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#one direction user
haunted-xander · 9 months
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Since people seem to really like my vision requirements illustrations, I figured I could elaborate on my theories/headcanons!
(EDIT: Since people keep mentioning it in the tags of the illust. post, so just to be clear, I am well aware Archons don't hand out visions personally😅 it IS however heavily implied they have a subconcious effect on who gets one, even if they have no active say. It's why no electro visions where granted during Inazumas vision hunt decree, for example)
Anemo: Purpose.
Anemo users have been unsure or hesitant about how to live their lives or what to do at some point, but all ended up finding something to strive for. Venti found purpose in rebuilding Mondstadt after Decarabian fell, to make the nation a place that the nameless bard would've loved to live in.
Jean found purpose as the Dandelion Knight, Xiao found purpose in serving Morax, Wanderer found purpose in freedom etc. Everyone has something they find fullfilment in.
Geo: Determination.
Geo users have a set path and/or ideal they live by, something they will not budge on no matter what. Zhongli is solid on his contracts, the written word is law and cannot be allowed to go broken, regardless of circumstances. His path is one of mutual agreement and fairness, to ensure everyone and everything gets their due.
Ningguang walks the path of Liyue's pillar, Noelle walks the path of self-improvement, Itto walk the path of acceptance etc. They are determined in their ways and will not bend them.
Electro: Protection.
Electro users all have something/someone they hold dear, and will do anything to ensure it's safety and longevity. Ei loved her sister more than anything else, and would've done anything to keep her safe and alive. Her actions in Inazuma was her terribly misguided way of "protecting" it from erosion, to keep the nation her sister loved so much in prosperity in her place.
Sara wants to protect her people, Keqing wants to protect Liyue's prosperity, Fischl wants to protect her imagination and fantasies etc. They hold things close to their heart and will do anything to protect it.
Dendro: Understanding.
Dendro users are seekers of knowledge and wisdom, wishing to understand the world around them and all that lives in it. Nahida wants to understand people, for wisdom means nothing when it can't be put to practice. People aren't something that can easily be comprehended by textbook knowledge, they must be observed extensively first-hand to even begin to understand.
Baizhu wants to understand the secrets of immortality, Kirara wants to understand human society, Collei wants to understand how to help others etc. They earnestly search for ways to expand their world.
Hydro: Duty.
Hydro users tend to have a strong sense of responsibility and personal principles they live by. We don't know enough about Furina to say for sure what her deal is right now, but I speculate her duty is closely connected to the Heavenly Principles, and that she views herself as Celestia's "executioner" so to speak.
Ayato's duty is to the yashiro commision, Candace's duty is to the desert-dwellers, Childe's duty is to the Tsaritsa etc. They have solid loyalties and set principles they work by.
Pyro: Passion.
Pyro users are full of love and passion for what they do, dedicating themselves whole-heartedly to their chosen field. We know very little about Murata, so it's hard to say what she's like. As the God of War I assume she has a passion for battle? Who knows.
Yoimiya is passionate about fireworks, Bennett is passionate about adventuring, Diluc is passionate about defending Mondstadt etc. They have a profound love of life and what is in it.
Cryo: Contradiction.
Cryo users are at odds with themselves, rife with inner conflicts and clashing desires. The Tsaritsa is described as an archon with no love for her people, and has been noted to have grown cold post-cataclysm. Her harbingers, most notably Childe, say otherwise, though. She's not unloving, but she is disillusioned and vengeful. Her hatred for Teyvat and Celestia is at odds with her love of her people.
Rosaria is conflicted with her lifestyle(s), Ayaka is conflicted with her status and wants, Kaeya is conflicted with his loyalties etc. They are torn by irreconcilable opposites.
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unpretty · 2 months
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incidentally, if anyone has any hot tips on formatting ghost to make it work for webnovels in a similar way that i've done on my website, i would love to hear about it.
i.e. i've got my homepage set up to show different serials, you can click to get to the table of contents that i made, and then all the chapters are listed in order and you can navigate forward and back on them. and you can see a cool cover to make it look nice maybe. most blogging software... does not have a way to do all that out of the box. 😔 maybe if i used a theme intended for 'docs' instead of a regular blog or magazine type theme? i'm just spitballing here, i'm feeling Suddenly Motivated to find a solution better than the absolute hackjob of duct-taped together plugins i've made with wordpress.
i know ghost has built-in membership/paywall functionality also, which would let me drop memberful which i would also like because patreon bought them and i don't trust like that. and maybe users could subscribe to different webnovels like newsletters, which would be some pretty basic shit i'm not doing.
