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#nuance
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From some of the discourse I've seen, I've gotten the impression that some people think intersectionality is like math. Let me explain.
Some people think of certain identities as universally giving privilege (we'll say these have a value of +1) and some as universally taking privileged/causing discrimination/bigotry/etc. (we'll say these have a value of -1).
And what I've seen is that people will add these values and decide how hard someone has it based on the value of the product.
For example: A white (+1) Christian (+1) gay (-1) man (+1) would have a score of 2, since 1+1-1+1 is 2. (Keep in mind I'm not saying people literally do this sort of math, though I have actually seen charts that do, it's more of a way of illustrating a way of thinking I've seen.)
The problem with this, of course, is that this isn't how the world works at all. Depending on where he lived and his situation in general, that white Christian gay man could be bullied severely, called slurs, or even beaten and killed--all things you wouldn't expect going off a score of 2--because intersectionality is not like math. And because, in some places, this man's gayness would overshadow all his other identities.
Also, this mathy way of looking at things fails to consider how identities interact with each other. For instance, (and this is something several of my mutuals, but especially @dysphoria-things, have discussed in the past) a trans man's identity as a man does *not* serve to "cancel out" his being trans in the eyes of society. First, many won't even view him as a man. Second, even if he is viewed as a man by a certain group, he still may be subject to less explicit forms of transphobia. Not to mention the expectation many hold that he perform his man-ness in order for them to keep seeing him as a man. There's a lot more to unpack here specifically, but the previously mentioned mutual has already done many many posts on this, and is more qualified to speak on this than I am as a cis person, so I suggest you go check that blog out if you want to hear more on this topic.
Another example would be one of *my* identity intersections. That of being aromantic and allosexual. Now, being allosexual (not asexual) is not a minority identity. However, it by no means "cancels-out" my aromanticism. In fact, the specific combination of this majority identity (allosexuality) with my aromanticism actually leads to some seriously nasty assumptions and stereotypes. Because what do you think goes through the majority of people's (especially conservative's) heads when they hear "Oh I'm attracted to people sexually, but not romantically." Nothing flattering.
Point is, intersectionality is not like math. Having a majority identity does not necessarily mean that identity will always be rewarded (especially depending on the combination with a minority identity), and also this way of thinking is one thing that can start people down the "oppression-olympics/who has it worst" route, which is helpful and productive to exactly no one. The world is complicated, society is complicated, and people are complicated. And anything boiled down this much is usually inaccurate enough to be useless or actively harmful. Thank you for coming to my TED-talk.
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hold-me-witcher · 9 months
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I can't believe Jaskier's character and sexuality has so much incredible nuance to it.
Like yes, he's a slut, he gets chased out of bedrooms by husbands, he sleeps casually with men, he has a few usual fuck buddies around the world who are as equally as interested in just sex and no romance. He was in love with Geralt for years
The second there was someone with no actual hangups about wanting a relationship with him he fell ass over teakettle in love back and was SO CONFUSED but also a slut about it.
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sh0ckrot · 1 year
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i love you nuance i love you characters who aren't wholly good or wholly bad i love you characters that are messier than audiences want them to be i love you stories with no true heroes or true villains i love you stories that don't force you to take one side or another and let you make your own choice i love stories that make you actually think i love you nuance because to be nuanced is to be human
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thesunfyre4446 · 2 months
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i'm getting really tired of the "Aemond had no right to claim Vhagar" bs.
first of all, if justify Rhaenyra - Laena's cousin who grew up with her, and Daemon -Laena's husband - having sex on her goddamn funeral then you're in no position to criticize Aemond - who has literally never met Laena in his life - for trying to claim her dragon.
