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#off topic ramble
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we do be making ace attorney material right here
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inoreuct · 6 months
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would you agree that we all need more Sanji getting nosebleeds over Zoro in this fandom?
YES *pelting down a hill waving the proposal for this in my hand like a madman* YESSSSSS
the first time sanji gets a nosebleed over zoro is his clue-in that oh. i’m not straight, am i. the swordsman’s doing a bench press (shirtless, as always) as sanji walks by (and sanji sneaks a look, as always, because who wouldn’t?) and when he glances over the plates he has to do a double take because what the fuck. zoro’s pressing more than twice his body weight. zoro’s repping more than twice his body weight. he’s just registered that maybe he’s stared for a bit too long when he feels something warm and wet on his upper lip, iron dripping over his mouth, and he books it for the galley.
he slams the door shut and presses his back against it before he slides to the ground and screams into his knees because what. the fuck. it’s not even that he’s getting hot and bothered over a guy; it’s just that the guy’s zoro. he’s not supposed to get nosebleeds over zoro.
but he does.
and it gets worse.
zoro walking around shirtless on deck? nosebleed. zoro re-tying the sails and just hanging on with his legs around the mast? nosebleed. zoro strutting out of the shower door, damp with steam and hair dripping wet and a towel around his waist? nosebleed. zoro tsking irritably and grabbing all of sanji’s food and packages from him to haul the whole lot over his shoulder? NOSEBLEED.
and not even that. he starts getting breathless around zoro and his chest hurts. he kicks zoro back while they’re sparring one day and the swordsman grins, feral and unrestrained and all challenge and teeth, and sanji’s heart spasms so hard that he actually wonders if he’s about to go into cardiac arrest. he’s barely twenty, he isn’t ready to die— much less because of some stupid marimo. chiselled abs and a nice set of biceps are only worth so much of sanji’s dignity. he twists and smashes the sole of his shoe right into zoro’s pretty face.
still, it gets so, so bad that he’s elected to just. avoid zoro completely. he’s sneaking around corners and running across open expanses ducked low like some kind of goofy thief and he knows it’s so fucking stupid but he doesn’t. he doesn’t know if zoro likes— no. he doesn’t even think about it. there’s no way, and if he gives himself false hope he’ll just break his own heart. he doesn’t know if zoro likes men, or anyone, much less him; nobody in their right mind would, not really. he's nice to have but not to keep and he's come to terms with it.
…until zoro corners him in the galley and demands to know what the fuck’s going on.
sanji stays facing away, slowly washing the dishes even as his heart pounds so hard it hurts. he is painfully aware of the way zoro’s seething like an over-boiled kettle in one of the chairs behind him, arms crossed over his stupidly broad chest and stock-still because he never, ever shakes his leg even though sanji knows he wants to.
his sponge squeaks across ceramic. the water’s warm against his fingertips, and his eyes flick up to meet his own reflection in the porthole window; he looks… well, he doesn’t know. scared, maybe. nervous. his mouth is thin, eyes wide, cheeks flushed, a shudder running its fingers down his spine even as his heartbeat thumps between his ribs and god, fuck, it aches. and he knows. he looks himself in the eyes and he knows that somewhere along the line nosebleeds had turned into falling in love and he was the stupid idiot who had just let it happen because he was too weak to pry zoro out of his thoughts.
his gaze flicks down sharply when he hears the sudden scrape of the chair, and zoro spits, “look, i can’t fix whatever i did wrong if you don’t tell me what it is.”
sanji’s heart throbs. “what?”
he can hear zoro’s scowl. “what, what? i obviously did something. you’ve been avoiding me like the plague.”
the cook almost laughs. he bites it down and swallows his words, salty-sweet at the back of his throat. guilt nips at him; zoro’s his rival and and his personal annoyance and a blockhead but he might also, maybe, just maybe, be sanji’s best friend. and sanji hasn’t been very fair to him lately.
he swallows again, clears his throat silently. “you didn’t do anything, marimo,” he murmurs to the plate in his hands, trying for airy and getting more somewhat vaguely strangled. he coughs. “just forget about it. sorry i’ve been weird.”
sanji will deal. he will, somehow; he’d been careless and careless is dangerous and for perhaps the first time in his life, he has too much to lose. he’ll squash his heart into a box and lock it down tight like he always has and it’ll hurt, but when does it ever not? he mentally declares the matter done and dusted as he shakes off the plate and gently sets it on the drying rack.
his lungs hitch as a callused hand cups his elbow.
zoro pulls him around. he’s too weak to resist. the edge of the sink digs into his hip as stormy grey eyes scan his face and zoro looks tense, his jaw set in the way it only is when he faces off with a particularly vexing foe.
