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hmslusitania · 3 years

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A meta about Buck and Eddie’s current relationships compared to their past relationships (but it's under a cut so that I don’t have to tag the characters for people who have them blocked, thereby putting this into those characters’ Tumblr-wide tags and summoning angry stans back to my inbox)

Because I haven’t seen anyone else mention this and it’s sort of been driving me nuts. On the one hand there’s a relationship where it’s:

someone he was previously with and this is a renewal of what might have been

someone who he has serious sexual chemistry with but a blatant emotional disconnect

who he separated from and time (roughly two years) has passed during which interim there has been no contact between them

and now they’re trying it again and although he clearly forgives her for past transgressions he still doesn’t trust her when it comes to the most important things, even if he's enjoying spending time with her to a certain extent

but he’s decided to have her back in his life after some negotiation which definitely included her saying at least one excoriating thing against his character that cut directly to the heart of his insecurities that made him feel like he'd failed and needed to do better ("I needed you to have my back" vs "You're so needy")

And when it was Eddie and Shannon, the resolution of that relationship was Eddie deciding that he wanted to try and make it work, build a family and a future together, only for Shannon to bail on him (again). And obviously we haven’t seen the end of Buck and Taylor but based on everything we’ve seen about Buck’s development and growth, it seems pretty clear that what he’s looking for in the long run is to build a family and a future, most likely with children.

Now, we don’t know enough about Taylor to know how she feels about that sort of future trajectory but based on the very little we do know about her, I would hazard that this sort of future seems…unlikely as something she might want.

And obviously, the relationships came about in different circumstances, but the structure of season 4 Bucktaylor versus season 2 Eddie and Shannon feels like a funhouse mirror to me.

And then on the other hand, there’s a relationship where:

It starts after they met once a while ago

With a person who is also presented as a contrast and possibly a more reasonable choice than the other relationship mentioned above (“Ali’s a more grown up and less wild choice than Taylor” vs “such a healthy choice moving on from Shannon with Ana”)

Which begins with a coffee date

And which is all the development we really get in the relationship until an episode that seriously implies doom ahead

And ends with him getting severely whumped

with her there for the initial homecoming

But there’s something kinda off about that homecoming (Ali being unsure the firefighter lifestyle is for her; Eddie kissing Ana on the cheek the same way he kissed his grandmother?? Like my dude my guy there are perfectly acceptable chaste and polite ways to kiss someone on the mouth if you’re worried about scandalising the Youths or the Elders and that ain’t one of ‘em)

And the resolution of that relationship is that Ali was gone without ever officially saying the words “we should break up” before the next season began, and based on behind the scenes sleuthing while it seems like we will see Ana at least once at the start of season 5, it doesn’t seem to be a significant presence.

And idk!! I don’t know what to do with this, but like it seems really obvious to me that in a structural way, Taylor is Buck’s Shannon and Ana is Eddie’s Ali, even while the characters of Taylor and Shannon don't really resemble each other (and I'd argue we don't actually know enough about either Ana or Ali to say how alike or different they were/are, but they don't strike me as similar people), and I hope the boys both get the same as things out of these relationships as the other did -- just with better resolutions.

I want Buck to be in this relationship and evaluate what he wants from his future the way Eddie figured out he wanted to try being in a family, but I want him to have the opportunity Eddie didn’t and I want him to come to the conclusion that if he wants that future, it’s not going to be with Taylor because that’s just not who she is. And I want him to get the opportunity to end it on his terms in the way Eddie never got to.

And I want Eddie to — god I’m sorry this somehow circles back around to my entire shitpost about getting back on the horse/learning you don’t like horses — but I want him to acknowledge that his relationship with Ana, while important for his growth and for moving on after the traumatic end of the most significant relationship he’d had before, simply doesn’t go beyond that. It’s a relationship and it’s “nice” and “easy” but it’s not where his heart is and even though ending a relationship always hurts a little, it won’t devastate him. But most importantly, I want him to get to acknowledge that he’s choosing what he wants, which Buck sort of didn’t get to do with Ali because she made that choice for him.

And then, because I’m me, once they’ve gone through each other’s relationship mistakes and hopefully learned from each other’s example how to do it better, I want them to embark, nervously but so glad to be doing it, on something new and untried together.

ETA: Eddie and Ana’s first date was explicitly not coffee, but it had the same vibe as Buck and Ali’s first (coffee) date in that it was a casual café setting and we know nothing of it after the initial “its nice we’re doing this right?”

ETA(2): Both Shannon and Taylor have “changed” when they’re brought in to be love interests in season 2 and 4 respectively but Shannon’s change ultimately turned out to be insufficient for building their relationship forward. We have yet to see how deep Taylor’s apparent change runs and it’s clear that so far Buck does not trust it.

#9-1-1 #it’s a meta #kind of??#I don’t know at what point something technically becomes a meta #but this has been driving me nuts #and I need someone else to look at it and tell me if I’m seeing things #it ends in buddie if you’re worried #that’s where all my thoughts end so #anti eddieana #anti bucktaylor #i mean sort of not even really anti just analysing #which doesn't come out favourable

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stypidwthluv · 2 years

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I’m finally posting about 5x10 and I. Have. Words.

First of all, to the writers…

Fuck you.

In the nicest possible way. Like this episode didn’t just pull at my heartstrings, it yanked them out and stomped on them. I loved it tho.

Anyway, my point about this episode is that first, it pissed me the fuck off. It felt like one step forward and two steps back. We got Chris and Eddie admitting that everything is not okay with them, but it feels a whole hell of a lot like Buck and Taylor are still pretending their fine.

The episode CLEARLY demonstrated that BT don’t know each other very well. From the beginning of the episode to the end we got them scrambling to find something that the other would like and both of them settled for “it’s the thought that counts.”

They’re cute but so deep in denial. But I’ve already been down that road.

Next, obviously the whole thing with Chris and Eddie was huge and impactful. My only point that hasn’t already been made in depth is Chris’ reaction to Eddie quitting.

We know that Chris adores his Dad and looks up to him a lot for many reasons but also because of his job.

Not to mention, Chris is the fuckin best and a true national treasure. So to me it stands to reason that despite being terrified for Eddie’s safety, Chris would feel horrible if he knew that his dad quit a job he loved with a family he adored for him.

I don’t know about you but that’s what it feels like Chris’ reaction is gonna be to me. And that may be a huge factor in 5B with Eddie’s recovery arc.

Finally, I want to talk about the title of the episode “Wrapped in Red.” While a lot of people have talked about how the episode had a lot of symbolism with presents and how they symbolize someone’s knowledge of another, I don’t think that’s what the title is referring to.

I tried to find a picture of the building they had to WRAP in all the RED tape but I could not.

Nonetheless, the building that nearly collapsed and wasn’t up to code was quite literally wrapped in red. I think that that is what the title of the episode is referring to.

And the reason that the building had to be wrapped in red was because it was unstable and about to fall apart.

With the rest of this episode, Chris and Eddie, Buck and Taylor, and everything else. Everything kind of is unstable and about to fall apart, but much like the landlord for the building, everyone seems to want to put it on the back burner. Right up until the point where something gets lodged loose and your world starts to crumble around you. In this case, you can make one of two choices, either leave the building before it crushes you and find a way to put everything back together, or you can ignore the crumbling and let it crush you.

We saw both of those choices, although in different situations in 5x10. Eddie left the building and is trying to put everything back together,

(Even if we don’t think it’s the right choice) and Buck and Taylor are choosing to ignore all of the warning signs.

That being said, maybe I’m reading way too far into this and I’ve lost it.

Nonetheless, I can’t wait for 5B and I’m hoping that the months in between may give us a better chance of getting Jennifer Love Hewitt back before season six. Fingers Crossed.

That is all. You may return to you regularly scheduling scrolling.

#funny?#911 #evan 911 #911 buddie #911 cast #911 spoilers #911onfox #tv series #911 buck #buck x eddie #christopher diaz #Christopher Diaz is a national treasure #buck and taylor #911 5x10 #wrapped in red

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crossovereddie · 3 years

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Actually, here is an alternative thing for you to occupy your time with, and a question I have been meaning to ask you for a while. I have finished 911 finally! So I'm ready for the new season. And I wonder, realistically, what do you think the roadmap would be for a buddie endgame?

I absolutely see how their story has been framed and filmed in a lot of parallels to how a romantic storyline would be set out. But there has been no outright mention of either of them being bi - although the conversation about Maddy setting Buck up with whassisface was very casual and could very easily have been an example of canonically bi Buck - and they are both at the end of season 4 in 'relationships' with women.