Aemond saw Vhagar and decided to go for it. Vhagar disappeared for years after baelon died, who knows if he'll ever get the chance to get close to her again? and maybe Rhaena will succeed in claiming her before him? it was a now or never moment for aemond.
baela and rhaena were justified in their anger, it's their mom's dragon. it's the last thing they had left from her. BUT aemond has never met these girls. he's desperate for a dragon. he's desperate to prove himself. so yeah, he's going to put himself before two strangers.
now let's talk about "Aemond paid the prince for claiming Vhagar \ Aemond deserved losing his eye" bs
no. no he didn't. aemond did not "pay the price for claiming Vhagar". it wasn't a sacrifice he had to make. vhagar accepted him as her rider, he had already claimed her when he was attacked by the strongs and the twins. aemond lost his eye because Luke cut it out. that's it.
Aemond's insult towards Rhaena was obvs directed at the strongs. for aemond, this wasn't even about rhaena. it was about finally winning against his bullies. and don't get me wrong, it was a shitty thing to say. but guess what guys, aemond's a kid too. he's like what, a year, two years older then Jace? kids can be selfish. kids can be really fucking mean. was insulting rhaena the empathic and mature thing to do? of course not! but it's clear that all aemond cared about was just getting back at the strongs. aemond's behavior was really normal for a bullied 10yo.
[and btw, Rhaena and Baela getting really angry and attacking aemond is also really understandable . from their POV, they've just lost their mom, and this random kid has just claimed her dragon & insulting them. ]
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Hot take:
Coriolanus Snow did not love Lucy Gray, even though he loved her.
Bear with me for a second I know this sounds like an oxymoron but I promise I can make it make sense. The TL;DR is that both SnowBaird shippers and detractors are right, but also very very wrong. I’ll explain.
People who say Snow was genuinely in love with Lucy Gray are wrong. Flat out incorrect. And I say this so bluntly because of one simple factor: before the games, he needed Lucy Gray to promise total devotion to him. This 16 year old girl was about to be thrown into an arena to fight to the death and his concern was whether she was committed to him?? That’s not love. That’s need. Remember the saying “if you love someone, let them go”? It exists for a reason. If you truly love someone, you want what’s best for them. You want them to be happy, even if that means stepping away. Snow was not ready or willing to do this. If there was even a chance of him having to step away, he was prepared to just leave her to her fate to die. And this happened relatively early in the story when you look at the importance of events. Most of the moments we can point to and go “that’s a turning point for him” happen either during or after the games. Funnily enough this ties to a very simple fact of the story that seems to fly over a lot of fans’ heads, if they’re not just outright ignoring it.
Snow did not lose his mind or go insane over the course of the story. The whole point is that he was always this way, and looked every opportunity to choose to be a good person dead in the eyes as he dashed them to pieces, burned them to ashes and used the charcoal left over to draw happy little doodles on their graves. This story has two points, with the first being a subversion of the “uwu villain with a tragic backstory to excuse their actions” trope. The second one is gleefully stewing in all the ways the people Snow wronged in his early life haunted him until the day he died, especially Sejanus and Lucy Gray. That’s just one example of Snow not actually caring about Lucy Gray, but there are more. They’re sprinkled all throughout the story, culminating in the final scene where he attempts to murder her.
However
Coriolanus Snow did have genuine feelings for Lucy Gray. He was prepared to ruin his entire future to save her, knowing that getting caught cheating would destroy all he’s worked for his entire life. When he was forced to become a peacekeeper, he asked to go to 12 in hopes of seeing her again. He went out of his way to track her down and they shared genuine moments together. By now, he has no ulterior motive for being around her. No prize, no game to win, nothing to gain except happy memories. Snow wanted to be with her. And Lucy Gray wanted to be with him. There’s a skeleton of a genuine relationship there, inklings of the love story Lucy Gray was convinced they were destined to have. That wasn’t fake, those were real feelings and it could have been beautiful. If it wasn’t for one tiny little problem: Lucy Gray is not who Snow thought she was. She isn’t who he wanted her to be. In other words:
Coriolanus Snow thought he loved Lucy Gray Baird, when in actuality he loved the idea of her he’d created in his mind.
