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#oh my god the meta jokes
supatroopa · 1 month
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Read Clown Corps btw
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theghostofashton · 2 years
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#didnt wanna rant in my meta post so im just gonna do it here#if you don't wanna see me being angry about 6x04 and 6x05 don't read lol#but god i hate the hurt locker#and not only bc it's making fun of a section of fans#that's fucked and gross and idc i just find it so cruel to use sue in all of this#and turn everything into a joke that shames fans and makes them seem obsessive in a bad way#the optics of that absolutely suck esp when it's a queer ship that was so important to so many people#it's cheap and unnecessary and just......i hate it i'm sorry#but also my other big issue is that all this feels manufactured#especially knowing how they do 6x08#it feels so lazy of the writers#they wanted to do a second breakup a huge blowout break off the engagement#they wanted the dramatics of that#but they didn't want to commit to it and actually see the story through oh no#we can't do that that actually requires work lmfao#instead we're gonna call the fans out through sue and make people feel bad for being invested#that's what this is#it's lumping all the klaine fans together and making a joke about their investment in the ship#and it's just cruel lol#from writers that spent six seasons exploiting actors' insecurities to insult their characters or creating insecurities for the actors#i see this as nothing but cruelty#and it really rubs me wrong and i am very glad these eps are over lmfao#also in regards to this but also so many people on here lol i am so tired of people using 'it's just a joke'!! to invalidate people#'it's just a joke i found it funny it's not that deep' okay......to you? other people may not find it funny lmfao#so many people use that as a justification to be downright cruel bc ofc it's not cruel if they're just 'joking'#and i hate it#it is genuinely not that hard to respect people who have different perspectives than you at least i thought it wasn't#but being online makes me wonder if that's actually true#delete later
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amuseoffyre · 9 months
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The Ineffable Mrs Sandwich
So. Mrs Sandwich.
I've been wondering at her relevance. I put a post up a bit ago about the signs at her front door that rang honking great foreshadowing bells: "Come Upstairs" and "No pairs. One only. Be Brave" on a wall surrounded by stars. Not to mention they now have a “New Model” with “Friendly Hands” up there.
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In the party, she says something to Aziraphale that made my brain jangle because of all the meta that I've been eating: [her girls] stand on their own two feet. Initially I thought this was a sex-work joke, but there's the fact that at the beginning of the season, both lads are completely co-dependent, especially Crowley who talks about "my only friend". By the end of the season, the boys are separated and they will be forced to stand on their own two feet for the first time since 2500BC.
Throw into the mix that God's department is always referred to as "upstairs" and Mrs Sandwich is the only person shown coming down from an upstairs to a ground level that has a chandelier, much like Aziraphale's bookshop also has a chandelier on the ground floor, directly over his contact point with the almighty.
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"I don't know why you invited me," she says and Aziraphale makes a point that she's part of their world, even if she feels she's separate from it. Then you have the seamstress conversation and yes, maybe she is a brothel madame, but the fact she can't say what her actual role/position is has very ineffable vibes to me. A convenient way to mask her real identity/purpose.
When Crowley walks her out the party, he says "Have you got your hand in?" and she replies "Oh, I've got more than that, love." which would track for the person who was playing three-card monty with the universe. Since they're so careful with their dialogue, between all of this and her calling Crowley “a good lad”?
Add the fact that her "girls" upstairs can tell when Nina is unhappy when making coffee and that one of the drinks she orders almost matches the order by the Metatron, who has professed to consume human food/drink. His version has almond syrup instead of hazelnut and almond is symbolic in the bible for watchfulness and promise of a new season. (However, interestingly, some Biblical translations of hazelnut and almond mean the same thing)
And what is a sandwich if not two separate sides with something in the middle?
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antimony-medusa · 2 months
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Anyways, prompted by nothing in particular (lies, prompted by a scroll through the tag this morning, that was bracing), I think it might be good to remember the things we like about other people in the community.
For example:
BBH fans are some of the most consistently hilarious posters on this sight. Absolutely fantastic mpreg posting, and the art is incredible with your guy on the whole spectrum from creechur to in drag. He has the range. I hope your guy gets pregnant in canon for you, you deserve it.
Tubblings, you post some of the most interesting meta concepts out of moments I have sometimes been in stream for and entirely missed. You are always watching and always ready to take a throwaway line and go "let's unpack that" and bring something heartbreaking out of it. I love getting out of stream and checking up on what Tubbo is up to and finding a) hilarious clips of the creator being out of pocket, b) some new analysis of a tubbo moment that turns me into the crycat meme.
Wilburians, your ability to take like nine streams and *continue to make content out of it* is inspiring. Your guy may not stream, but by god you are keeping the flame alive and you will be ready when he comes back. Please come back, Wilbur, there are so many men you could flirt with here. Leave New York alone, Wilbur, come back and talk to your daughter.
Mariana fans, not only do you have simply fantastic photos to share of your guy looking like a butch lesbian, those enrich my dash every time, but also I have laughed at jokes in a language I don't speak because your guy is so funny and the clips you are make and share are so good. The "mariana unpacks period products" is sincerely one of the funniest things I've ever seen, thank you so much for sharing it.
Etoiles fans, your art is SO GOOD. Like oh my god the Etoiles art is like 100% a banger EVERY TIME. Which is as it should be, your guy simply is that cool, but oh my god, the art is so good. I don't have more words here I am just flailing at the camera. The art is SO GOOD.
Bagi posters, your cubito is one of the most compelling actors on the server, for real, and you are so generous with translating whole speeches done in languages I don't speak. I sat just transfixed during that whole conversation with Cellbit after they discovered their relationship, because the emotion in the argument was so real, and then I scrolled down and found a whole translation and went oh thank you, now I know what people were saying. I'm sorry Empanada lost a life, but your creator's response to it was one for the record books in terms of emotional reaction, and I have seen some fully incredible animations made of it. You take amazing content and make something even cooler out of it, and I'm always so impressed but what you're up to.
Now you go. Tell me something you appreciate about another sub-community.
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trutrustories · 6 months
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STUDY IN LOKI ROMANCE
Part 2: Breaking Brad
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Since we're only a few days away from the last episode, I decided to COUNT DOWN everything we´ve got so far ( that can be interpreted very easily as romantic ) and discuss what the actual fuck is going on with second season. Because even though I shipped lokius practically from S1E2, I absolutely did NOT expect this kind of development. (Not that I´m complaining)
Warning: This is gonna be LONG post, lots of screenshots, lots of SPOILERS, lot of "oh-my-god-they-so-cute" language, and little bit of meta.
I originally thought that this post would be everything at once, but since I have just too many screenshots this time around, I´ll have to split it. so every post will be one episode. Color coding means:
IIIIIIIIII = anything, that coud potentialy be just acting choice.
IIIIIIIIII = everything else (tzn.: whatever was written, and/or carefully prepared by filmmakers. )
side note: I already wrote, about how amazing it is, that Mobius is unable to fight but fights anyway and how beautifuly, and ridiculously brave he is HERE. But this is about Loki/Mobius interactions, so I´ll try my best not to talk about THAT. (Even when I´m really happy, that s2 continues with this formula and Mobius is still his completely defenseless while aggressively brave self. I love him, btw.)
EPISODE 1 HERE
Okay, Check-list, ep 2:
11) matching suits part 1 THIS ⬇️ costume department did a great job and they look badass together also, they´re walking very close to each other.
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12) Loki defending /saving Mobius from Brad (with magic!) also, Mobius, dear, (my beloved) you were really going for it! Always so ready to fight! I can´t xD
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Loki "don´t u dare hurt him" Laufeyson, look at his face!
13) Mobius and Loki struggling to assemble IKEA furniture- sorry Tapmad together
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14) " And he knows..." I mean yeah, sure. keep remind us, that Mobius knows everything about Loki, and saw him at his worst, so we can appreciate even more the fact, that Mobius likes him and cares for him so damn much 💚🤎
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15) Loki finding Mobius´s joke amusing Mobius: cracking joke right after Loki´s threatening speech:
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Loki:
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16) Loki being very concerned for Mobius after his outburst, saying that It´s okay, and then suggests having pie because he knows Mobius so well and is avare of the fact, that his man is stress eater I´m gonna cry they´re too pure for MCU someone adopt them
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17) Bickering like married couple (part 2) 18) The whole freaking pie scene!
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Just them, sharing calm, intimate moment together
Mobius opening up to Loki, and admiting he "lost it"
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Loki trying to make him feel better and absolutely KILLING IT! btw, I know, that some people think, this scene doesn´t make sense, because Loki didn´t "lost it" during avengers, but was controlled by mind stone, etc.... well I think that it actually doesn´t matter. Guess what else doesn´t make sense? For example the fact, that they already talked about Loki fighting Avengers ( during their first meeting.) Loki is aware, that Mobius saw New York invasion at least twice now, and he´s telling him anyway. I would say, that point here is Loki trying to lift Mobius´s spirit, entertain him, make him smile. Why else woud he start his monolog by "remember, when...?" And I think, that this is huge, actually: Loki, using his bad memory, defeat, his humulianting experience to make Mobius feel better. So not only, that we see, he no longer care about being rurel but we see him making lightly fun of it FOR MOBIUS´S SAKE! He has different priorities now... our immortal god is a grown man now... it´s just so fucking beautiful... 🥺
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Also Mobius saying to Loki: "come on, you´re the God of Mischief" Like it´s a best thing in the world, and Loki gives him THIS LOOK! (I mean that head tilt would be considered "acting" category, but I´m already making concessions by including all these things under one number :D
19) Loki and Mobius: mischievous duo
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Mobius trusts him so completly!