So, in your estimation, what's the timeline? What's the transition? How do they go about this and how long does it take? I wanna know your thoughts 👀

okay yes i have lots of thoughts on this and it's actually one of my fave questions i get asked. I've always watched a lot of tv shows so I'm just estimating on what I've seen before and what I would personally do. IMO this love story is a slow burn. We only have four seasons so far and only three of those seasons have Eddie in them. This unsurprisingly got long so ill put it under the cut.

So I'll go by seasons bc to me its important to look at everything that has happened so far by seasons and by love interests and not as a whole. Its the best way i can form a timeline that I think would make the most sense and why

S1: So we don't get any hints at Buck being anything other than straight and I think this is because he was supposed to be. They hadn't planned for Eddie yet and they definitely hadn't planned for the chemistry Oliver and Ryan were gonna have. S1 Buck was this reckless kid who didn't take anything serious. He was definitely super immature. Then he meets Abby and he starts to get serious about his job and his love life. I'm not gonna say "Abby changed him" because she didnt. He saw the person he was and the person he was becoming and decided on that change himself.

S2: Eddie!!!! So we get introduced to this army medic turned firefighter in the least heterosexual way. Then Buck is angry because Eddie is hot and really good at his job. they work together and Eddie compliments Buck and now they're smiley bffs. Seriously wtf was all that? Anyway this is all sus bc from what ive seen before in other shows when a main love interest leaves and a new main character replaces them, that means something. JLH replaced Connie Britton as far as big name actress but i really believe Eddie replaced Abby as far as importance in Buck's life. Do i think they brought him in with the intentions of turning him into a LI? No but they sure fueled the narrative from the get go. I think they saw fans reactions and started testing the waters.

Moving on to LIs in this season. We find out Eddie has a kid and the mother is not in the picture (eddie made sure buck knew that right away). Then later on we find out he's technically still married. shannon comes back and we get Eddie finally getting to confront this head on. He tries to get his family back together for the sake of his son. Its big for Eddie's character bc all he does and all he's ever done is for his son. Then Shannon asks for a divorce then she dies bringing this arc to an abrupt end and leaving eddie heartbroken.

meanwhile Buck is still waiting for Abby. Then he finally accepts that shes not coming back and decides to move on. He goes right back to being "Buck 1.0" with Taylor and feels bad about himself because that really isnt him anymore. He wants a real relationship. So then Ali calls and asks him on an actual date and he agrees. This is his first try at a relationship after a heartbreak. in tv these don't usually work out but are used to develop the main character's growth. We don't really see much of her but she breaks up with him so.

S3: This is Eddie finally dealing with his feelings/guilt season. This is also the season I think we really see how important Buck is to the Diaz boys. S2 had cute buckley-diaz family moments but those could still be interpreted as a best friend and his best friend's kid. This season though... after the tsunamic episode was when i really started to fully believe buddie was going canon. This season is solidifying their bond not only as Buck and Eddie but as Buck Eddie and Christpher. As I'm writing this I realized neither of them really has a love interest in this season do they? Ana is introduced but then is clearly presented as definitely NOT the right choice for eddie and especially for Chris. Then they counter that with Buck helping Eddie build a skateboard for Chris that he can use as opposed to Ana's ablest remarks about how he can't do it so just move on to something else. Then we get Buck's reaction in Eddie Begins. Buck has seen his team his friends his family get hurt on the job before but he has never reacted the way he did when it was Eddie in danger. Again solidifying just how much these two mean to each other. Don't even get me started on this season being when Eddie changes his will offscreen. Anyway we get Abby back and Buck finally gets the closure from that relationship that he needs to move forward into a serious relationship.

Now S4: jfc s4....IMO this is the only logical season to get the ball rolling on Buddie and they sure did that with 4x14 despite everything else. So i never thought they would be the first serious relationship for each other after the heart break theyve both experienced. It wouldn't be fair to their character developments. Buck tries dating Veronica and that clearly doesnt work but we know hes now open to dating again. We get Buck Begins where we see why Buck is the dare devil he is. The only way he got his parents attention as a kid was to put himself in danger. They bring back taylor and how to they ultimately get together after she friendzones him? She thinks hes in danger and suddenly wants him. As much as i hate it this is really gonna be a relationship where Buck finally stands up for himself and sees his own worth and realizes he deserves more. He deserves someone who sees him and loves him for who he is. He deserves to be chosen, something Abby Ali his parents dont do and what i think taylor wont end up doing. I feel like shes gonna choose her career over him. Maybe not in a "I'm breaking up with you" way but maybe she takes a new job and want to do LD (hes tried that twice and it didnt work for him. hes not gonna want that) or she could ask him to go with her but he wont. His family is in LA. His job is in LA. Eddie and Chris are in LA and he won't leave them. Then we have Eddie finally deciding to move on and try dating again so they bring back ana. To me it's not gonna work out so I'm not bothered at all lmao. It's interesting that they'd choose her though. Someone we already know Eddie doesn't trust with his son. There's also more buckley-diaz family scenes of them being coparents. The hildy episode, Chris running to Buck when hes mad at eddie, Buck being the one to tell Chris Eddie got hurt, then Buck staying with Chris and taking on the guardian role without him even knowing just how much that role really does belong to him. He didn't do it out of obligation. He didn't do it because he was asked to. He did it because he thought it would be best for Chris. Finally to 4x14. This is by far the biggest "Oh shit this is it. This is the beginning of buddie". We find out Eddie changed his will a year ago and has just been sitting on this info. I think Eddie knew back then what it meant but he wasn't in the right mindset to accept what it means so he kept it to himself. I think he finally started allowing himself to go there during treasure hunt. The man was jealous yall. Carla coming back and her comment about doing whats best for him and not chris is his oh shit moment. I think he wouldve broken up with Ana a few days after that if he had the time lol. He gets caught up in the mother/son sl then this poor mf gets shot by a sniper. The way that whole scene was filmed btw was not in a bff way. That was a lover watching his beloved almost die in front of him. Buck again puts himself down and Eddie decides this is the moment. He needs Buck to see how important he is. He wants buck to know how loved he is. So he sits there talking himself up to it and finally lets Buck know just how big of a part he is in Eddie's family. Buck's previous scene is him saying he wants someone who wants him back then here is Eddie saying he needs him...Chris needs him. wtf.

So with S5: I think Eddie knows and Buck has a feeling but he's not sure so what i would do is spend s5 with Eddie basically showing Buck his feelings but not exactly getting in the way of Buck's new relationship because Buck has to be the one to make that choice. Id also have chris feeling the different shift with buck having a gf like he did with Eddie. This newfound info wasnt just dropped on us for a "Aww so sweet" moment. This will business is gonna be a part of a bigger storyline. I'm hoping its with Eddie's family during maybe 5b.

So what I think would be the best timeline for canon buddie is 5a eddie already having either broken up with ana or is gonna break up with her, Buck choosing himself and ending things with Taylor by midseason finale, them bringing in Eddie's family in 5b and maybe then being when Eddie confesses his feelings for Buck. Then 6a we could get them walking on egg shells around each other not really knowing what to do bc this is all so new for both of them. This could bring just the right amount of comedy and angst especially them awkward and flustered around each other at work. A big blowup can happen between them for added angst (maybe an arguement before one of them or both of them is put in danger) then a midseason finale kiss. Then trying to find the balance between their personal relationship and their work relationship during 6b.

I don't know how long Fox shows last but procedurals can last a long time. I'm not sure thats gonna be the case for 911 especially with all the main cast staying that long so i think this would give us at least a whole season (S7) of canon buddie.

As far as then being presented as straight, there's been more seeds planted about buck being bi. A few i can remember off the top of my head: all of 2x1 lmao, maddie's comment about bucks boy crush on eddie, buck hinting at thinking eddie is cute when he thinks maddie is talking about him, the christmas elf, the comments on the instagram livestream, idk if youve watched it or not but TK's comment to Buck in the crossover episode, and like you mentioned Maddie's casual comment about setting him up with Josh. All we really know about Eddie's love life is he married Shannon when they were young and is trying with Ana so it could turn into a whole storyline for him.

I'm so sorry this is so long and took forever but i I hope i actually answered your question and didnt just get lost in rambles lmao.

#oh god that took me way too long lol #eddie diaz #evan buckley #buddie #911onfox #is this meta?#wtf even is that #buddie meta #??#idk

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lovecolibri · 3 years

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This whole 'let's make a characters trauma about another person' and 'character with a history of terrible trauma can totally handle another one like it's no big deal' on 911 thing reminds me of Roswell and Carina's approach to storytelling in the worst way. She was doing it with Malex and Alex's enlistment, not to mention just with Alex's character in general, and she was doing it with Max and Michael too about Michael's abuse in foster care. What's baffling the most is Athena and Bobby are right there on the same exact show maturely dealing with Athena's trauma as something that primarily happened to her but also affected someone who loves her and their relationship. This show keeps failing Eddie and his PTSD specifically, first with that weird fight club subplot that went nowhere, now this, and it's pissing me off.