You see, this boy is the least reliable narrator to ever narrate in the history of ever, beaten out only by Humbert Humbert. And in similar fashion to Lolita it looks like people are making the mistake of taking his word at face value when the point the book tries to make is that you should not do that. Snow looked at his choice to keep bashing Bobbin over the head after he was already knocked out and decided to take it as evidence that all human beings lose their humanity when cornered (even though he was no longer cornered), he is very clearly not a trustworthy individual when it comes to making logical deductions. Especially because he can be neck-deep in denial sometimes. Snow never cared about Lucy Gray, the Covey girl, singer and performer who lost most of her family to a massacre and was forced to stay in one district rather than moving around like she used to. He cared about Lucy Gray Baird, district 12’s female tribute for the 10th hunger games. And those are not the same people. Tribute Lucy Gray Baird was locked in a zoo, forced to perform at all times to survive. Lucy Gray was free to be her authentic self (trauma not withstanding) and while she loves to perform, it’s a different kind. There’s no pressure, she can leave the stage if she so desires. She can roam as free as one can in the districts and no longer needs a mask to live.
In the book, Snow outright says he wishes she was still locked in the zoo so he knew where she was and she couldn’t leave. He loved the Lucy Gray that was contained. The one that was considered his by the people around him. The girl who relied on him completely because she had to. He loved what she was forced to be in order to not die, and when he saw the real her he wished she would be more like the girl he met. Which was not the real Lucy Gray. Snow loved the act she put on, and to some extent the control he had over her. He had genuine feelings for her, but not for the real her.
To conclude this rambly mess: shippers will pretend Snow genuinely loved Lucy Gray for all she was. This is not true. A certain subsect of people who hate this ship will say he never cared for her at all. This is also not true. And in a fandom for a book about the nuances of even the worst people on earth, that’s very funny.
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Morals and Ethics
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Hello Friends!! to preface: This post is not here to police anyone on what is the 'correct' way to practice. My aim on this post is to be culturally and magically informed, so this isnt going to be a take down of any belief or path line. Instead this post is offered up as a way to not only build your own moral frame work, but get you thinking about where you stand magically and enhance how you practice! Our moral frameworks are all unique, something that would be a faux pas in your practice might be something thats culturally common in others, so lets throw on our thinking caps and get started!
What is building an ethical and moral framework?
Building an ethical background in witchcraft involves establishing a set of principles, values, and guidelines that guide your magical and spiritual practices! In essence It helps ensure that your actions align with your moral compass (Wherever it may lie). This background can help you make informed decisions, cultivate energy, and maintain a respectful and balanced relationship with both you and your magic.
Some religions and paths have their own moral and ethical framework, for example lyma is this idea of "something to be washed away" and is a big deal when practicing within Hellenic Spaces! It would be immoral to approach an altar without washing your hands if they were dirty, but on the flip side some cultures actively encourage dirty hands like people who worship earth within their gardens. Depending on your path you might have a specific framework.
Another aspect is moral frameworks change and that is ok!! Its important we aren't stagnate and its ok to change your mind and feel like you want to change things up. That is totally reasonable and people do it all the time like with politics, religious affiliations, jobs, and more! Ethical and Moral compasses can change just like we do.
How to build an ethical framework
Self-Reflection: Start by exploring your own values, beliefs, and moral code. Reflect on what is important to you, what you stand for, and how these values relate to your magical practices. Also now would be the time to decolonize your beliefs and explore your biases. Its ok to acknowledge your bias, as long as you are working through it. If you dont know what decolonizing your beliefs is I left a helpful video above, just click 'decolonize your beliefs'
Research and Study: Deep dive into different ethical systems and philosophies. Familiarize yourself with various witchcraft traditions, such as New age spirituality, Pagan magical systems, and country/area specific + their associated ethical guidelines. Read books and articles about ethics in witchcraft whether you agree or disagree. During this time you are simply collecting as many perspectives as possible and comparing them to how you feel, don't feel pressured to follow something if you don't feel it applies to you.
