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#not saying its bad i love his design a lot but I don't have the patience to add all the details.....
Just been thinking about how when Aziraphale said that 'Nothing Lasts Forever' and Crowley immediately took that in a totally different way than Aziraphale intended.
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The look of surprise and confusion that quickly becomes desperation that takes over Aziraphale face as Crowley walks away, he calls out to him, begs him to come back to him, and quickly covers it up with 'to heaven.'
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he didn't mean them, he would never mean them.
(a lot more under the cut)
the places would change, the circumstances would change, the people and the play and the drama would change, they have always had different seasons of their relationship.
but them, together, as always been as constant as the tides and the phases of the moon, even if they get separated for a month or a decade or a century, they always come back together.
Also been thinking about how Crowley doesn't have faith in a lot of things (for obvious reasons), but the most heart breaking is how he has no faith that underneath it all, no matter what, Aziraphale loves him and wants to be with him, even though he has a mountain of evidence of it.
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Its been pointed out that Aziraphale this whole season has seemed to be trying to get closer emotionally to Crowley, 'shooting his shot.'
'Its our car, its our bookshop, its our plan to save Gabriel, take my hand lets dance while you tell me what's wrong my dear boy.'
More than just an arrangement, more than fraternizing, more then just friendly banter over drinks and food, it always was more, but now they can act like it, Aziraphale is going for it in his own way.
and Aziraphale is so obviously frustrated during the fight that Crowley doesn't see that.
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but come on, you can't blame Crowley at this point, Aziraphale is effectively asking Crowley to change literally everything about themselves and forget a millennia of trauma and anger and guilt and self-loathing.
It sure makes it seem like Aziraphales love is now suddenly conditional on them changing.
I don't think Aziraphale sees it that way though right?
He doesn't see it as 'I will love Crowley more if they are an angel.' he sees it as 'Crowley will be happier as an angel surely? They will also be safer with that designation.' and 'any sacrifice will be worth it if it means we'll finally be able to be safe and together.'
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See, I don't think Aziraphale even wants Crowley to be an angel again.
I think he's trying to convince himself that he wants that, which is what makes the Metatron offering that in the first place so damn insidious.
I think in his heart of hearts, appointing Crowley to be an angel again is just as much of a sacrifice to him as leaving his beloved bookshop, leaving earth with all its wonderful music and color and life and stories and people, but what does that say about him as an angel?
Everyone can sneer and look down on him for having affections for a demon but there is some plausible deniability that its just bad circumstances, Crowley just happens to be a demon but he's really very lovely once you get to know him, in spite of it all.
But like...giving Aziraphale the opportunity to make Crowley an angel again and he doesn't want to take it because...he loves Crowley exactly the way he is? That he may have had a crush on the angel he was, but it was truly The Demon Crowley that he fell in love with.
I think Aziraphale is gonna need some time to get brave enough to say that with his whole chest (but dear lord will it be wonderful when he does.)
And the Metatron knows this, and he knows Crowley is exactly who he is supposed to be, and so The Metatron knows that Crowley could never ever say yes to going back, it goes against his very nature, he knew that Crowley would take it exactly the way he did.
(Ergo more evidence that splitting them up is the whole goal because they're just too powerful together.)
So, Aziraphale is stuck in the worst way I can imagine.
He's given the opportunity to have everything he should want, so he's trying to make the best of it even though it decidedly isn't what he wants, because its evident that the meddling from Heaven and Hell isn't going away, the Metatron is giving him the path of least resistance, isn't that going along with Heaven as far as he can?
Every word he says to Crowley about how wonderful it will be and how this is an amazing opportunity and we'll be together and we'll make better choices, we'll make a difference.
Its trying to convince himself just as much.
I think Aziraphale is terrified of going back to heaven by himself, but what other choice does he have? He's terrified about what will happen if he doesn't, and not because of any explicit threat by the Metatron, but what it would imply about him, if they knew exactly how he felt about Crowley, what might they do to them both?
and that's why the Kiss™ is so horrible and beautiful at the same time, its harsh and it looks like it hurts when their teeth bump together and it is so desperate, but Aziraphale still clings to Crowley, trembling and whimpering (jesus christ sheen...)
