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#open tag <3
sunflowersrain 2 years
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thank you for tagging my @delicatetaylorsversion and @thislovetaylorsversion 馃挄馃挄
hot shower or cold shower // texting or calling // earbuds or headphones // paperback or hardcover // matte or gel // 12 hour clock or 24 hour clock // blue or green // sunsets or sunrises // tulips or orchids // candle light or moonlight // sci-fi or horror // pen or pencil // pandas or koalas // gold or silver // sneakers or boots // denim jacket or leather jacket // pink or purple // chocolate or sour candy // deodorant or perfume // drive-in movie theater or the cinema // pastel colors or neutral/earth tones // lemonade or fruit juice // past or future
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lunian 3 months
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made a couple of posts about Astarion being hilarious gremlin but never made a collection of Gale's silly talks?? I should've fixed it
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beybuniki 5 days
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i need dabi to experience the trials of being a stay-at-home adult son
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slimegirl-selkie 1 month
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2019 -> 2023
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vurelly 3 months
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people tag me in posts about soup thinking shit like "haha this is so funny because tumblr user vurelly is a little passionate about soup" no you do not understand, i ate so much soup this month that my best friend had to bar me from that shit, that motherfucker had to look me dead in the eye and prohibit me from further soup consumption as the rate i was going at was concerning, the love i have for soup goes beyond bare passion, it is hot and burning and infinite and the only thing that will keep me from it is the one son of a bitch who holds any power over me in this universe
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vault81 7 days
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I've finished my Fallout OC Character Sheet! this is my first time making something like this, but I like how it turned out!
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PSD below cut!
Compressed Version!
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kaladinkholins 25 days
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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jonahmagnus 9 days
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Subject line: HELPME
Dear Mr Bouchard,
I am writing to you today to inform you that I, once again, got beat up by a supernatural entity. Do you have ANY advice at all to stop this from happening in the future?
Well Wishes,
JON SIMS
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Subject line: blank
Dear Mr Sims,
You should be at the clubbbbbbbbbbbbbb
Kindest regards,
Elias Bouchard
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naggingatlas 6 months
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my laptop's screen is fucked, i need to get my prescriptions filled and i wanna visit my wife on her bday to perform wifely duties <3 ALSO IT'S HALLOWEEN! GET YOURSELF SOME SPOOKY ART<3<3
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upped the prices a little since i'll have to fly through turkey this time and it's expensive as fuck. also if you just wanna help the cause, paypal is [email protected] <3
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ravennowithtea 2 months
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you can reply here with fanart requests/ideas or drop stuff in my askbox 鉁岋笍
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cametotheshowinsd 8 months
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August slipped away into a moment in time; August, Taylor Swift
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can-of-slorgs 28 days
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weird girrafe
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royaltea000 4 days
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time slip
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andsylphy 6 months
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still not as bad as it gets
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slimegirl-selkie 1 month
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edit for correct greater than signs
venmo @selkieslime ca$happ $SelkieSlime
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introspectivememories 2 months
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my loyalty to talia is so strong that i will not hear a word against this woman. i am her defender, first and foremost. i refuse to even read fics with talia slander in it. oh you tagged your fic, "talia al ghul is a bad parent"? i'm not reading it. blah, blah, blah, you don't get her character and i hope dami shows up in your room in the middle of the night with a sword for talking shit about his mom
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