They both such a drama queens!
And they works so well together!
like... seriously, Brad didn´t see this coming, AT ALL! xD
also... Loki complimenting his plan?!
20) "They say opposites attract. NO." Mobius´s wishfull thinking xD (But hey, it IS true. Opposites attracts. And works greatly together. That´s the only reason, why, for example, trope like grumpy one/sunshine one is so popular!) I can´t! just look at his face 🤣 Oh honey! just calm down
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He is sooooooo NOT chill here xD bless him
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21) Loki, not following Sylvie, but actually staying with Mobius and comforting him. AGAIN. (which is an absolutely glaring contrast compared to episode 2 in first season!)
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bidisasterevankinard · 2 months
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Buck breakdown meta(+ a little bit of divorce 2.0 era)
“Did you know you were clinically dead for three minutes?” - “Bobby” from Buck’s coma dream or Buck’s part of the brain that always helps him to find the answers (6x11)
“Buck, you died” - Maddie(6x12), Bobby (6x14)
“You died, Buck” Eddie (6x12)
Before I started this meta I remembered these three (well, technically four but how you can see Maddie and Bobby said the same thing) times someone said in real words what happened with Buck, what exactly he experienced in his life, how he lost it. Because it wasn’t just “an accident on the job”(Buck 6x14), not even a near death experience Buck had in his life before(and not once), because Buck is indeed a good “friend” and “old acquaintance”(Buck 6x15) with death since he was born (as a donor to dying child) and not just “for a moment” how he believes. But I haven’t remembered Buck himself (not a coma Bobby), especially after he woke up and “started his healing” (the lyrics of the song right before we see Buck after hospital in 6x11) saying it. And I really thought aha, you sneaky boy, you haven’t really recovered as you never even said “I died”. But he actually said it once, but, to whom do you think he said it? 
To his sister who raised him as a parent and said “Buck, you died”? No. 
To his father figure who he knows was praying to God sitting in his room, thinking  his another child is dying and he can’t AGAIN do something? To the man who was cradling him like a baby to put him on a gurney and wanted to take it easy on him in 6x14 because “Buck, you died”? No. 
To his best friend, to whom he ran to hide from his sister’s fussing? To the man on whose couch he fell asleep seconds after sitting on it? To the man who tried hard to support him, how Buck supported him during his breakdown? No. 
He said it to the woman he never met before (btw Natalia is cute and it’s not her bashing post. so DO NOT DO IT IN TAGS PLEASE), just a matter of factly, when helped her with her injury because he heard that she is “death doula”(but before it, he tries to say it in the other words)
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But even to her he says it ONLY THIS ONE MOMENT. When they met again he spoke about his death experience in the pattern we saw before.
And this pattern is : “When i woke up,” “I woke up in a world” “I recovered” “accident on the job”,  joking with Maddie, “it’s all a gift” or with Eddie not even himself in 6x12 talking about HIS death experience. With Eddie he asks about shooting, but Eddie makes it a conversation about “You died, Buck”.
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Buck doesn’t like when people talk about death, showing him their grief, so he tries to talk about his new life. He jokes, or moves the conversation to the point of talking about his new life, new possibilities for him, about how he processes he is still here, but NOT HOW HE DIED. Buck refuses to process that he died. Yeah, it happened, he knows everyone grieved him, but he refuses to talk about how it changed him and others. He just wants to accept changes not to “act” like an “old same Buck”(Buck 6x15) for everyone, but to be a new Buck. And who is perfect to make him think about not his death, but about how many new experiences he can have, if not the person who is amazed by his death, who thinks it is “cool” he had the opportunity to experience it and get back, if not the person who never grieved him? Natalia wasn’t around to see him dead, she wasn’t the one who saved him. And Buck knows his family had to see him like that and act to save him, but he can’t think about it. He concentrates on good things, on being alive, on moving forward, to see “what’s next” for him. And he refuses to look and speak about what happened before it, to really move from it. 
But I think we all remember how Maddie said that Buck is more than good at pretending that he is ok(4x4). Remember how in therapy he said “You said, I hide my true feelings from others. You might be right”, but then what happened? Oh yeah “new Buck 3.0” and him forgiving his parents for going to therapy with him. Because he hides it not just from others, but from himself too. Acting as Buck 1.0, 2.0, etc. Buck knows how to repress his feelings and move on to a new stage. How to act as a new Buck, not just for everyone, but for himself too. How to believe he is ok. 
And he for years was mistaken or even hiding a lot of his feelings, so it’s not hard for him to play like he moved on. And on the way to make everyone, except one person who till the last moment (cemetery seen) tried to make Buck talk about his death. Who was the last person to say it to Buck, who used death, and died, in one conversation right to the point till Buck with his words “She sees me. like she really sees me for who I am and what I’ve been through. I think she might even see more in me than I see in myself” almost stopped him. He stops for a moment. Tries to play with Buck on his rules, tries to wait for Buck again how he did in 6x12, but tries one more time to make Buck talk about death.
“You cheated death”
But Buck speaks about life. About lightning. About his new life being a gift.
“My life could have ended right then and there,but it didn’t. That has to mean something, right?” (Buck looks at Eddie because even closing himself he still need Eddie)
“It means you are one lucky guy”(Eddie does’t not look at him)
“Yeah, well, I don't think I’m gonna get that lucky again.”
“We, maybe you don’t have to. Lightning doesn’t strike twice at the same place.”
“Which is why I have to make the most of every single moment. Because from here right now out it's all a gift”
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And after that, Eddie, who thought he could give Buck the same “shoulder to cry on” and “sit with you” while you experience bad moments, stopped doing it. He looked at Buck and saw the man he saw, the man he thinks doesn’t need his help. Because Buck doesn’t look affected as Eddie expected him to be. Buck overplayed Eddie with his tires to prove he is ok. Eddie believed him. But also he heard that he is not that Buck needs to feel ok. He needs not that Eddie expected he would need (talks about his death and Eddie’s help), but someone else living with Buck his life and Eddie understood that Buck doesn’t need him at all.Not in the way he needed the man a year ago, crushing his room. And the feeling of loneliness he started to experience while he gave Buck time to come to him, before Buck pushed him away when he wasn't ready in the cemetery, just became all consuming. Because now Eddie believes Buck never needed him, how Eddie needs him. But the thing is, Buck needs him. He just pushed Eddie from him, because he feels that it’s dangerous to look at his death, because he doesn't want to be a burden, because he doesn't want to run in a circle of “someone loves me when I’m in pain” he did all his childhood. He doesn't want to experience love when he is broken, so he closes his death deep inside him, in a box. But we know how boxes explode if it’s too many things inside. 
And let’s think that Buck has in his box: childhood of neglect, truck bombing, tsunami and embolism, well and shooting, ambulance hostage situation, Bobby shot, Maddie almost killed by Doug, the secret about Daniel being revealed, and then his real death. All it packed neat inside him, never spoken about. And after shooting we never heard him talking about therapy again. So Buck acts as a “new Buck” ALL THE TIME. Buck 1.0, 2.0, 3.0 it’s a proof. And he is just ready to be another “new Buck”, but others don't, because to see the new Buck they should fully grieve the old Buck. But Buck doesn’t want them to grief, he wants to joke and move on and that’s why he is feeling like he should stay “same old Buck”, act the same, but IT’S A PROBLEM. Because old Buck can’t help to mask the pain and fear from the death he experienced. Old Buck never looked at his life as a “gift”. This old Buck can’t help Buck to hide under this mask of everything being fine. And let’s nor forget how old Buck tried hard to find HAPPINESS. OLD BUCK WASN’T HAPPY. But the new Buck should be. He is still alive. His life has ended yet. But has he found his answer for happiness after death when Lev did it? No. 
Buck's answer for happiness wasn’t shown, which means he tries to be happy, but he still doesn’t know HOW. And on the way he pushed his best friend from him, starting their as we call it in a fandom “divorce era 2.0”. Because it is what Buck does when he feels trapped (lawsuit waves at us). When Buck thinks he needs other things, not that others try him to do, speak about, heal properly before move on, not just “rush with his head first”, he pushes everyone from himself (yes yes boy with abandonment issue does it, but it is easier this way). In the lawsuit it was easier to blame Bobby, right now he ofc doesn’t blame Eddie, but he also doesn’t want Eddie to constantly talk about his death. So he pushed Eddie from himself. 
So Buck can’t hide behind old, and new Buck is not something his family is ready to see, and it’s still an act. Buck is on the edge of breaking, and I’m sure in 7s it will happen. After Bobby's near death or maybe something else, but it will break him. 
Now Eddie. Eddie, who already felt kind of alone, started his journey of trying to find someone who makes him feel not alone anymore. Who will make him feel enough. Because for Shannon, for Buck he wasn’t(at least it’s how he sees it). 