More than an expression of romantic love (because by God herself have they expressed it in so many ways for thousands of years,) its a plea to stay, choose this, choose us.
And Aziraphale wants to, but he can't, and its agony, but how could he explain that to Crowley when he barely understands it himself, he doesn't recognize what the Metatron has done.
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That's why Aziraphale seems just as angry at the kiss as he is fucking devastated, its not a 'how dare you kiss me,' its an 'how dare you kiss me right now, in this moment, when if it had came earlier everything might have been different."
"How dare you kiss me now to just let me know everything I'm giving up, and not just because you wanted to."
"How dare you make this our first kiss."
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Aziraphale doesn't see the Kiss™ as the Hail Mary that it is, he sees it as a spiteful bitter thing, something that he has been yearning for forever being twisted into something to hurt him, but I think he can see the sadness and fear in it too, so he forgives Crowley for it.
And of course, Crowley takes that to mean, "I forgive you for kissing me when you know that's not how I feel, for trying to manipulate me." or something to that effect, either way its enough for him to leave the conversation, nothing more to say.
I think Aziraphales next arc is going to be all about being open and honest and brave, which is in exact juxtaposition to the traits that made him grow closer to Crowley in the first place and that's what really fucking gets me.
From giving away the flaming sword, the entire damn arrangement, trying to thwart the apocalypse, to the very fact that he loves Crowley.
"I'm a fallen angel! I lied! To thwart the will of God!"
"Yeah, ya did, but I'm not gonna tell anybody, are you?"
"Then nothing has to change."
Except it did, and it does, if they are to get their happy ending in their cottage in the south downs.
anyway, yeah that's all i wanted to say i think, how was your guys week so far?
gif credit:
@starklystar @raggedy-spaceman @spooks-ez
(if i missed anyone or miscredited pls lmk!)
cont in reply (i like what i wrote here so i'm trying to keep track lol)
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maleyanderecafe · 20 days
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When Jasy Whistles (Webcomic)
Created by: Cibeles
Genre: Fantasy/Romance
You probably have seen this one around, but I did find it very unique in terms of the worldbuilding. It can be admittedly fairly slow in some points in terms of pacing though actually the thing I enjoyed the most out of the series was seeing Jasy's siblings and learning more about them. Currently as of writing this, the story has finished its second season and the creator is working on it's third and final season.
The story starts out with Hela, a girl who lives in an traditional/ relatively isolated town outside of modern things who wants to take after her grandmother and become the chief of her town one day. Hela's best friend Rodri is one day taken away by one of the demigods, Jasy, and Hela goes to get him back. Jasy needs a human to help him get through the gate as a demigod like himself is not able to, and promises that if he makes a pact with Hela and gets through, she will be able to get Rodri back. Hela is very suspicious of Jasy as not only did he kidnap her best friend, but there are folk stories about how you should not follow Jasy's whistle, as it lures them somewhere bad. However, with no other way to get Rodri back, Hela accepts the pact and they go on their adventure. They are attacked by one of Jasy's half brothers, Ao Ao, a beast that eats everything and gives birth to children with only the desire to consume. As Jasy is not able to hurt his siblings, Hela must be the one to protect him using her skills in archery. They are able to escape and slowly walk through the land itself. There they meet other people there, trapped under strange circumstances. All of them are cursed to grow until they are adults and are never able to grow old, all while still having to sustain themselves on the few resources they have in the land. Hela wishes to open the gate and free the people there, as they are all fighting over the resources, while Jasy doesn't seem to care whatsoever, as he has a distrust of humans after the previous one betrayed him while trying to open the gate. Despite this, Jasy is able to mostly have amends with the people there, and even meets another sibling of Jasy's, willing to give her face to him so as long as they can go through to the gate safely. In the end, this brother instead wants to have Jasy's face, something that he willingly trades over Hela's, so as long as Hela can stay alive. Hela eventually reaches the gate where she sacrifices herself to open it and allow the people into the land. This greatly affects Jasy as he suddenly realizes how much he had cared for and loves her. To get her back, Jasy goes into the spirit realm to try to save her, and he's able to see her past with Rodri. Jasy is fully willing to stay with her in this forever loop of her childhood, but the two of them eventually come back into the world, and now having opened the world so the humans can go in, recover there afterwards. Jasy and Hela continue to love each other in their honeymoon phase, until Jasy is captured by humans. Hela finds out the humans that caught him are under the leadership of Rodrigo's mother, who had been missing for a while, chasing after treasures. We find out that she is the human that betrayed Jasy initially and attempts to get Hela to shoot him, only for her to free him. The last couple of chapters reveals that Mboi Tu'i, the sibling that has taken care of the realm is actually Rodrigo in some way and wants to take Hela away.