Uuuuuugh, MOOD. I really liked the Bobby/Athena scenes the past few eps because it shows them getting upset in a very emotionally compromised and complicated moment (Bobby is Going Through It with sponsoring that lady and if I recall didn't Michael cheat on Athena? So she might be triggered by Bobby lying to her though I don't think her mind went to cheating. Can you imagine?! Bobby would never.) but after cooling off they took the time to think about what the other person said and stand in their shoes and then talk it out like *gasp* actual mature adults. I personally thought it was really refreshing to see.

And yet. On the flip side we have that interview that made it clear Eddie getting shot was only to further Buck's storyline, and specifically b*ckt*ylor. What?! Also, weird choice given that Eddie getting shot should have been a reason to further Eddie's storyline with Ana, either to solidify that relationship (😑) or to break them up. Instead she had *checks notes* zero lines? *deep sigh* Eddie is an interesting character and while most of Buck's scenes all episode were so great (Oliver killed it this ep as always) especially the ones with Eddie and Chris, it still feels like this episode should have been more about Eddie. And if I had hope it would be explored next season I might be more inclined to let it go, but again that interview was...frustrating to say the least.

And don't get me started on the writing for Taylor. That 'you didn't chase after me' line after she made it clear multiple times they were just friends? Not to mention the scene people seem to forget where she lectures Buck and specifically says derogatory things about behaviors we were literally just shown in Buck Begins are trauma responses. I could have lived with them being shenanigan-having friends because those eps were great! But every time they try to push the romantic aspect it just doesn't work for me. I don't understand because this show already has a great lesbian relationship with Hen and Karen so I don't know why they are so adamantly opposed to letting Buddie happen. Tim even said he knows it's a thing but he doesn't want to stop writing the characters like he is. Like, what the actual fuck is that?! You would not have to change anything about how Eddie or Buck are written! The only thing that would change is the lackluster parade of women being thrown at them with zero development. That's it!

Now I'm all fired up about 911 AND Roswell New Mexico, because damn was that a spot on parallel. Sorry for rambling nonnie, I just have a lot of feelings.

#911 #911 spoilers #buddie #evan buckley #eddie diaz #tagging as #anti taylor kelly #anti ana flores #just to be safe #though in general i don't mind taylor i just think the writers have made poor choices sometimes #just let them be chaotic bffs!#their investigation and treasure hunt storylines were so fun!#let them do more of that #buck deserves some friends outside the 118 who help him do crazy shit #but he needs a partner who keeps him grounded #my sweet nonnie friends

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lemotmo · 3 years

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911 4x14 - thoughts and rambles

Okay, I just watched the finale of 911 after I managed NOT to get spoiled all day long. I’m still proud of that fact by the way. I wanted to peek at spoilers so badly, but because work was so exceptionally busy I made it work. And I’m so happy that I had no idea what was coming.

I’m not one to write episode reviews or anything like that, but I feel the need to write down some of my rambling thoughts, because this episode really blew me away in many ways. It was like a good fanfic come to life. I have to admit that, when I opened Tumblr, I was a little surprised that, in between the positivity, there was still quite some negativity about this episode. All while I’m sitting here, still crying over that great ending with ‘Skyscraper’. So, let me get these random thoughts out.

Be warned! Spoilers and thoughts on the overall storylines from the episode, different characters and of course relationships between characters after the cut. Mainly Buddie positive relationship thoughts though, because this episode filled me with the Buddie-feels. 😊

1. The episode as a whole felt a little rushed. The sniper storyline wasn't well-developed at all. I think that probably has to do with the fact that they had to shorten the season because of—well, you all know why. Let’s not spoil my happy mood here.

2. Eddie and Buck and all the blood—man, that entire sequence of events with Buck rescuing Eddie was just *chef’s kiss*. And the way he was in shock and shaking when he was talking to Taylor. Such good acting by Oliver! Also, did Taylor call Chris ‘his son’? I mean—what? Even outsiders can see it now. The Buckley-Diaz family vibes are real.

3. Question: How is it that Athena seems to be the only capable police officer that actually does any work on this show? She seems able to do everything: patrolling, investigating, finding evidence without any problem or help, walking into a fire and shooting people… You name it and Athena Grant-Nash will do it. And other police officers just let her as well. Is there no hierarchy in this fictional police force? I love Athena to bits, but this was a bit too much for me, if I’m honest.

4. Maddie! Yes, she’s getting help. Thank God. Listen, I’ve been there, right after child-birth. There was no fluffy pink cloud for me either. Just a lot of greyness. I started talking to someone when I felt it was getting to be too much and it really helped. So hopefully, she’ll get through this eventually. I’m hoping that they won’t brush over it in S5. I want to see her progress.

5. Bathena. Man, those two. Such a strong couple. One of the greatest fictional couples out there. I’ve always liked Bobby. Hell, I started watching 911 because Peter Krause was in it and I used to be obsessed with ‘sports night’ way back when in the nineties. 😊 I just loved how Athena showed up and rescued her man in a direct parallel on how he showed up when she got attacked and he was ready to kill someone to save her. Couple’s goals, I’m telling you.

6. Nia was back! That is all! I loved that so much!

7. Albert wanting to be a firefighter felt a little strange to me, but okay. Good for him I suppose. I admit that I don’t really care about him that much. He’s not a character that really speaks to me.

8. Buck and Christopher. Pffff—THAT scene where Buck broke down and Chris consoled him that Eddie would be fine. I mean, yeah—they really pushed the whole ‘Buck is Chris’ dad’ storyline. And then Eddie went and actually made it official. What can I say? I cried— hard.

9. Carla’s little talk with Buck. So many parallels to last week’s talk with Eddie. I mean, the first thing Buck thinks about is Eddie when he is asked how he’s doing. I’m a firm believer that Carla knows there is something unexplored there, right under the surface. If those dumb boys would just figure it out already.

10. That brings me to all the Buddie. Oh man, this episode soothed my aching Buddie-heart so much. It was like reading a good solid Buddie fic. It was all there, the terror and heartbreak, the fear to lose the other, the ‘you’re not expendable’, the ‘I made you his legal guardian’… all of it.

In the end Buck and Taylor happened (I’m not really surprised there as it was a season finale and 911 likes to end that with happiness for everyone) and Eddie and Ana still seem to be together. At least Buck and Taylor acted like a couple and kissed. Eddie and Ana have this weird dynamic going on. A kiss on the cheek? Really?

I will say this: I didn’t mind Buck and Taylor getting together. Like— at all. It -weirdly enough- didn’t even phase me.

Mostly because I was reeling so hard from the infinitely much more powerful emotional connection that Buck and Eddie displayed. Buck saved Eddie, but in the middle of it Eddie was worried about Buck. Buck was not fine after he delivered Eddie to the hospital. He seemed broken. And then Taylor kissed him and ran off. She later told him ‘You didn’t chase me’ (or something like that) and I’m like— no, he didn’t, because right then Ana called him and he knew this would be about Eddie and Eddie will always be more important. He didn’t run after Taylor. He ran towards Eddie. There's something poetic about that. And then Ana stepped aside, and Eddie looked at him with the biggest most soft heart eyes that I’ve ever seen. He’s never looked like that at Ana. In the last scene, when he told Buck about the guardianship he looked so sure of himself. Then he basically told Buck everything he’s ever wanted and needed to hear. Buck told Taylor earlier that he never felt like he was enough. Well, Buck— Eddie just gave you his entire world (his son). You are more than enough for him.

As a single mother I can attest that it’s very important to think about what you want for your child if anything ever happens to you. You don’t take the decision of guardianship lightly. I’ve been there. I was Eddie. It’s hard to make the right choice. For him to make that choice—to make Buck, his best friend, the legal guardian of his child? That’s incredible.

Combine that with Carla’s question last episode about following his own heart and not Christopher’s. It seems to me that Eddie has seen the light and he’s started to partially follow his heart. He’s still not completely there yet, but if this narrative continues, I can see him breaking up with Ana next season, because he realises that following his heart means following Buck, not Ana. And of course, by then Buck will still be with Taylor and there might be pining. I’m all for that.

There were so many parallels between Buck/Taylor + Eddie/Ana and Buddie. Not to mention the clear parallel between Bathena’s storyline and Buddie’s storyline.

I just— I feel really good about this when it comes to romantic Buddie. Listen, I have nothing against platonic best friends Buddie and if that is your jam, you do you! But, for me, the narrative is clearly pushing us towards a romance. I’m getting some really good slow burn vibes here. So far it feels as if Buddie is still right on track with no signs of slowing down. Now, I don’t have a crystal ball or anything like that so I don’t know what the future will bring and showrunners can always change their minds if they really want to, but –in my humble opinion- there is no reversing this kind of emotional connection. If the showrunners really wanted to stop the ambiguity between Buddie, they could have easily done that in this episode. All they had to do was feature more Buck/Taylor and Eddie/Ana to strengthen their connection towards season 5. Instead they focused on the bond between Buck and Eddie and intertwined them even more in each other's lives. So yeah, personally I feel like this is clear: There is only one way to proceed with the storyline and that is forward.

