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#oh how I long for my death
god-of-this-new-blog · 3 months
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“Sorry that it all went down like it did”
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icantdothistodaybruh · 3 months
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yea sooooo I may have or may have not watched and instantly rewatched all kuro musicals in existence in a spawn of one week and now have roughly 40 screenshots to redraw from
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I think I might be insane or something
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aroaceleovaldez · 11 months
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non-exhaustive list of canon powers Nico di Angelo either has shown or is heavily implied to have:
Shadow-travel
Manipulation of shadows/darkness (also possibly use of shadows as a pocket-dimension a la Magicians using the Duat in The Kane Chronicles)
Becoming intangible/shadows
Complete control over skeletons/bones (dead or alive, including summoning, reanimation, and/or changing shape of them) and being able to sense their presence
Summoning, reanimating, commanding, and dispelling the dead/undead (Skeletons, zombies, ghosts, etc & varieties) and being able to sense their presence
Ability to understand/communicate with the dead/undead and potentially other beings of the Underworld
Inherent complete comprehension of Latin
Ability to perceive the usually unperceivable/possibly look upon a deity’s true form without repercussion (at least moreso than the average demigod, though possibly is restricted to chthonic beings) (ex: Tartarus, potentially also interacting with his parents, etc)
Interacting tangibly with ghosts (implied to be a Ghost King thing rather than a Hades/Pluto thing)
Partial or complete immunity to different effects of the Underworld/things within (can consume food/drink of or in the Underworld without repercussions, effects from the Lethe wear off over time instead of being permanent like usual for mortals, etc)
Astral projection/”Walking in dreams”
Dream manipulation and projection (Sending dreams to others, etc.) (presumably includes sharing/projecting dreams with others) alongside inflicting sleep upon others even from a distance.
Illusions
Manipulation of emotions/aura that inflicts specific emotions on others (ex.: radiating fear/death onto enemies)
Projection of emotions and memories onto others (can be so forceful it causes physical damage like a shockwave)
Geokinesis (all forms but also specifically generating black marble) (presumably also specialized control over precious gemstones & non-paper currency)
Temperature manipulation (seemingly only lowering temperature)/creating frost)
Control/manipulation of souls, including living beings (ex: ripping out Bryce Lawrence’s soul)
Perceiving/reading/judging of souls (most likely also a Ghost King thing over Hades/Pluto thing, but possibly both)
Converting living into dead/undead, aka instakill (ex: disintegrating monsters to bone with one touch)
Lowering or manipulation of own vitals (breathing, heart rate, etc)
Death Trance/pseudo-hibernation (possibly also general control over states of consciousness at least for self, in combo with control over vitals & dreams)
Sensing death (impending or when it occurs, sometimes receiving dreams/visions of it occurring)
Able to sense other children of Hades/Pluto (potentially also other chthonic beings in general/able to identify based on sense alone) and also just living beings in general, such as mortals (possibly via souls).
Improved navigation underground/in the Underworld and ability to traverse restricted or normally unnavigable parts of the Underworld
Enhanced strength/abilities when in the Underworld
Inherently unnaturally quiet (possibly able to silence sound on a designated target)
Hiding/shielding self from being perceived (seemingly related to shadows/silence)
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puppyeared · 4 months
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man
#maybe im being pessimistic abt this. im not saying u should wear a mask every waking moment of your life god knows i cant#but also. hell no i dont trust u if anything i distrust u ppl even more after how things played out for the past 3 years#like there are situations where it might be inevitable catching covid. most of my family members are nurses and in constant contact#but there are also a ton of ways to make that risk low as possible like masking and wearing a face shield and having sanitizer#for me its not enough to just say oh we're in a small group and we're all vaccinated#motherfucker your kid is sick from preschool EVERY TIME WE VISIT. of course ill be wearing a mask she gave me covid last year#also no the fuck it isnt seasonal the cases go up because lack of caution makes the virus spread and mutate especially around times when#ppl gather. add that with virus transmission in cold weather and its a matter of different factors increasing the risk of spread#im also tired of ppl not understanding that i wont be their responsibility if i do get sick. maybe they can help me recover#but at the end of the day the risk of death and long term health is all on me. i cant change that#the govt barely gives me accommodations what makes u think theyll do anything for every individual case of long covid or worse#im so tired. im so tired#i dont even know if its possible to want this to be over anymore i just wish we didnt have to deal with this in the first place#ALSO COUGH INTO YOUR SLEEVE SERIOUSLY HOW IS THIS SO HARD TO REMEMBER#oh its just a cold/dry throat its not like i have covid or anything. no!! its basic hygiene!!! how is this so hard to understand!!!!!!!!!!#and no this isnt abt whether people have the means to protect themselves this is me bitching abt my relatives not taking me seriously#vent#my art#myart#doodles#covid 19
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bleaksqueak · 2 months
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This song has lived in my head for decades at this point and it shows no sign of ever leaving.
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How do you feel about Jack Drake?? What are your thoughts on him and Tim’s relationship?