So I will say right now I don't really know that much about South American mythos, so there's a lot of things that go over my head in terms of references or how each type of god acted, but I do feel that I did have a good understanding on how each of Tau's children acted and the kind of possible personalities that they have. It's definitely a unique take on mythos that we don't normally see. The artwork as well is very gorgeous, the characters are very pretty and I'm a fan of the more monster designs of the siblings as well, seeing how each of them came to be and just how much they have to suffer. The world that Jasy and Hela go into is very cool, the idea of humans that basically can live forever is both a blessing and a curse, as they cannot reproduce and they still have to eat and fight for territory. I think my favorite of his brothers is probably Kurupi because I really do like sad monster boys that are shunned because of their appearance. Compared to his more real life depictions in myths he's a lot more sympathetic and tragic, so it's nice to see those incorporated in there. The entire plot seems to eventually go to deal with Tau, Jasy's father, in some point in the future.
Still, despite this, I feel like the plot at times can be really slow. There are good moments like when Hela helps out the people who are in stuck fighting each other and we see the dynamic of the world, as well as the aforementioned lore of all of Jasy's siblings, but the actual development of Hela and Jasy's relationship is slow, all things considered. Initially, Jasy and Hela are more like enemies, as Hela is extremely suspicious of Jasy and vice versa, only cooperating with each other because they need each other's help. Still as the story goes on the two of them fall for each other and slowly develop feelings for each other. This isn't necessarily done in a bad way, but it is incredibly slow and honestly lost my attention a lot of the times. I'm also a bit surprised that Hela wasn't more resistant considering Jasy actually did kidnap Rodri and only promised to give him back if she cooperated. While again, the romantic moments were fairly cute, they aren't all that interesting to me and to be honest, I'd rather see the actual worldbuilding that the two go through rather than their relationship. Hela as a main character focuses mostly on her desire to run her tribe, and while she initially is fairly competent and active in the story, shooting a lot of Ao Ao's children, she ends up having to rely a lot of Jasy to save her, especially since she ends up losing her bow and arrow after a while. I actually straight up forgot that she could do archery at the end when Hela was forced by her aunt to kill Jasy, which is probably not a great sign. I don't think she's the worst MC in these stories because she does have a lot of interesting points to her, but it does feel like she was hamstringed after a bit, with a bunch of chapters after Hela dies and is revived pretty much being carried around by Jasy as she recuperates. She does have a fairly strong conviction of not only bringing back Rodri but her connection to her grandmother, as well as the development to allow herself to finally decide things for herself without having it taken away from him, but I still feel like she could have used a bit more agency in the story itself.
Jasy as a yandere doesn't actually start out as one so we actually see the kind of decent he gets into. He is a rather light yandere all things considered, but it is always fun to see them descend into yandere behavior nevertheless. Like I said before, Jasy and Hela have a bit of a tumultuous relationship at first with the two of them begrudgingly forced to help each other, while slowly learning to understand each other a bit more. Jasy doesn't understand why Hela would go so far to save Rodri and later the humans that are trapped but has to go along with her anyways since she's the key to him getting through the gate. By the time he does reach the gate, and Hela sacrifices herself, he starts to realize the error of his ways- while initially he viewed her as a tool to open the gate, he now starts to realize that he actually did care about her, and more deeply love her, even to the point of going to the realm of the dead to find her. He even so much is willing to loop over and over Hela's favorite childhood memories forever so as long as they are together. When Jasy does finally retrieve her, the two of them basically have a honeymoon together, where Jasy is extremely doting on her. We do see some of bits of jealousy earlier with Jasy, such as when one of the guys of offhandedly suggests that Hela is actually pretty attractive, but it doesn't really come to full fruition until after she dies. It's a bit hard to say right now exactly how far he'll go considering it feels like it's just the beginning of the yandere arc for Jasy, but it at least is a start. Not sure how far they'll ramp it up in the third and last season, if at all. Like I said though, it's still pretty light and it's very possible that it might stay that way, though with Rodri's reveal, it could also very well go on a darker path.