I’m actually really excited for season 5! A lot more than I thought I was going to be two episodes ago. And now there's Tim with his cryptic little quotes about Buck and Eddie. Another thing to obsess about! YAY! 😊 It's a great feeling to start the hiatus like that.

#buddie #eddie diaz #evan buckley #Christopher Diaz #Athena Grant #Bobby Nash #911 fox #taylor kelly #and so many other characters #episode thoughts #911 finale thoughts #Eddie and Buck are Christopher's dads #it's canon now

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buddiewho · 3 years

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I was bored this weekend so I rewatched season 4a. Spoilers ahead.

Honestly, I don't think things get popping until episode 3 [but weren’t actually nearly that great until the last 3 episodes tbh] and I am not even being Buddie biased or Buckley-Diaz family unit biased [this might be a bold face lie, but on second rewatch, I noticed I was paying more attention to everything else as well]. 4x03 is just a really good episode. Good old emergencies, mixed in with Eddie's paranoia over Hildy. Then from there it's Buck Begins and the whole Buckley family secret. Then of course, I feel like when we get to Jinx that starts some kind of path. The universe path, you know? There Goes the Neighborhood also continues on this path. Buck is still trying to work through some stuff; a terrible date, the bit about SAFE SPACES. Then Breaking Point. Everyone has one right? Even Christopher and getting angry or as Buck put it “ I heard you blew up at your Dad” and that’s not over yet though. Taylor needing a friend. Nearly Buck reaching one, but he managed to repair it. Eddie for the sole fact Christopher runs away. Hen and Karen actually not having a breaking point until... Chim and Maddie breaking and repairing it in regards to how Baby Mango arrives in this world. Athena and Bobby just being parents to everyone as usual.

Fun fact. Breaking Point was on as I typed this and it's the one on one scene between Buck and Chris. "I don't want to miss anyone else," Christopher says after he names all the other people he misses first. Buck is probably also telling himself, don't make it about you Buck, this isn't about you, but you are going to promise, "I'm not going anywhere." The last three episodes (Jinx, There Goes the Neighborhood, and Breaking Point) were like some kind National Treasure bullshit; *Nicolas Cage voice* "The secret lies with Charlotte." "Paul Revere went by horse and it was two lanterns not one" or some bullcrap that movie talked about (not going to lie, I once thought it was comedic), but I just mean the overall premise of National Treasure being about secrets or coded messages and a Treasure Hunt (which if I'm correct is also a name of a potential 911 episode...?)

Can I backtrack a moment to 4x07? You know the awkward double date that Buck invited Taylor to? Buck is sitting awkwardly in that chair, wondering about his life choices and little bit of a song played. The lyrics, "There's someone else for you." Just that bit of the song, for the record and I don't think it was already playing in the previous scene to end so coincidentally over Buck’s face?

I'm also not over Taylor talking about looking for a miracle in which Buck gave to her and Eddie also called Buck a miracle worker.

Okay, the end of Breaking Point: Ana comes over to the house, like some awkward new beginning parallel to Madney being cute as they prepare for Baby Mango. Buck patches things with Albert. Then the not so happy crescendo/breaking point for Hen and Karen. Adopting Nia may not happen.

It's really coded like a treasure hunt and if there's an episode named that, well, that'll be hilarious. I'm forever going to hang onto Future Tense as a way of showing us the future, Buck and Eddie have yet to realize. So when they do realize it, it'll be soo damn good. So if the presumed treasure hunt the universe sends the boys on (with everyone else on their own kind)- but if Buddie doesn’t end with them figuring out what connects them and how they want to be connected...like if they don’t meet in the middle at the X marks the spot (or the universe tether aka Christopher) then I really am just creating this treasure hunt out of thin air and it doesn’t exist like the Dad profusely told Nic Cage’s character in National Treasure...or maybe it’s also like PLAYING DETECTIVES? Cagney and Lacey inspired True Crime podcast brought to you by Buck and Eddie two LAFD firefighters and best friends occasionally featuring their Captain of the 118; plus Bobby’s friend Michael and his partner David who reluctantly participates in these shenanigans but could provide key medical evidence/research. In my mind, they read [mostly Buck and Eddie] their cases/script for this made up podcast as 1940s detectives. Smoky voice Buck: “It’s a locked room mystery.” *1940s detective music* Smoky voice Eddie: “Correction. It’s a locked yard mystery...” Anyway...

Did I mention the clowns to ya'll? We didn't forget abut those clowns did we (Jinx might actually be my fav episode of the season after FUTURE TENSE). The clowns are so pointedly shot after Eddie mentions Ana to Buck. Okay. Then there's also the love languages thing. That's a book Buck’s therapist would've recommended right now or for some reason he’s choosing to read it? As we can see, I think the show might be reeling it back in for Buck. As Eddie put it "I don't know what inspired this software upgrade." Coincidentally, Buck 3.0 is looking to the FUTURE. Anyway, the love languages. NO one immediately thinks about the coffee machine prank. Absolutely no one so I won't even make that a thing, but I notice in that scene Buck "outs" Eddie by telling the team about Ana.

Hen: Ana who?... Is this the one you yelled at? Eddie: I apologized for that. Chim: Yeah okay and you still didn't ask her out? Eddie: She's Christopher's teacher. Bobby: I thought you said she got a new job. Buck: *crickets*

What's the intention behind Buck bursting this supposed secret and then not have him encourage Eddie? Like in his way, Buck could’ve said well, does she do this or that? Words of affirmation? Gift giving? Are yours and her love languages truly compatible? Oh, wait, there’s implications behind the book Buck is reading but also...there's implications behind Chim and Bobby's statements. They're implying okay so go for it. Neither Hen or Buck really do that. Why don’t we have Hen jumping on the encouragement train either? Instead she brings it back to that one unfortunate moment any of them really remembers of Ana... Hmm, it's secrets and coded messages and the one thing that Buck has said from this entire season that truly resonates with me:

Buck (directed to Eddie): The universe is screaming at you and it's like you're not even listening.

Irony is. Neither is he.

Oh wait, another line that resonates with me (and I made a recent post with it too):

Bobby (directed to Eddie): They're so focused on what they don't have that they might miss out on the chance to have something else, something real.

Something real.

You really want me to think this line is about Ana Flores, even if Eddie thinks it somewhat is? And the foundation of it is to encourage Eddie to think about moving on, to stop being so STUCK (2x04 anyone?). If it really is about Ana then we're actually painting Bobby as the character who has no idea...? None whatsoever as to HOW CLOSE Buck and Eddie could be, if that's what they wanted. Seems fake, but okay. Bobby's line actually should highlight that they both are looking in the opposite direction when in fact the SOMETHING REAL is right in front of their faces. The something real is what Eddie came home to after his supposed date.

Just saying because to me it looks Buck and Eddie are still looking in and RUSHING INTO the PAST TENSE and have yet to understand the FUTURE TENSE.

#buddie #911 spoilers #a rewatch #a messy one #but sure why not #how could I still not watch it with Buddie goggles on or my clown hat #...

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kinetic-elaboration · 3 years

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April 10: 2x14 Wolf in the Fold

Watched Wolf in the Fold last night. The only thing I really remembered about this ep going in was that it was a Scotty ep. Which is true but also… slightly misleading. Also that it had to do with Jack the Ripper—which is more true than I remembered!

A decadent intro… I get why Spock isn’t here but I actually DO think he would be into it.

Matchmaker Kirk lol.

Scotty is so awkward. This is the other detail I remembered from this ep, actually: how Scotty wants to applaud using his hands no matter what. (Even with those cool lights RIGHT THERE lol). Old Aberdeen pub crawler…

This is honestly such a bizarre back story: Scotty got a concussion because someone who happened to be a woman made a mistake and now not only is his head all funny but he has a “total resentment toward women.” Like okay, nothing creepily sexist in that concept. Also –they ultimately barely even use it! I know it’s the implied rationale for why he would suddenly start murdering women and also not remembering it but it’s like such a flimsy excuse that they never say it out loud in so many words for fear it should sound too stupid. Which it would. Honestly, you really only need the concussion imo. Why go into the weird misogyny thing at all?

And now Kirk and Bons head off to a brothel, giving me a total resentment toward men.

Nice eerie fog out here. Very Aberdeenian.

Okay, so this woman was stabbed a dozen times but she only screamed once? And then a second later, Scotty had somehow teleported several feet away, still holding the knife? He’s good at his job but he’s not that good. This is already deeply suspicious.