That’s how he sees the cemetery. Buck pushes because Eddie is too much for him at this moment, because he isn't ready (something something “you need to move on. I did.” Eddie himself pushed Buck from himself when he wasn’t ready, but he thought if he would make Buck talk NOW Buck wouldn't break like him.) Buck wasn’t ready to be supported by Eddie, because he never was supported like that (Eddie wasn’t in a place to really support him after the fire truck. don't even start. Eddie was deep into his grief and “suck it up and move on” era to really support Buck on this deep mental level). But Eddie was finally in the place to give this support, and he felt like it’s not enough. So he dates, he meets Marisol. He opens himself to the world and new opportunities. Maybe even starting something serious in season 7, when Buck goes deeper and deeper in his own grief and pain of losing the life he had, of losing the part of himself, of not knowing who he is right now, how he should act. 
Now we add Bobby’s and Athena’s water related near death experience and … BOOM. Buck is broken, a crying mess. Because he feels grief and fear of losing people he loves so hard, and he can’t imagine who they felt, and he can’t even say what the fuck is the answer to happiness. He doesn’t remember his death, but he remembers his coma, he remembers how he woke up, he remembers old him, but who is new Buck? To this we also add that he feels that his best friend pushed him away, not understanding he did it first(because he did it subconsciously trying to hide from his feelings).
Buck will break in season 7, because it's long overdue. He has so many things he never “allowed to feel it” before moving on. They can’t just stay forever inside him. “At some point that box is going to blow open. And take everyone around you”. Eddie was ready to support Buck and eventually in season 7 Buck would need it and Eddie would see that Buck needs him, he never allows himself to ask, to see what and who he needs. Buck always tries to look at himself through other people's eyes, still tries with Natalia. Maybe look at himself thought Eddie’s feel help him to see something new
Why I also see the possible divorce era 2.0 it’s because we started and continued 6s with domestic Buckley-Diaz scenes but scenes 6x13 Buck wasn't even talking about Chris. So I see it as a possible proof of divorce era, but after new stills I’m not so sure anymore
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loveinhawkins · 10 months
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Thinking again about theater kid Dustin so naturally I had to come to you 💙 Specifically I’m thinking about Dustin auditioning for a community theater production of Jesus Christ Superstar with an eccentric director who convinces Eddie to audition for Judas. He knows his reputation and thinks his notoriety will add an extra meta layer to the role (and get some butts in the seats he’s gotta keep the lights on somehow). Eddie is reluctant to put himself in the spotlight but ultimately does cause Dustin is excited about it. Also he’s really good? He plays it completely sincerely which no one is expecting, really leans into the interpretation that Judas was in love with Jesus and amps up the tragedy. (Afterwards Steve also asks him if that kiss with Jesus is in the script or…?)
i love this so much, thank you for sharing with me! ❤️ theatre kid Dustin is just so incredibly precious & i just love the thought of him having so much fun with it in his future. like i see him as such a little social butterfly, i think everyone in the theatre group would adore him (i’m always so upset when his peers make fun of him at the snow ball, no, that’s my boy!!!)
and oh my god Jesus Christ superstar yes!!! yeah i can see Eddie being so hesitant about it, like the thought of how certain factions of hawkins might still view him makes him nauseous.
but the director—who maybe knows through close-knit community theatre circles that a very young Eddie once played Action in West Side Story (i love your story so much ❤️)—has one last parting shot which convinces him.
“So you never want to have fun ever again?”
… Huh, Eddie thinks.
he still asks for Dustin’s approval, all too concerned with the thought that this is Dustin’s thing and maybe he’s overstepping or something, or—
“Holy shit, that’s some seriously impressive over-thinking,” Dustin says. “You’re my friend, asshole.”
And maybe he says it with a tone, but he means I wanna hang out more with you not less!
so Eddie takes the role and of course he’s brilliant—okay everyone’s got opinions on the auto tune used in Tim Minchin’s rendition but dear god the depths in his eyes, the acting. also maybe the director does a present day take like that version did & Eddie’s jokingly like “I could wear the hellfire tshirt” & the director’s eyes light up & Eddie quickly goes, “No. That was a joke, it wouldn’t even make sense.”—and maybe there’s something empowering in playing this figure when people once said his name and the Devil’s in the same breath.
Maybe, maybe.
and oh we all know who Eddie is thinking about when he’s singing:
I don't know how to love him I don't know why he moves me He's a man, he's just a man He's not a king, he's just the same As anyone I know He scares me so
and
Does he love, does he love me too? Does he care for me?
And oh on a lighthearted note, Steve asking if the kiss is in the script has me in hysterics, especially if this is pre-them getting together.
just the thought of Steve staring grumpily any time there’s a scene with Jesus & Judas—the guy who plays Jesus is maybe like a couple years older than Eddie, not originally from Hawkins perhaps so he’s kinda not fully aware of Eddie’s history & sure, he’s nice, but he’s just not on Eddie’s radar at all.
So when Steve asks if the kiss was in the script (not that he cares! At all! He doesn’t care! Look at how much he doesn’t care!), Eddie stares at him for a long moment and says, “Steve. Did you think I improvved the Bible?”
Dustin, who is also here—currently doing English homework up on a barstool in Steve’s kitchen while Eddie & Steve lounge on the couch—sighs very loudly and says, “How the fuck am I supposed to know what role dialogue plays in Much Ado About Nothing?”
Eddie waves a hand distractedly at him. “Just make it up.”
“I can’t just because my way through Shakespeare,” Dustin says, adds in a huffy undertone, “this isn’t one of your campaigns.”
Eddie mimes being stabbed in the heart. “Oh, betrayal!”
“So it was in the script?” Steve says.
“Oh for—yes, Steve, it was,” Eddie says. “It’s called acting. Also, it was on the cheek.”
“So?”
“So—ugh, just—” Eddie tugs on Steve’s wrist impulsively, while another part of his brain is screaming in vain for him to stop. “Come here.”
“What’re you doing?”
“I’m just showing you how fucking little it—”
I’m never finishing this essay, Dustin thinks. My home life is distracting and chaotic.
And Eddie kisses Steve very very chastely on the cheek, just to show it was nothing, that’s all, but Steve can feel Eddie’s breath on his skin, the warmth of his lips, and Eddie doesn’t really think it through until he does it and then oh shit, his heart is pounding—
“Oh, yup cool,” Steve says. “That’s—yeah, wow, that’s it? Huh. I need some air.”
“From your own house?” Dustin says, to the front door already slamming shut.
And Eddie’s eyes are wide and shiny, like, did I fuck up, and it takes all of Dustin’s self control to not roll his eyes and slam his face into his book.
Then he softens a bit, remembers looking out into the audience and seeing Steve silently crying while Eddie sang You have murdered me.
“You’re so dumb,” Dustin tells Eddie as gently as he can. “You’re lucky I love you.”
“Uh.” Eddie blinks. “Did I—should I…?”
Dustin sighs wearily, slings his backpack over his shoulder. And he has a parting shot of his own:
“I’m not waiting through another production for you two to get your shit together.”
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avelera · 9 months
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Where the heck is Satan in Good Omens S2?
And could we perhaps find evidence of him in the places where the furniture used to be?
For reference:
Hastur & Ligur, 1.1: "All Hail Satan." "All Hail Satan."
Crowley, 1.5: "I never asked to be a demon. I was just minding my own business one day and then… oh, lookie here, it's Lucifer and the guys."
Adam Young 1.6: "You're not my dad and you never were."
Satan, 1.6: "No, no, no!" (He promptly dissolves into black ash and vanishes. Immediately after, Aziraphale and Crowley look at their no-longer-flaming sword and tire iron as if not entirely sure why they're there.)
Crowley, 2.1: "Do you ever think, what's the point? ... Heaven, Hell, Demons, Angels?"
Crowley 2.2 (circa ~2000 BCE): "Satan and his diabolical ministers..."
Gabriel 2.3: "I remember when the morning stars sang together and all the angels of god shouted for joy.” (emphasis mine. Lucifer/Satan was the Morning Star. Why the heck is morning stars plural??)
Edit: Shax 2.6: “I demand that you hand over both Gabriel and Beelzebub as gifts for Satan, our master.” (Could debunk the whole theory, might not only because she seems pretty low-ranked and could be going through the motions even though he's gone, but we'll see. Including to get all the evidence down.)
... And I think there's some other S2 references to higher ups and "Our Lord" by Shax supposedly, but I'm too sleep-deprived to go combing through for them (I'd be much obliged if anyone else could grab any other exact quotes that mention Satan by name or seem to refer to him in Season 2.)
Let's first get the Doylist explanation for why Satan might not be around out of the way: Satan was the Big Bad of Season 1. He's been dispatched. Furthermore, he's played by the most likely very expensive Benedict Cumberbatch, so he's not likely to be back in a hurry if it at all can be avoided, and alluding to him at all might just create confusion with viewers who will then expect to see Satan.
(Below the cut: but what if there's more to it than that?)
But as others may have seen with the, "Metatron is actively editing the Book of Life in S2 and that's why things are weird," meta, there's quite a bit of speculation going around that something fucky is going on in S2.
However, while I agree that some points in S2 are certainly fucky I'm not convinced on all or even most of the supporting evidence. Most of the explanations have a Doylist counterpoint like "It's just bad writing," or "They just wanted to bring back some actors they enjoyed working with," or, "The film crew just made a mistake," or "They just forgot that bit of continuity." After all, half of the original writing duo is tragically no longer with us, so there's going to be some level of story drift regardless.
