? Baru wickeni had the most developed rigdes, Baru darrowi smaller ones and Baru iylwenpeny none. Plus, the teeth of Baru wickeni are smooth unlike those of later forms. Yet at the same time.... The fact that it has five teeth instead of four and the fact that the nasals reach the nares are both ancestral traits, so you'd expect it to be closer to the base.
Left: Baru wickeni Right: Baru darrowi
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Well, while I think this isn't going to be the final place of this species among Baru, the most recent phylogenetic analysis suggests that Baru iylwenpeny was weirdly enough the basalmost species. Which means that it must have split from the other two species at the latest during the Late Oligocene and outlived the both of them without us ever knowing.
The paper also discusses how these animals may have gone extinct. If you look back at Kalthifrons, you might remember how I mentioned that mekosuchines kinda had a drop in diversity when transitioning from the Miocene to Pliocene. While the new paper avoids calling this a drop in diversity, it does highlight that there certainly was a turnover in fauna. The reason is an old enemy of mekosuchines. Climate. Yates and colleagues suggest that Australia was hit by an especially nasty dry period at the end of the Miocene, severe enough to drive Baru to its death but not severe enough to whipe out all mekosuchines. And after Baru was gone, Kalthifrons and Paludirex moved into the open niche.
There's also a final little piece of information that's not focused on yet really fascinating. Baru iylwenpeny had a friend. At least one other croc lived at the Alcoota site during the Late Miocene and tho it hasn't been studied in full yet, one thing is apparently known. It was a relative to the Bullock Creek taxon that coexisted with Baru darrowi and a relative to "Baru" huberi, the small croc that coexisted with Baru wickeni. This grouping has yet to be given a name, but its fascinating to me that each Baru species seemingly coexisted with a much smaller mekosuchine. Alas, like Baru this lineage seems to have fallen victim to climate change.
Baru wickeni and "Baru" huberi, in truth an unnamed genus.
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The paper is accessible here for those that wan't to dive deeper into the matter. I'll also be working on an updated size chart, this time featuring all three species of Baru, tho I can already tell you that despite being more robust its surprisingly not that much larger.
The last Baru (Crocodylia, Mekosuchinae): a new species of ‘cleaver‐headed crocodile’ from central Australia and the turnover of crocodylians during the Late Miocene in Australia (wiley.com)
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fallloverfic · 9 months
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"Nimona" fandom informational rundown
New to the fandom and a bit confused about things? Hopefully this will help!
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Nimona was a webcomic by Nate Diana Stevenson/ND Stevenson that was first shown on tumblr on December 14, 2011, and Nate later launched it as an official webcomic on its own website on June 19, 2012. It was contracted for publication post-completion as a graphic novel sometime before November 1, 2012. The webcomic finished online publication on September 30, 2014. Shortly afterward, most of the webcomic was taken down as part of the contractual agreement for publication as a physical graphic novel, leaving only a short bit of the opening as a preview. The website for the webcomic later went down entirely, and is no longer accessible.
The comic was published in entirety as a single graphic novel on May 12, 2015. The movie adaptation rights were sold to Fox in 2015, as well, and the project was given to Blue Sky Studios. The comic was later adapted into a full cast audiobook on October 4, 2016. The graphic novel is available for purchase in paperback, hardcover, and as an ebook, and the audiobook is also available for purchase. (The link has international seller links). The graphic novel has been translated into 16 languages. It is also available in a special edition English hardcover via Illumicrate. They only ship from the UK, but ship internationally, and you don't need a subscription to buy the book. As the standard graphic novel and audiobook are ~7+ years old now, if you have a local library, you can see if either of them are available that way.
Disney bought 20th Century Fox Animation (later 20th Century Animation, the purchase completed in 2019), but later shut down Blue Sky Studios in 2021, cancelling the still-in-production movie. Crew worked on shopping the movie around for a new home after talks with Disney. The movie was later picked up and completed by Annapurna, DNEG, and Netflix, premiered June 14, 2023 in France, showed in select theaters starting principally on June 23, 2023, and released to general audiences on Netflix for streaming on June 30, 2023. I have more info on this here.
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In English, Nimona is voiced by Chloë Grace Moretz, Ballister Boldheart is voiced by Riz Ahmed, and Ambrosius Goldenloin is voiced by Eugene Lee Yang.