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whorejolras · 4 months
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i'm saying it. i don't think joly would work in a hospital. i think his medical career would be informed by his politics + radicalisation and his + his friends regular drug use, he would be outraged at how the medical industry handles drug users, also at the medical industrial complex in general, so he would find a reputable community led harm reduction organisation to work for 🫶🏻
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jasontoddenthusiastt · 11 months
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I think fans want Jason to be a good person or be becoming one. To have a character that is well meaning and compassionate but decided murder is ok and to stand against main heroes who’s beliefs and actions go against the people he cares about and wants in his life. It’s confusing for people. People want their fav characters to be happy. But Jason can’t have his family’s support and follow his moral code. He’s cares about people and Gotham, and he’s an asshole who kills. It’s messy. It’s not black and white. I don’t even think Jason cares about being a good person or in the right anymore. I think he cares about what will save the most people instead.
Oh my goodness gracious I’ve been bamboozled
Batman’s definition of Good is not synonymous with absolute good/right no matter how much dc insists it is. Torture, battery/assault, surveillance, those are all condemnable actions too. I won’t get into the exhausting and frankly dumb debate of comic book morality wrt killing because I’ve already reblogged plenty of posts from other people who explained my thoughts on the matter far better than I ever have the patience to sit down and articulate. I also just think the notion that there’s something to be done about fictional characters who kill nazis and senseless murderers is stupid. Jason’s point is that the “main” heroes’ sanitized definition of right has its unaddressed holes and flaws which ultimately result in more preventable fatalities, and that he’ll work to correct those missing spots.
He doesn’t not care about doing what’s right. What he doesn’t care about (at least during his Winick characterization) is whether Batman thinks he’s right or wrong, because he sees the flaws in Batman’s methodology (and since he has a mind of his own). Batman’s methods alone cannot address Arkham’s revolving door and the rogues that come and go through those doors who have no intention (or capability from the doylist pov) of ever changing or undergoing redemption. Jason knows that he’s minimizing the number of preventable deaths by killing his targets, typically Characters Who Simply Do Fucked Up Shit Just Because, Why The Fuck Not?
Secondly, Jason is compassionate … to a fault. That was his fatal flaw. If he wasn’t so hell-bent on saving his potential birth mother he just met from that bomb despite everything she did to him prior, he could have protected himself instead, however slim his odds of survival were. What about his relationship with his other parents? He was a caregiver during his early childhood years for Catherine, until her death. Even mature adults who are financially stable find being a caregiver to a dying parent to be extremely burdensome on their bodies and minds, but he never complained about it or resented Catherine for being unable to care for him. Despite how none of his parents have really been what he needed them to be, he doesn’t blame them for their failings, and even continues to think highly of them (Bruce included).
And post-death? Enter Lost Days. Despite being dead set on plotting his revenge on Bruce, he constantly sidelines this in order to save other victims who are helpless like he once was. His own anger, trauma, and mission don’t remain his priority. (Sound familiar? Something something my own trauma above my son’s, mission above all else, etc.). Why would he waste precious time and risk his own life to do this if he wasn’t empathetic towards these victims or didn’t care about doing the right thing. He is simultaneously horribly traumatized and full of rage, and also incapable of ignoring what’s happening to victims around him (even as he claims that it’s indeed not his priority). And in that same vein, the entire premise of his rebirth outlaws run was that he doesn’t care if the public views him as a villain, an outlaw, so long as he can protect Gotham. And anyway where is this portrayal of him not caring about being in the right anymore. Almost every modern Jason story is about him grappling with where he stands with Bruce/Batman. During the early 2000s was probably the last time he did not care (hello, tentatodd??).
Jason has very evidently been portrayed as a kind and compassionate character. He is also simultaneously a calculated killer who doesn’t hesitate to kill when he deems necessary, and does so without remorse. It’s called being a Complex Character With An Edge™ that as you said, people so often claim to love. However when he fulfills that latter part, that seems to upset people because “killing bad”, and they then try to shave off and round out all his edges and claim he shouldn’t be that angry. In that case I guess you should just stick to liking traditional one-dimensional characters instead of claiming to like Jason but then encouraging his character assassination attempt by dc. Lol.
Lastly, who said anything about the batfam making Jason happy? Just because he’s written nowadays to want acceptance from Bruce (a shoddy attempt at forcing a non-existent nuclear batfamily), doesn’t mean that it’s a sound decision or that it does his character justice. I certainly don’t empathize with the idea that Jason needs the family’s approval or acceptance to be happy. (And anyway he has enough outlets for angst and pain aside from the batfam hello explore his other sources of trauma and do more deep dives into how he thinks when he’s alone). I don’t want them to magically make up and become one big happy family. This is not disney Lol. Besides, there are plenty of stories from dc that have that type of “wholesome” (hate that word utilization) characterization for Jason (Li’l Gotham, Tiny Titans, wfa, and even new stuff like the brave and the bold mini) and that is sufficient imo. Jason fans who are invested in the character deserve accurate, nuanced characterization and well-written stories, whether they be from his robin days (e.g., Batman: The Cult) or as red hood.