“did i not look happy enough at dinner?" he asks, and it could be mockery but it isn't, not with that edge to his voice; not desperation, but damn near. like filter paper burning its way to ash. "was it my clothes on the floor? my boots on the bed? what?”
sanji can't stand it anymore. he looks away, tries to twist out of the invisible bonds zoro has him trapped in, but fingers looped around his wrist are all it takes to make him stay and fuck, fuck, he's so fucked.
"sanji, what did i do?” zoro breathes, brow furrowed, voice too near and too damn earnest, and sanji's throat bobs as he digs the heel of his palm into his eye.
this isn't how it's supposed to go. zoro isn't supposed to care. zoro isn't supposed to be standing here in the galley saying his name in that tone of voice. a hand carefully pulls his own away from his face, and zoro doesn't fucking let go, and sanji feels too much like he's been stripped down to the bone.
"i know," zoro continues, gruff like he doesn't know how to be anything else, "that i upset you. so would you please tell me what i did so i can fix it?" he bends lower still, ducking to try and catch sanji’s line of sight but sanji just can't look at him. "i'll fix it, i—"
"you can't fix this." the words are out and in the air before he can stop them, and a bittersweet smile curves his mouth. "there's nothing to fix, so you can't fix it. just let it go, alright?"
zoro wants to argue. sanji can tell. but the swordsman lets out a measured exhale after a long moment and pulls back, face carefully neutral. "at least tell me what's going on, cook."
sanji looks down at his feet. "...i can't."
"like hell you can't," zoro replies immediately, and it's such an abrupt reminder of their normal banter that it wrenches a rough noise from sanji's chest. "i was the one who held your hair back after you had, like, seven margaritas too many. don't think you could tell me anything worse than the experience of trying to stop you from falling into your own puke."
"oh, jesus fuck," sanji swears on instinct, then laughs. it's unfortunately hollow. "that was one time, asshole."
"one time too many," zoro hums, raising an eyebrow. "so you gonna tell me what's going on, or do i have to make it a captain's order?"
sanji grits his teeth.
"i will drag luffy in here, i don't care—"
"fucking—" he holds his breath, flipping around to white-knuckle the edge of the sink and letting it out slow. "fine. you ever loved someone, marimo?"
"sure." zoro shrugs easily, crossing his arms as he looks out the window. "kuina, but i think i learned to love her memory more than anything else. luffy, nami—" a near-unnoticeable flutter of thick lashes. "you."
sanji exhales through his nose as he rocks back on his heels. squeezes out air till it hurts. "you know that's not what i meant."
"what did you mean, then?"
he turns to look at where zoro has settled lazily against the counter, the moon turning his eyes to silver. "I mean the kind of love that makes your blood race. that makes you want more even when you know you'll never take more than you're allowed. the kind that makes your heart hurt so badly you feel empty without it."
the swordsman's face is unreadable as he tilts his head slowly. "i did say i love you."
it hits sanji like a bullet. he sucks in a sharp breath, and his throat burns as he turns away and tries to stop his shoulders from heaving up. "don't fuck with me, zoro. not about this."
it feels rather like a cruel cosmic joke. he's so near yet so far, just one step away with a gauzy curtain between but he can't touch it. he won't. he's got too many things on the line and yet he can't even name one of them.
"hey."
he squeezes his eyes shut against the burn of salt that shouldn't even be there, and look at that. little sanji's gone and broken his own heart again.
"hey," zoro tries again, more insistent, one hand hovering in the space between them and sanji feels the pull of it like a magnet.
he doesn't turn away as it cups his cheek. doesn't run as fingers slide through the short hairs at his nape, a thumb behind his jaw. his lashes are damp. it is everything he wants and everything he cannot have and he can't—
"look at me."
"i can't," he breathes, lungs rising fast and shallow. he's afraid to open his eyes. he's afraid of what he'll see.