Connect with a Mentor or Community: If possible, seek guidance from an experienced witch or spiritual space who can share their ethical insights and offer advice on building your own ethical framework. The best part is, different spaces will produce their own ethical codes of conduct. For example some spaces don't allow love spell discussion for example, which is an ethical guideline.
Create Your Own Code: Based on your self-reflection, research, and guidance, create your own personal code of ethics. This code should reflect your values and guide your magical practices. It might include principles like harm none, respect nature, work for the greater good, or take no shit. Wherever you feel you sit, walk with it. Whatever comes natural to you explore it. Write down what you believe as a symbol, but do so in pencil so you can change it as needed!
Regularly Reevaluate: As you gain experience and your understanding of ethics evolves, revisit and update your ethical code. It's important to grow as your spiritual journey progresses like I mentioned above. You are not a static person, allow yourself to experience your moral compass and how to bends. Allow yourself to be fluid and honest. Not everyone is 'love and light' or 'fuck authority' your allowed to be who you need to be!
Different Types of Ethics in Witchcraft:
Note: This is not every type of ethics, but rather a couple examples of the ethics you may see in your research and which group it belongs too. This area is not meant to endorse or critique an ethical guideline but instead showcase the many that do exist.
The Wiccan Rede: "An it harm none, do what ye will." This is a central ethical guideline in Wicca, emphasizing the avoidance of harm to others as a core principle. Another one is The Threefold Law, this law suggests that the energy you send out, whether positive or negative, will return to you threefold (three times what you sent out). This encourages practitioners to be mindful of their actions.
Green Witch Ethics: Green witches emphasize their connection to nature and the importance of nurturing and protecting the environment. Their ethical background often centers around conservation, sustainability, and working with the Earth's energies respectfully.
Personal Responsibility: Some witches adhere to a more individualistic code of ethics, focusing on personal responsibility and accountability for their actions.
Balancing Left hand and Right hand: For some, ethical considerations involve finding a balance between Right and Left hand magic, and acknowledging the potential consequences of working with both, one, or neither. The right and left hand path are types of magical systems that involve different attitudes towards magic, the right hand emphasizing healing and selflessness, and the left hand emphasizing individuality and shadow aspects.
Respect for Spirits and Deities: Many witches emphasize the importance of showing respect and gratitude to the spirits, deities, and entities they work with, recognizing their agency and autonomy.
Are there any absolutes that I should be aware of?
Absolutes are ethical things that you do need to make sure you are integrating! These are really important things to note when you are learning, because if you do choose to disregard these you could contribute to some really bad concepts that intrinsically cause harm to real people
Respect - Cultural awareness, avoiding appropriation, and looking out for other people can be important. Its important that you fully evaluate a moral system before indulging in it. For example: In the love spell discussion and lot of cultural practioners voices are left out of the discussion, same with baneful discussions. Its important to listen to many groups of people and take stances that dont turn peoples cultures into a monolith, demonize them, or silence them.
Hate groups and cults - Its important that you check where a belief comes from and see if it matches with any hate groups or cult rhetoric. These groups create really flashy and easy to digest claims to try and push an agenda kind of like a salesmen. Their whole job is to try and push you into their group so they can get money, power, fame, and in some cases carry out atrocities. This corresponds with that decolonization conversation from earlier, because it can help keep you and other witchy friends safe!
Nuance - Its important to keep nuance in the conversation. Don't take extremely black and white stances if you aren't knowledgeable on the subject. I think even advanced practioners need to remember to keep nuance in their opinions and keep an open mind when presented with new information or moral ideals. Keep an open dialogue when you are having conversations, and remember to keep asking yourself why you believe the things you do.