If you're looking for official merch, the movie soundtrack is up on multiple platforms, including YouTube, iOS, Spotify, and Amazon, and a vinyl version of the soundtrack will be sold by iam8bit. There is an official humanoid Nimona plushie, a whale Nimona plushie, and a shark Nimona plushie, available via Netflix, Gee, and Hot Topic, as well as a variety of official shirts available via Hot Topic and Amazon (just search Brand: Nimona). Nate also still sells "Nimona" comic art on his INPRNT store.
Netflix released a free-to-read digital-only multimedia 358-page artbook for the movie (but took it down in March 2024). (It's also been released at least for crew/friends of crew(?) in physical release, so maybe it'll get mass release as a hardcover). Outside of this, a lot of the crew for the movie from both Blue Sky and DNEG have been releasing a ton of concept art and development stuff, and the cast and crew have been doing a lot of promotional interviews and videos going back through like April 2023, so there's a lot of material to look through on YouTube, tiktok, tumblr, twitter, Instagram, Facebook/Meta, and Vimeo, as well as various news and media sites. Nate is active on tumblr, his personal blog, twitter, and Instagram. Annapurna, DNEG, and Netflix also have multiple accounts on many platforms, including their own websites, YouTube, Facebook/Meta, and Twitter, and have been sharing clips and behind the scenes stuff.
Nimona actually has been added to a video game: Nimona was included as an event companion in SharkBite 2, a Roblox game.
If you're looking for fanworks, the fandom is active on most platforms, and has been ever since Nate started posting early art of the characters. Nate's talked at length in multiple places about how big the fandom was during the webcomic's publication. Mostly back then folks were very active in the Disqus comments on pages, which are a bit harder to find these days. There's a lot of the older comic fanart still circulating in different places (particularly tumblr, where the fandom was most active), some of which Nate reblogged. There is crossover between the comic and movie fandoms, as many fans of the comic love the movie and vice versa, and both fandoms are quite active. There is at least one active subreddit and fanwiki (and many others on assorted fantasy, comic, movie, and non-English language sites), as well as TV Tropes pages for both the comic and movie adaptation and a number of Discord servers.
For fanfiction, there are a ton of fics on Archive of Our Own in the comic tag and in the movie adaptation tag. There are also a number of fics on tumblr, some fics on fanfiction.net, and some on Wattpad. There are fanvids on tiktok, Instagram, and YouTube. There is fanart on tumblr, twitter, deviantart, instagram, and pixiv. There are cosplayers, meta analysts, roleplayers, music makers, and many other fanworkers
Some tags to use/browse for posts on tumblr and other sites:
Nimona
Nimona fanart
Nimona comic
Nimona movie
Ballister Blackheart
Ballister Boldheart
Ambrosius Goldenloin
Gloreth
Meredith Blitzmeyer
Ballister x Ambrosius / Goldenheart / Boldloin / Boldenloin / Blackenloin / Blackloin / Goldheart
Will update this post as I come across new things.
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literary-illuminati · 1 month
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2024 Book Review #11 – The Maya (10th Edition) by Michael D. Coe and Stephen Houston
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My second proper history book of the year, and significantly better than the first! This existed on the happy intersection of ‘the r/AskHistorian’s big list of recommenced works on Goodreads’ and ‘stuff my public library inexplicably has a copy of’. It’s dense and more than a bit dry reading, enough that I read it over the course of a week as a side-dish to more digestible fiction. Still, fascinating read, and a book that left more far better informed about the subject than when I started it.
The book is more or less what it says on the tin – a survey of the history of the Maya (or at least the current state of what’s known about it). The book opens with an explanation of the Maya language family, the relevant geography, the characteristics of the high- and lowlands, and the division into northern, central and southern area the field seems to use generally. The better part of it is then arranged chronologically, beginning with the Archaic Period, through the Pre-Classic and Classic, then then Collapse and the Post-Classic. The Spanish Conquest and history since gets a very abbreviated epilogue, ending with a few micro-anthropologies of different contemporary villages and then a five-page travellers’ guide to the most important sites and how to access them.
It’s all, as I said, quite dense – the sort of book where every paragraph adds at least one new important fact and very little time is spent on repetition or review. Combined with the usually very dry, expository tone, it feels much more like a textbook to be read with a lecturer or group to break down and dig into each section than something that was really written to be read alone and for pleasure. Which you know, makes sense, given that this is the tenth edition of a book originally written several decades before I was born.
Now, I say this is a history book, but that’s honestly a bit of a kludge – better to say it’s an archaeology book or, failing that, about anthropology and historiography. There is very little narativizing, and it is very much told from the point of view of the present. That is, the sections are organized chronologically, but within them the unit of analysis is the archaeological site, with every supposition explained as emerging from the analysis of some ruin or artifact or fragment of text. Far more time is spent on the architecture and layout of Mayan cities than the people who actually lived within them, simply because the author’s have so much more to say about them.