While in general I find the, "It's not that deep," explanation more plausible in most instances, I'd be a very poor disgruntled English Major indeed if I made sweeping claims that the wallpaper being blue is always a coincidence. It's muddier with TV because there's so many proverbial cooks in the kitchen and plenty of human error to go around, but I'd equally never claim that I think Good Omens S2 wasn't a labor of love by those who worked on it, and certainly there's evidence that care was taken in its production, so everything that's off being a mistake is also not a sweeping generalization I'd want to make either.
Which is my way of saying that I'm not convinced by the Metatron meta but I think some of the ideas there are on to something. I don't think it's plausible that a writer would in S3 reveal that in S2, the heretofore largely off-screen character of the Metatron was actively editing the story as we went with the heretofore only mentioned once, never seen, and immediately denounced as a joke Book of Life. BUT, there is some fucky stuff happening that I won't say was the result of some Genius Mastermind Writer deciding it was a good idea to actively write badly and provide stories with no payoff, but I will consider that some of the apparent continuity errors might not be so accidental as they seem, because this was a labor of love and at least on this count, I don't think that Neil was necessarily that careless. Or at least, I'm more inclined to look for clues in places where I can see logistical choices being made, rather than in more subjective claims like "This bad writing is meant to be Bad Writing and therefore a Clue." Because writing is hard even under the best of circumstances, especially in TV and having lost the aforementioned half of a beloved writing duo.
Moving on! Thing is, if we're to believe that there's some sort of mystery hidden in plain sight that was introduced in Season 2, then it did not pay off yet. This makes me a little suspicious of the overall claims that there was a hidden Season 2 mystery, because a good mystery really should pay off within the text, and expecting the reader to keep their unsatisfied suspicions in their heads for 3-4 years for a later satisfying conclusion is... optimistic at best and downright sloppy at worst.
Unless, the mystery spans the entire show. If the clues we're seeing are meant to pay off in S3, and we assume some level of competence, then more likely these are series spanning mysteries that will be satisfying when one is able to watch all three installments. And that means, if there is a mystery in S2, we should be checking back with Season 1 to look for the roots of it.
Which is what brings me to Satan.
What on Earth happened to Satan?
Is Satan still around?
Now, my theory would be much more satisfying to me, personally, if Satan's name was never spoken in S2 but alas, there is the Book of Job episode and I believe some other mentions by name, mostly by Shax? I'd love some backup on that. But I very deliberately don't count demons just saying things like, "Our lord" or making vague referrals to the powers that be to be references to Satan because if he's vanished, someone could have easily filled the power vacuum or there could be an empty throne room somewhere and everyone is just going through the motions (or he's become the Sandman Lucifer who fucked off to lie on a beach, which would be delightful. Anyway).
When Hastur and Ligure showed up in 1.1 they specifically said, "All Hail Satan," and Crowley was shown to be an outsider that he did not return this familiar call-and-response. Yet no one in Hell in S2 uses the All Hail Satan greeting. The references to Satan are few, even in Hell. There doesn't seem to be a lot of fear of Satan either, but more around other higher-ups like Beelzebub, Duke of Hell, who appears to be the highest ranking person we see in Hell?
And also interestingly, Crowley and Beelzebub are both lamenting how pointless all of this seems. Kind of interesting for two individuals who still despise Heaven too and, presumably, took Satan's side once long ago when they all Fell. The political fire has definitely gone out of them, which can be plausibly attributed to the Apocalypse failing and/or the two of them falling in love with their Angelic counterparts, but it's also just kind of weird that suddenly they both really don't see the point in any of these conflicts that once defined their existence.
Perhaps, and this is where I go out on a limb or ten, because Satan isn't around anymore?
Is there no longer a hand at the wheel in Hell, reminding everyone of their loathing of Heaven?
Is there no longer someone actively above Beelzebub, telling them what to do, such that they have the freedom to sneak away and pursue a romance with an archangel and not have their boss show up to stop them the way Gabriel's did?
Did Adam, when he made Satan not his father but more importantly that Satan never was his father, undo more than we realize?
Because that's the kind of Gaiman mystery that I can wholly believe is lurking in plain sight, because Satan was a big deal in S1, he was the Big Bad! It's in the text! The damned book series is built on the idea of a satirical Antichrist take on The Omen. All Hail Satan is one of the first spoken lines of dialogue in the book. Satan is kind of central to any story that's going to revolve around a battle between Heaven and Hell!
And yet... he's barely mentioned this season. And demons suddenly don't remember what they're fighting for. How odd.
Maggie and Nina's actresses also played nuns of the Satanic Chattering Order of St. Beryl. If there was no Antichrist, isn't it possible that neither of those women would have become Satanic nuns and might, instead, own a coffee shop and a record store somewhere?
If there was no Antichrist, isn't it possible that through some convoluted series of events, Madame Tracy, a witch, fell afoul of a demon or managed to become one herself?
Isn't it possible that once you open the door to the ripple effects of a Satan who either never existed (though the Fall still happened) or who only existed up until at least Job, but who was never Adam's father, that some other fucky things could happen too, like Aziraphale suddenly not being fond of alcohol? This continuity detail is much more of a stretch but it is such a plot point in the book that Aziraphale loves to drink and S1 that I do find that particular continuity break particularly vexing and it's one I side-eye the most in terms of "not sure if sloppiness or a Clue".
Anyway, point is:
Satan is curiously absent this season and technically, he was unmade or at least unmade as Adam's father last season. If something is fucking with the timeline, I think that on-screen, very visible event deserves some scrutiny over and beyond vaguely alluded to, off-screen fuckery by the Metatron with no in-text confirmation at all.
There's a lot of weird and bad writing in S2, sure, but some of the continuity breaks do, admittedly, feel too big to be simple oversights and I don't think it's entirely conspiratorial to think something more might be going on and if such a mystery is going to span multiple seasons, we should look back to S1 for the seeds.
It is possible that the unmaking of Satan has had ripple effects that explain some of these continuity changes and some of the cheeky casting of S1 actors in new roles as perhaps not entirely without in-story justification.
So in my mind, the question I have no answer to, but that might deserve some scrutiny going into Season 3 is:
How much did Satan never being Adam's father alter the timeline?
Edit: And here's one last spooky quote to consider: “I remember when the morning stars sang together and all the angels of god shouted for joy." - Gabriel's weird prophecy / quoting of God
Why single out the reference to morning stars plural? Lucifer is very famously the Morning Star, you can't accidentally allude to morning stars in this context without referring to him, you just can't. So what the fuck is going on with this Biblically sourced quote that sort of alludes to Satan, but not by name, and makes the reference to the Morning Star plural?? And even though it is the original text, apparently, it's still a choice by the writers to really highlight the line about morning stars and give that line to Gabriel to say in the present too. Something is sus.
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khruschevshoe · 4 months
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OFMD Critique: Bad Faith, Fandom, and Respect
All right. You know what? Screw it. I saw one post I just cannot ignore anymore that encapsulated all of my problems with the fandom right now. Personal rant incoming.
I understand that there's a nuance to the discussion of season 2 of Our Flag Means Death, and that there are people going a little too far with both their critiques and their support of the show. But oh my God, I'm tired of being straw-manned and made fun of for legitimate critiques of the show.
I just used the block button on someone in this fandom for the first time. Some of you might think I'm overreacting for this, but I saw a post that I could not on any level stand. This person, who I will not name names of, because I'd rather just block them and never deal with their level of bad faith again, took their one legitimate criticism of those of us who critique the show, the back and forth on whether or not Izzy's death was homophobic or not, and used it as the first in a literal list of straw man critiques that no one I've read in the OFMD Critical tag has made (and I check it like once a day bc I like reading meta, sorry), proceeding to absolutely make fun of the legitimate critiques that people have of the show, parodying them in the worst possible ways. They took our legitimate critiques about everything from the sexist handling Zheng Yi Sao's character, the absolute ableism of the finale, the questionable optics of the handling of trauma, etc. and stretched them into things that they very much were not (two examples were that we were crying ableism bc of something to do with seagulls and that we thought the problem in the Stede&Zheng dynamic was the "emotional labor" involved).
Now I'm pretty sure this post was a joke. I *think* it was a joke. But how in the world am I supposed to feel comfortable in the main section of a fandom like this when the comments and replies to this post were full of people agreeing sincerely that this is what the critical section of the fandom is like? How am I supposed to feel when I just see people making fun of me for my analysis of the show? I love this show. I adore season 1 and I'm clearly still making fan related content (moodboards) for season 2 along with my critiques.
Sure, I vibe way more with fanfiction than the actual canon at this point, but I still genuinely engage with the show. And to have the critiques that I made in good faith, regarding issues that I sincerely care about such as ableism, sexism, homophobia, and the handling of trauma, made fun of and taken out of context and straw-manned to their extreme, makes me feel so absolutely unwelcome in this fandom.
Other than keeping up with the couple of fan series that I'm currently still reading, I don't know if I can stay in this fandom any longer. I can't say that I'm excited for the new season if this is the kind of response that any good faith critique of the show is going to get. I can't say that I feel safe or comfortable when there are this many people ready to dog pile on me for a critique I made with ACTUAL TEXTUAL EVIDENCE to back it up.
I would like to thank all the people who have been making excellent critiques of the show. Their meta-analysis is what got me into making my own critiques, which I was nervous about making in any other fandom. I don't think I've in any way tagged them all, but just a few I can remember off the top of my head. Go read their critiques/meta- it's really good!