#fellas. ya know what else is wholesome? avenging your own death#you can have moments of ‘reconciliation’ or peace but still maintain a strained relationship which is far more realistic#‘he’s an asshole that kills’ and Bruce is an asshole who doesn’t kill. lol.#you can’t claim Jason’s conflicted and disturbed but go on to say Bruce is perfectly sane those two are mutually exclusive#also please realize that a character acting out of anger does not mean they lack compassion.#implying that he doesn’t care about doing the right thing is saying the same thing that person said;#that he doesn’t actually know what he’s doing. that he hasn’t thought through his moral stance.#‘Jason didn’t put any thought into anything he did in utrh he’s just a poor mentally ill lost soul who needs the batfam’s love to heal 💔’#🤝#‘jokers just a poor victim of society 😔 he just needs someone to understand him and maybe one day he’ll heal and realize he’s wrong’#what they both have in common is that they’re misunderstood in opposite directions#the joker doesn’t have a point to prove. there’s no deeper meaning behind what he does. everything is a joke to him.#he isn’t unaware of right vs wrong lmfao#jason todd#dc#asks#my post#and I think you’re implying that he’s utilitarian based on that last part but I don’t think he is#user mintacle posted a few metas regarding that and again they explain it much better than I prob could#anyway it isn’t difficult to understand his character if you know why you like him and you actually read his stories#that post specifically was from someone who clearly said they did not read the comic so. technically they’re on their own wavelength#edit: grammar
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devondespresso · 1 year
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i was reading a scoops era steddie au where eddie visits scoops often and one thing i noticed i alway want but have yet to see (bear in mind my fic pallette is basically just shit i see on Tumblr and occasionally reading every fic a certain author has written) is a specific scene of eddie noticing stobins missing when he goes to visit them at scoops the day theyre stuck in the bunker. cause they entered the bunker after a shift one night and didn't get out until at the soonest the next afternoon right before the mall closes so if either or both of them were scheduled to work then they'd be just... gone.
and how characters around them handle that depends on how soon (if at all) they're declared missing. did robin think they'd be in-and-out in their snooping and tell her parents shes be back a little late or did she think they'd be out kinda late fucking around and just lied to her parents telling them shes sleeping over at a friend's like how we know tina was going to cover for erica? did mrs Henderson freak out when Dustin didn't bike back home (knowing what happened with will) or did she know he was with steve and trusted that they were goofing off or something?
and usually i see Steve's parents not being home but what if they were?? they could panic because steve always has some sort of excuse for why hes gone or maybe just his mom starts worrying because while his dad never really asks about him she does and she knows hes probably not at some girls house right now because he at least would have told her. or maybe mrs harrington doesn't know her son as well as she thinks she does and assumes he is out at some girls house and is relieved hes finally getting to be more like himself.
maybe just one or two people in scoops troop are reported missing that night and maybe the search started for them is enough for the other's parents or friends to realize they're all missing. maybe none of them are because they each already had a coverup with the people who'd notice. maybe they spent a good few hours in that elevator regretting lying about where they'd be because now no one knows they're in danger and by the time they start looking it could be too late (obviously erica didn't seem to grasp this yet but shes literally 10 and it's definitely her fist severely traumatic life or death experience. for the others tho it could definitely be on their minds and i have seen a few fics where robin wonders about how steve and Dustin are reacting like they've done scary shit like this before together)
then morning comes and id give it until lunch with no calls or anything before parents who believed their kids were sleeping over to start worrying seriously. maybe they call the friend their child's supposedly with and get a confused parent saying they haven't seen them or maybe they get the friend picking up and confirming they're fine (like tina). but if Mrs Henderson gets worried and calls steve she'll either get the harringtons saying he isn't home right now or she won't be able to reach him. and knowing steves like a big brother and a best friend to dustin knows that if steve missing too he's probably at least missing with him and goes to the station worried about them both
and then theres the fact that scoops has to open in the morning, probably sometime around 10am. maybe steve and robin were scheduled to both work again and as 10am comes and passes scoops ahoy hasn't been touched. maybe some mall manager calls the scoops manager (forgive me ive never worked in a mall but i do work in a store-within-a-store and we have our own manager plus the big store manager) and asks where their employees are. if missing persons reports were filed that last night then the manager would be really worried while frantically trying to find someone to cover for them. but maybe no one knows they're missing yet and their manager is grumbling about their no-shows, maybe considering firing them for both disappearing without even calling out. depending on how much they know and if the reports were filed, whoever has to cover their shifts is either worried about their coworkers (probably moreso robin than steve because of his reputation) or utterly pissed that they both didn't show and they have to open scoops ahoy with a few hours delay and probably a good few karens bitching about being closed. or maybe one or the other was scheduled and while their no-show is really inconvenient at least someone's there to open and ask for backup
and then theres steves car still parked in the back where it was the day before. a bike left behind at the mall is less eyebrow-raising but a fancy car? Steve Harrington's car? Steve Harrington who was scheduled to work today but somehow isn't in scoops right now? is he skipping work while simultaneously wandering around his workplace? and whats worse is despite evidence being there *no one can find him*. maybe thats what it takes for people to realize hes like actually missing. maybe they think he was kidnapped, hopefully he just went home with some girl and lost track of time.