"yes, you can." zoro shifts closer and another hand joins the first. it's big and rough and warm and he holds sanji's face like he's the moon herself. "look at me, curly."
he can't.
he does.
zoro's gaze is almost painful to meet straight-on with how intense it is. he seems to realise, face softening as he leans closer, closer, posture loose enough that it would be no problem for sanji to shove him away. "you love me," he breathes. "yes or no?"
sanji's heart stops. his tongue is clumsy in his mouth, his brain a mess of yesnoyesyesnoiwon'tican’tido—
"don't think." zoro's voice cuts through the haze as he shakes his head slowly; a sword through smoke, silver-bright, singing in the air and leaving silence. "don't think. you love me, yes or no."
the galley swims around sanji as his vision blurs. he feels his tears spill hot down his cheek, knows the way zoro aches to brush them away and yet stays still. he opens his mouth and it feels like stepping out of the only shelter he's ever known; he is an open fucking wound and he's raw and everything hurts, everything but zoro. zoro. zoro. "yes."
just one word, three simple letters, and still it feels like damnation; if he'd never said it he could deny it but now it's real. the swordsman relaxes, shoulders dropping enough that his forehead brushes sanji's, and sanji tracks the way his throat bobs. the way steel-grey eyes flicker over his face, molten in the light of the electric lamps and the moonlight spilling through the window, gilding zoro like something out of a dream. a fairytale sanji read as a child until the edges of the pages fitted familiar to his thumbs as his little hands reached for a happy ending that was never meant to be his.
he shakes, now, as zoro reaches up to run tentative fingers through straw-pale hair. "let me love you. yes or no."
"i—" the sound that twists from his mouth is cracked jagged down the middle, unpolished as a common pebble picked up off the damn street. "you don't—"
"yes or no."
"i'm not what you want," he gasps, his face wet.
"yes or no."
sanji wants to break apart. because zoro sounds like he's begging, and he cannot fathom anybody possibly wanting him that much. he wants to scream and cry and claw at the walls until his nails break. he wants to shatter into pieces all over the floor without having to worry about putting himself back together. he wants. he wants, and zoro's looking at him with the closest thing to reverence he's seen in his life, and even that isn't enough for him to believe it. "i'm not what you want."
he can barely look at zoro. he can barely look at himself. the shame is clawing a pit into his stomach, and he lets it, feels every inch of it, because what kind of person doesn't know how to be loved? his breath catches wetly as zoro cups his jaw in both hands, tilting his face up, and once again sanji is too weak to pull away.
"you are everything i want."
the words are so fierce, so sure, and sanji is cracking apart at the seams. the stitches pulled tight by his own hand are unravelling and he can't stop it—
"yes or no."
zoro's breath ghosts warm across his mouth, fingertips in his hair, just far away enough for sanji to see the way his eyes are blazing and yet he waits. his thumb on sanji's cheek is the gentlest thing sanji has ever known.
"you'll get tired of me," he tries weakly, one last time for good measure, and zoro just shakes his head. the resolve in his expression does not waver even once.
sanji breaks.
"yes." the word scrapes itself out of his throat seconds before arms are going around him, and he sobs. lets the swordsman bring them both to the kitchen floor as he curls up in zoro's lap, fingers clawing into his white shirt, numb with how hard he cries because nobody, nobody has ever stayed. not without him getting hurt in the process. he pushes them away when he gets scared and they let him and then it becomes his fault when it all blows up in his face, but zoro's not leaving, and it's so foreign to him that he's shaking so badly and he can't stop.
a warm, heavy palm smooths over his spine and he lets himself be shifted closer, settles sideways as zoro wraps an arm over his shins and rocks them until his breathing evens out. the embarrassment hits like a gut punch; he knows he looks like a mess, face blotchy and hair everywhere and eyes puffy as hell, but zoro cards his bangs out of his eyes and looks at him like he doesn't care, and sanji turns away.
he feels... fragile. like he's made of tinted glass and spun sugar, like he'll cave in at the slightest touch. there is something melting in his chest and it drips down over his ribs; pools fresh as a river in spring, offset by the grounding presence of zoro's hands on his skin. "don't say i didn't warn you," he mumbles, masking his very real fear behind a layer of watery bravado as he hides his face in zoro's shoulder, and of course, of course zoro sees right through him.
the swordsman's thumb traces the swirl of his eyebrow before zoro rests his chin on top of sanji's head. "i don’t listen. you know that."
you know me, is what goes unsaid, and sanji doesn't deign to reply. he buries his face into zoro's chest and breathes in the smell of steel and sword oil and— he sits up slightly, eyes narrowing. "you've been stealing my deodorant, yes or no." the way zoro stills momentarily is a dead giveaway, and he yelps when the swordsman flicks his forehead.
