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#olivia vera
redcarpet-streetstyle · 8 months
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melis-ash · 1 year
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cindy54321 · 7 months
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Admire her butt
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OLIVIA WILDE at the 2022 Elle’s Women in Hollywood event on October 17th 2022 wearing VERA WANG
Olivia wears looks I really love, and looks I really hate. There is no in between. Unfortunately, this look is just not jiving for me.
I just find this dress to be entirely unflattering. I don’t like the triangle bra shape, and think it looks so weird when paired with the skirt. I also really hate the skirt. It’s so large and just overwhelms Olivia. I think it looks so wrinkly. Add in the fact that it’s a black gown and the whole look just falls flat.
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rxvera · 11 months
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I love my friendss
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jeweledflowers · 2 years
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if the villainess is a marionette gets a drama
WITHOUT THE ACTUAL APPEARANCES
I WILL THROW A FIT
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꒰(ᇂ_ᇂ)꒱ > "...Calliope, right?...You seem...Rather familiar with another person in this manor...That's a bit weird..."
꒰(ᇂ_ᇂ)꒱ > "...Would you perhaps have a...Twin of some sorts?" - @askthecommunicator
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"Yeah I uh.. I get that a lot. I’ll tell you this though, I don’t have a twin. No offense but, have you seen the people that apparently are or uh.. were twins here? They have issues."
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sophs-style · 1 year
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sophs-style:
Olivia Wilde (wearing Vera Wang) at the 29th Annual ELLE Women In Hollywood Celebration on Monday (17th October 2022) in Los Angeles, California.
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septembersghost · 2 years
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u really bouta make me rewatch bates motel omg. i .. i have a confession, i never finished the last season after the thing happened. i was just so sad and took a break that ended up taking a long time but now i think im strong enough lol
you should do it!!!
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full disclosure, i finished S4 in march (i distinctly remember feeling like it should've been december, because 4x10 is the saddest christmas episode of anything you could ever watch in your life), and i still have three episodes left in S5. this is partially because i've been dragging it out intentionally as i haven't been ready to say goodbye to it, and partially because after speeding through S1-4 in like six weeks, getting to that loss - even knowing it was coming all along - hit me quite heavily and i needed to sit with it for a while rather than quickly wrapping the story up. (i CANNOT hear "mr. sandman" without tears springing to my eyes. bring me a dream...)
vera was ROBBED in never getting an emmy for her performance (freddie too, imo, not to mention the episodes he wrote!), i honestly consider her to have given one of the most affecting and multilayered performances of a female character. it would be so easy to only make norma a victim, or a villain even, and she is never reduced to that, she's so fully formed and felt and wonderful (even when she's awful. she's allowed).
there's a post i have that had the best description from a review: “I'll always remember Norma Bates at her most indefatigable. Despite her perpetual suspicion that the world was out to stick it to her and her family, Norma could rise to a challenge like few others. Remember when she first moved in to that big drafty old house? She didn’t see the cracks and the peeling paint; she saw opportunity. Norma was like that, always seeing chances where others might presume dead ends. And if she decided you were on her side, she was fiercely loyal. She didn’t let many people in, but when she did, she was all in. For all her flaws, she was a hell of a woman. Still, we come here not to bury Norma Bates, but to praise her. Because what this season of Bates Motel has shown us is that Norma was never just a victim of her own impulsive and stubborn neuroses. She was a victim of circumstance; freed from the claustrophobic air of her codependent relationship with her son, Norma blossomed. She found love and a measure of contentment, however fleeting. Even when she was denying to everyone, including herself, just how dangerous Norman was, she managed to rise above her traumas and insecurities, and build a marriage with a good man. It was a revelation watching Vera Farmiga this year. Who knew she’d been concealing a gentle and understated romantic beneath those layers of Norma Bates’ high-camp hijinks all this time? Farmiga was always very, very good: This season, she was superlative.”
part of norma's tragedy, of course, is she and norman would never be able to escape that codependency, they are bound together inextricably, and she would always choose him over everyone, and he would always want to keep her, and they would never be able to protect each other, and it would always be like fire and powder.
that said, the show doesn't take that lightly - norma's absence is felt everywhere, by everyone, it emotionally drives the season - and i don't know if you've ever seen psycho, but the way the writers took that and reimagined it is masterful. i screamed at the way the actual marion crane plot played out. also, mother is an incredible, terrifying character - all the warmth that norma had, the life in her, her love and her bravery, her fury and her compassion, is gone. if norma was the sun, mother is icy winter, shrewd and calculating, her anger a different dagger than norma's ever could have been, and even when there's some measure of anything resembling affection from her, it's wrong. it's worth watching just to see vera in that performance. freddie was also amazing and got to do so much to flesh norman out and to speak to his mental state as it unravels, as he becomes more aware of the horror around him but struggles with knowing how to stop it.