Remember that there is no one-size-fits-all approach to building an ethical background in witchcraft. Your ethical code should be a reflection of your personal beliefs and values. It's essential to be true to yourself and to strive for a harmonious practice that aligns with your own spiritual journey! Enjoy the ride :)
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Ultimate Word Tournament!
nuance (English) [ˈnuː.ɑːns] a subtle difference or distinction in expression, meaning, response, etc.
shenanigans (English, Mischief Dialect) [ˌʃəˈnæ.nə.ɡɪnz] Silly or high-spirited behavior; hijinks.
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tomorrowxtogether · 5 months
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snowswan-royalehigh · 4 months
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My personal thoughts on Remarried Empress
Hi there! I'm not going into an too much of an in-depth analysis, so please take my words with a grain of salt. I'm going to focus on Rashta's past.
Rashta is a very well written character, she's shown to be naive and innocent, with underlying layers of cruelty and a character development towards greed which is wonderfully executed. However, the fandom refuses to allow her to have nuance to her character.
When the webtoon and novel start off, we already know Rashta is somewhat portrayed as a villainess, and during my first readthrough, I also wanted to sucker punch her in the face. (I would be publicly executed by Sovieshit) But when I reread I realized how much nuance I missed, and some nuance the fandom ignores entirely.
We start off knowing Rashta is a runaway slave. Which already starts us off on a generally sympathetic note, because we can tell she's had some form of a bad life prior to becoming Sovieshit's concubine. We know she has an annoying habit of speaking in third person, she's a crybaby, she's incredibly controlled by her emotions, she lacks critical thinking skills, and she doesn't even know how to read or write.
Rashta is incredibly easily manipulated, she shows that with her interactions with Sovieshit and especially Duke Ergi. Duke Ergi influences almost all of Rashta's moves, such as the Christmas tree wedding dress, which was a huge embarrassment. In defense of Rashta's lack of knowledge, she was a slave. How was she supposed to know about how these things, when she had spent her life, being forced to clean, with no hope of escaping. She hadn't even done anything to become a slave in the first place, she was made one so her father wouldn't have to pay for his crime. She was uneducated as can be. Reading and writing at that time was only for the highborn.
Rashta is confirmed to have had a lot of love for the idea of her children, and she carried that baby to full term. Imagine how mortifying it was when Lotteshu showed her that corpse. (How the hell did he even get his hands on the corpse. We should be focusing on that a lot more) So could we really blame her for running away, Alan abandoned her as well, and Lebetti always treated her like trash.
Rashta undergoes a corruption arc because of the people around her. Navier remarks in her head that Rashta has no one good around her to inform her, in the webtoon.
Now, imagine this situation from the point of view of Rashta. You just saw your supposed dead child with an obvious great amount of trauma via your whole childhood, and now, the emperor, an incredibly powerful man, has proposed to become your lover. He's going to give you protection, and most likely save you from your horrible life. Everyone forgets the power dynamic of these two. Rashta is the lowest in society while Sovieshit is the highest. What terrible consequences would Sovieshit's pretty ass conjure from rejection? Even the webtoon remarks that it's like a fairy tale.
Navier and the rest of the nobles are her enemies, because of how she was raised. She actually started off the webtoon looking up to Navier, and seeing Navier as someone she could basically worship, and believed that Navier would act as a motherly figure although she was greeted with Navier's justifiable pettiness although Rashta didn't know what she was doing wrong.
If Rashta was the protagonist everyone would be gushing about her, because she is manipulative, but so is Navier. The people around Rashta fail her, when she could've been so much more, and she has so much underutilized potential. Rashta would've been incredibly hyped up for kicking Navier out, and Navier would be seen as cold hearted and self centered.
TL;DR, Rashta is still an antagonist, but she is not a straight up villain. She's complex, and she's more human than any other antagonist. She's only hated on for being the 'other woman' and the fandom acts like she seduced Sovieshit for the funsies.