"would you rather i be stinky?" zoro scoffs, rolling his eyes gently as sanji settles back down with a huff.
"you still are stinky. if we're gonna be together i'm expecting you to shower at least once every two days—" zoro groans, and he powers through, raising his voice, "—and if you aren't fussy i'll let you shower with me."
the way zoro instantly stops complaining cracks a laugh out of him. it's weak and watered-down, but it's a start. zoro's hands slide back into his hair and he hums as he lets his eyes fall shut.
the moon's full tonight. their ship rocks gently, and sanji gets comfortable; zoro's warm and solid and happens to make a perfectly respectable pillow. the thought that he can have this now sends a thrill through him.
he's not a fool. he's not optimistic when it comes to this. when it comes to love.
but with zoro's thumb rubbing mindless circles against the side of his thigh and a kiss pressed to the top of his head, he's got a pretty good feeling about this time around.
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The ''Are you trying to romance me?'' meme but with Barnaby and Howdy
i belted this out in like a half hour flat <3 bc Yes
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coffeehelly · 9 months
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its really interesting to me how kaidou says he feels like saiki is protecting/looking out for all of them somehow. like do they all have some kind of innate sense that the Weird Things happening around them are saikis doing? or do you think saiki gives off a strong "if anything happens to my friends im going to become the joker" vibe that he doesnt even notice
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all-seeing-ifer · 6 months
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I wouldn't say I think buffy is already suicidal in season 2 the way she is in season 6 and arguably lage season 5 but I do think ALL THINGS CONSIDERED it feels... a bit telling that buffy hears a story about a guy in the 50s who killed himself and just Immediately understands and identifies with him
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damconcha · 5 months
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Ace’s Mementos
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canisalbus · 8 months
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I had a scrap piece of paper and drew the little freakish dog 👍 I have been silently enjoying your art for like a couple months now? I found it randomly on uploaded Pinterest and was like “oh huh that’s rad” and yeah he’s such a lovely sad little beast
.
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wereh0gz · 8 months
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I HATE how ppl treat the werehog as if he was some feral werewolf monster that needs to be tamed when he isn't
Like he's literally a subversion of the trope where a character becomes a completely uncontrollable beast that must either be controlled or killed
Like I love the idea of him having his feral freaky animal moments but he does not need to be tamed or controlled. Like his ENTIRE arc in Unleashed and more prominently in post-sgw Archie was that he needed to accept and learn how to live with his new form so that he can save the world. Literally the exact opposite of control
Nearing the endgame of Unleashed Chip literally TELLS him that his will is too strong for him to be consumed by the dark energy inside him like others have. And like when Dark Gaia took its energy back it HURT Sonic bc he'd ACCEPTED the werehog as a part of himself. He was willing to live with it!! And I'd even go as far as to say he WANTED to keep it bc of how much it hurt having it taken away!!
Like. Tell me you don't actually know the werehog without telling me
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trainwreckgenerator · 1 month
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ok i KNOW this is an insane topic to make a tierlist about but i was thinking about milsiril again so. dungeon meshi characters ranked by how pro-euthanasia i think they are
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clarifications:
"pro-murder" here doesnt necessarily mean "likes killing". this chart is about how each character views the ethical ramifications of taking a human life, and some of the people in "pro-murder" are there because they would kill someone outside of a combat situation if they thought it would have a greater benefit, such as saving the lives of many others. the rest of them (like thistle, cithis, and the orcs) are there because they are ready to kill whenever to get whatever they want, which is a very different ethical stance but still fits in the same category for the purpose of the chart.
"pro-euthanasia" means having no qualms over killing something/someone if there is an absolute certainty that the individual will never be able to regain a livable quality of life. this is the only category outside of, uh, murder, that doesn't necessarily require consent for the euthanasia to be carried out.
"it's an option" characters would perform euthanasia if asked, or would otherwise condone consensual euthanasia.
"only in the most extreme" characters would only consider the option as an absolute last resort, once every other possibility had been exhausted. these characters would keep someone alive against their wishes to try to save them.
"absolutely against it" characters would never under any circumstances kill someone they didn't want dead. they would sooner let them bleed out or otherwise suffer against their wishes than perform requested euthanasia, and would protest the performance of consensual euthanasia by others.