and then theres eddie. eddie whos been stopping by scoops for a while now. maybe he still doesn't really like Harrington but likes teasing him with Buckley or maybe they've gotten pretty close. maybe they're already dating. maybe eddie walks up to scoops one morning to find it closed or to find that one or the other didn't show up for work this morning. maybe he hears from the worker that ones missing or maybe they get a rant about how pissed the worker is to be opening alone. maybe he's the one to go to a mall manager or security officer worried about scoops being closed because he *knows* the people that are supposed to be there right now and they don't just abandon work at the same time with no explanations.
or maybe eddie visits in the afternoons and learns they're missing from their coworkers or maybe hes there because he saw it on the news and went on his our hunt. either way it'd probably end with Eddie looking around the mall for them because he knows steve isn't going to just abandon his beemer in a busy public parking lot. maybe he finds them high out of their minds while checking the movie theatre (this one i do see a lot and am obsessed with its so good) or maybe he doesn't find them at all (its a big mall and they are actively hiding from Russians who know they escaped. sure stobin are not being very secretive while high but dustin and erica are at least keeping them in less-discoverable locations). maybe he goes home knowing hes looked everywhere in that damn mall and assumes they're probably kidnapped and taken somewhere else (if he did find them tho that opens a whole can of worms for if, how, and how much eddie gets involved and while my brains gone down sone of those rabbit holes i don't think i will today)
and then they see the news about the mall fire. and eddie knows damn well that he looked everywhere in that mall but didn't see a trace of his friends but there they are on the news and apparently in the fire. maybe eddie assumes he didn't look hard enough. but maybe he sees how steves the only one with more than a few bruises on his legs, how despite them claiming he was trapped in rumble that also allegedly killed billy hargrove he looks like hes carrying himself on adrenaline alone and hovering around robin and the kids like something more than falling support beams could get to them. maybe its the fact that he look as shit as he did but wasn't laying down on a hospital stretcher like he would be if he just got those wounds.
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hi if you saw any typos no you didn't UNLESS theyre funny or actually concerning then you should tell me and i can react appropriately
also i swear i feel like doctor strange looking through every possible reality when i go on tangents like this. idk whenever i come up with little fics in my head or come up with different ways my favorite unfinished fics could end im always exploring as many different versions of the same scenario as i can and coming up with as many what-ifs as i can.
also i pressed the poll button by accident while making this and idk how to make it go away to we're trying just ignoring it and not writing anything in it to see if it goes away
actually fuck that it probably wont work so im adding a poll question as a treat for the people who read this far
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hstylestuff · 24 days
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like or reblog if you save
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squishosaur · 2 months
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reminder that you are amazing & awesome & i love you btw!!!
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riverswater · 2 months
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he's already in me
“You,” he starts, but that is wrong. Sour. “I,” he tries again, and that is wrong, too. * The acid has slipped past their lips easily enough. Their souls fuse.
Zayn/Louis | 1.1k words | T
read on ao3
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typadolls · 11 months
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★ taylor swift + zayn headers ..   !!
like, reblog or credit to ﹫jnkroses on twitter.
don't repost.