@sky-fire-forever @carrymelikeimcute @blue-b-bro @bougiebutchbinch @treesofgreen @sixstepsaway @alex51324
And from the bottom of my heart, thank you to everyone who has engaged with my mood boards or my critiques or anything else that I've made, as well as the amazing writers and artists in this fandom (such as @ruecrown, @aletterinthenameofsanity, @fool-for-luv, and @possumsmushroom). You guys have kept me going with my love for the show and engaging with it for a while now. Despite the stuff that is making me take a step back now, I really did love this while it lasted! I'm still planning on making a few more mood boards, but other than that, I'm going to take a step back from engaging.
Hope this post can spread enough support/joy your way to counteract the ache I'm currently feeling!
Sincerely,
Ashley (aka @khruschevshoe)
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halfusek · 1 year
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man. batdr archives. what
i hate them
sorry im gonna go full on hater mode here because oh my god? oh my god
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i’ve got a sneaking suspicion that this came out now as damage control for the AI thing because 1. it wasn’t included in the game all along like BATIM’s archives were and 2. this tweet
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like was it thrown together in such a rush that they forgot a whole ass character?
or it is a joke and was a planned action half a year after the game came out but eh who knows
either way this is not what i’m here to rant about (cuz im sure this is gonna turn to a rant)
it’s about bad writing, bad exposition and bad game design. buckle up!
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i see what they mean with the smile being a challenge to create, you can see in countless animations for fansongs how different artists tackled that and for one i think they did that very well
however. why the clothes exactly? is it just a meta reason with no reasoning in-universe whatsoever?
and look i’m not a fan of the ink demon having a voice (though i respect the craft behind it, the voice actor is very talented, it’s just a personal preference) BUT if you made the ink demon talk you should by logical extension either make toon bendy talk as well or explain why the hell he’s talking? i can see it being distracting but there are characters that have squeaky annoying voices in games and they’re fine (and it’s not like toon bendy is around the player for a super long time)
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i dunno what logic this whole thing operates on anymore but if joey commissioned the ink machine then it should be his and arch gate got all his shit after he passed away so idk what retrieve is supposed to mean here
but it could just be badly written sentences and the archive is full of those (once again making me think that the thing was done in a rush)
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that’s fair i guess
yall did make him look like a generic demon tho
i mean... it could be worse? if the goal was to make him look out of place then it was achieved but idk if it’s actually a good thing
i do like the bit about Wilson influencing how things look under him being in control of the cycle (though they have a very silly definition about what the cycle is but more about that later)
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dude. the beast bendy design was already bad in BATIM and they made it even worse in BATDR like what TToTT
its just an angry mountain of muscles, the batim design at least had that leg injury thing going on which made moving with front arms make more sense, this dude right here is just a big inky gorilla (and not in a good way)
playing as the final form in on itself isnt a bad idea, does sound quite fun, personally tho i did not enjoy the very ending on the game
i dunno it just felt weird and all the other characters randomly appearing and the lost ones attacking being so awkward and ink demon acting as if they could kill you... nah man i wasn’t feeling it
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okay so lets get this straight
cycle = a series of events that repeat
breaking the cycle would mean doing something different and stopping the cycle from continuing (so what... wilson was doing actually)
saying that making it restart again is what breaking it means is just??? no?
“satisfying face reveal” welp. each to their own XD
i see their purpose theme and thats neat and all but man do i hate how henry in this game is just. there and how some stranger is the person helping him get out of his horrible fate like its sooooooo unsatisfying
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yeah she got more personality ill give her that
but she’s not a beacon of hope. she’s a beacon of tearing away the satisfaction of defeating a villain that we as the player worked hard towards
and uh... isn’t getting thrown into a horrible dimension full of monsters that audrey isn’t familiar with and is supposed to be freaked out about a bad moment to introduce a familiar face? like from a writing perspective, because it happens nearly instantly as chapter one starts
shouldn’t audrey be unmotivated then and struggling to figure out the world on her own? the player should also be haunted at this world, like it’s a horror game bestie ! don’t make me comfortable
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well glad to hear the confirmation on that batds is happening in pararel to batdr
but his involvement in the main story is honestly such a nothing burger
is he there just so you can put batdr on the “can you pet the dog” site?
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oh ok so what you’re basically putting down here is that he’s a boring perfect extremely rich guy, wasn’t even a bad father, completely stripping wilson’s arc of depth, cool, was afraid there would be something of substance powering the backbone of the plot of this game
and saying that both joey and wilson are worse people because theyre cringefail at business XDDDDDDDDDDD
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ok here is something that im glad they addressed because ive been wondering about it - how audrey forgot that joey was her dad and how did she end up working at arch gate then
i suppose it implies that there’s something we might still learn/theorize about it, like for example if it was the machine drawing her in or gent wanting to get the machine back and manipulating things into place from behind the scenes
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i really wonder how you can enter in and out the ink realm unnaturally but good to mention why he looks like that if he’s supposed to be nathan’s son
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you cant just say that a character was important to the story, its not gonna happen from words
how is she important exactly? she just talks and uh.. helps audrey make the drink that makes you fall asleep? man that section of the game was Weird
i do want to like her, she seems nice and there could be interesting things to her backstory but as for the plot she really didn’t do much, sorry, betty
if you wanna say that pushing the plot forward by giving audrey that drink and then alice appearing outta nowhere and kidnapping here is a good big contribution then idk what to tell you... its such a bad way to make the plot progress, it was so confusing because characters were behaving as in forced to do Things to Progress the Plot (especially Audrey drinking that thing at all like seriously girl?? and Alice appearing comically at the last sip like wooooooow are you for real)
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ah. so they were attempting a redemption arc
[saying this he didn’t threw aside the large rock. he was right to be holding the large rock]
this sucks man! what did joey help correct exactly? created more ink people to suffer eternally? wow, dude, thanks
also lmao what learned from his mistakes, did you HEAR his dialogue at the end of batim?? (an audrey can be heard right after that scene as well so isnt his whole change of heart supposed to be happening around here + allison has already been added to the squad)
it’s just... it’s just such bullshit man
you can make us like joey as a character but don’t you fucking dare make us like him as a person
bad. just bad
(aaaaaand this is the part that made me realize i wish the archives just. weren’t added! wow! i’m even surprised with myself with how much I Don’t Like them)
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WHAT flaws??? hello??? please give it a big thinking and tell me what flaws does Audrey have im shaking and crying
also is her “deep dark past” supposed to just be like bEINg JoEY DRewS DAUghtER OOOoooOOo? lmao. wow so dark wow so deep
i dont know why this story needed a fresh pair of eyes because the story is that audrey is joeys daughter and that wilson is nathan archs son and that bendy is bendy. wow so deep so dark and complicated!!!!!!!11!!111
also whats the point of fresh eyes if you welcome us with familiar faces?
also sorry to break this to you but its not hard to stand out from the kinda cast that is presented to us in this game. sorry i cant decide if i care more about audrey or random employee number 24 with a random problem that i have 0 reason or time to get attached to. i seriously cant decide
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suuuure we were so muddled xD oh you got us so good you sneaky little cheeky little quirky little
cant fucking believe we almost had a proper nathan arch jr and a secret one eyed villain that there was so much hype about and theories that they obviously tried to deliever here
its speculative but. knowing that they take inspiration from fan theories - they admitted to it and ex employees said so, i think we would have to be in some serious denial to think that @lucky-dreamfisher​‘s one-eyed bendy theory wasn’t meant to be represented here with wilson’s character
ALSO THIS NARRATIVE. THIS NARRATIVE HAS ZERO- NO, NEGATIVE AMOUNT OF COMPLEXITY
GOD
this story makes so much LESS sense based on what you said! aaaaaaaa we were so close to greatness
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what is so wrong with not resetting the cycle then?
not that im a fan of how wilson was approaching things, he very clearly wanted to make himself the ruler of this realm and have power over everyone but sounds like that sure beats living under ink demons reign?
but also idk if this is entirely true like in batim chapter 5 we can see that lost ones were capable of making that lost harbour and sammy is later mentioned to have mastered a special ability too so??
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i wish we learned more about the pit because it sounds quite interesting and we were working hard towards getting there and finally didnt get to see it at all (a shame! very unrewarding to the player)
im not gonna comment on reverting here cuz its a serious mental thing im not knowledgable about
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i haaaate this
you... this is not how exposition is done!
show don’t tell?? how about SHOW don’t TELL??
what in the goddamn. you can’t just pull that outta your ass and say yep. this is how it is. bro. dude.
im referring here to the ink machine bit, the previous sentences can actually be seen in the story
but the design does not reflect what is written here
and they are doing so much of that in these archives, this telling of the story in a place that is not meant for telling of the story, you do that IN the STORY. rarghrgrh
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surprise i found another nice thing: confirmation on that alice was the one who mutilated the butcher gang, cuz i dont think that was ever confirmed before but at least you can find implications of that in the game so its fine to outright confirm that here, good job about that
i dont know what theyre on about carley, she doesnt really look like that to me and ive looked at her model in the archives, in the files and at peoples renders of her and i just dont see it
but i guess it might mean it was like a suit that someone got stuck in- FNAF?!>!!>!?