“Therapeutic shore leave.” Trying to cure his hatred of ladies lmao.

So this weird little bald man, Hengist, from Rigel IV. Is he an alien? I suppose he must be. Rigellians are a race, as we know from Journey to Babel. It’s not always clear to me which groups of people are Earth colonists who have migrated to or been born on other planets and which are humanoid aliens.

The Aurelians are a gentle, harmless people. Cute. I like these aliens.

I wish we could hire aliens to be our administrators. Alien Overlord and Taylor.

“I’ll be taking over, since I am the highest official.” He out-officialed him.

I like this guy and his slightly creepy empath priestess wife. I feel like Spock would like them, too.

Speaking of: Spock in the captain’s chair. Hot.

I don’t get how this planet is the only space port around. Like… could not any planet be a space port? What does that even mean?

Oh no, a woman with the lie detector machine! She must be incompetent and/or to be despised.

I love Sybo’s outfit. Her hair and jewelry too. Honestly just a great head-to-toe look.

Another murder! Sorry but this one is on the Aurelian for just leaving the murder weapon out there unattended.

Generally speaking, the costume and set people are doing allllll the work in this episode.

Hengist went to look for suspects and he came up with the victim’s father and fiancé?? He’s not even trying lol. Anyway, he obviously did it.

How can you NOT tell if a lock was picked or not? I mean I know McCoy is a doctor, not a locksmith, but come on. It can’t be that ambiguous.

Spooky mumbo-jumbo.

Interesting that Spock doesn’t trust the mumbo-jumbo either. I guess he only approves of it when it’s Vulcan.

When Sybo says “monstrous evil” the camera is looking right at Hengist. Not suspicious at all. He’s only clearly railroading Scotty, looked right at the second victim before she was killed, was in the perfect position to take the murder weapon after it was carelessly left about, and is the most obvious non-Scotty suspect here.

I love how loyal Bones is. He literally saw Scotty holding Sybo and the knife with blood on his hands and is like “It’s impossible he could have done it.”

So many of the “truth discovery” devices on TOS are truly creepy. Like they’re all clear plot devices, and for that reason depicted as completely reliable, and the more completely reliable they are, the more deeply disturbing they become upon any reflection at all.

That’s a pretty computer though. All those pretty flashing lights! And it runs on floppy disks.

I literally just remembered what happened.

“Scotty, lie to me, how old are you?” / “Twenty-two, Sir.” Yeah, I’d say that’s a lie.

So like this allegedly all-powerful computer is literally just a lie detector. That’s it! A lie detector that picks up on psychological signs of lying, just like our lie detectors today. I mean… you could have just said that straight out. All they do is show what a person believes to be true, so in the case where someone truly doesn’t remember something, the usefulness is… limited.

My mom suggested a Vulcan mind meld which, actually, would pretty much solve the problem! But for once Spock actually treats it like something serious and not to be thrown out as a solution to all problems at the merest suggestion.

Someone needs to do a fashion line based entirely on the Argellian outfits.

Spock is internally eye-rolling at all this drama. I feel like he’s a real advocate for the computers today. That’s like… really his only role.

The computer’s linguistics banks don’t know what this word means? Maybe we should get Uhura on the case.

Plot twist: the killer was Jack the Ripper the WHOLE TIME! The last one you’d ever expect.

I don’t get how the computer made the leap from Redjac to Jack the Ripper since that is not a real word and no one outside of this episode of TOS has ever used it for Jack the Ripper.

“Everyone feeds on death, even vegetarians.” So dark, Spock. So emo.

Aw, alien creatures that derive sustenance from love. Adorable. There should have been an episode devoted to them. (Wait a minute…. Idea coming on…)

Speaking of gaseous cloud aliens…the Companion?

This episode really relies a lot on the computer to provide information and otherwise move the plot along.

Kirk keeps ignoring everyone to just talk to Spock.

“Cloud the issue” lol that’s a good pun. (Already can’t remember who said it but… point stands.)

The cloud entity feeds on women because they are more easily and deeply terrified. That sounds fake but okay. It’s also not in keeping with what Sybo said, is it? She mentioned a hatred of women. That’s not the same as finding women useful.

Hmm, when do we get our Martian Colonies, @ perseverance?

Oh, Rigel IV, you say? There seems to be a Rigellian right here!

This whole history of the entity is bizarre. The first killing sprees (that we know of) are on Earth, and Kirk specifically says that when man left Earth to explore, he took this with him. Does that mean… the cloud creature/entity originated on Earth? Truly a bizarre hypothesis, when you think about it.

Are you the entity, Sir?

There is actually very little Scotty in this Scotty-centric episode.

Lol the knife originates with the hill people of Rigel IV. What is this, Deliverance?

Omg Kirk punched the entity right out of that man!

So to summarize: “Jack the Ripper is actually a gaseous cloud that is capable of infecting the computer system of the Enterprise, thus hijacking the whole ship” is the basic, wacky concept of this episode.

This tranquilizer could quiet a volcano. Where was it during the volcano scene in STID hmm?

Kirk’s plan to keep people from being scared by the maniacal voice of the entity: Tranquilize the entire ship. That’s why he’s paid the big bucks.

Yet another twist on the old Kirk v. Computer plot. Time to use Math to defeat it.

Kirk is so unimpressed with the entity. “Eh, shut that off.” He would not be moved by a haunted house.

“This is the first time I’ve heard a malfunction threaten us.” Sulu can man his post AND be funny; he’s multi-talented.

Kirk and Spock don’t need tranquilizers because they’re smart enough to know this high-pitched voice yelling random threats just isn’t actually scary.

Kirk is really insistent that Sulu man his frickin’ post!

Oh no, not PI!! My nemesis, PI!

I’m really living for Sulu here.

If the entity entered a tranquilized person, it might take up knitting. I gotta say, that doesn’t make any sense as a plot point but I like it anyway.

That was a very efficient tranquilizing job! Everyone in a 400+ person ship in like 10 minutes? Get the medical team on the Enterprise in charge of the vaccine distribution stat.

Kirk just outright assumes that Spock won’t be a hospitable entity choice. And he’s not even wrong! The entity chooses the dead body over Spock or Kirk. It knows when it’s not wanted.

Hengist has been revived!

The entity is honestly, truly hilarious. Die, die, everybody die! Kill! Kill you all! Maniacal laughter! All while being carried by a still utterly unimpressed Kirk down the halls of the ship.

Spock’s like “get out of the way, you tranquilized idiot. Got some entity-scattering to do.”

“I gave them a pretty big shot, Jim!” Think you might have slightly overdone it, Bones? You didn’t need to make everyone useless for 6 hours for a problem that was solved in 5 minutes!

This is one of those moments, Kirk trying to get Spock to see the pretty ladies with him, when Spock seems super gay. Like, I don’t even think he is, that’s not my reading of him, and I also assume that wasn’t the intention here, but that’s just so clearly how it reads.

Aw, Kirk doesn’t want to go the strip club alone. Poor bb.

Weird how Lt. Leslie was in this when he died in the last episode.

Overall, I’d actually have to say that was a very crack-y episode. I liked the ending the best because it was so ridiculous.

What I don’t understand, in addition to whether or not the entity was really supposed to be from Earth, was how it came to be Hengist. Like, it can enter and leave bodies (or computers) at will, so perhaps it just entered Hengist, a normal Rigellian, at some point. But if that’s so, putting him on the transporter and scattering him into space was a pretty cruel thing to do. Also, why did he die (or appear to die) when the entity wasn’t in him? That implies he is the entity’s physical form. But then, first of all, how is also a Rigellian? Like did the entity mate with a Rigellian? Did the entity take over a baby Rigellian? Did the entity just claim to be Rigellian but is really just humanoid in its physical form—we did establish that some aliens, like this one, or creatures or whatever, are gaseous sometimes and solid others, so maybe its solid form is humanoid. Which would fit well with it originating in Earth, although that also brings a new and perhaps unintentional layer of creepiness to the story. I have to assume that’s the situation, but still, wild. And it doesn’t explain this: why does Hengist “die” when the entity “leaves” him, as opposed to just disappear entirely when the entity changes form??

Anyway, I know I’m overthinking this very wacky premise. Overall, I think the episode was fine. It didn’t have enough Scotty (for being a “Scotty episode”) and it changed genres an awful lot for 50 minutes. There was a tad too much misogyny going on. And overall I didn’t feel like the characters—even Kirk, and in actuality this was a Kirk episode much more than a Scotty episode, and purposefully so—were at their most interesting. Tbh Sulu ultimately stole the show in the final minutes.

Next up is the Trouble with Tribbles! Also a funny episode but at least undeniably purposefully so!