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aroacehanzawa · 7 months
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i'm going to be real with you guys for a moment. i don't think i'll continue following bsd much after this point
#i take back what i said about being excited for what's to come. i mean i am. in a very general impersonal way.#but the way the series is going. if the ending of the anime is going to be followed by the manga in a similar direction#is just very different from the silly armed detective agency vs port mafia authors with superpowers slightly high-stakes slice of life#that i originally signed up for. i've felt this way the whole decay of angels arc and just stuck around to see what happens#and because i care about the characters. bsd was always a character-focused manga for me#but the direction it seems to be taking is this massive epic entire-world-at-stake military scifi drama#where super epic power-up style ability weapons (and one-off overpowered nameless ability users are introduced and killed off in the same#scene. like the time manipulation catgirl) take the forefront at the expense of actual character focus and character development#like why are most of the (original) cast completely unaccounted for in what was meant to be a satisfying ending.#did asagiri forget that atsushi is the main character. why did tachihara's and sigma's arcs get cut short like that.#and frankly i feel like bsd started to take this direction from storm bringer onwards. the focus and scope of it is very different#to for example the untold origins or dazai's entrance exam or even 55 minutes. but if i were to theorise i would say that the scope of#the current direction of bsd must have started germinating during the 55 minutes light novel. if you can see what i mean#anyway more importantly i find that the tone is now entirely different from early bsd. it's just not the series that i fell in love with#so i think it's best that i stop here before letting it turn sour like jujutsu kaisen is to me now.#i have the manga (and anime) that i can reread (rewatch) up to the perfect crime arc whenever i want#i can reread the sskk fight of volume 20 whenever i want. i can revisit sigma and nikolai's chapters. there's wan. there's the light novels#and there's the wonderful fanfics and fanart and so many metas to read. that's what brings me joy more than the series itself nowadays.#that's all. end of era i guess. to an extent
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Sonic the hedgehog text posts (again)
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Also the first image is directly inspired by this post by @/nachosforfree ^^
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ikemenomegas · 1 year
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Omega!Gojo Satoru x Alpha!Reader
I believe we are fated to do the things we choose anyway*
gege akutami is the kind of mangaka who makes fun of almost all their characters. with utmost affection, gojo deserves to be bullied a bit. we love that he's a little heartless, a little frivolous, that he's powerful as a fact, that he cares a little bit strangely, so doing him a bit of justice, here's the mirror to Getou's youth story
tw: canon character death, spoilers for the manga, gojo's emotional constipation and egotism
Toji Zenin cut so many threads the day he arrived on the Tokyo school grounds, but the one between you and Satoru survived. It's already a miracle that Riko was the only one who died that day. The miracle of surviving should have been enough, but now you've lived long enough to find out how much you could love someone too. You get to see how afraid someone is of loving you. Gojo Satoru had one friend. Gojo Satoru had one mate. That was it, that was all he could let himself have.
Springtime Tokyo is still cold. Not as cold as up north in the mountains, but the winter uniforms are blessedly warm. An assistant manager drops you off at Tokyo Jujutsu Technical School on a milky March morning where you are met by Yaga-sensei, the first year teacher.
This teacher has some kind of idea about building community, which is why he's clustered the four of you first-years in the same building, around a loud blue-eyed boy who barely takes one look at you, squinting around a pair of blackout sunglasses, at your purposeful non-expression, before he is grinning, far too wide and it feels like he gets even louder, movements expansive to pull you into the range of an argument he's having with a tall slim boy with long hair tied at the back of his head.
Yaga-sensei just shakes his head and introduces you to Ieri Shoko, who is physically leaning away from the noise as if to escape some blast radius and has the most distant smile you've ever seen in your life on her face.
It's unsettling is what it is. The dark haired boy is just rolling his eyes at the one who had somehow both dismissed you and pulled you into his orbit. The automatic response is to try and get that attention back, but you have at least a little more self respect than that. You climb the stairs to take a room on the same floor to Shoko-san's and leave them to their snipping. You don't see Gojo fall silent for half a second before carrying on bickering, Yaga now stepping in to separate them.
School hasn't quite started yet. It's a boarding school so everyone is just around, getting the lay of the school, setting up their rooms, exploring Tokyo, running into one another and trying to figure out how their pieces fit together.
Satoru has already sorted you all into neat little piles of adjectives
Polite: the boy with the long dark hair, Getou Suguru, although this doesn't necessarily mean nice he notes gleefully. Self righteous and reactive, as in he can be baited into a no holds barred fight, which is new for him. He hasn't been able to fight someone who could hold their ground for more than a minute since he was thirteen. Subversively irreverent.
Morbid: the shortie with the short hair, Shoko Ieri. She discovered her abilities somewhere and even Satoru has to admit some of the diagrams she pulls up are admirably disgusting. Neutral. Satoru has never met someone else who sticks so close to their own whims before but she isn't like anything he expected, dismissive, meandering, goading. And she can't explain how she does what she does, which is aggravating because he can't do it.
And you, the new one. The last to arrive. Fresh meat. Quiet, wary.
You catch him not following you, but showing up near where you are a little too frequently to feel coincidental while you're making a point to meet the upperclassmen. He adds opportunistic and watchful to the list when he notices you do this, but some of the older students seem to find it vaguely endearing - the clan ones like a small animal they can toss treats, the recruited students who aren't trying to suck up to the clan kids with the cautious familiarity of greeting another outsider.