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no way. no fucking way
we got robbed what ToT
he was removed in favour of WHAT???? AMOK????
dude there ill be real. there’s barely anything that is worth keeping there instead of having him play a bigger role
and im not even that big on sammys character! hes one of my least liked characters personally even! but at least there is something more to him and just man after 5 years you could have given him more than just a dumb wilhelm scream joke, that almost feels like a spat in the face lmao
thanks for again confirming something though with that flow thing, as we noticed sammy uses gaps in the wall in batim chapter 2 to travel around the place
why not have him teach audrey the flow ability? imagine how could that would have been
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im just baffled this exist but sammy apparently had to be cut out
lol
lmao
moving on
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my brother in christ why are you making it a mystery if she will appear, she literally appeared in every game so far with quite major roles
also... what layers? sure in batim with her story (susie’s story) there sure been some layers, susie’s story in batim is probably aside from joey’s story the deepest character arc they got
but alice in batdr? she’s there to play a stupid game she set herself up to lose, get mad at that (eh?) shoot you and die
what layers, really
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gender
but also idk i found the fight annoying and random, you could throw it out and not much of value would be lost, put sammy back in
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YOU MADE HIM NOTHING
YOU TOOK A PERFECTLY FINE ENEMY AND GAVE IT ANXIETY THATS WHAT YOU DID /j /ref
idk if id describe the ink demon as putting the player on edge because he doesnt actually roam the place
you see a grey overlay on your screen and you need to hide or you die... which gets tiring fast and annoying
you totally could still have lurker (even if just restricted to some areas) as a free roaming monster
and the unlikely ally thing is just so bland like yeah he’s there, we know nothing about him aside from that he eats hearts, incredibly charming fella 
not thrilled by his design either but that issue i already had with the first trailer but i guess they just sticked with that
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bendy devs not use mental illnesses as derogatory terms challenge
i like the crab boy design, he’s sillay
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bro forgot a texture tho
so yeah not. happy with the archives
sorry if im like overly negative but ive honestly tried to give this sequel (because despite what they were saying it IS undoubtedly a sequel) my best assumptions and it turns out its nearly all the worst assumptions
its annoying, im annoyed
they should hire a writer to help them get this mess together, maybe get adrienne in on it, i dunno, because clearly if they need to be specific and not leaving things open like in batim, then they arent managing very well
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they even fucking killed harold
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mamawasatesttube · 9 months
Note
what would u say it takes for a fic to get kon's tone correctly? or like. what things do u feel make the tone Wrong? (if u can put it into words ik this is a very vague question LMAO)
so in essence you are asking me to distill kon as a character. i will attempt to do this, but preemptively be warned i will likely be rambling.
there are a few things about kon that always stand out to me. i draw a lot on sb94 for his overall character, with sb11 and adventure comics to guide his character arc. to me, he is, in no particular order:
incredibly smart
but exceedingly hard on himself,
and prone to self-deprecation.
silly and goofy! a geek-ass loser!!
full of joie de vivre!
deeply, deeply passively suicidal.
quick to anger (mostly when younger)
but even quicker to cool off and apologize if necessary.
too quick, even. very forgiving of anything done to him, no matter how fucked up, if he thinks the person is genuinely sorry.
kind. kind. kind. kind. he wants to believe in everyone.
prone to naivety, because of it. (again, especially when younger.)
ready and willing to destroy himself if it helps someone else even a little bit. a bleeding heart that maybe bleeds too much.
deeply, deeply caring. about everyone. especially the folks nobody else really cares about.
pretty introspective (post-death and resurrection).
passionate. he does not do anything by halves.
haha silly!!! jokester!!! star trek time!!! wahoo!!!
so as you can see, he is a character built on contradiction. he loves life, but he's been suicidal since day one. he's a lot smarter than anyone, including himself, gives him credit for - he might not be the best strategist out there, but his creativity and ability to think on his feet are phenomenal! he's deeply kind to the core and yet worries about who he is, because he can't see himself how anyone else does. i could go on. it's about the contradictions - the kontrast, if you will.
in terms of fic writing, character voice, and tone: imagine a boy in the basement of a fucked up science lab surrounded by the frozen-in-stasis corpses of his twelve would-be brothers, the clones before him that didn't pan out. he is white-knuckling his gloves. he is repeating to himself, but i stay silly :3!! but i stay silly :3!! but i stay silly :3!! but i stay--
this, too, is about the kontrast. denial and humor are his best friends and his favorite coping mechanisms.
to me, i guess a fic gets kon right if it understands he is an unreliable fucking narrator. he's incredibly repressed. he just denies it all and pretends he's fine because he can joke it off. he stays silly!! X3!! but he's a genuinely sweet and thoughtful guy. he does all the farm chores for ma kent without being asked, loves his dog, has nightwing merch (a zine, specifically, from the looks of it) in his room, and physically is incapable of shutting up about star trek. he's a geek. he's silly. he's loving. he's deeply sad. he's a walking talking identity crisis.
also wrt fic writing. i mean i know saying this is a lost cause because anyone bothering to read a long post about kon isn't the kind of person writing fics that don't actually treat him as his own character, but. he is not fucking scared of bruce wayne oh my god. i will forever yell about these pages from sb94 #85 aka what might be my fav issue in the entire run:
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he doesn't stand for anyone being unjust, even if it's his bestie's mentor who he respects a lot!! even if he's a little nervous he tells bruce off and demands better from him!!! (granted, i also think this is some of my least favorite bruce writing ever - i don't like him sounding like a kkk manifesto someone hit find and replace on when he talks about metas, and i don't for the life of me understand why so many of his "fans" continue to eat that up and then shit it out in the year 2023, but that's getting off topic.)
ALSO. HE LOVES AND RESPECTS CLARK SO FUCKING MUCH. that's another thing fics get wrong. he does NOT resent clark for "not being around" and he does NOT tolerate anyone talking shit about him!! clark is his favorite guy. he idolizes him!! yes, he's sometimes sad about wanting to be closer to him, but never communicates this (and, again, this is also an editorial mandate). if kon was going to blame anyone for their relationship not being what he wants it to be, IT IS HIMSELF!!!! he does this literally on page in sb94, when he finds out clark has a secret identity and isn't superman all the time. he blames himself for not being someone superman would have wanted to confide in sooner. he is REALLY GOOD at blaming himself for things. he would never in his LIFE blame clark.
in conclusion. please enjoy this incredibly roumd krypto snoozing next to him in lena luthor's house. thank you for your time ♥
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bird-inacage · 7 months
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Only Friends: Episode 7 Preview (What would Ray do without Sand?)
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Oh thank god, we're returning to Ray/Sand harmony and fluff next week. How many times has Ray thanked Sand for saving his life now? At least three: (1. Stopping him from drunk-driving 2. Preventing him from having his head bashed in 3. Chasing after him to ensure he didn't end up in worse shape after a car accident). Like literally Ray, you owe this man your life on multiple accounts. Marry him already.
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So predictions were correct, Ray ends up with his arm in a sling due to a car accident after the events of Episode 6. Sand says, "I'm your emergency staff anyway" which is a nice call back to Ray referring to Mew as his emergency contact.
We'll also be getting Sand taking care of Ray whilst his arm is out of action, which will no doubt deliver some sweetness. I know Sand joked about this a few episodes ago, but is there anything this man hasn't done for Ray yet? He really is becoming Ray's designated caretaker through and through.
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We get this line "you're more addicted to me than alcohol now." I wrote a previous meta on precisely this very premise if you fancy a read HERE.
But truly, Ray is increasingly learning to rely on Sand (like a crutch). Sand is there for him when he has no one else. The things Sand does aren't particularly remarkable but they come from a place of genuine care. Little by little, that impact is going to add up. Ray will wake up one day and suddenly realise how he can no longer function or operate without Sand in his life. How quickly Sand has become a permanent fixture that Ray can't do without.
(I have a feeling this will not happen) but my hope is Ray addresses the things he said to Sand at the bar. "You don't want to be a singer. You just want to make money." "Or I need to pay you, whore?"
From Episode 3 onwards, Sand declared that he would no longer take Ray's money as he now considers him a friend. For Ray to phrase it in this way, as if Sand has only spent time with him for this reason is completely untrue - and Ray knows it. Though Sand is amazingly patient and forgiving as per usual, I'm sure those comments stung. Ray needs to be really careful he doesn't get into a habit of saying things in a moment of anger and not realising the impact of his words.