(Fuck Sovieshit, all my homies hate him!!!))
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Given your evident love of magneto what are your thoughts on the man who arguably began his more modern interpretations Chris Claremont? I’ve hard a decent amount of criticism on how often he used kitty pride to say the N word.
I think Claremont was wrong for having Kitty say the N-word outright and I think as a non-Black man his decisions to have the word be used and make a direct comparison between the oppression Black people face and the oppression the fictionalized mutants face were misguided.
It's one thing to make an allegory, it's another to make a one-on-one comparison when Claremont himself is not Black. Claremont is Jewish, and therefore his explicit comparison of the oppression mutants face in his universe to antisemitism is something he is at liberty to explore. He does also makes many explicit comparisons to the Holocaust in his runs, and as a Jew I don't really have an issue because he is a Jewish man and the comparisons were made my Magneto, a Jewish character.
This is one of the incidents of Kitty saying the N-word, in Claremont's hit story "God Loves, Man Kills":
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The context of this is that Kitty got into a fight with some other teens because they were espousing anti-mutant rhetoric. Stevie Hunter, her ballet teacher, tells her to calm down. Kitty, being a teenager, got fired up at Stevie's passivity, and tries to make a point.
Of course, we as readers know that as a Black woman, Stevie knows from experience to keep her head down, but to Kitty Pryde, a white-passing person who had only discovered her powers (and new marginalized status) mere years before, is not used to this new marginalization. I say "new marginalization" because Kitty has always been a marginalized character even before her mutation, being Jewish. Kitty, especially in the runs under Claremont, is drawn as not just openly Jewish with her Star of David necklace and numerous references to her Jewishness, but also racialized as Jewish with her thick, dark curly hair (a stereotype of Ashkenazi Jews). But as a light-skinned generally white-passing Jew from the suburbs of Chicago, it's likely she didn't experience as much antisemitism as much as Stevie faced antiblackness.
I think the real issue is less of Kitty saying the word but rather in the next panel Stevie saying that she was right to make that comparison. In the X Men universe, the mutants are a marginalized class, but so are Black people. I think Claremont was trying to shift the themes of the X Men narrative as being not just an allegory for the Holocaust, but also for Civil Rights (Indeed, the opening scene of God Loves, Man Kills, is of two Black children being lynched by a religious extremist mob), but he did so rather clumsily by our standards.
The time Kitty did say the N-word intentionally as an insult was in Uncanny X-Men #196:
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This exchange occurs after Kitty overhears Phil and his friends plotting against other mutants. She barges in, and they turn on her (they end up knocking her out and kidnapping her). I do not think it was appropriate for Kitty to use the N-word in this way, and I don't think Claremont should have written her as saying such, but in the context it is one marginalized person calling another person a targeted slur, and the other person responding in turn. Not appropriate, but in the scene it is an emotionally charged moment where both sides of the exchange are in the wrong.
The final instance I can think of where Kitty uses the N-word is in conjunction with a bunch of other slurs to give an example. She is giving a speech at a school where one of the students committed suicide because of the anti-mutant bullying he faced. While I did censor the instances of the N-word in the previous two images, I'm not going to do so for this one because it's in conjunction with a bunch of other slurs, and if I censored each one, the context would be lost.
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Kitty calls herself a series of slurs and insults (notably, an antisemitic slur. Remember, Kitty is a proud Jew). She then lists off other slurs, which includes the N-word, but also an anti-Latino slur, an anti-Italian slur, an anti-Asian slur, and the F-slur. She also uses "Mutie" again, which is an anti-mutant slur in the Marvel universe. To our modern ears (or rather, eyes), this is inappropriate, but this was published in 1983 and the ideas we have today about not saying slurs even in non-targeted ways weren't the same.