i think S4 is a perfect, though heartbreaking, season of television, and S5 directly draws from that. though i haven't seen it yet, i do know how it ends and it's fitting, and i know i will cry.
they did something that on paper sounds like an awful idea - who asked for a prequel/reimagining of a classic film, right? - and found such a cool way to tell it, to make those characters breathe, to handle it with some humor (camp, even, at times) and with gravity (especially in regards to the perspective it has on the impact of such relentless trauma that both norma and norman endure). i'm rambling, but the way they found real depths of humanity and such a beating heart in it, in its characters, in not turning a blind eye to the terrible things they do and yet never judging them for it, but digging in closer to find some understanding for them, in illuminating all different kinds of love in their power and terror and agony and beauty, in love's destruction and renewal, makes the show really affecting to me.
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70s80sandbeyond · 1 year
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Bates Motel 
Season 1 Episode 7 - ''The Man In Number 9''
Sheriff Romero responds to Norma's 911 call and has a surprising proposal for her concerning the deaths of Keith Summers and Zack Shelby. Even with those recent events now behind them, Norma reacts badly to Dylan's decision to move into his own place. The hotel is not quite open yet but gets its first guest Jake Abernathy, who claims to have been a regular when Summers owned the place. He asks Norma if he can continue with the same deal he had with the previous owner - he will rent the entire place one week, pay cash in advance and require complete privacy. He assures her there's nothing illegal going on. Norma naively agrees. The equally naive Norman meanwhile is happy to see that Bradley has returned to school. His hopes of an ongoing relationship prove to be too much to ask for however.
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thecrownnet · 1 year
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In Praise of Imelda Staunton’s Performance
Both Foy and Colman won Emmys and Staunton deserves to follow suit. She's magnificent. It's doubtful three actresses ever played the same role with such glorious subtlety and feeling. The queen called 1992 her "annus horribilis" given the fire that partly destroyed her beloved Windsor castle and the personal crises that set ablaze the marriages of her three children. Watch her in the stunning episode five when Staunton, without dialogue or histrionics, shows the queen drop her rigid reserve and allow the hurt to show through. ♚
Peter Travers, Review: The palace intrigue of 'The Crown' will hold you spellbound, ABC News Nov 6, 2022
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spicefestival · 2 years
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queerographies · 4 months
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[Fuori le palle][Victoire Tuaillon]
Che cosa vuol dire essere uomo oggi? Victoire Tuaillon indaga l’aspetto storico, sociale, filosofico e filologico del dominio maschile, affrontando i temi più attuali e controversi della mascolinità in un racconto teso a capirne meccanismi e conseguenze. Quando nasce il mito della virilità? Perché le città, gli oggetti d’uso quotidiano e il mondo del lavoro sono declinati al maschile-neutro? Cosa…
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thatgirlie-diaries · 6 months
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Youtube channels for the girlies
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Inspired by @prettypr1ncezz
Vlogs:
Adelala
Annika's Leaf
Daiz
Fernanda Ramirez
Isabela Juliana
mira daisy
Olivia Yang
Tips and Self-Improvement
Carolette Martin (spanish)
Elicia Gougen
Manifestelle
Pershephonesmind
Tam Kaur
TheWizardLiz
Academic tips and motivation
fayefilms
Galacsea
Isadora Vera (spanish)
studyquill
Study to sucess
Beauty
Dear peachie
Diana Gaby (spanish)
Isabel Lopez (spanish)
Jessica Vu
Vogue (Beauty secrets section)
Video essays and educational
Bailey Sarian
Jordan Theresa
Mina Lee
ModernGurlz
Psychology with Dr.Ana
Stephanie Lange
tiffanyferg
Exercise
fitbymik - Weight focused
Jessica Richburg - Yoga
Madeleine Abeid - Pilates
Btw, please recommend me more channels! I will aprecciate it 𑄽𑄺ྀ
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rxvera · 1 year
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She is stupid smart. She turned on the light herself to wake me but then got scared and leaped onto the bed for comfort.
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kiger-newyork · 2 years
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olivia wilde looking gorgeous in vera wang silk satin gown with christian louboutin slings at elle women in hollywood event.
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