#the year 2021 #2021: star trek #star trek tos #wolf in the fold

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festivegrant · 3 years

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You said 4A finale fell flat and I agree but I’m just curious in which ways did it fall flat for you? To me, I guess I was expecting some type of cliffhanger. Didn’t have to be scary or intense, I just expected something. And yeah that could have been Maddie going into labor. And I know people can debate until the end of time about Eddie and Ana but personally I have no problem with them like overall, if you stand back and look at the big picture. Eddie is trying to move on and Ana seems sweet and smart and nice but when you step closer and look at it, Eddie to me seemed so out of character in that episode. He was doing things that he wouldn’t normally do. Like, ok you went on maybe 2 or 3 dates with her and even after your son throws a fit you still think it’s ok to introduce her to him that soon? And also in the middle of a pandemic?? When his son is high risk and his son hasn’t even seen his friends or other family (I’m assuming). It just seems out of character. And before anyone comes for me, I’m fine with Eddie moving on and getting into a relationship. He could literally date anyone and I wouldn’t care as long as he’s happy. And maybe that’s the point of all of this- to show he’s trying to move on but Ana isn’t the one. Maybe she is and I’m a clown but I don’t personally see it. She’s lovely but I don’t see it. Buck and Taylor was interesting though. I’m all for them being friends because both of them seemed to have matured

glad you asked! my response ended up longer than i’d anticipated so i’ll put it under the cut:

i FOR SURE expected some sort of cliffhanger. i mean, tbh overall the episode didn’t really stick in my head that much? the most cliffhanger-y thing we got was hen and karen not being able to adopt nia (heart-wrenching but good narrative choice) although i would have liked for them to really dig it in and indulge us in more wilson family moments before ripping it from our grasp. i love to suffer <3 and i just think that if we had had a scene where the madney baby is born that would have been such a bittersweet contrast?? like actually watching it would have destroyed me and i probably wouldn’t have liked it bc it would have made me sad but since im playing god on this website it WOULD have been fantastic narratively and i WILL pretend i wouldve liked it.

buck and taylor was cute (and I LOVE their banter), but i kind of feel like the sudden friendliness came out of nowhere?? @benjji2795 made a post about this a little bit; taylor never apologized for what she did to bobby, so it doesn’t totally make sense for buck to be so nice to her?? however i love taylor and im glad she’s on the show. one of two things should’ve happened: she apologizes to bobby and wham bam now her and buck are besties with a fun dynamic (note FRIENDS, not romantic partners, because they have different priorities and are canonically not romantically compatible!! and thats okay!!) OR her reoccurrence on the show is established as some sort of antagonistic ally. i think that would be so fun.

okay okay i have my own thoughts on eddie and ana and that whole situation. let me split this up to make it legible:

on eddie being out of character:

something was definitely wrong this episode. him introducing ana to chris does not sit right (for ALL the reasons you mentioned, which I completely agree with). As far as i’m concerned, there are two possible reasons:

eddie was just plain ooc and it was due to bad writing. it makes me disappointed, but i think this is the one that’s most likely.

eddie was in character, but he was jsut the worst side of his character. someone made a post about it that i found pretty interesting. idk if i completely agree with it bc to say that eddie introduced ana to chris so she could fill what eddie thinks is an empty space in their lives sort of undermines the whole talk he had with bobby the scene prior.

HOWEVER this interpretation also gives ana the opening to have narrative agency and set boundaries for herself and tell eddie she likes him but she didn’t sign up to be a mom. but i don’t think the writers (or r*an, because he sucks and is also not that great of an actor) are thinking that deeply about his character (but maybe they are. who knows).

on ana:

i’ve said this before and ill say it again. the way she’s set up to be both disliked by the audience (because she’s so blad) and disposable to the narrative (because she’s so bland!!) makes me upset. she literally doesn’t deserve that and it’s disturbing to watch (both onscreen and in fandom reactions). i don’t know what else to say except i hope she either gets a well-written, significant story arc or she leaves the show soon. i don’t want to see her being a romantic accessory anymore.

also i think she’s cute but that’s just gabrielle walsh kjdsfl

on eddie and ana together:

okay i agree that a relationship is necessary for eddie to be able to move on. like i get that. i agree. it’s part of his growth. here’s the problem with that though.

the WAY the show handles eddie moving on is very blatant. it is very streight forward. ‘oh, he’s moving on? new girlfriend!’ the thing is, they kind of forgot to give said girlfriend a personality (see above). and BECAUSE OF THAT (or, at least, it’s a contributing factor) they have no chemistry and are terrible to watch onscreen.

i tried to like them. i really did. i tried to frame it as ‘hey, theyre jsut two people who have crushes on each other and we can watch them flirt and yadda yadda and itll be cute, right?’ ive made posts about their dynamic together and trying to find an angle to make it fun. but i cant. i literally cant do this anymore. i actually cringed at nearly every scene they had together. it was unpleasant and boring and i would love it if it were over soon. if the creators are seeking to both produce a good/entertaining and moving show AND keep eddie and ana together, i’m curious to see how they do it because i truly have got nothing for them.

anyways. In conclusion, I’m only emotionally investing myself in the wilson family, the grant-nash family, the buckley-han family, and fanfiction-based buddie :) <3

#this was sooo long #and i didn't even talk about buddie! well this is all buddie aside #ask #anon #911 fox #also i made like thirty edits because tumblr formatting hates me so if you see a different version after my initial posting that's why

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citizenscreen · 4 years

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‘Tis the season to spread cheer and I’m doing my part by recommending classic movies, paying them forward in hopes that these memorable distractions take people’s minds off negative goings on. I’m asking that you join me, recommend your favorites and #PayClassicsForward on your blogs, by noting your recommendations in the comments or sharing across social media.

Let’s give the gift of movies.

Here’s the challenge…pick movie recommendations to the “12 Days of Christmas” theme as I’ve done below. Keep in mind that movie choices should be those you think would appeal to non-classics fans. Let’s grow our community and #PayClassicsForward

Have fun!

On the first day of Christmas, etc. etc…

One hat

The “one” listing is always a difficult one due to the fact that classics lend themselves to plenty of choices. That said, I came up with a category that encompasses important decades and several genre of film – the fedora. By following the history of the fedora in film you’ll be made privy to the best gangsters, greatest funny men, and most memorable lovers of Hollywood’s golden age. So here it is, a signature fedora:

Note that in researching my favorite fedora portrait I learned that trilbys are often mistaken for fedoras. Since experts seem to be confused between the two types of classic men’s hats that leaves little hope for me. I can’t say for sure whether Bogart is wearing a trilby in the above image, but he may well be. Descriptions of this type of hat explain the rims are shorter than your average fedoras. Either way, it’s a cool, suave look and Bogie rocks it.

From GQ: What’s the difference between a fedora and a trilby?

Answer: Traditionally a fedora has a wide brim and in the UK a wide ribbon band and bow. A trilby has a narrow brim and narrow ribbon, although there are some American trilbies that still have the wide ribbon.

Two Fairbanks

Things were not simple between Douglas Fairbanks and Douglas Fairbanks, Jr. as it is for many families, but the son wore his father’s name proudly. I chose this father and son combination because if you watch their films you’ll get a healthy helping of everything from silent adventure to pre-code delicacies through some terrific television work. These are careers worth following.

Three Trios

There are quite a few choices for memorable trios in film including Cattle rustlers Robert Hightower (John Wayne), Pedro “Pete” Rocafuerte (Pedro Armendáriz), and William Kearney (Harry Carey, Jr.) in John Ford’s 3 Godfathers. That one is definitely difficult to pass up. That said, I think the following trios are likely to be looked at less by casual fans and they all deserve attention. These are my choices of trios in movies:

They are such a joy to behold. I remember them fondly from my days as a child watching them on TV. It seemed then that they appeared in a million movies, but that wasn’t the case. Still, these siblings are a joy in films like Buck Pirates with Abbott and Costello and their film debut in Albert S. Rogell’s Argentine Nights (1940). The Andrews Sisters made 17 films, more than any other singing group and all are a terrific way to be introduced to the movies. If that record does not impress you, then maybe this one will: LaVerne, Maxene, and Patty garnered 113 charted Billboard hits with 46 of those reaching the top 10. That’s more than Elvis Presley or The Beatles.

youtube

I have nothing against Disney. In fact, I enjoy their classic animated films immensely. Due to that I’m less than enthusiastic about their constant remakes, which – in my opinion – disrespects those wonderful, older film accomplishments. Today I pay tribute to one of them by way of a trio of glorious characters made in the memorable Disney vein we’ve all come to know and love, that combination of warmth and delightful comedy that permeate those wonderful films. These characters are Princess Aurora’s three good fairy godmothers Flora, Fauna and Merryweather in Disney’s 1959 classic Sleeping Beauty. They alone pay tribute to an enchanting legacy.

“Each of us the child may bless, with a single gift no more, no less.”

