Can we talk about how the afterlife gets more and more colorful as Klaus becomes more and more in control of his powers? Cause that’s BRILLIANT filmmaking right there
“How was it large enough to fit in one direction but too narrow in the other…??” Well, it's easy! As was demonstrated by Prof. Shadoko in his Shadok Logic (or Logique des Passoires), you only need for the circumference of the hole that the PVC surrounds to be both larger in one direction and smaller in the other than Pirlouit's leg. Hope that helps.
I love you for randomly bringing up Shadok logic! I actually dug up my old Shadok VHS tapes a few years ago and added English subtitles to a bunch of episodes, so my English-speaking kid cousins could discover the series...
For people who don't know this monument of French culture, the Shadoks is an absurdist anti-educational children's programme about bird-shaped aliens whose logic is too evolved to be understood by mere humans.
rewatching s1 of broadchurch even tho im halfway through my first watch of s3 because i have an obsession with rewatching things and DAMN there are way more hints at who ended up being the killer than i originally thought, and a bunch of moments that are really ironic in hindsight
spoilers under the cut (yes it came out like 10 years ago but im still putting a spoiler warning)
ep1 - joe and ellie talk in the kitchen after hardy makes the statement to the media
joe: do you know what happened? i mean should we be worried for other kids?
on first watch, his tone of voice and body language here just seem like confused and worried parent, but on second, there's definitely a hint of panic in his voice
ep2 - joe, tom and fred in the cafe
joe: this is a terrible, unspeakable thing thats happened. but nothing like it will ever happen again here
tom: you cant know that though can you? you cant be sure
then after this joe's facial expression looks SO guilty like he can't think how to respond
ep3 - hardy questioning tom with joe in the room
hardy: can you think of anyone who would want to hurt danny?
THEN THE CAMERA IMMEDIATELY CUTS TO JOE. ik near the end joe swears he never wanted to hurt him but this is still a rly clever piece of editing, i love when shows do this. also the fact that in every scene where he's questioning tom, joe's in the room and occasionally talks but he's never in the frame of the camera hardys using to record it. he was literally right under their noses the entire time and they never suspected because they were focused on other people too much
ep4 hardy goes to the millers" for dinner
this scene hits so much different on second viewing holy shit. at one point they're talking about marriage and work and how hardy's divorce was partially work-related and:
hardy: this job, it does it to you
ellie: well, not to us
ellie actually makes me sob she loves her life so much then it all just comes crashing down on her
joe: do you think you're gonna solve this case?
hardy: certain.
joe: good :)
joe's reply itself here makes sense but there's a few seconds before he says it where his face is just blank and mildly panicked. he's genuinely worrying about being caught at this point.
now this one isn't a direct hint or anything but just if you think about the dialogue in a different context...yeah it fits
hardy: you bloody liar
joe: ive said nothing
hardy: and yet-
joe said nothing to the police or ellie and yet was lying the WHOLE time.
ep5 - brian asks ellie out
ellie: sorry, im married
brian: and thats an issue is it?
ellie: happily married, brian
brian: oh. okay, fair enough. only lots of people aren't though, are they?
ellie: i am.
THE IRONY OH ELLIE LET ME GIVE YOU A HUG PLEASE
ep6 - jack's wake
ellie spends the whole scene looking around to see if anyone looks worried, at one point she looks into a room (seemingly at nige but joe is stood nearby having a different conversation) and she makes eye contact with joe RIGHT as the camera cuts away
ep 6 - joe takes tom to the skate park and ellie arrives
ellie: i was just looking round that bar at the wake thinking "its someone here, why cant i see it?" the longer this goes on, im starting to suspect everyone
joe: when you say everyone...
ellie: well, nearly everyone
this is probably the most obvious hint that i can't believe i didn't catch on to. of COURSE they're gonna make a point for the killer to be the ONE person ellie LITERALLY SAYS she isn't suspicious of.
ep7 - ellie lets susan leave the police station
ellie (about susan's past with her husband and daughters): in your own house, how could you not know?
Feel free to put the exact moment/further details in the tags if you’d like :) for me they had that flavor of chemistry as early as their s1 gala clinking glasses scene but I think it was “ugly ugly boy/you big dumb hairy baby twat” that fully sold me
I just finished The Magnus Archives for the first time last week! And thought it might be fun to compile the episodes that scared me the most and see which ones spooked the rest of the fandom as well!
continue being a little mean to toh fans please it is really irritating how some act like its got the best writing of any modern cartoon
Daawwwww I don't have it in me. TOH fans love it for a reason, and there are legitimately good moments! It's just not the most complex or well-written show out there—which it doesn't need to be—but I also totally get your exhaustion. It gets tiring seeing people praise it so highly over and over again when it's just like...fine. It didn't do nothing but it also didn't do something, you know? It's main couple is cute and queer, but that's pretty much all there is to them. It has a fun cast of characters, but they all tend to fall into archetypes. Luz is a sweet main character, but she doesn't have any real flaws and kinda takes a back seat to Hunter and Eda (the white people lol). Her foil with Philip was interesting...but then they kinda backed off and went the "you and Belos are nothing alike" direction.
((I'm also going to answer this anon with another: ))
And It's not that an unsympathetic villian is bad, or that Belos would even be sympathetic with added backstory, it's just that...there were a lot of interesting things to explore with his character that were left hanging.
Like, while he's definitely not at all a good person, it's intriguing that he would bother to recreate his brother over and over again knowing that each time the grimwalker was going to betray him. It's intriguing that he was even willing to kill his brother to begin with (though Caleb was super underutilized in general). Like, you can give a villain depth without justifying or victimizing them (hi Finnegran from tdp, I'll also add Spider Queen & LBD here). So it just feels like a missed opportunity all across the board. It's still surprising to me that we got a confirmation on the Wittebane backstory through an unrelated background character, rather than Philip himself (who had literally possessed a main character, and mindscapes had already been well-established....the pieces were all there me thinks).
And obviously it's like, people can love something despite it's flaws, and they can cherish it for the good it has, but they still don't need to praise it as an ultimate form of media, you know? We don't need to pretend toh was this dark and complex story—it was just a story a lot of people liked and resonated with. Which I'm glad it's there for those people, and I'm glad there are options when it comes to queer pieces of media!
That said the show with the best writing of any modern cartoon is The Dragon Prince (streaming on Netflix).
Manifesting MM Casey Jones with a Very Messy Sketch Page! 😤💕
Their head is full of love for only 3 Things: hockey, fighting, & friends. April asks him to help her investigations in exchange for helping him with school. She & Raph respectfully beat each other up on the regular.
about halfway through season two of watching 911 for the first time and the most shocking thing so far is how much i genuinely like and care about each character and their story