Anon, I hope you were interested in a novel, because look, I am fascinated by Jack Drake.  He’s key to a whole lot of what I find compelling about Tim as a character, and if I were in charge of DC, I’d bring him back to life.  This would make Tim unhappy but would IMO make for good plotlines.
Jack and Tim’s relationship is Complicated (TM)...
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Jack and Tim hug in Nightwing 20 / Jack impulsively yanks a TV out of the wall in Robin 45 / Tim grieves in Identity Crisis
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“I could tell the truth.  But I don’t.” - Robin 66
...and it involves a whole lot of Tim lying, and feeling guilty about lying, and thinking about telling the truth, and choosing again and again to keep lying.
And I think that’s great.
Below the cut:
Shorter version - key points about Jack
Really long version - my gentler take (vigilantism is choir and Jack loves sports) vs. my harsher take (Jack has some major flaws)
Final thoughts
Shorter version - key points about Jack:
He’s a bad parent.  He’s self-centered, he consistently prioritizes his own comfort and interests over his son’s, and when upset, he does things like order Tim off to boarding school.
But he’s never a bad parent in an actionable way.  He’s not like David Cain or Arthur Brown, who are abusive monsters.  Jack’s not a monster!  He just...kinda sucks.
He genuinely loves Tim. If Jack’s aware that Tim’s disappeared or is in trouble, he’s always worried and upset.  He periodically resolves to be a better dad, and IMO he’s always sincere.
And Tim loves him, a lot.  Tim’s protective of him and worries about him when he’s kidnapped or in danger, and when they’re reunited, Tim’s really relieved and usually hugs him (and Jack hugs back!). 
...But they have very little in common, and that’s a problem. Jack doesn’t value the things that Tim values, or respect the people that Tim admires, or care about the things that Tim’s interested in.  Tim lies to him a lot, but that’s partly because he correctly guesses Jack wouldn’t respond well if he knew the truth of what Tim’s up to.
The Batfamily is a surrogate family that Tim’s drawn to because of the ways his real family doesn’t meet his emotional needs…but also he feels guilty about that and disloyal. (And to the extent that his dad recognizes what’s going on, he's jealous and resentful!)
Very long version:
(LISTEN I HAVE SO MANY THOUGHTS ABOUT THIS)
Okay!  So first: Jack’s a character who IMO is pretty up for interpretation.  You can interpret him very charitably, and make excuses for the bad behavior, and fill in the blanks sympathetically when situations are ambiguous; or you can interpret him uncharitably, and emphasize the bad behavior. I don’t think either approach is invalid - it depends on what kind of story you’re interested in!  I have enjoyed Bad Dad stories and also stories that redeem Jack.
My personal take on canon is that Jack and Tim’s relationship is in a gray area.  Jack's definitely neglectful, and he does prioritize other things over Tim, but he’s never so bad that Tim can easily reject him, and he's never so bad that Bruce could justify taking Tim away.  He's just...not great.  Tim loves him, and feels loyal to him, but it’s a very mixed-up complicated love.
I have a gentler take and a harsher one which I switch between as the spirit moves me. xD
My Gentler Take (tl;dr: vigilantism is choir and Jack loves sports)
Here’s the core conflict: Jack and Tim are very different people with different values.  Tim idolizes Bruce and Dick and vigilantism, and secretly gets involved, knowing his dad will hate it. He gets increasingly wrapped up in his secret world and lies to his dad...because if his dad finds out, he’ll make Tim quit.
This is a great setup for an ongoing comic.  It’s practical, because it provides endless potential for plotlines, and it’s nicely thematic, because it maps closely onto relatable real-life situations with extracurricular activities:
Tim the drama nerd whose dad thinks he’s playing football and not in the school play; 
Tim the closeted-queer kid secretly getting involved in his school’s politically-active Gay-Straight Alliance; 
Tim the choir kid whose dad only values making money and wants him to go into the family business (and Tim keeps promising himself he'll give up choir soon, definitely soon, but maybe he'll stay in just a liiiittle longer, because they need him, you see, the last tenor left town, so...); 
Tim the computer geek with the sports-obsessed dad (this one’s just canon);
etc. etc.  
The extracurricular metaphor works pretty well for Tim’s relationship to vigilantism.  Tim's involved in his "extracurricular" because he genuinely thinks it's important and fulfilling, and he values it and wants to be good at it. He idolizes Bruce and Dick because they're good at it. He's been collecting information about it since he was a little kid, and hiding it from his parents because he knows they wouldn't approve. And mayyyybe there's also an element of low-key rebellion against his dad, and maybe that's secretly part of the appeal. And yet also as Tim gets more and more invested, he starts to daydream: maybe I could tell my dad and he'd be proud of me and supportive. But he doesn't, because actually he knows his dad would be upset and angry and make him quit.
And - again, just like with lonely kids and extracurricular hobbies - one of the things that happens is that Tim starts getting his unfilled emotional needs met ... by people he knows through this secret hobby. And people like Bruce and Dick start turning into a surrogate family. Which Tim feels guilty about. And also as Tim gets more and more wrapped up in their world, he has to lie to his dad even more, which means the distance between Tim and his dad gets bigger and bigger and more and more unfixable.