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trekkiedean · 6 months
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oh god this is the grey poupon joke from 7x01 all over again (forcing me to further affirm my extreme deancodedness by understanding most or all of his stupid jokes and references). guys I’m sorry to ruin the fun but. “huggy bear” was not a gay pet name dean made up for cas, it was a tv reference. huggy bear was a supporting informant character on starsky & hutch, which ended in 1979 and which dean definitely would’ve seen in reruns growing up. it’s a “raised by tv in the 80s/early 90s” way of calling cas their informant. it may also be a little bit of a meta joke because huggy bear was unexpectedly popular with viewers (with most spn writers I would assume this was overthinking it but bedlund, bless him, does love his meta humor).
when dean calls cas “sunshine” that’s definitely just a gay pet name though
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vigilskeep · 1 year
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Thoughts on Anders going from being very outgoing and flirty fun in the dlc to being a bit more introverted and careful in da2? Is it bc he and Justice has merged, his mental health degrading, or his new "freedom" turned into a new kind of prison?or anything else? Or all of them? God I love the anders meta
lots of thoughts! most prominently, i think anders has literally become a whole other separate person as well as himself, on account of being possessed. i do very much consider anders to also be justice throughout da2, not just when he starts glowing. imo that shows in, like, all their dialogue. i mean, let’s reverse the question: why is anders-justice’s dialogue in da2 so outgoing and flirty when justice is so serious and literal in awakening? because now anders is also there. so why is anders-justice more serious and literal than awakening anders? because justice is also there. here’s some quick comparisons of location comments from justice to anders-justice:
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that’s justice, right? he’s in there! i’m not saying anders isn’t there, too, it sounds a lot more like anders in tone because it’s coming through anders, but these are just the ones i picked as being obviously justice-y when you make the comparison. you can see it in a lot of the companion banters, too. for example, justice finds it very difficult to agree to disagree or laugh off a challenge in the way anders used to be able to, which i think comes through most obviously with fenris and merrill, but a lot of the others, too. awakening justice often has several connected banters in succession; once he gets a thought into his head, once something distresses him abt one of his companions, he can’t let it go or leave it alone, because he’s still figuring out how to navigate the fact that people are complex and incongruous and so is the world they live in. he thinks everything is black and white and if he just explains enough then everyone can understand. which is far more like da2 anders-justice than something like this:
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in da2 making these kinds of comparisons between others and himself is still his go-to method of trying to convince people, it’s a very anders move, but the way he backs off here is not something justice or anders-justice is capable of. awakening anders tries to let everything glance off him. having justice kind of cripples his ability to use that defence mechanism. i mean, that’s half the point of the whole possession. letting justice possess him was about taking the injustices done to the mages seriously and doing something about it. but it also makes him incapable of playing it off as a joke like he used to, he has to take everything personally
another example of justice in da2 anders-justice dialogue is the way he believes in atonement and retribution, that actions must have consequences even if he’s not always certain how it should actually happen in the real world and he struggles to understand real world context. justice has related conversations with nathaniel and sigrun about their criminal pasts, but for quick comparison’s sake, here’s banters with velanna and isabela:
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a lot to say here but my point is not to make judgements, mainly just to compile evidence that justice is always a part of him? and the personality change really makes complete sense when you look at it from that angle. how would that not change how you act. anders-justice saying things that awakening anders would never have said is no less surprising imo than anders-justice saying things justice would never have said (and anders-justice does sound like awakening anders way more than people give him credit for)
otherwise, the mental health Situation is definitely also part of it. he’s not doing well. lirene says she’s never seen him smile. but i also think it’s a mistake to think awakening anders is even comparatively a paragon of mental health because, oh boy! he’s manic he’s so so angry right under the surface he’s fresh out of a year in solitary confinement. he NEEDS you to like him and to not take him seriously because people thinking he’s charming and harmless is literally the only reason he’s alive but also it would kill him to purposefully be what an authority figure who controls whether he lives or dies wants out of him so he’s settled for being funny with increasing desperation. you could make a whole other post out of this. my point is i just think it’s a misread of anders to be like “oh he was completely fine and normal in awakening and then it really went downhill between that and da2 and that’s why he’s not as funny now”. if that makes sense? the funnymanning was the symptoms all along i am afraid
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trutrustories · 6 months
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STUDY IN LOKI ROMANCE
Part 6: Conclusion
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Since we're only a few days away from the last episode, I decided to COUNT DOWN everything we´ve got so far ( that can be interpreted very easily as romantic ) and discuss what the actual fuck is going on with second season. Because even though I shipped lokius practically from S1E2, I absolutely did NOT expect this kind of development. (Not that I´m complaining)
Warning: This is gonna be LONG post, lots of screenshots, lots of SPOILERS, lot of "oh-my-god-they-so-cute" language, and little bit of meta.
I originally thought that this post would be everything at once, but since I have just too many screenshots this time around, I´ll have to split it. so every post will be one episode. Color coding means:
IIIIIIIIII = anything, that coud potentialy be just acting choice.
IIIIIIIIII = everything else (tzn.: whatever was written, and/or carefully prepared by filmmakers. )
side note: I already wrote, about how amazing it is, that Mobius is unable to fight but fights anyway and how beautifuly, and ridiculously brave he is HERE. But this is about Loki/Mobius interactions, so I´ll try my best not to talk about THAT. (Even when I´m really happy, that s2 continues with this formula and Mobius is still his completely defenseless while aggressively brave self. I love him, btw.) Here is count down for every episode:
EPISODE 1 HERE
EPISODE 2 HERE
EPISODE 3 HERE
EPISODE 4 HERE
EPISODE 5 HERE
Sooooo 51 lokius moments, that were completely and utterly unexpected, but yet here they are. Why? Let´s start with over look at what we´ve actualy got: Things that could technically be just acting choices and Tom´s and Owen´s chemistry together:
unexpected exhibition of touches
Distressed God and his Happy Face (at O. B. office)
Loki finding Mobius´s joke amusing
Loki´s head tilt and smile at Mobius (in pie scene)
"They say opposites attract. NO."
Another exhibition of touches (ep 3)
"let´s be as close as we physically can" challange (at Timley´s spech)
Loki glow up (Loki fixing himself for Mobius/Don)
Loki being very nervous and stuttering while talking to Mobius/Don.
Loki gently helping Mobius/Don through the time door. Things that are deffinitely NOT just acting choices:
"Mobius It´s me!"
"Tell me, you recognize me!"
scene in in an elevator
Mobius and Loki talking to OB.
bickering, like married couple, part 1
"Mobius if I don´t make it back" and "You´ll make it back".
Mobius risking his life SKIN for loki and refusing to give up on him.
Loki saves Mobius in an epic fashion and they end up in a hug:
matching suits part 1
Loki defending /saving Mobius from Brad (with magic!)
Mobius and Loki struggling to assemble IKEA furniture- sorry Tapmad together
" And he knows..."
Loki being very concerned for Mobius after his outburst, saying that It´s okay, and then suggests having pie
Bickering like married couple (part 2)
The whole freaking pie scene!
Loki and Mobius: mischievous duo (Breaking Brad)
Loki, not following Sylvie (at the end of episode 2)
matching suits part 2
"And they lived happily ever after..." circle transition
Loki and Mobius enjoying popcorn:
Also... Bickering like married couple (part 3)
"You know sometimes I forget, that you are one of them... Blows my mind!"
Mobius supporting Loki in using magic...
Victor/Ravonna - the most transparent mirror ever:
THE TANDEM BIKE
Loki going with Mobius, not even thinking about it anymore.
changing clothes together
Bickering like married couple (part 4)
The "misunderstanding trope"
Pie scene number two
Shot with only two of them, right before the end of ep4
Loki looking for Mobius in PIE ROOM
Loki Time slipping to the theater room
Mobius/Don casually informing Loki, he´s a SINGLE dad and telling him his entire work schedule
Loki time slipping to Mobius again (right when he started to be hopefull and Happy, that O. B. will be able to help him.
Mobius/Don dropping everything and forgeting about his two mischievous sons so he can give Loki full attention
Wanna buy my wife´s jetski?
"A beautiful union of form and function"
"You saved my life, when I first arrived. You saw something in me, that I hadn´t seen in myself."
"I want my friends back. I don´t want to be alone."
"It was more about what I wanted."
"It´s not about where, when or why. It´s about WHO."
So... let´s scrap the theory, that romantic tention is created only by chemistry between actors (though it IS amazing and also key ingredient) and their acting choices. Because so far, screenplay, and cinematography was supporting their story as well. I feel, like I should clarify, that I do not expect Lokius kiss, or blatant confirmation to happen. I was here during Johnlock debacle. And I was here, when Destiel ended... the way it ended. And I refuse to put in creators (especially when it comes to marvel/disney) any hope, that I know can be crushed so very easily. I´m not doing this shit again. If it happens? WOW! I´m gonna be surprised. very pleasantly surprised. I will litteraly never shut up about it
But I do not expect it. Not even now, when I saw, what are creators of Loki able to put out in the world. Like this for example:
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Or this, very brutal death scene:
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And yeah, I am avare, Loki officialy CAN have male love interest, because it was confirmed in a text, that he´s a bi.
Also there was this (very misleading) article few years ago:
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Still. I can´t bring myself to hope for anything explicit. But I absolutely understand anyone, who have that hope. And I know, how great feeling it is, while it lasts. Anyway. I´m gonna look at all possible options, I can think of. Even some, I feel, are more possible then others. And maybe answer is not just one. It could be more things at once.
Explanation number one: Creators took notes on how season 1 was received. And they saw, that Mobius is very popular, well-liked character, his interactions with Loki were favorite moments according to majority of an audience, and decided to lean more into that, for viewer´s sake.
Same with sylvie. Once they saw her romantic relationship with Loki isn´t that popular, they decided to give her her own agency, own story instead.
Explanation number two: They genuinely think, they are showing deep friendship between two bros and nothing more. I mean... Loki getting close circle of friends and wanting to stay with them is a one of the bigest themes this season. They are trying to make a point about Loki changing bacause of them (and probably making sacrifice for them) But there is still very intentional difference between his relationship with Mobius and everybody else. Mobius is obviously the most important one of the bunch.
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Explanation number three:
Creators want romantic scene with Sylvie and Loki to be big surprise at the end, so they tried to show as much problems and conflicts between them, as they could and limited their screentime together.