The final mention here goes to three Russian envoys who have arrived in Paris to sell a fortune in jewelry, imperial jewelry, the money of which is to go to the Russian government, which is in need of cash. The three, Iranoff, Buljanoff and Kopalski (played hilariously by Sig Ruman, Felix Bressart and Alexander Granach, respectively) who are supposed to be doing work for the Russian government, immediately get caught up in the excesses of capitalism and fail to sell the jewelry. Moscow then sends a special envoy to Paris to investigate what’s going on with the trio and the jewelry. The envoy is the rigid and humorless, Comrade Yakushova – Ninotchka (Greta Garbo). The charming Melvyn Douglas plays Ninotchka’s love interest in Ernst Lubitsch’s delightful comedy, but it’s the three envoys in the hands of Ruman, Bressart and Granach that make this movie among the greats in the annals of comedy. I just want to get to know them better and so should you.

Ninotchka with Iranoff, Buljanoff, and Kopalski

Four Skippy Performances

It’s no wonder this wire-haired terrier was the highest paid canine star of his day. Often referred to as “Asta,” thanks to his successful appearances in The Thin Man movies, his real name was Skippy – and we love him to tears. Although I’m choosing only four of his film performances, Skippy never made a bad movie and starred opposite some of Hollywood’s biggest names. If you keep an eye out for Skippy’s filmography on TCM, you will no doubt be introduced to an astounding talent as well as a terrific movie. It’s guaranteed. My Skippy suggestions are:

Skippy as Asta in The Thin Man movies opposite William Powell and Myrna Loy as Nick and Nora Charles. I can’t imagine you haven’t seen The Thin Man (1934), but may not have given any of the sequels a try. If that’s the case you will be delighted by Skippy in any one of his key performances:

in ANOTHER THIN MAN

in AFTER THE THIN MAN

Skippy is wonderful as Mr. Smith in The Awful Truth. Worth a custody dispute between Warriner and Warriner played by Cary Grant and Irene Dunne, this time Skippy is required to add straight drama to his repertoire as he is required to choose between his two humans right off the bat. There’s also plenty for him to do on the comedy front, however, so this one is a must-see.

forced to choose between the Warriners in court

front and center in the awful truth

Skippy as George in Howard Hawks’ Bringing Up Baby opposite Katharine Hepburn and Cary Grant. Another terrific outing for our favorite pooch as he is central to action thanks to his burying abilities.

Holding his own in Hawks’ beloved screwball

This sequel to Norman Z. McLeod’s 1937 hit Topper lacks some of the charm of its predecessor, but the talents of Constance Bennett, Roland Young, Billie Burke, Alan Mowbry, and Skippy make it well worth your time. Here, Skippy matched Bennett’s ghostly wit by ghostly wit in a role that stretches his talents to matters beyond this world and he approaches it with signature enthusiasm.

so famous he made it into this spectacular publicity photo with Constance Bennett

Five Lords-a-leaping

No explanation needed.

Cagney

Nicholas Brothers

Kelly

Astaire

Six Vivien Leigh GWTW Tests

Gone With the Wind is celebrating its 80th anniversary on December 15 and, as the biggest, most famous movie ever made, it deserves at least a mention here.

On that day in 1939, Atlanta’s Loew’s Grand Theater was buzzing with Hollywood’s biggest names. It was such an occasion for Atlanta that the film’s opening was a 3-day event as Governor Eurith Dickinson Rivers declared a three-day holiday. Other politicians asked that Georgians dress in period clothing. A lot had happened in Hollywood leading up to that premiere though including the famous search for the film’s leading lady, the protagonist of Margaret Mitchell’s 1936 blockbuster novel, Scarlett O’Hara. Every female star it seems auditioned for the part. Among them were Bette Davis, Jean Arthur, Tallulah Bankhead, Joan Bennett, Claudette Colbert, Frances Dee, and Paulette Goddard who, as stories go, was close to being chosen. As we all know, however, Scarlett went to the lovely, British Vivien Leigh who possessed an outstanding talent. Leigh made the part her own and, along with the film, became tantamount to Hollywood royalty. To honor Vivien Leigh and her memorable Scarlett O’Hara here are six make-up and wardrobe test stills:

Seven Justices

Judge James K. Hardy in the Andy Hardy movie series

Judge Margaret Turner in The Bachelor and the Bobby-Soxer

Judge Taylor in To Kill a Mockingbird

Judge Weaver in Anatomy of a Murder

Judge Henry X. Harper in Miracle on 34th Street

Judge Dan Haywood in Judgment at Nuremberg

Judge Chamberlain Haller in My Cousin Vinny

Eight Serials

Follow the links to watch episodes of these dramatically exciting serials. It might take a few chapters for you to get hooked, but you’ll get hooked.

The Perils of Pauline (1914) starring Pearl White

The Vanishing Legion (1931) starring Harry Carey and Edwina Booth

The Green Hornet (1940) starring Gordon Jones

Zorro Rides Again (1937) starring John Carroll

The Master Mystery (1918) starring Harry Houdini

Flash Gordon (1936) starring Buster Crabbe

The Phantom Creeps (1939) starring Bela Lugosi

Holt of the Secret Service (1941) starring Jack Holt

Nine Ladies Dancing

Ann Miller

Ruby Keeler

Eleanor Powell

Lena Horne

Betty Grable

Vera-Ellen

Cyd Charisse

Ginger Rogers

Dorothy Dandridge

Ten Directors

Watch their movies… live, love, learn, and laugh.

Michael Curtiz

Akira Kurosawa

William Wyler

Fritz Lang

Ernst Lubitsch

John Ford

Alfred Hitchcock

Mervyn LeRoy

Ida Lupino

Lois Weber

Eleven Movies about Millionaires

Since I recommended movies about hobos in a previous year, I thought the time came for millionaires. There are many wonderful movies about the super rich, particularly during the Great Depression when audiences loved seeing the plight of these people play out for laughs. That theme made for some of film history’s best screwball comedies. The super rich, however, have lent themselves for entertaining movie fare ever since the movies began and in every genre. Check out this terrific list from Forbes spotlighting millionaires in movies.

As for me, I have quite a few favorites with millionaire themes that appeal to most others as well. These include such popular titles as The Philadelphia Story, the shenanigans of the Charleses in The Thin Man movies, My Man Godfrey, The Lady Eve, How to Marry a Millionaire, and movies featuring recognizable names like Charles Foster Kane and Bruce Wayne. For this purpose, however, I recommend lesser known, but worthy millionaire movie stories I’ve watched through the years – some in terrible condition, a few greats, and some for plain ole fun. Here are the 11 rich and classic…

Phil Rosen’s Extravagance (1930)

John G. Adolfi’s The Millionaire (1931)

Clarence G. Badger’s Miss Brewster’s Millions (1926)

Frank Tuttle’s Love Among the Millionaires (1930)

Mitchell Leisen’s Easy Living (1937)

Anthony Asquith’s The Millionairess (1960)

Robert Moore’s Murder by Death (1976)

William Asher’s Bikini Beach (1964)

Walter Lang’s I’ll Give a Million (1938)

George Marshall’s A Millionaire for Christy (1951)

Roy Del Ruth’s Kid Millions (1934)

EXTRAVAGANCE (1930_

THE MILLIONAIRE (1931)

LOVE AMONG THE MILLIONAIRES (1930)

MISS BREWSTER’S MILLIONS (1926)

MURDER BY DEATH (1976)

I’LL GIVE A MILLION (1938)

A MILLIONAIRE FOR CHRISTY (1951)

THE MILLIONAIRESS (1960)

KID MILLIONS (1934)

BIKINI BEACH (1964)

EASY LIVING (1937)

Twelve Feature Acting Debuts

Some of my favorite and/or most memorable film debuts…

Jamie Lee Curtis in Halloween – effective after all these years.

Orson Welles in Citizen Kane – although Welles’ performance is what I find hardest to like in Kane, I cannot deny its impact and status among characters in film.

Audrey Hepburn in Roman Holiday – appropriate introduction for royalty in film and in life. She charms you from the first moment.

Eva Marie Saint in On the Waterfront – exclamation point to begin a stellar movie career.

Barbra Streisand in Funny Girl – a tour de force and a phenomenon

Peter Lorre in M – brilliant, nightmarish, heartbreaking. Described by director Fritz Lang as “one of the best in film history.” I agree.

Julie Andrews in Mary Poppins – Her debut should have been as Eliza Doolittle in My Fair Lady, but we’ll take this and so did she. Not only did Andrews win the Best Actress Academy Award for her portrayal of the magical nanny, but she won the hearts of the world in the process.

Timothy Hutton in Ordinary People – ordinarily superb.

Angela Lansbury in Gaslight – small part, big impact. Undeniable screen presence.

Edward Norton in Primal Fear – convincing and chilling.