I love this dilemma. It's simple, it's recognizable, it provides endless sources for conflict, and there's no obvious solution! Tim can't tell Jack: he'll make Tim quit! And Tim doesn't want to quit, because he loves choir / art / theater / whatever.  Yeah, it’s difficult, and there are challenges, and sometimes he has doubts...but at the end of the day, he cares about it a lot.  And everything he values is there, and all the people he admires and cares about are there, and all he wants in the world is to feel like he's one of them and belongs there. So he has to lie, even though he doesn't want to lie, and he feels guilty about it...
...but also he ends up lying more and more.
(Sidenote: I think it's important that Tim chooses to keep lying - Tim's narration often glosses this as "I have to lie to my dad," and that's certainly how it feels to Tim, but this... isn't quite true. He has to lie to his dad, because if he doesn't, his dad will get mad at him and try to stop him, not because he literally has no choice about it.)
Other Reasons Why I Like The "Secret Extracurricular" Interpretation
(tl;dr it complicates not just Tim's relationship with his dad, but also all his other relationships)
Tim's problems have some obvious parallels to Steph and Cass, who both become vigilantes while rejecting their evil supervillain dads. But Jack isn't evil. And that means the Tim-and-Jack relationship is ambiguous and complicated in ways that I like. Steph and Cass can just leave their Bad Dads in prison, and say good riddance, and feel very righteous and triumphant about it! Tim’s more complicated. Tim gets into vigilantism ostensibly out of duty and altruism, but secretly, he's also involved for straight-up selfish self-fulfillment reasons. He's lonely, and bored, and his life feels pointless, but he thinks that Bruce and Dick are cool and amazing and he wants to be a part of the things that they do.  When his dad gets jealous of Tim’s relationship to Bruce, and feels like Tim’s looking for a surrogate family, he’s... not wrong.
And the ways in which Jack is not Actionably Bad complicate things from Bruce's POV.  If Jack was a straight-up villain, it’d be an easy call to keep in touch when Jack finds out and makes Tim quit...but he’s not a villain, not really.  So what do you do?  Do you try to surreptitiously stay in touch with Tim even though you’re ignoring his dad’s express wishes and thus forcing Tim to sneak around?  Do you respect his dad’s wishes and stay away from Tim even though you have a years-long relationship at this point?  
Again: a bit similar to the extracurricular analogy.  Say you’re the choir director and you’ve built this whole relationship with a kid in the choir, and you’re an important mentor to him and you care about him etc. etc. etc.... and then right before a big performance, his dad finds out he’s been secretly involved, and yanks him out.  How would you react?  Well, maybe kind of in some of the ways Bruce reacts.  You replace him. You’re annoyed with him. You miss him. You want him to come back. You’re also worried about him.  You’re upset with his dad.  But also... what should you do, exactly?
Bruce and Alfred and Dick care about Tim as if he were part of their family, but he’s not part of their family, and there’s a lot of interesting tension there.
My Harsher Take
Jack never hits his son.  But his temper is a big deal.
In his worst moments, he takes out his anger on Tim’s stuff - wrecking his room, or ripping his TV out of the wall and confiscating it.  When he’s worried about Tim, he usually expresses that fear by yelling at him / punishing him / sending him away - threatening to send him to boarding school in Metropolis in Robin III, or threatening to send him to military school abroad in Robin 92, or actually forcing him to go to an all-boys' boarding school post-NML.  
This is bad behavior!  It is Not Good!  
And you can easily connect the dots to a bunch of Tim’s terrible coping mechanisms, like the constant lying and or the fact that Tim’s go-to methods for dealing with interpersonal conflict are 1) repress it and pretend it never happened (most of his fights with Bruce), 2) withdraw from the relationship until he can pretend the conflict doesn’t exist (when his friends get mad at him in YJ, he quits the team for a while), or 3) literally run away from home.
Also, Jack is a Manly Man with firm opinions about how men behave vs. how women behave, and he thinks boys shouldn’t be scared and thinks Tim should date hot girls and pushes Tim to work out and wants him to play football and expresses period-typical sexism, etc. etc. etc. ... and though obviously this wasn’t what the writers had in mind at the time, all of that is certainly interesting to read backwards in the light of Tim as a queer character.
More Disorganized Thoughts on Jack Drake
Tim’s our hero, so we’re naturally more sympathetic to him, but it’s also true that relationships are a two-way street, and Tim doesn’t value any of the things his dad values, either.  Jack at various points is shown to care about grades, business, money, boarding schools, archeology, football, a kind of macho bragging-about-dating-hot-women ethos, and a very public and performative kind of caring. Tim tends to respond with discomfort or disinterest or even disgust.  When Jack gets on TV to try to rally the government to save his son from No Man’s Land, Tim isn’t touched—he’s mortified.  When Jack makes some bad investments and loses money, Jack’s deeply upset and his self-image is majorly impacted, and far from being sympathetic, Tim’s annoyed and kind of contemptuous of the idea that this is a problem.  Jack thinks fishing in the early morning and going to tennis matches is a fun father-son activity; Tim finds it exhausting and tedious.  And so on.