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jingsyuans · 6 months
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Babygirlification of strong male characters is always morally correct
My example?
Jing Yuan.
He deserves to be spoiled and ruined and doted on, please he does so much for everyone that doing this would give him whiplash because he's so used to taking care of others that you doting on him makes him uncharacteristically bashful the first few times it happens.
But then he realizes how much he actually likes it, sometimes he just melts into a puddle of love when you begin running your fingers through his hair while his head is on your lap. You spoil him by packing a lunch for him and bring it to his work, having lunch with him.
He's wrapped around your finger as you spoil him, it's just so refreshing to not have to be strong and have all the answers, he can just exist and be weak which is really good for his mental health.
When he's at your place he's not General Jing Yuan or anything important, he's just yours and that's oddly comforting to him.
Sorry originally this was gonna be smut type of thoughts but then I was possessed by my desire to baby Jing Yuan.
I do love the idea of taking care of him truly. I like the idea of you and your love growing on him- it's something he isn't used to but inevitably sinks into. You spoil him and while it catches him off guard in the beginning (he won't admit how it flustered him too), Jing Yuan allows it, because who is he to go against your wishes? It is admittedly nice to be doted on after so long. All he can do is smile and laugh, letting you do as you please- whether that be wrapping around him while he works or dragging him into the bath only to have you wash his hair while he sits back and enjoys it.
MY smut thoughts (͠≖ ͜ʖ͠≖) listen. Think about it like this.
I don't believe Jing Yuan would completely enjoy sitting back and receiving all the pleasure. It's alright sometimes, but he isn't wired that way. So. Sub top.... is a very good role for him.
Between your legs and going down on you while you pet his hair and moan, catching his eye with a tilt of your head as you smile and ask, 'are you enjoying yourself?' Because your pleasure is his own. His cheek grazing your inner thigh, soft, kissing the skin with a hum. Continuing his work. He'll stay there as long as you want him to.
On top of you and thrusting slow and indulgent, and all you do is kiss across his skin and grope him in the meanwhile. You know he likes it. Your eager hands- how they amuse and flatter him so. Seeing you so enthralled with his body. Jing Yuan supposes that feeling is mutual, as he can't get enough of you either. Loves that knowing look in your eye and the praise that spills out your mouth as he fucks you full. Sweaty forehead pressed against your neck, your breath warm as you lean down and kiss his ear. Breathing hard because you know just how to get to him. It's a lovely feeling.
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daz4i · 2 months
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atsushi being sassy/salty, imo, is just a little comical way in which his... not quite essence, but inner feelings? express themelves. and i don't think that contradicts him being soft - in fact, i think these qualities enhance each other
atsushi being sweet despite having the ability to be cold, even murderous (i think beast shows it well, the fact he DOES have this instinct inside him - not just by showing how easily he became a killer, but also that bit about the beginning, how beast!akutagawa's solution to starving was eating weeds, while canon!atsushi went straight to thinking how he's gonna have to become a thief), is just proof that he's making that choice consciously
even when he's like, complaining to the audience, kinda, about his money when he takes kyouka on their "date", the fact is he still took her on it, he still made a choice to spend it on her to make sure she has a good day. he can be salty, but despite it he chooses to be kind
even with akutagawa. he's always like ready to attack him on sight, but he DID let him lean on his shoulder in that boat, he did protect his head while breaking through that window, he did show kindness to someone who is supposed to be his enemy
atsushi comes from a harsh background, his instincts lean more towards rudeness and selfishness at best and violence at worst, and despite that he chooses to be kind, to help, to be gentle when needed.
this is another way in which he embodies one of bsd's core messages, i think. while other characters lean more towards "you can always start again, you can always be good now even if you weren't before" (dazai, kyouka, akutagawa, odasaku just off the top of my head), atsushi is a slightly different version of this sentiment - "your past doesn't define you, your actions do".
and the beautiful thing is he still struggles with it. he's still quite violent at times, he has an entire breakdown about it in dead apple, he doesn't kill but he does maim. and yet he keeps going, he keeps making that choice every day, because he knows that's what he needs to do in order to live.