Greer Garson in Goodbye, Mr. Chips – She wanted a worthy role as her screen introduction. She got it. She killed it – as she did from that moment on.

Eddie Murphy in 48 Hours – I love this performance highlighting the scope of Murphy’s talent.

I gave this final topic a lot of thought as there are many worthy contenders. For instance, I’m sure many would choose James Dean’s turn in East of Eden, as big a legend-ensuring performance as there ever was, but it’s not a favorite of mine. Tatum O’Neill’s performance in Paper Moon is another one I considered as were Marlee Matlin’s in Children of a Lesser God and Lupita Nyong’o heartbreaking Patsey in 12 Years a Slave. Finally, I adore Robert Duvall’s debut appearance in To Kill a Mockingbird. And I could go on and on. We just have an embarrassment of riches.

♥

Phew! There you have this year’s movie recommendations. I hope you enjoyed the list and that – in the spirit of Christmas – you take this challenge and…

#PayClassicsForward

Visit previous year’s lists as shown:

2015

2016

2017

2018

The Challenge: #PayClassicsForward for Christmas ‘Tis the season to spread cheer and I’m doing my part by recommending classic movies, paying them forward in hopes that these memorable distractions take people’s minds off negative goings on.

#12 Days of Christmas #12 Days of Classics #Movie Recommendations #Pay Classics Forward #Pay Classics Forward for Christmas

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sarahreeese · 6 years

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The diversity issue One Chicago isn’t fixing any time soon

6 years on TV 15 seasons of all the One Chicago shows combined. 94 regular and recurring characters 2 specifically stated LGBTQ+ characters that were on for more than an episode. One who died due to man pain, and the other a manipulative awful girlfriend of said dead woman.

That’s about 2% of the characters on all of the shows.

Their only significant gay character died in 2014. That’s nearly 4 years without any kind of representation. When One Chicago was criticized for having a lack of racial diversity on their shows, they made Med, whose cast is nearly half people of color. (Though they don’t all get equal air time or story quality but that’s another post.) Justice took it one step further and had more people of color than white people. So they can take criticism and change tactics, they’ve shown that. So why not change this? They’ve had time, characters, and 2 shows to correct this glaring problem. Why haven’t they?

It wasn’t planned from the beginning/The characters haven’t shown any signs of being gay. Sexuality isn’t something that needs to be revealed right away, there are so many storylines especially in the field that these characters work in that would make for great drama AND great representation. Give me a fire fighter or a cop who is gay, and hides it from the team because they don’t want to be seen differently by their team. Or a new character who had a horrible experience with their old team or house or whatever, and decides to come out only after they trust people. Or we could just have a great storyline where someone is out and proud and everyone deals with it respectfully. As for trans characters, all of the above apply, but they could also have a doctor transitioning, and we see the medical storyline play out as well as the emotional one with the doctors. People discover these things about them later on in life, there is no reason any character couldn’t be made to have these thoughts and feelings. These storylines write themselves and are incredibly easy to weave into the shows naturally. You’re just being lazy One Chicago.

It doesn’t have network appeal/wouldn’t play well with the demo. There are currently about 36 regulars/recurring characters active in the One Chicago Universe. No one is being threatened by putting any LGBTQ+ characters into the storyline. Also if people aren’t exposed to this in television, how will they be introduced to these ideas if they don’t know anyone personally. Also queer people exist and watch this show. We want representation too. And 18-49 is definitely going to have some of us in it.

They’d have to bring in new characters in order to have LGBTQ+ ones. No, they wouldn’t. See the first mock question. But also in the past 2 seasons they have introduced about 7 recurring or main characters. All of them straight.

You don’t know if they’re straight, you’re assuming. Yeah, because that’s the intention that the shows are going for. In order for representation to exist there needs to be some sort of explicit statement or act to show it. Otherwise it doesn’t count.

It’s not realistic to the type of jobs. Really... There are no gay cops or firefighters, or doctors?

These shows are about the jobs not the personal lives. Sexuality and gender expression ARE NOT PERSONAL LIFE THINGS. It’s who someone is, and that’s One Chicago’s specialty. The characters stop them from being just like every other procedural on every other network. And if you have time to show us scenes of every other heterosexual couple you have time to show us queer ones.

Stop watching the show if you don’t like it. No. I love these characters and that’s why I want these shows to do better, and be better. I’d also love consistent writing, which I’m not going to get either, but I can still ask for it.

Now here’s a list of characters who could easily be either read as queer or could discover they were queer. (Also PS, I’ll be using gay in the colloquial manner as in Make this Character Gay, which also means like make them queer or any kind of LGBTQ)

Starting with the newest regular characters.

Ava Bekker: Definitely brought in to be the new lady Connor fucks, but hey you could make her Bi or Pan. She made a comment about liking dangerous men, does that mean she doesn’t like dangerous women? Make her gay 2K18. Wouldn’t it be interesting to see her not wooed by Connor’s charms and become Zanetti 2.0? She could use a great girlfriend, or non binary friend. Maybe a sweet smart bundle of anxiety who is a second year psychiatry resident? You could show possible anxiety she might have about coming out when she’s in line for a competitive position.

Hailey Upton: Possibly had an affair with that dude. Alright. Make her bi then. Or if she didn’t have that affair, make her gay. There’d probably be very positive feedback, and her character might be better received if it didn’t look like she was taking Erin’s place completely. She’s cool, and calm, and doesn’t do a million illegal things an episode like some other characters. Gay Icon 2K18. Make it happen PD.

Stella Kidd: She’s got a thing going with Severide. That’s great, you can be Bi and in a relationship with a dude. That’s what bi means. Have her talk about an ex who is not a dude. Or if you’re going to make Kelly find himself for the umpteenth time instead of getting them together, have Kidd find a nice not cis-guy to date.

Isidore Latham: Sure he had that mean sex worker trick him at the conference he went to with Connor, but we don’t know any indications of who he is interested in. Why not make him queer?

Looking at characters who have been around for a few seasons.

Sarah Reese: She comes from the east coast with a very wealthy mother and absent father. Her mother was never home, and we are shown her numerous confidence issues. If she was bi or pan, she would probably not express it because she wants to stay in the shadows. We can see that in the pastel neutral colors that she dresses in, and her over all demeanor. Show me a Sarah who falls for someone who she thinks she shouldn’t, and have her wrestle with those feelings and come out ahead of them. Then we can see her date a super intelligent and confident heart surgeon from South Africa. Sarah is also young and has super liberal leanings, making her the most obvious choice in Med.

Maggie Lockwood: We know next to nothing about Maggie. She’s an open book and has no restrictions put on her by previous statements. She’d be an excellent lesbian who is proud of her sexuality and is one of the most respected people in the ED.

Noah Sexton: Give me something that would make me stand Noah as a character. Show him dealing with his identity as a latino man from a religious background. It would be interesting and much better than his sexual harassment storyline we’re going with in this season.

April Sexton: Very similar to Noah with regards to being latina with a religious household, but she also has very strong desires to please her parents, and falling in love with someone who isn’t a man would be a challenge for her to over come.

Kelly Severide: I mean who says he hasn’t slept with someone who wasn’t a woman before. Again, he can be with Kidd or whoever else they want to put him with, and mention an ex-boyfriend. Or maybe he doesn’t mention it and it comes out and we see a respected queer lieutenant. And who wouldn’t want to see Taylor Kinney maybe make out with a dude?

Connor Rhodes: Bad boy who bucks familial conventions by being bi. It’s one of the reasons he ran off when he graduated school. Now he’s back in Chicago and is juggling his identity with the expectations of his family, name and this fellowship. Ava finds out he’s bi too, and they become ONLY friends. But good friends.

Kevin Atwater: You’ve given him 0 romantic options in the show in 5 seasons, while Ruzek has had 2 engagements...(different post...) Maybe it’s because he’s gay. He and Peter Stone had excellent chemistry on the Justice crossover, delve into that. Show this badass strong and sensitive guy with a great boyfriend.

Sylvie Brett: Maybe she ran away from her wedding for more than just cold feet about missing out on the world. Maybe she never acknowledged those feelings inside her and she wants to date someone other than a guy? I don’t know. Possibilities are open.

This is just a small amount of options. You could write a scenario for nearly every character in this universe. So why don’t they?

PS: I’m horrible at coming up with Trans and Ace/Aro head canons so if you have any please reblog and put them. I want to read them very badly. ALSO if you have any head canons about this reblog and put them. Let’s get diversity in fanon if we’ll never have it in canon.

Special shoutout to @lesbianhaileyupton, and @xelmanrique318 for bringing this up in the tags and causing me to get pissed enough about it to write this whole thing out. I reblogged their posts, and they’re 100% worth a read.

#chicago med #chicago pd #chicago fire #lgbtq #one chicago #all the characters #there's too many to tag

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