We only see each other at funerals
(On Jason, Thalia, Nico, Bianca, and their parallels/connections)
The Titan's Curse (Rick Riordan), @/anxiousmaya_, Right Now (Gracie Abrams), The Battle of the Labyrinth (Rick Riordan), Joan of Arc (Mary Gordon), The Lost Hero (Rick Riordan), Episodes Toward and Elegy for Halley's Comet (Lindsey Drager), Jason Grace (Riordan Wiki), The Gods Show Up (Michael Kinnucan), The House of Hades (Rick Riordan), What the Living Do (Marie Howe), The House of Hades (Rick Riordan), Planet of Love (Richard Siken), The Blood of Olympus (Rick Riordan), Tangerine (Nolune), The Blood of Olympus (Rick Riordan), The Blood of Olympus (Rick Riordan), I Bet On Losing Dogs (Mitski), The Burning Maze (Rick Riordan), @/abhorarchive (Twitter), The Burning Maze (Rick Riordan), Seventeen (MARINA), The Burning Maze (Rick Riordan), @/rollercoasterwords, The Tyrant's Tomb (Rick Riordan), @/the-overanalyst, Where Things Come Back (John Corey Whaley), Grit (Silas Denver Martin), Softcore (The Neighbourhood), The Tower of Nero (Rick Riordan), Frost (Mitski), @/moonbends, I'm Your Man (Mitski), Sun Bleached Flies (Ethel Cain), The Tower of Nero (Rick Riordan), Three (Sleeping At Last), My Art
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anji mito flirting with men compilation
exactly what it says on the tin. a compilation of anji mito bisexual moments in chronological order
1. ggx2
this is his win quote against chipp. yes im counting this
2. dust strikers
this is in response to johnny saying something about how its impressive that bridget would want to fight a bunch of powerful guys or something like that. johnny responds with "what?" and anji quickly elaborates that hes interested in guys POWER but im still putting this here also
note: previous two entries are canonically dubious. so thank god he has some bisexual moments in strive too
3. strive
this one keeps getting looked over for some reason but he has THIS conversation with nagoriyuki if you beat him with 1 heart in extreme mode stage 8
transcript:
nago: you've thrown me for a loop. what a dance.
anji: liked it, did you?
nago: haha, perhaps. come visit me again.
anji: ...wait. i didn't even get to talk to him.
and most recently. his intro interaction with asuka
transcript:
anji: hey there, handsome.
asuka: another ambush? really?
anji also has a win quote against him where he goes "you need more training. have you been eating right?" but ive always interpreted that as more mocking lmao but ymmv lmao, he has a few other unique intro interactions with asuka that could be interpreted as flirting ("look at us, dancing like this!")
feel free to add on (PLEASE add on if i missed something)!
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i feel like i'm legitimately going insane. early damian wasn't running around constantly screaming about how he was the 'blood son' and how all adopted children were illegitimate!!!! the blood son thing was from the animated movie. and he only said it ONCE. it's not his fucking catchphrase.
flanderization my greatest enemy
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anne rice puts a lot of emphasis on the idea that vampires feed off life, not death. the blood of the dead will hurt them, and in the books they're canonically instinctively disgusted by corpses. in the show louis claims disgust and lestat seems mostly disinterested, as if corpses are indistinguishable from other trash, but the effect is the same. claudia's post-charlie preoccupation with the dead body as an object isn't just risky; it's unnatural, even by vampire standards.
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it is day six of losing my mind over the peteway hand-holding, what came before, what came after, and what may or may not come later, and today i am thinking about the importance of touch.
or most importantly, of touch as a gesture.
because there's the touch itself, which as two enigmas with touch-based powers that are probably touch-starved for genuine consensual purposeful touch (thank you @marinacourage, i am never recovering from reading those words strung together in that order) is... already a lot. we can infer from what we've been shown/how deliberately they focus on it every time that both their powers work by touching people with their hands, which i imagine must be incredibly alienating for both of them, albeit for different reasons, but specially so for pete who (unlike way who also has to verbally issue a command) seems to need only to touch someone to invade the privacy of their mind even if he doesn't want to.
so, the act of touch alone is incredibly intimate for both of them.
once everything is out in the open, when they both know the other is an enigma and what his powers are, and way knows that pete has been using his power every time he touches him to read his mind, pete could just stop touching him. which is what he does at first.
but then there's my favourite part: both the intent and the manner of the touch. because pete withdraws, but not because he doesn't need or want to keep touching way; he does it because he was using his power surreptitiously, and now he doesn't need to.
pete reaches towards way again, and not only touches him: he slides his own hand in between way's and touches their palms together. pete is touching way, but he makes sure that way is touching him, too. and just like when he bared his neck earlier, pete is putting himself in way's hands, at way's mercy; he can read way's mind, but way can control him if he wants, either to make him back off or anything else. and way doesn't, nor does he draw back even if he looks at pete in surprise.
because pete is showing way he believes in him. he's telling him as much, saying "don't let obligation or fear make you not dare to decide to do the right thing. you are worth more than daddy says". saying "you always have a choice. you still have the right to choose, way".
but he's also telling him with his touch, with the palms of their hands resting together. "i see you", "you are not alone", "i'm here, and i believe in you", "your past sins will not drive me away. wounded hearts can still be cared for".
and also, because of how pete looks at way and because of how emotionally charged this moment is, i cannot help but think about the metaphor of "and palm to palm is holy palmers' kiss" in act 1, scene 5 of shakespeare's romeo and juliet; juliet's evocation of a palmer touching the hand of a saint's statue as an almost holy and transformative experience. a kiss with hands.
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