This means that Tim often longs to be closer to his dad in theory, but this longing is more tied to fantasy than to reality. He rarely seems to enjoy spending time with His-Dad-The-Actual-Person.  So for example, when Tim’s deadly ill with the Clench, he has an extremely poignant fever dream about telling his dad the truth and getting hugged…even as he insists in real-life to Alfred and Dick that he does not want them to tell his dad what’s going on.
The same is true of Jack, who IMO genuinely wants to be closer to his son and is continually declaring that he’s going to turn over a new leaf and get closer to his son…and just as continually backs out of activities or loses his temper when faced with spending time with his actual son.
Tim and his dad sadly get along best—by far—in Absence Makes the Heart Grow Fonder situations.  When Jack gets kidnapped or is in danger, Tim worries for him (and Tim grieves him deeply when he dies).  When Tim disappears or runs away, Jack’s genuinely worried about him.  So e.g. they have a really moving emotional reunion and hug when the earthquake hits Gotham, and Tim panics about his dad’s safety and comes running home (and meanwhile Jack’s been panicked about Tim’s safety!).  It’s the day-to-day, regular life stuff where they don’t connect.
Jack's written quite differently by different writers. Mostly, Tim's parents are at their least likable in his early appearances and early miniseries (this is where you get, for example, Jack and Janet being nasty at each other while a pained employee looks on, and Tim disappointed to once again get news of where his parents are via postcard - "I guess that sums them up! Never know where they’re going to be–or when–or even how long!” - and Tim alone on school break, and Bruce and Alfred thinking there's something weird going on with Tim's parents, etc. etc.). Jack's more sympathetic but still often unlikable in most of Tim's Robin solo, and he's almost invisible (but positively treated if he does show up) in Tim's team books.
For obvious reasons, Jack's remembered way more sympathetically after his death. Tim's completely devastated by Jack's murder, which he arrives moments too late to prevent, and he basically never gets over it. We see him grieving Jack again and again in Robin, and also in Teen Titans, and also in Resurrection, and again in the Halloween Special, and again in Batman: Blackest Night, and all the way up to the end of Red Robin. Tim also grieves for an extended time over Janet - he hallucinates a happy reunion with her when he's feverish in Contagion, and hallucinates her in the final issue of Robin, and the reveal-your-buried-emotions song in Robin 102 brings up his grief for her too (meanwhile, other characters dance or laugh or otherwise get giddy).  Tim’s grief over his parents’ deaths is intense and long-lasting.
I'm not going to clip comic panels because this is long enough, but if you're curious, here's a nice and fairly lengthy compilation of comic panels with Tim and Jack.
If you're interested in a Jack-centric story with a softer-but-still-recognizably-canon take on Jack, I really like the way Jack’s narration is written in the one-shots Heart Humble (set shortly before Jack dies) and Never a Hero (Ra's resurrects him during Brucequest, and Jack's archeology skills turn out to be unexpectedly useful).
#tim drake#jack drake#ask tag#i wrote this ages ago and now i can't remember what i was going to add to it so oh well draft amnesty? sorry for the long wait anon!! <333#anyway i kept this carefully on topic and virtuously did not derail into talking about the other blorbo but tags are for disorganization SO#for me this kinda half-in half-out place where tim is with the batfamily is SUCH an interesting part of his relationship with dick#and i never stop turning it over in my head#he's kiiiinda replaced dick in that he's robin - but in a very real way he *hasn't* - he's NOT bruce's new son the way jason was#and early!tim makes a BIG POINT of how bruce is not his dad#and i think this relative distance from bruce is a huge factor in why dick is able to build a close relationship with tim at all#(because dick's still pretty estranged from bruce!)#and there's such interesting tension there when dick starts jokingly calling tim ''little brother'' or when villains call them brothers#because they're NOT. increasingly they would both LIKE to be brothers! but dick has zero official standing in tim's life#if tim got hit by a car in his civilian identity bruce and dick wouldn't even be able to visit him without his dad's permission#which jack would be pretty unlikely to give! jack doesn't like or trust bruce!#or like. this is morbid. but if tim died. dick wouldn't even be invited to the funeral you know?#and there's such interesting tension there for me in the contrast between this vigilante relationship that's very very close#but in their civilian lives no one would assume they're anything in particular to each other#anyway the 1st half of tim's robin solo has this thread of tension between tim's family life vs. his vigilante life (plus his mom's death)#and then the second half + red robin has the thread of struggling with grief in a world that's not fair + feeling lost/alone#and these two threads are a big part of my interest in tim as a character! jack's the backdrop that makes a lot of stories possible
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stressedanime · 21 days
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just received +25 psychic damage by relating song lyrics to the treatment of demigods in pjo
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jorenilee · 8 months
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I made a mile long twt thread about okuyasu that I'll just paste here too because I have many thoughts about him <333 anyways heres my messy rambles about this specific line because AUUGH
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do u ever think about this one line and how perfectly it encapsulates his entire character and how it fits into diu. Like first Okuyasu is NOT a traditionally kind person, he's no saint, he's quick to violence and anger and frustration, he's close-minded and is very clear about his lack of regard for others.