It’s only really in the chapters on the Classic (and, to a much lesser extent, post-classic) periods that the book goes from theorizing about building and pottery styles to speaking more confidently about royal courts and high politics and dynastic grandeur, and above all the attempts to give specific particular people a sense of personality and personal biographies that you generally expect out of a pop history book. Which does make sense, given that those are the only periods where we really have enough textual evidence to confidently name and ascribe significance to any particular people – overwhelmingly dynasts and war-leaders, because of course those are the (almost invariably) men who constructed stelae and covered the walls of temples with testaments of their own greatness.
This means that you do get more of a look into nuts and bolts of knowledge production that you do in most histories – a passage about the development of chocolate drinks as elite consumption is framed with the discovery of cocoa residue on preclassic ceramic vessels, one about human sacrifice by the discovery of skeletal remains in cenotes near major architectural sites, that sort of thing. Similarly, just about every single discovery or theory is credited to one or a few specific academics who initially made it. Which will be either incredibly interesting or the dullest thing in the world, depending on one’s tastes.
The text is mostly incredibly dry and expository in tone, which makes the points where a real sense of personality and subjective opinion leaks through interesting. And endearing, at least to me, but I just find there to be something instantly likeable about the sort of academic myopia which considers human sacrifice and mass famine from the point of view of the universe but is roused to passionate rage by suburban sprawl building over unexamined archaeological sites.
I knew little enough about the specifics of Maya civilization going into this that just relaying everything that struck me reading this would turn this review into a novella. But the way that lowland urbanization and agriculture were based around, not rivers like just about every other culture I’ve read on, but cenotes (and artificially constructed simulacra thereof) in the limestone to capture enough rainwater to last through the dry season was just fascinating. The fact that, the region’s reputation for inexhaustible lushness notwithstanding, the soil the Maya relied upon was very thin and in most cases totally degraded after just a few years of agriculture as well. (Speaking of, the theorizing about how diet changed over the ages and how this related to population movements and density was just fascinating).
The book really wasn’t that interested in the specifics of mythology or divine pantheons beyond how they showed up on engravings and ornamentation – there’s no bestiary of gods or anything – but there’s enough of that ornamentation for it to be a recurring topic anyway. I admit I still find the fact that there’s this great primordial pre-classic god-monster which in the modern era is just called ‘Principle Bird Deity’ deeply amusing.
The book is deeply interested in the Maya calendar and time-keeping. Along with the monumental architecture it’s pretty clearly the thing that the authors find most impressive and awe-inspiring about Classical Mayan culture. There’s enough time dedicated to explaining it that I even pretty much understood how the different counts and levels of timekeeping interacted by the end of the book.
One beat the book kept coming back to (which I admit suits my biases quite well) is that there’s just no sense in the Maya were ever isolated or pristine. Cultural influence coming down from the Valley of Mexico waxed and waned, but on some level it was constant – Mesoamerica was a coherent cultural unit, and the similarities in philosophy and culture (not to mention material goods) between cultures within it are too blatant to ignore. The book theorizes that the population levels reached in the Yucatan before the Spanish Conquest really couldn’t have been supported by local maize agriculture, and instead cities were probably sustained by harvesting and exporting from the salt flats (among the best in the Americas) they controlled access to.
Even beyond trade, there’s several points where ruling dynasties were toppled or installed by armies ranging down from Mexico. The Olmecs and Toltecs make repeated appearances. Even the conquistadors conquest of the Highlands was really only possible because the few hundred Spaniards who got all the credit were marching alongside several thousand indigenous allies.
Speaking of – it’s really only an aside to an epilogue, but given I mostly know the Anglo-American history here, it did kind of strike me how...traditionally imperialist the Spanish were, compared to the more-or-less explicitly genocidal rhetoric I’m used to. If you were an indigenous potentate or ruler enthusiastically selling out to the Spanish Crown was significantly more likely to actually work out for you than trusting a treaty with the US of A, anyway (well, for a while. Smallpox comes for everyone),
Then again, the book does mention that the newly independent Mexican and Central American states in the 19th century were actually significantly worse for the Maya than the Bourbons had been (with things reaching their nadir with the genocidal violence of the 1980s in Guatemala), so maybe that’s it.
Anyway, the book is illustrated, and absolutely chock full of truly beautiful photography and prints on just about every other page. Even if you never actually read it, it would be a great coffee table book.
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