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tittysuckersworld · 3 months
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@lotus-pear uhh congrats on 5k!!! this is first time doing a dtiy and am sorta still new to famdom but yee was fun draw(exept the face hand oh gob-) hope have nice day
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(also is with fem dazai because...... women<3<3)
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i don't know what order to start Dissecting, so i'll just start with:
it's absolutely fascinating how the dynamic Wally & Barnaby had - to my knowledge - before the update, and a dynamic i'd seen speculated elsewhere and generally accepted, has been completed turned on its head
see, given that Wally is the "main character" and Barnaby is classified as "his best friend", i got the feeling that Barnaby kind of... tags along on Wally's 'shenanigans'. that he's the sidekick, the best friend. especially since their dynamic has been previously & briefly described as "Barnaby is very polite to Wally." he's the Companion.
but the audios sorta paint a reverse picture. in the Interview, when Barnaby enters stage right, he completely bowls over Wally's introduction and dominates the interview. when the interviewer asks how the two of them are handling the fame, even outright asking Wally, Barnaby doesn't hesitate to answer the question himself, and only about himself. Wally doesn't get another word in edge-wise until the interviewer explicitly singles Wally out.
(now, an argument could be made that Barnaby knew that Wally was somewhat overwhelmed with all of the questions, and tried to take the reins to give him a reprieve. but, considering that the interview seems to be very early on the possible timeline - like, very soon after Welcome Home debuted - i don't think this is likely. i doubt Barnaby and Wally would've had the time to solidify their dynamic or really get to know each other that well yet)
and Barnaby continues to take point in pretty much all of their other conversations, too. like in the mystery Howdy/Barnaby/Wally audio, their interaction gives off the vibes that Wally is Barnaby's sidekick, his tag-along.
(on a related tangent, it's fascinating how the website described the episodes as "[beginning] with Wally introducing the focus or theme for the day before coming across other characters who would join him on his escapades until the end of the day." but from pretty much everything we've seen so far, it seems like He's the one who's just along for the ride, bouncing from neighbor shenanigan to neighbor shenanigan instead of having his own adventures.
of course, if the 14 audios are present time, which is honestly somewhat likely, this could be because the show isn't running. they aren't doing episodes - they're just existing, doing their things. no need for Wally to take point in any way shape or form. tangent over)
in the 14 audios with Barnaby, he doesn't even acknowledge Wally until the very end - which, of course, could be because that's how the scenes are set up. except that in some of them, the characters do directly acknowledge Wally's presence outside of the endings. Eddie in 5-14, Howdy and Poppy in 1-14, and Frank in 4-14 (technically, since he was infodumping to Wally at the very start before Barnaby interrupted). you'd think that a guy would try to include his best friend a little more!
maybe i'm reading into it too much. & given what we know about Wally as a character, it would make sense for Barnaby to be the go-getter Main Guy of the two. but it really seems like its Barnaby & Wally instead of Wally & Barnaby. he's just kinda... there. going along with whatever Barnaby is up to.
but also, on the other side of things - & it's occurring to me as i type this, it's interesting how in a lot of audios, Barnaby seems to seek Wally out. in "Just So", he shows up to fetch Wally. in 4-14, Barnaby interrupts Frank and Wally's gardening session, almost as if he's stopping by to check on his little buddy. in 7-14, Barnaby calls Julie's house (presumably) searching for Wally, or at least checking in once again. something to consider in all of this!
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birdinabowl · 2 months
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genuinely never got why people saw Rose telling Pearl to “never stop” in the scene where Pearl was talking about running away to meet Rose as manipulation.
Ive seen people argue that she forced Pearl to never stop by saying that but the thing is there was no command there. The one time Rose does command Pearl to do something, it is specifically stated it was a command from her as a diamond. If you take that scene as Rose forcing Pearl to do something, wouldn’t every interaction they have fall into the same boat?
Another thing I see is that Rose manipulated Pearl in order to get her to fight. Rose was upfront about the war with Pearl as well, she told Pearl that there was no going back, she told Pearl about the consequences if they failed, but Pearl wanted to fight. Rose never manipulated Pearl into fighting in the rebellion.
I never got why people would think Rose would want to order Pearl around anyway. It was obvious she wasn’t happy when Pearl was acting like a pearl was expected. Once Pearl starts to act more like herself, it’s obvious Rose is happier, she loves seeing Pearl being able to be herself, she loves the fact Pearl was free from her role as a pearl.
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basketobread · 2 months
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Happy birthday! Mine was on Monday
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THANK YOU SO MUCH!!!! ❤❤❤❤❤❤ And happy belated birthday to you!!! I hope you had a good one!! :) 🙏❤❤❤
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maskednerd · 9 months
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