He tries tossing you a treat, granting you some offhanded attention in the common space of what is now the first years' block. Suguru laughs at him when you mostly look confused and apologetically tell him you've never seen either of the movies he wants to debate before refilling your water bottle and wandering back out onto the school grounds with your umbrella.
School starts regardless with some tentative unspoken agreement between the four of you to try and be friends, or at least classmates. There is after all, no one else to be friends with.
Class is boring, so Satoru watches his classmates. Where Shoko is passive and watchful and Satoru is staring into the air, you're openly attentive and Suguru more casually mirrors your attention. Which makes him want to call you another boring small-town bumpkin
Except you are in the same the advanced mechanics elective he is, and you and Shoko become animated discussing the curse anatomy lectures. Yaga takes you away to practice hand-to-hand with his dolls while he lets Satoru and Suguru pummel each other, which makes him think you must be too fragile to handle the two of them. Most people are, so he doesn't think much on it.
Satoru sometimes goes out alone to train when he can't sleep. He lashes out at the wooden dummies on the practice field, ducking under wooden arms and lashing out to see sections of it spin faster. On one of these nights, a week or two into the first year, he sees you standing outside the track, leaning on a railing, face buried in a thick scarf. He's aware of your vague attention, watching him without any particular interest, like how one might watch water sliding under a bridge, but when he sneaks a glance around the practice dummy, you're just as often more fixated on the sky. The moon is full and you're watching the clouds chase across the deep blue expanse, listening to Gojo Satoru's knuckles impacting on wood. And then at some point, he looks over and you're gone, your weird cursed energy signature fading in the dark.
Satoru only sees your technique the first time a substitute makes you spar with everyone else during training while Yaga is away. Apparently the teacher is someone you know because you get into the first argument he's ever seen before you send a spear flying so fast it hits the center of a target and topples it over.
The same teacher makes you fight Satoru, to already defeated attempts at appalled refusal. He'd usually help you push back just on principle, but he hasn't gotten to go on a mission with you yet and his sometimes oppressive curiosity has settled on whether you actually can keep up with him after all.
You can't, but this is Gojo Satoru at fifteen, not fully realized, and the first time he fights you he amends how he feels about "opportunistic". He flies right at your face and swears he makes contact, but you step back at the last minute and he feels an impending impact from his left that is almost the same strength as his own attack. He tries again and you twist out of the way much faster than he had expected. He tries to throw you and you end up descending slowly to the ground, trying to get the teacher to end the bout. Eventually Satoru overwhelms you and breaks your arm when you try to block too many hits in rapid succession. Shoko fixes it, and you wince with gritted teeth and tears in your eyes but don't cry or sob or glare at him with the kind of face that is calling him names you can't say out loud. The demonstration has him, fortunately or unfortunately, folding you into the energy of your little first year group like you'd been there all along.
He's a shaman clan kid, so it's interesting to see you now as not necessarily opportunistic but curious about the other sorcerers, about other people. What a novelty, to be inconsequentially curious. If he'd been too curious as a child he would be either lectured on responsibility or nearly drowned in related gifts meant to appease his moods
You don't appease his moods and the attention of him, one of the strongest sorcerer of the generation, doesn't appease you.
Satoru tries to bait you and things go right over your head. He tries to disrupt your silent, invisible schedule and you let him drag you away with minimal fussing, especially when Shoko or Suguru is involved, but will wander to the side on outings and either find some accidental trouble or something that makes him a little surprised at the intensity of your focus.
He forces you into a combat-determined wager that demands you stop using honorifics with his name and Suguru's name and Shoko's name (without asking the other two) and there's no way for you to get out of it or win so that forces some artificial closeness that becomes real. Language is very important for creating distance, for creating hierarchy and Satoru somehow isn't interested in a hierarchy between you.
He is however far more self conscious of his omega status than Suguru is. He won't say it, but it's a relief when none of you make a big deal out of it when you find out and also a surprising comfort when you and Shoko who don't have to suffer through the literal additional headache of heats try and make them comfortable
For Satoru this involves distracting him by playing video games with him, watching movies, or tossing balls of paper at him while he tries to stop it with his technique. Mostly he's with Suguru, especially if they sync up, but Satoru doesn't have the same heat symptoms as him. During first year even though he sleeps more than he does as an adult, it's typically less than the rest of you might want. Where Suguru gets tired, Satoru will get cranky and mean because he's bored and feverish and Suguru is too tired to entertain him. His family also was never very comforting during his heats so he knows what to do as far as nesting, but having people around is new for him.
He likes to call and text you if you're on missions during these times, which is typical given his clan's sensitivity to him being around alphas at these times.
So even when you're on campus, you and Shoko only spend a few hours with him at a time. Sometimes you play games and the heat makes him almost slow enough to beat on a DS link game. Sometimes he makes you do his homework. Sometimes he likes to throw throwing things at you to see how you use your technique to deal with it.