But coupling that with this line from Keicho (sometimes it's translated as "only when I hit him does he listen to me) and its like damn. Their entire lives have been shaped by violence, the only way they've made ANY progress is through death and hurt.
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Keicho's power in the family comes from discipline, violence over his father and violence caused by the arrow. The one thing standing between him and a "normal" life is the literal death of his father. It doesn't matter how many lives he ruins in the process, all that matters is getting that second chance. His life has been on an uncontrollable downward spiral, but with the arrow and his own family at his heel, he has power. He can make decisions. He can unshackle himself from the past 10 years and finally start his life.
And of course Okuyasu would absorb all this, because Keicho was all he had, and his own father always responded to that violence. And if you follow the interpretation that the brothers gained their stands from the arrow, that's another instance of them gaining power through suffering. Becoming "better".
And it's so interesting that keicho treats his father and Okuyasu as deadweights "holding him back" when in reality, it was Keicho that was sinking down into tar, refusing to get out because a happier life could be just on the other side.
Okuyasu wanted to save his father the moment that possibility was established, but Keicho held onto the arrow, his sinking fate, his suffering, until the very end. He believed he crossed his moral event horizon and he was destined on this set path. No matter how much power he could scrounge for himself, death ruled his entire life, whether that of his father or the lives of the arrow's victims.
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And all this makes Okuyasu's relationships with Josuke and Koichi so much better because. Okuyasu did NOT care for their safety. He was, at least on the surface, on board with Koichi or even Josuke dying. Maybe not all that passionate, but he's seen death, probably participated in it, and believes that it's the Number 1 Nijimura Way. So then Josuke healing him is completely antithetical to his entire damn life.
He was ready to die, ready to "learn his lesson", ready to be discarded because he failed, just like how all those people died to the arrow because they failed to handle a stand. But Josuke's very lukewarm "i jus dont want ppl dying??" belief is so groundbreaking because death was so necessary for any and all progress.
Okuyasu's own stand is inherently destructive and erases things permanently. Maybe a deep-seated desire to actually make lasting impacts on his surroundings erupting as a power beyond death. To cause total oblivion. I know we all love to think that Keicho didn't want to force Okuyasu to kill his own father, but Keicho wanted a normal death. Because at least a normal death can happen to a normal family. And completely erasing someone's atoms isn't a mortal death.
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Then here comes Josuke's healing schtick which WORKS, and Josuke is fully prepared to sacrifice an arm and leg just to save Koichi. In like 15 minutes, one guy completely overwrote the past 15 years of Okuyasus life. He helps Josuke heal koichi (extra layer of fucked because all those arrow victims never HAD to die), gets called a great guy, and starts his character arc of. Making decisions in the absence of violence. Choosing to heal and rebuild instead of destroying and moving onto the next victim. Of continuing the cycle of beating life lessons into people's heads.
And Koichi, dude he choked out with a gate, becomes his close friend too. Koichi who gets repeatedly harassed thru diu but still has it in him to forgive and befriend others. He's far from naive, gets fed up with shit, but he's another opposite to Okuyasu. His stand evolves through pain, maybe, but it's from a desire to protect himself or others. There's a chance Koichi was never supposed to survive, but he did (part 4's theme about fate is a different story oooboy) and his active ability to see the best in people compliments Josuke's more aloof demeanor and Okuyasu's short temper. Koichi is like. The embodiment of growth in that way.
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and ik its eoh dialogue but this interaction was always neat to me because of how it highlighted Okuyasu's disinterest in improvement, at least when it comes to character. For him, as long as someone "gets" the lesson at a surface level or is good enough at it, there's no reason to dive deeper. To fully wrap your head around it and Feel it. Its the same utility-first philosophy Keicho held, the same idea that all that matters is the end goal, not the means or the people along the way. + how Okuyasu still bickered and talked back to Keicho, but understood well enough that Keicho was the one in control.
"bare minimum" is how okuyasu lived his entire life; his house, how keicho treated him, his response to Josuke and Koichi's kindness, his entire relationship with his father.
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He desperately wants, yeah, but its for more material things. Money and power, things either robbed from him or held over his head. And YEAH he's supposed to be hypocritical here, but like. Why does he lose his morals and sense ESPECIALLY when those two things are involved. Why does he "regress" in character growth back to tunnel-visioned violence and discipline about them.
And rahhhhhh is it lackluster writing or is it interesting that Okuyasu's pretty stagnant for the entirety of diu. It's like he's passively absorbing things about befriending former enemies through kindness, inspiring loyalty through passion not pain.
He calls Mikitaka weird and dismisses him (remnants of Keicho's utility stuff?), gets ghost tricked, acts like a big brother a few times. But it's when he meets Keicho face-to-face that it all crashes down around him. The same way Nijimura father had shackled him, Keicho had also been weighing on Okuyasu.