I think Kitty's usage of the N-word (and other slurs) is used to make it obvious to the readers that the mutant narrative is an allegory for other narratives in our world, namely racism, antisemitism, and homophobia, but it isn't done perfectly. If it was a Black mutant character making these comparisons, just like Magneto is a Jewish mutant making direct comparisons to the Holocaust, it might read a bit better. I don't know for sure, and I'm not Black myself, but perhaps then it would be slightly more appropriate. Kitty was written to be a very outspoken character who says things as they are, but it wasn't her place as a non-Black person to make those direct comparisons, even if she herself is marginalized in other ways.
As for Claremont himself........I think he is a legend and despite his controversies, the X Men, and Magneto especially, wouldn't be the icons they are today. Claremont took the X Men from a run-of-the-mill superhero team and Magneto from a run-of-the-mill villain and made them inherently political and an explicit allegory for other issues present in our world. This tradition that Claremont started has only continued with other Marvel writers drawing parallels between queer issues and mutant issues, and fan speculation about parallels with disability rights (which I would love to see tackled in canon). Claremont's contributions to the X Men canon are invaluable, and I loved what he did with Magneto. Is he perfect? Of course not. You'd be hard pressed to find a writer who is. I think he tried to tell a story, and sometimes stumbled just by virtue of his own inexperience with the identities he was trying to depict, and suffered from trying to make too many explicit references to real world events and issues (Which many comic writers in his time struggled with). And, notably, he hasn't continued to make those mistakes in more recent publications, which I think is significant.
[id in alt text]
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hexagr · 7 months
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An idea is small if it affects only the way you think about some things. An idea is big if it changes the way you think about everything. To whom big ideas are given, an equally significant responsibility is entrusted.
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dailydivergent · 28 days
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Representation is so hard because representation is a responsibility.
It is tricky. It is time-consuming. It is emotionally-demanding.
Because the same is true to not being represented.
It’s tricky to express your discontent about not being represented enough. It’s time-consuming trying to explain to people why it matters so much to you. It’s emotionally-demanding to always be the person on the representation soapbox.
But the people who deserve representation do the work anyways, because it’s a responsibility to themselves, their ancestors, and their future generations.
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ornstein · 4 months
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The thing about Jin that I'm not sure anybody pointed at is that no matter how much he betrayed the samurai code or fought to keep the island and its inhabitants safe from the invaders, or no matter how much he has to sleep in a dirty mat in a shack without part of its roof or has common people aid him in this fight, or has to make up with what little he is left with in the end, he will still call Tenzo worthless because of his unlucky upbringing. And I love that about him because it shows he still has that whole classism shit very internalized and that shit doesnt just go away, it takes work.
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adiscoveringsoul · 2 months
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A quick run down of my own beliefs:
When we say "oneness of G-d", to me that means the miracle of existence, that we are all intricately connected as a circle of life, is G-d. I don't look for a supernatural, omnipotent, judging being. I look at the miracle that is life. And I toast to it daily.
I'm a zionist, of the strictest definition of the word. Jews have the right to self-determination in their ancestral homeland. Period.
My belief in zionism doesn't mean that I think no one else has the right to self-determination in that same land. It is the homeland for many peoples who descend from the Levant.
I believe that all peoples, of all nationalities, religions, races, should be able to live peacefully side by side.
I believe whole heartedly in a two state solution, in which both Israelis and Palestinians have their own governments who work side by side to maintain peace in the area.
I also believe whole heartedly that there cannot be peace in the area so long as Hamas exists.
I don't believe that Israel is committing genocide. The intent isn't there. The intent has been shown again and again that Israel wants the destruction of Hamas, not of Palestine as a whole.
Hamas, however, lays out genocidal intent towards all Jews in their own charter.
I believe Hamas intentionally hides behind their own civilians. It has admitted to seeing all civilians as martyrs for the cause, and therefore no one can really be considered and innocent civilian by Hamas. I believe that Hamas is very clever and knows that every civilian "martyred" makes Israel look worse to Western leftists.