He adds "sentimental" to the list of adjectives when he realizes he can so easily pressure you in these times into revealing more of yourself to him than you usually do. He's bored and there's only so many things to talk about before you start telling him about an encounter with one of the rare cats that will tolerate living around the cursed energy of the campus, when you grimace and tell him about a terrible noodle stand in Yamanashi province that you still crave somehow, when you tell him about saving fallen leaves in a heavy dictionary you use for that purpose, or the one time you reveal that you've kept every pair of shoes your parents bought you to wear on the first day of school. You tell him these things and it makes him feel like maybe, someday, he might want to tell you things too.
It's not soft but there's a softness to it. A genuineness in the four of you together, in Satoru's and Suguru's growing strength and self surety. Satoru tries to make himself the center of the world, because it's fact that is where he has been all along. But he's not so easily the center of your world. You didn't come from his world.
Satoru doesn't fall. He doesn't think hard about why it becomes so. He barely thinks about it all. He just knows at some point that you're one of his. You're one of his and he wants you to pay him the attention he' accustomed to as center of the world (except he doesn't maybe. He'll be able to say it one day that what he loved was you treating him like he was as human as he could be)
He's terrible at acknowledging whether this possessiveness is anything in particular. After a sparring session, you watch Shoko patch a cut on Suguru's arm with so much longing and a pang of something worms its way in Satoru's chest. He crowds in next to Suguru before Shoko's done, draping over Suguru's shoulders. You don't see the way Satoru's eyes flicker from Shoko's steady hands to your wide-eyed gaze.
He's jealous the way a child is jealous of a favorite toy, hooking his arm around your neck if any omegas outside of school talk to you in the street. If you brush him off when he's trying to use you as a tool for self-affirmation, he sulks around until you acknowledge him in some other way and he will not admit to a single soul why it matters. When he's forced to go home for holidays like oban and returns in a terrible pique, you may fight with him if he lashes out in the worst, most personal ways. You push back and talk to instead of around him or through him and you also don't realize that is why he backs off.
He realizes slowly that he has to be careful with you. He forgets sometimes that you're more fragile that Suguru, that you need help Shoko doesn't need. On what you call the "worst school trip in existence" and Shoko calls "lucky we didn't all die" and Suguru smiles and calls "well we all made it out in the end", even Satoru got injured, yet he feels invincible, like he caught a bullet and threw it back.
When Toji nearly kills him and everyone he ever cared about, he awakens with the power to keep it from happening ever again. He thinks he can carry the world for all of you, for everyone, reveling in his power. He doesn't realize that his presence, the gravity well he made in the monster class's lives, doesn't exist the same way while he's not there because he has a tendency to think everything will be easy for him to fit back into when he returns, or not to think on the fact things could change at all.
Then Suguru leaves and the center of Satoru's world, his reference point, collapses
You're there in Shinjuku the day it happens. It's getting cold again. You're there to meet Shoko. Suguru has gone missing, Satoru is... away. Again. Still. He's been absent whenever he is around anyway. The jujutsu world doesn't have the resources to devote to hunting curse users in particular so the effort to find Suguru has been halfhearted at best and even if he's on your minds, you have jobs to do still.
You're there in Shinjuku and when you don't find the person you're looking for, you find someone else, It shouldn't happen, but it does. You run into Satoru, mind reeling at Suguru's betrayal. You nearly don't see him and he nearly doesn't see you except he sees everything and he's been walking around the district like a ghost.
He appears like a ghost too, tall and pale and ridiculous eyes. You'd tried to see if the world reflected in them once, but now it's more obvious to you than ever that it's just him, nothing more and nothing less.
"Let's go back," he says, and for the first time in months, you return to the college, side by side on the train, feeling like there should be more people in the near-empty car. You get as far as you can before you get to a station that's closed where you can no longer transfer and then you get out and walk in silence.
You walk like there's another person jostling for space between you. When you get to the school, Shoko meets you at the red tori gates. When you get to the mostly empty dormitory building, now a little emptier, Satoru looks at you. And looks and looks and looks. This time, he feels like you might disappear in the pre-dawn light casting your faces in blue.
Maybe it's because he's already lost one precious thing long before he noticed it was gone that he grips your shoulders tight, so tight you almost wince, but turn into it instead, tilting your head as though, were you less careful people, you might brush your cheek against his hand. Just for a little bit of comfort, for a little familiarity.
Then Shoko makes a noise at the top of the stairs, the scuff of her foot, the tap of her palm on the banister. What a terrible day it must be if Shoko is interfering. And you step away.