Its like. Keichos death made Okuyasu rebound onto Josuke and get consumed by vengeance against Otoishi, and Okuyasu didn't know how to properly grieve Shigechi either. His entire life, when someone died, violence was the answer. Hide the body, kill the father, don't ever think about what you've done.
But its Keicho, the one that spearheaded the power-and-suffering-over-all thing, who steps in and requests that Okuyasu thinks it over. The Keicho that said he stopped regarding oku as his brother, was willing to kill him to prove a point, who quite possibly shot the arrow at him. Who taught him that only violence yields the answer. Self-inflicted or not.
He says to just think about it. And Okuyasu thinks long enough for Josuke and Hayato to lose their damn minds and for him to actually understand it, fully wrap his mind around it. The fact that he has a "second" life, the life Keicho pursued for so long and died for. And he has it because of the love and compassion from his friends, how they see past the failures and transgressions of others.
How they just dont want people to die. And Okuyasu doesnt have to either. He doesnt have to stay sinking for his brother, doesnt have to lose everything for a mistake, doesnt have to destroy to make a difference. and so he chooses to live. Really, fully live. For himself.
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And he comes back, now able to recognize and separate himself from Keicho's teachings. THERES A REASON STRAY HAS BEEN MY PFP FOR FOREVER BECAUSE Okuyasu comes back and saves Stray. The little creature that literally EXPLODED him.
And it means so much that it wasn't a "this creature is good and I will rescue it" moment, because Okuyasu was never a saviour hero-type. He didn't even mean to "save" the cat. He just removed Stray from Kira's grasp, and THEN realized oh I think it's just a little guy. Alright cool I guess the fucker stays with me.
He's growing his own way, beginning his new life by first and foremost helping others. He brings stray home BEFORE it takes a liking to his father. It's just. The first independent, weighted decision he makes is giving a stressed, unfortunate cat a second chance at life. It was struck by an arrow, revived due to forces outside it's comprehension, and was fuelled by instincts to lash out and attack. And because it was destructive and able to follow orders, it was weaponized. Before finally being removed from the situation and calmed down. Sound familiar?
And now Okuyasu has a semblance of a domestic family. The Nijimura family is all about growth from death and it's so interesting. Nijimura father becoming cruelest after his wife's death, him mutating after DIO's death, Keicho believing his life begins after his father's death, Okuyasu's life actually beginning after Keicho's demise, Stray being reborn as a plant (symbol of growth), and Okuyasu reviving too (also due to Keicho's death).
+ shit about nijimura father unable to die and Okuyasu constantly being pulled from death by Josuke ADDING MORE FUNNY LAYERS TO LOOK AT + the name nijimura literally meaning rainbow village. Both the physical irl place and the idea that rainbows = rebirth and hope and new beginnings + stray being reincarnated under one + Okuyasu reviving after the rain passed. Death doesn't rule them, but is also inescapable??? Idk anyways
ALL THIS IS WHAT I MEAN BY okuyasu is a flawed character surrounded by violence and bad decisions, he's not a pure soul and does fucked shit and is NOT a 2014 tumblr era cinnamon roll PLEASE. He can be an ass and it makes the hopeful buds of his new life that more beautiful cuz like. Morioh is the best place for him to settle and grow, reteach himself everything because it's a community of equally if not more dubious weirdos.
Oku's far far from perfect, he's still got a lot of anger and shortsightedness but he's with people that love him, willing to help him when he makes mistakes, doesn't hold him back. His relationships with Josuke and Koichi and others aren't like. Super poetic or cosmic or "I will find you in every universe"esque and it suits him. He's just a teen guy who went thru everything and missed out on everything. He's suffered, caused suffering, but he's leaving that cycle.
Judging by the book (semi-canon), it's going as messy as expected, but he loves his friends so so much. He's still putting himself in harm's way and being reckless and an asshole, but he has something more to fight for. And he cares a lot. Is willing to go beyond for it, maybe even improve. And that's enough for him (in the best way).
Idk how to end the thread anyways he's my son my baby perfect angel also he sucks bad BUT HE'S PERFECT ‼️‼️ this is how I feel about him every given day it just depends on the celestial alignment of the planets and stars
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rosalinesurvived · 9 months
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I freaking love this scene so much, you dont even know. Its so heartmeltingly cute: they’re discovering his powers together! They’re in on the secret together!!! Mason being presumably the first person to actually, seriously just reach out to Corey, just some feeling of warmth. Its what Corey probably needed so much after losing Lucas in such a way, not to mention his parents. No wonder he fell so hard
Its also so much fun to compare this scene to the Liam-Mason Gym Scene in Season 4 Episode 5, just the contrasts.. *chef’s kiss*
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revvywevvy · 8 months
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Hey so... important thingy real quick pertaining to sharing f/os.
I get it- sharing f/os can be hard for some folks. Whether you get self conscious, jealous, nervous abt it, etc etc. I totally understand- I can open up here and admit that I get really self conscious and a little nervous when I see people who ship with the f/os I am uncomfortable sharing or have selective sharing with. However, that's a normal thing to feel, and you shouldn't feel bad about it at all! It's okay to be sad, or anxious, or jealous, or anything else along those lines. That's why we block and move on, and try not to let those negative feelings hurt us too heavily.
