Something I really need Stranger Things fic writers to know is that no one in rural America was locking any doors in the eighties apart from the government and businesses. I remember when there was a big stink about "we gotta start locking our doors now how am I supposed to remember that every time I leave the house." People didn't lock the doors when they were home until at LEAST the mid-aughts, a lot of people STILL don't. "Oh we can't get into so-and-so's house/car because we don't have the keys!" You do not need the keys, just open the door. "I'm alarmed because I went over to so-and-so's house and their front door was unlocked so I instantly knew something was wrong." It would be much weirder if it was locked. If I showed up at my friend's house and the door was locked I would immediately assume something was wrong. If I lived in a town regularly invaded by monsters and patrolled by mobs of government agents/Russian spies/jocks with guns, I would assume my friend was currently being hunted.
135 notes
·
View notes
ok so something insane about andor’s storytelling is the way it works in neat closed loops, and also as a crescendoing spiral in which everything is reconnected to each other. something i noticed just now? arvel skeen, three-episode side motherfucker who gets promptly shot down by the narrative and has a whole almost episode space between him and cassian getting sentenced to narkina 5. because, well, we’ve seen someone who’s already been sentenced to two rounds of imperial prison camps, the kind that leave tattoos burned into your skin. (and yes, this sequence also emphasizes that cassian has been through the quasi-imperial prison system already for three years as a young teenager which is.... horrifying to think about.)
(horrifying things to think about but anyway: the shape of the krayt prison tattoo resembles the whole shape of narkina 5)
now, we don’t know too much about arvel skeen, but i think the show probably implies that he’s a survivor of the large scale imperial adult sentencing system from BEFORE P.O.R.D. changes everything into class-a offences, meaning, from when there were at least a few people who made it out alive. and he’s haunted. he’s so fucked, as a person, but so fucking haunted, and ebon moss bachrach does an incredible job with this, with playing a man who is just broken beyond belief.
like, what DOES nemik’s ideas man manifesto mean to this man whose seen some of the most oppressive action of the empire? not only that, but the narkina 5 episodes emphasize the specific ways the empire runs the prisons by pitting prisoners against each other - for flavour in their soylent green, essentially. the prisoners in cassian’s work gang and even kino loy end up actively resisting this division again and again, which is ultimately a massive aspect of how they can band together to carry out an uprising. But would everyone face that situation in the same way? Arvel Skeen suggests not, also suggests that even those prisoners “let go” are still kept mentally from home in a million ways from the trauma of their experiernces. someone pointed out that the final rallying cries of episode 10′s rebellion, we leave together or not at all, we all climb for the light function as a direct response to skeen telling cassian we all climb over each other.
so no, i don’t think the show is providing apologism for skeen’s actions. but i do think it’s impossible to look at this character without a more sincere and radical empathy considering everything that we now know about the context which created him. skeen, like everyone else, was already a dead man walking when he came on screen, but a disturbing ghost of cassian’s future, and an example of this show’s writing structure of intricate rings that seem unrelated but ultimately reconnect for broader thematic purpose. skeen seems like an unrelated character who goes down after three fucking episodes, but he’s also part of the crew that’s going to both set fire another log of the rebellion’s kindling (even if he was in it for nothing but the money) AND cause the sentence he survived to be a death sentence for everyone else. and in his own way skeen never was alive for the narrative, but a walking spector and a memorandum to ask the question that even if when people could go home from the prisons, anyone ever actually did.
329 notes
·
View notes
hii ari !! abt the second timeline where adriana was the protagonist .. i remember ur carrd saying that she was in a relationship w luna in that timeline too — would u imagine it being different in any way , compared to the third timeline ? would there be a case where one of them may remember parts of their relationship from the second, or have a 'gut feeling' / 'intuition' that was rly memories from the timeline before ? i hope this all makes sense LOL
Oh!!! This absolutely does make sense; thank you so much for such an intriguing question!
Hmm.. I think that it would be at least a little bit different, by virtue of the fact that in the second timeline, Adriana fully took the role of the player as seen in-game, with no-one else surviving Grandview Station. So, as a result, while I do think that she and Luna would fall in love in the same way - Luna’s feelings appearing quite suddenly after Adri saves Gardevoir and later herself from the sanctum, which was midway through Adri’s own attraction rising slowly over time since meeting her - I also think that Adriana wouldn’t have been able to spend quite as much time with Luna as she had wanted, because she had more responsibilities as the spearhead of the movement to take down Team Meteor. As a result, it’s plausible to say that while we were definitely still close, it was not to as much of an extent (or at least had not developed to that extent yet).
Conversely, in the third/current timeline, Adri doesn’t have to be there for every single event, because there is now someone else travelling the region (in the form of the player), whom she is now mirroring by continuing to collect badges but doesn’t have to constantly be glued to. So, for example, she can spend more time with Luna after returning to Reborn City by not having to go through the Devon Corp raid. By the time the player has done that + defeated Adrienn + explored potentially the entirety of Tourmaline Desert (which is massive) + gone all the way through Titania’s gym, all that Adriana has to do in the same timeframe is just defeat Adrienn, fly from Beryl Ward to the top of Mirage Tower (to pick up Corybantia), then continue north to Never After - because she catches up with the player right before they battle Titania, at least if they’re on Reshiram Route. This (and other examples throughout the story, which I’ll admit I haven’t fully come up with yet) gives her much more downtime compared to the player.
What I haven’t considered as much as I could have is the last part of what you were saying, about feelings and memories of the previous timeline poking through. And I think that is a VERY fun concept to play with - the game sort of touches on it right at the end, but not really to much of an extent. In fact, something that I was considering was saying that Adriana’s experience - so, the second timeline - was closer to Episode 18 than it was to Episode 19, because the game itself was still only on Episode 18 when I myself first played it. This allows for some fun moments in terms of things like Adriana being surprised to hear the name Borealis so early, or being apprehensive to enter Agate until Cain and the player arrive, or suddenly feeling a lot less sure of things after defeating Hardy (because E18 only went up to his Gym battle even though Adri herself did actually get all the way to the end of maingame), or - to bring it back to an F/O-focused perspective - being even more shocked than everyone else that Elias tries to shave off Luna’s hair.
I think that Adriana would be the only one to really have these moments of.. I suppose you could call them anamnesis, but she isn’t necessarily remembering the previous timeline, just getting vague intuitions of things. This is because she’s the only one to have more explicitly been brought back in from the previous timeline - and brought back from her fate in that timeline - because of Anna’s feelings of guilt causing her to intervene more. If she hadn’t intervened beyond the point of a simple reset, it wouldn’t have been guaranteed that Adri still travelled out to Reborn (because she wasn’t the chosen hero for this timeline), defeating the main point of bringing her back - which was to make sure enough people would be present to power Anna’s wish if the new chosen hero, the player, had to be saved like that as she was. I do think there is potential for her to eventually become more anamnestic, certainly moreso than Fern, but that may not actually occur until.. maybe the Giratina quest. Which is late into postgame.
..I think it’s safe to say that I could ramble on about this for ages considering how much I’ve already written here in one go. So, thank you very much for such a question, friend - I am very grateful to have been asked it and it’s given me a LOT to think about!!
6 notes
·
View notes