Satoru doesn't go to bed. For the first time in his life he feels like he doesn't know who he is. He watches your light come on and then go off. He doesn't see you stand at the mouth of the hall leading to Suguru's room with a blanket around your shoulders until eventually you turn away and fall asleep on one of the common room couches, near to where a year of his body in the same spot had left an indent. He doesn't think about the world where you aren't here, where he never sees you again, because he can't quite fathom it.
Because even when he was gone, he never felt like he had let any of you go
It makes him feel sick to his stomach, the closeness of someone else, but it feels worse to push you away so you sit shoulder to shoulder with him some time in the morning. He pretends not to see the new dark shadows in your eyes. You sit and watch the mist burn off and pretend his warmth can hide how the world is a little colder.
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*I didn't fall in love with you. I walked into love with you, with my eyes wide open, choosing to take every step along the way. I do believe in fate and destiny, but I also believe we are only fated to do the things that we'd choose anyway. And I'd choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I'd find you and I'd choose you ― Kiersten White, The Chaos of Stars
#gojo satoru x reader#gojo satoru#a/b/o#a/b/o dynamics#omegaverse#alpha!reader#omega!gojo#reader insert#gn#i'm sorry this is so much longer than the getou one#I changed styles to write something else and couldn't get back to the broad strokes style of the getou bit#i want to expand on both#this show is really good and the potential here is too much to resist#the quote came to mind because the six eyes user has a specific kind of fate#but the idea of fate has a lot of interesting discussion around it in between religions#jjk plays a lot with buddhist/shinto/christian imagery including the idea of a fate thread tangled between certain power centers#i was raised in a christian centered culture which has certain beliefs about predetermination that can get incredibly depressing.#fate is generally defined as a predetermined and inescapable path of action or consequences#you can't escape it no matter what choices you make#which seems glum#karma on the other hand has something more to do with tendencies - the things you do to yourself/by yourself that lead to consequence#karma is separate from fate. even if you escape the cycle of karma or samsara you cannot escape fate#little interaction with fate are common - seeking explanations of future fortune or charms to pull you in the direction you want to go#ultimately there is a tension between the human ability to act at will (karma/free will) and fate#How do you justify acting if everything is predetermined? one can trap themselves in ontologic questions about purpose and actions#there is an inevitably and circular in accepting that maybe we can't escape fate but that fate also can't escape us#our actions were always going to matter#io.omegas
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six-white-venus · 2 months
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One of your poems has to be carved on the moon. Which do you choose?
something about my father, maybe. i would give him this world and the stars and the night sky. i would carve his name with nothing but my blunt nails on the surface of the moon just to make him feel seen. would it ever be enough? would my bloody fingernails and sweat-stained t-shirt bring him any semblance of comfort and erase the nightmares of his past? i will never know. but till that, i will reach out to the moon; to hold her in my palms, to scratch his name on her skin, to crush her under my hold and make him a ring out of something celestial.
did you know that when we look at the stars in the night sky, we are, in a way, looking at the past? what we see today is an object whose emitted light started its journey millions of years back and from trillions of kilometres away and reaching our eyes now. the thought of something ancient, something ethereal reaching out to bestow the light it will never get to see light up the sky of a person they will never meet is so achingly human, don't you think?
i would kneel on the moon and on it carve the words i wrote, ones that i think they seem to be telling us every day.
"i love you, i love you. can you hear me?"
(stay. do not let me glow in vain. i will light up your sky. i always do)
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usersmaker · 1 year
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louis tomlinson users:
thegreateslt
writtnyourface
biggthanme
Iuckysagain (with a capital i)
facsthemusic
lonelyschicago
aIlthistimes (with a capital i)
outsofsystem
headlinie
louiesaturdays
siIverstongues (with a capital i)
sheisbeautie
comonpeopIes (with a capital i)
angelsfIying (with a capital i)
holdheartachie
thewaylovsgoes
♡ LIKE or REBLOG if you save any user. 🇧🇷: ♡ CURTA ou REBLOGUE se salvar algum user.
[ don't repost ]
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Boy am I digging up an old pot with this one
Does anyone know any particular JustiCykes fic that takes place on Christmas? I'm trying to remember a specific one because I feel like that's a pretty common thing (the UR-1 retrial being close to Christmas along with the loss of Clay, it's thematic enough for me to think it's common). Why? A combination of nostalgia, curiosity, and my stubborn brain not letting it go now that it's been mentioned.
If it helps, I remember one where Apollo buys a necklace, though part of me is thinking that's not the one I had in mind.
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userstuf · 2 months
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★ HARRY STYLES USERS ★
• hsdolli
• heslunie
• ojitorry
• stylierc
• hspeti
fav/reblog if u save or use ♥︎ dont repost it
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