That being said, when it becomes NOT okay, is when you're posting on any of your blogs about wanting people who ship with your f/os dead. Or posting about wanting to cause bodily harm to other self-shippers. Oooor posting about said f/o harming other shippers. Or anything under that umbrella.
Seriously. I feel like it's already pretty obvious that you should never do that in the first place, but those who don't care and want to actively participate in said behavior should just stay in their own damn circle- away from the people who aren't harming anyone; who are just shipping and minding their own business.
We absolutely do not need those kinds of people running around and literally wishing death on folks, whether they think they're being sneaky about it or not. Nobody deserves to die for the 'crime' of loving the same character as someone else.
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kybee1497 · 10 months
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Wyclair “and they were roommates” au
Aka
A Hyde, a werewolf, and a poltergeist walk into a house
Aka
I just really vibe with enid and Tyler somehow ending up as college roommates. They both register for housing late and as juniors don’t want to live in the dorms so they get stuck in the last house available. Surprise it’s only available because it’s hella haunted and the last 3 students moved out in a hurry.
Wednesday doesn’t give a flying fuck if she technically died decades ago, she has a novel to finish and it doesn’t matter how compelling her new houseguests are, if that werewolf’s incessantly loud noise she deigns to call music interrupts her writing time one. more. time. she’s going to put it through the wall. If the boy who’s aura flickers from the palest blue to streaked through with a bloody crimson doesn’t keep his damned eyes to himself and his culinary experiments to a decent hour, Wednesday will have no choice but to go full Bloody Mary.
Anything for some peace and quiet and finally uncovering what happened to Viper De La Muerte
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fangirl-lilith · 2 years
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The Surgeon of Death
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chibi-scone · 28 days
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It’s been said before and the fact that I’m an Izzy simp aside like having a character who survives the most certain death shit ever (shooting himself in the head at point blank) and literally being nicknamed by another character “indestructible” and then become a symbol of protection for a whole group of people die from a fucking bullet to the side that was established in universe to have no vital organs in order to “atone for his sins” or however you wanna spin it and have him say he wants to go after (see point one) literally trying to kill himself in the show that is literally about growth and betterment of the self in a cruel world that wants you dead and where the main (and mostly queer) characters survive the most batshit insane injuries is like COSMICALLY stupid writing like I don’t even understand how you get there and the fact that it’s supposed to be a kind/ happy/meaningful ending is beyond me
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#and Izzy’s whole speech to Ricky before that could be interpreted as what like#being about even if you kill and try to eradicate queer people we’ll always be here#and then have RICKY deal the killing blow ????#wahhhh it’s symbolic#ok it would’ve been more symbolic to have the fucking queer character live like idc you’re all stupid god bless#ofmd critical#tbd#maybe#oh and then I mean not even talking about how it’s supposedly all good#because the main gays who had borderline no redeeming qualities this season had their picket fence ending#literally what’s the point of having Ed come back from the dead#so he can learn that death is not the answer and that there’s love and betterment for him#and have that whole scene with Jim and Archie where they refuse to kill one another because there’s more to life than the cards#they’ve been dealt and they can be the difference#JUST TO HAVE THAT ENDING#my god I just#sorry if you guys are sick of me ranting about ofmd like 5 months after the shit show supreme#but these are like all thoughts that I’ve just had in my head for months but tried to forget#and now they’re just spilling out like idc anymore#ppl have made so many good posts that all say what I think but ig I still need to rant myself jvhsjnv#how long can your neck be for it to allow you to bury your head so deep in the sand#where you truly believe this is good writing idk#side note but gifs of cats randomly blowing up are my favourites#‘Izzy bettered himself before dying so it’s aaaallll good’ hits you hits you#stupid ass shit argument but also that was across maybe a week and dude was piss drunk dissociative half the time
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i listen to the DW + GO soundtracks when i'm reading, and let me tell you, having god of akhaten/the long song playing over the end of reaper man was devastatingly beautiful
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arsenicflame · 6 months
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i really liked my tags on this post so i wanted to touch them up and post them as a stand alone! i ended up adding quite a bit to this ''':)
What artistic skill does Izzy possess?
I think he has a lot of 'practical' artsy skills. he’s decent at sewing (mending your own clothes isn't just useful, it's almost a requirement at sea with limited possessions and resources) he's probably decent at braiding hair from having to splice rope- simply anything with roots in being useful I think he has done enough to be decent at by this point in his life.