I believe Hamas is preying on culturally Christian Westerners who have been socialized with the casual antisemitism of the church.
I mourn the lives falling victim to Hamas, Palestinians and Israelis alike. As I said before, the very existence of life is a miracle. Each one of our lives is prescious. I don't take their loss in a time of war lightly.
I believe there is an alarming rise in antisemitism, globally, thanks to the tactics of Hamas and the millennia long lies of the Christian church regarding Jews.
I believe a lot of people, on both sides, are full of shit. And what I mean by this, is that if you are incapable of examining your own thoughts and opinions and asking yourself if you've left out nuance or could potentially be wrong... you're full of shit. Ask yourself, now, today if you are full of shit. And then try to do better. I do this a lot. It's why I'm here laying out my beliefs that I've gone rounds about.
Jews are encouraged to question everything; from G-d to themselves. This is something that I believe makes us strong. And I think everyone should embrace it. (This applies to the point above. But I think deserves its own bullet because I find it that important.)
Your existence is a miracle. Our capability of nuance is a miracle. Let's embrace it. Let's remember the humanity in each other. Let's question ourselves, our echo chambers, the inherent biases we've been taught.
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necarion · 5 months
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It is possible for a thing to be very bad and also not be a different thing that is very bad.
Not all bad things are homomorphic. Not all bad consequences can be explained by all bad causes.
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neptune-scythe · 8 hours
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quick thing about the nuances of desire that is often over looked, specifically in regards to touch aversion
the argument I get the most when discussing Kanej having a relationship without any physical intimacy or touch is that they both want that
but here's the thing
yes they both express desires for touch or physical intimacy, but it's not as black and white as that.
there's three points I wanna make here
the first is there's a difference between wanting something and fantasizing about it. and by that I mean you can like the idea of something, you can have a desire for that idea, but it isn't the actual thing. so for the topic of touch, you can like the idea of a hug or a kiss, you can desire to experience the same feeling from it that other people do or that you think you should, but in reality it isn't actually enjoyable to you, it doesn't give you the feeling you want it to. you want it, maybe even enough to try it again and again, but it may never give you what you want out of it.
the second point ties into the first one nicely of being that you can want the feeling that touch is supposed to give, so you think you want the touch as well. but in reality you just haven't separated the two. you want the comfort, the safety, the closeness, the protection, or whatever else that you're supposed to feel when you touch someone, you might not actually want or enjoy the touch itself or get those feelings from it. but once you separate the two you can find those feelings you're searching for in other ways that are actually comfortable and beneficial.
and the third point is that sometimes you just want to want something. you want to have the desire to touch someone, to be able to feel comfortable with it, but you don't. you might try and convince yourself that you do want it because you think you're supposed to, but the actual desire just isn't there. you want to have the desire rather than actually having the desire.
so for Kaz and Inej, yes they both expressed desires for physical intimacy, but it's not as black and white as "they said they want it so that's what they need to be happy"
desire is much deeper than that, and humans are much more nuanced and layered and unpredictable.
and yes there are also times when people just have desires without any of the extra stuff, but given their history I personally don't think Kaz or Inej are that type. There are too many conflicting feelings and experiences for it to be that simple in my opinion.
and if there's one thing Leigh Bardugo is good at it's making deep, multifaceted, and complex characters, and that's what I enjoy so much about them. they have the capacity to portray all those nuances of desire that other characters just can't, and that's a very beautiful and important thing ... especially for y/a books. to capture the human experience, to explain the aspects of humanity that are hard to discover in one's self or notice in other people. it's a bridge to deeper understanding, it's putting that ability to understand in a language that is more accessible and universal than an intellectual self help book or an essay.
so to circle back to my overarching point, desire isn't a simple thing. thinking "I want __" doesn't necessarily translate perfectly the way it presents, and there are many complexities to the human mind that are unpredictable and surprising.
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