But I personaly think, this would be stupid for many reasons:
Making Mobius and Loki focus this season caused people to rooth for them, and be invested in their relationship more.
They showed multiple times, that Sylvie wants from life very different things, then Loki and their philosophical views differ greatly.
It doesn´t look like creators put enough effort into building up this kind of ending to be satisfying. It would just feel like they´re trying to surprise / shock audience. Explanation number four: They think that what they are doing with Mobius and Loki is father/son dynamic. (I´m sorry, but this would be just hilarious. If this is the case, I would love to know, what they were thinking, when they decided to leave Owen´s line: "You´re just a little pussycat" in there. Or when they look at all those acting choices and said YES, THANK YOU. THIS IS EXACTLY WHAT WE NEED.)
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Explanation number five: They´re queerbaiting the hell out of us. And their master plan is to make us all watch and having hope and then they will throw in the finale some last minute no homo explanation and wil laugh in our faces.
(I suppose I don't have to say how much I like this option *sarcasm*)
Explanation number six:
Creators would like to make Lokius canon, but they are restricted / they´re not allowed to. So they decided to go as far, as they can. To give us little (big) nods, to give us those beutiful scenes. To double down on everything lokius related. And they know what they can get away with before casual viewers notice that there is something gay happening. (I mean... it looks like they can get away with anything but kiss at this point :D Like seriously. I saw people talking about how beautiful Dean and Castiel´s friendship was EVEN after finale, so...)
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Explanation number seven:
They are doing Love triangle thing, where they will try ultimitely "please everyone" by giving us some scene that could be potentialy seen as romantic between Loki and Sylvie AND between Loki and Mobius (while leaving it for interpretation) In Czech republic, we call it: "when the wolf ate well, but goat is still alive."
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Explanation number eight: They ARE able to make Lokius canon, but they actually like podtext more, then posibility to make it transparent, and that is just the way, they want to tell this story.
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Explanation number nine: They were planning to make Lokius a thing (if not from the start, then after season one) and they made whole season this way, so more people would rooth for them. And it will end with some form of confirmation of their love story. ( as I mentioned above, I can´t see this happening, but that is my bad experience talking. If it happens, I deffinitely won´t be mad about being wrong here, I can promise you that :D )
_______
I gues we will know more about their intent after episode 6. Right now, I´m actually just hoping, that story will stay consistent as much as it can. And characters won´t die. On the contrary I hope, they will end up happy, because they did earn it. I have to say, that I enjoyed this season even more then the first. And I really do hope, that finale wont make me change my mind. Regardles of intention, this show is high quality and it is obvious how much care was poured into every aspect of this season from effects, cinematography, costums, sets, music, acting... I think, that this show is a best thing marvel did in a long, LONG time.
Also please, pleaseeee let this season end at the place, where it will be possible to see Loki and Mobius in other MCU project (I would honestly watch anything, where they appear together)
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And lastly: If it doesn´t end the way you wanted, please please don´t let anger to rule your actions. Do criticize as much as you want, but please don´t harrass anybody. At the end of the day, creators of this show are also just people. Don´t say anything, you wouldn´t say into their faces. If it will end badly, watch your favourite, comfort gay show, celebrate how much Lokius fix-it fanfiction we´ll have! And how much art already exists because of those first five episodes.
Or take that frustration and turn it to motivation: maybe you can create something better!
I was there in 2017.
Please just don´t let TV show ruin your whole year and your creativity.
for people who got here and read it all: I really appreciate it! Thank you! 💚
PS: Sorry for my english and all the grammer mistakes I´m aware it´s not ideal 😅
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ananke-xiii · 3 months
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My ranking of SPN seasons (based only on their PLOT) pt. 1
Okay so I've finally watched all 15 seasons of Supernatural and, I must say, what a journey!
The show has releaved itself to be a pleasant surprise, I've learned a lot thanks to it. I must confess that I had strong prejudices against it and had been avoiding it all these years because I thought it was... well, tbh not worthy.
Of course, since now I am here writing about it, it's useless to say that I was wrong. It's not the perfect show, sometimes it's not even a good show, but for sure it's an enjoyable, interesting and exciting show.
The following ranking is based solely on the plot (and subplot) of each seasons and my personal opinion about it.
15. Season 14: Frankly, I don't know what to say about this season, LOL. There is no real plot. We are led to believe that the story will revolve around Dean being possessed by Michael, okay. Basically Michael!Dean from the AU goes to Earth 1 to create an army of monsters (?) but then says bye bye to Dean and leaves (??), but oh wait, no, he re-possesses him (???), and then the army disappears (???) and then he gets trapped in Dean's mind and then he posseses Rowena (???????????). In the mean time, Jack is sick, dies, gets rescued by Castiel who makes a crazy deal with The Empty, then kinda goes crazy and starts killing angels (?????) and then gets killed by God. He also accidentally kills Mary Winchester (???????) in the process. I dont' get it, okay? Maybe it's just me! At any rate, we discover that Michael can possess whoever he wants since he easily changes his vessel without consent multiple times. This fact alone contradicts the whole of season 5 (Dean is the chosen one, the one and only Michael's vessel, hello writers?). Finally, the whole Nick/Lucifer thing. I get it, Mark Pellegrino was GREAT as Lucifer, I loved him, I wanted to see more of him. But his subplot was nonsense and meh. So, yes, the plot was bad. Reeeeeal bad.
14. Season 15: One of the the fun things about Supernatural is, for me, the fact that it doesn't take itself too seriously. Throughout the whole series we have continuous meta incursions and I find that extremely interesting. However, I think that with the final season they went too far. The plot (kiling the manipulative and frankly insufferable God) is stimulating enough until the episode named "The Trap". After that, I felt like the writers didn't know how to fill the remaining episodes until the end and just wasted half of the show on basically nothing really noteworthy. Also, one could totally see that the main worry was not the plot but trying to tie all loose ends off. It was unsuccessful. I would have preferred a well-executed plot rather than a plot that aimed at"filling in" all the gaps of a 15-year-old TV show (read: it's almost impossible, also unnecessary). The final episode was just bad, like really really bad. The plot was resolved by episode 19, so the last episode really felt like something made to end the show forever, kill everyone off and never talk about them anymore. It didn't make any sense at all.
13. Season 7: I didn't hate season 7 per se, but the plot was not great. Like season 15, the season starts off strong with the main event but then it drags itself out until the end. There's no meat in between. The gist is to kill the Leviathans, the subplot is Sam's confronting Lucifer's mental abuse. The most interesting stuff (aka the introduction of the Word of God) happens around the last 3 episodes. This is one of those seasons that are needed to "connect" different points in the myth-arc, however it was not done brilliantly. I felt like Bobby's death was not necessary to the events, it was poorly done for emotional sake. The"Dick jokes" are funny at first, then they are tiresome. After a while I couldn't take the characters seriously, it was all one big dick joke after another, please stop. At the end, we find out that the whole subplot was utterly useless: Castiel shifts the Sam's mental problem from Sam's mind to his, goes crazy in exchange, ultimately to be cured once he's in Purgatory. I'm sorry, what? Also: the Leviathans (the close-to unkillable monsters the heroes have been fighting for the whole series) become just "regular monsters" and that's it. I'm sorry, WHAT?!
12. Season 3: This season contains arguably some of the best episodes of the whole show. The 2007-2008 Writers Guild of America Strike affected the way the plot was planned (I presume) but I think it was for good. As a result, the plot is clean, simple, easy: the heroes need to rescue Deam from the demonic deal he has made. I like when there's a sort of "deadline" in the plot, it keeps things interesing for me. That's it, that's the plot. There's no subplot either. So why this low in the ranking? WELL. The first half of the show made me very uncomfortable. The jokes sounded very, very problematic and I had a very hard time finishing the episodes. Now I know this has nothing to do with the plot, but hey. It made me feel uneasy and the ranking is mine so ranking n. 12 it is!
11. Season 6: I appreciated the writers' attempt with this season. Basically, both the plot and the two main subplots make zero to no sense until the end, when we discover "the truth". As a matter of fact, until episode 19 we don't really understand what's going on. The plot seems to be the hunting of the Alphas and, eventually, of the Mother of them all: Eve. One subplot seems to be a civil war in Heaven, although we are only told about it and never see anything. The other subplots is Sam being soulless + the fact that now he's been hunting with his resurrected grandfather who, in turn, was resurrected by Crowley and now works under him (LOL). For the plot and the first subplot to make sense the missing link is this: Castiel and Crowley have been pulling the strings all along without the heroes' knowing. For the subplot... well, for the subplot (Sam being soulless), too LOL. Cas and Crowley are having an "affair of sorts" and plan to open the door to Purgatory to take souls from there and use them as... energy? Yeaaah. I liked the "whoaa I didn't see it coming" factor. HOWEVER, for it to REALLY make sense one needs to acknowledge Cas and Crowley relationship. Like, seriously, the reason why everything starts to go wrong (and interesting) is because Dean feels "betrayed" by Cas. Which makes zero sense. But I digress. What I want to say is that the turning point of the plot is understated unless you get the "romantic" implications. It's left to the audience to get it but, honestly, I didn't get it at first so I didn't get why the characters were so angry at Cas and why Cas didn't tell Dean about his affair with Crowley. Then when you get it, you get it but anyway the plot is not the best the show has to offer.
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