Singing comes into this as well, holding a rhythm is important for certain sailing tasks, and while I think he can sing in ways that don't translate to shanties, I don't think he has utilised this in a long long time (so excited that we are apparently getting an Izzy singing scene in s2!!!! I need him to know he can have fun)
Another thing is I think he was a really good tattoo artist! I don't actually see him as having the creativity to come up with interesting and unique designs but I do think he is excellent at the act itself, and at copying requested designs. you need a swallow? an anchor? a ship? any common sailors tattoo? he can absolutely do it and it will probably be the best tattoo you have. it was always a mark of honour if you could convince him to do yours on the Queen Anne- he was very busy and didn't often do them, and definitely wouldn't do them if he didn't respect you. He's done a lot of Ed's 'quality' tattoos (though I think Ed also does a lot on himself), he's done tattoos for Fang, and Ivan, and he will do them for the rest of the kraken crew in the future. (he will even do one for Lucius one day, one of his own pieces of art as long as its not an Ed face or a dick. They understand each other now)
anything else? I don't know, I see him very much as, he won't let himself do things if they aren't practical. his canon whittling is as close as he gets and that's more of a 'thing to do with your hands while watching the deck' kind of thing. have knife will whittle
I think ultimately, Izzy doesn't let himself do things for himself. if you love something, if you have a soft spot, it can be targeted, taken away.
I do think he maybe dances though. He always plays it off as something Ed forces him to do when they're drunk/on shore but... he loves it- the motion; the reliance on another partner and the intimate understanding of exactly what they're gonna do next? I think he would love that actually.
I think dancing might be the one thing he always does for fun. He never lets himself have it, but if Ed demands a partner? Yes, of course, anything for his Captain.
(Ed always demands a partner. he likes dancing well enough but he likes seeing Izzy do it more- he knows Izzy will never do it on his own, he understands why, but Ed is Blackbeard. Nobody fucks with Blackbeard- and if he wants to dance? if he wants his first mate to dance? they're fucking dancing.)
but that's not the truth of the situation, really.
It always takes him a second to let his guard down, but he relaxes into it. He lets himself loose in a way Ed only sees when he's deep into the rhythm of a swordfight. And perhaps it's the same, to him- finding the flow of the battle, of the music. Feeling his partner, understanding them and being understood in return? It's all the same- but dancing is safe. Dancing is fun. In a swordfight there are stakes- and he loves the stakes, he loves that this thing that means everything to him matters, but sometimes, just sometimes, it really is nice to move like that in a way that doesn't matter.
And when they really get going- all twirls and jumps and frankly being a little ridiculous, Izzy laughs. A deep belly laugh, a kind of joy you didn't think was possible from him. But here he is, letting go at last. He laughs and he smiles and he feels such joy, the rest of the world melts away, and it is just him and his partner, dancing.
(later- much, much later, a man will play a battle song over their raids, a jaunty little tune that throws off everyone they fight against, and Izzy gets to dance, and fight, and feel free, unburdened by the weight that he's carried with him his whole life. They'll dance after too, and he will have finally found a place where he completely belongs)
(if you liked this, can I recommend Talking Bodies by ItsClydeBitches, i feel like that fic fits the themes of dancing incredibly well)
#I didnt want to clog up ops post but Izzy dancing is everything to me actually#I hadnt reread that fic in months but I did just now to make sure it was the one I was thinking of#and yeah I can definitely see its influence in this post#once again the autistic Izzy headcanons thread themselves through this post I cant help it its canon to me#I specifically think that the whittling could be a stim thing for him. hes had too many comments made about his hand movements#when he was younger and has learnt that 'doing something' is seen as far more acceptable. its repetitive and soothing and safe#also heres a fun little gift for my bellhands friends. I think Sam taught him how to dance. like proper dances.#and it was at the same time as he was learning to swordfight which is partly why theyre so similar for him#Ed and Jack came across them dancing in port; not long after they started talking to Izzy properly (hed known Sam a while by this point)#and like. Jack thinks its kinda funny but Ed? oh hes jealous. for the first time he Wants#Izzy and Sam are so close; and they have been for a while but this is Different. its one thing knowing that its Izzy&Sam and Ed&Jack#and its another thing to see them like this. its intimate and personal and for the first time Ed regrets not seeing izzy first#(this is heavily influenced by my personal pirate school headcanons jfgjfhnv)#makes a post to deal with out of hand tags; tags on that post get out of hand#nyxtalks#ofmd#our flag means death#ofmd s2 spoilers#izzy hands#israel hands#edizzy#blackhands#frenchie ofmd#references to him; anyway. i felt it fit to keep him vaguely defined but it is obviously him. my favourite lil guy#this should probably have been broken up into a couple of posts but NO take this behemoth#if youre curious the post is like 844 words long and with the tags its 1220 ish. i am so sorry#references to vague time periods pre canon and post canon idk put them whenever you want. when edizzy was happy. when they will be again#I cut the bit about weaving because it was just a silly little thing and didnt slot into this but know Izzy with a loom is everything to me#im also sorry the tone is all over the place this is half 'i thinks' and half like. semi narrative things? idk idk i have no sense of order#this is as good as it gets for me
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merrily-radiant · 9 months
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I finished rewatching Our Flags Means Death yesterday bc I didnt remember much of it except that there were gay (AS FUCK) pirates in it (and by god was I right) but what my attention damaged little brain failed to remind me was how fucking gOOD IT IS??? LIKE???? HELLO????
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