Overall, I was pretty surprised at the story, but I do have split opinions on it. The worldbuilding and the mythos of the monsters are really interesting and a definite unique take that I haven't personally seen as much before, but I find that the story and pacing for the characters are pretty tedious and dragging at times. Still, it's extremely beautiful and the story itself is something unique to experience if you are interested in such things.
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coleslawleviathan · 2 months
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okay so. i challenged myself to try and draw some snakes and try to capture the features i want to stand out for them. i wanted to see if i could make them all look distinct but where its obvious they look extremely similar.
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heres the main lineup but i want to get into design elements for them as well as some personal headcanons.
FIRST! bibo.
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okay so. i'm going to toot my own horn here. i think his beard looks so fire and i did a good job. i imagine this design is around the portable ops era... not much else to say because most of the interesting stuff (at least to me) comes from the differences the others have from him.
V!!! I LOVE YOU V!!!!!!!!!!
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for venom snake, i made him look like big boss but Something's Off. in the game people often (notably huey and the boss' ai) don't recognize him as big boss for a few seconds. an imperfect replica because you cannot get that close with plastic surgery. i made the fat distribution on his neck a bit different from bibo's because i imagine the way that the human body configures itself is hard to change. if you noticed the little snake-tongue-shaped-hair-doohickeys, he is the only one with a slightly different shape. it's a genetic thing, you wouldn't get it. just thought that was silly. his hair texture is different, too. can u tell i like him a lot. also, my favorite detail might be his different nose shape. they never got bibo's nose right i guess. in mgsv, he actually has a bit of a downturned nose, and i honestly don't think i captured that enough.
TIME FOR MY FAVORITE BOY. LOVE OF MY LIFE. HOLDER OF MY GENDER ENVY. solid snake :3
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SNAVID! the most obvious difference here is his nose. he broke it as a kid lol. i love headcanons. there's not as much to say about him as with venom, but i can say that he is incredibly handsome and i like him. i think he is cute. was he free yesterday? if so i would like to have dinner yesterday with him yesterday. well... i will say that out of this specific lineup i think he looks the most like good old dad. which is awful and i feel bad for him.
FINALLY: LIQUID!!!!!!!
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i gave him his canonical sharp nose and high cheekbones! i based a lot of his features off how he looked as a kid so he really has little shit vibes about him. he also has thinner eyebrows, and i headcanon that he does them himself lol. he has less sideburny sideburns than his brother. his eyelids are also smaller. he also does look kinda like kaz so its plausible that he tricked dave! yippee! i also like drawing his hair. its such a great hairstyle. it reminds me of a lion's mane.
N E WAYS... i hope you enjoyed me rambling about giving these goobers a more realistic design for future reference. i like talking about this kind of stuff. life is so much better without same face syndrome.
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ot3 · 3 months
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Hi, I just finished the AA trilogy with my bf and we fell in love with it! I found your blog the other day, and it sometimes feels like you're the only one giving correct takes on these characters' writing and the minutiae of everyone's inner worlds (or the fumbling of, see Godot).
I just got here, but, something that's been bothering me about the fandom's approach to the sequel trilogy is like... the imperialist undertones are glossed over, or swept under the rug. Researching "The Dark Age of the Law" and beyond puts a sour taste in my mouth. And with Khura'in the country vs Kurain the village? It all feels racist at best (the concept of the Divination Seance gives me squick). If you have the time, I'd love to hear your thoughts about AA5 and AA6 in relation to the world of AA as a whole. Thanks again for all of your thoughtful and nuanced takes on this series!
so glad to hear you guys liked the games!! thank you for enjoying my posts, i always appreciate it.
the tl;dr of it is that i do think they are genuinely bad enough additions to the franchise that they have signed mainline ace attorney's death warrant. picking out the dark age of the law stuff and aa5 and the imperialism in aa6 you've pretty much honed right in on my two biggest critiques
however i do want to say that although they're being bundled and sold as a 'second trilogy' that's not quite accurate either experientially when playing the games or from a development perspective. aa4 had scenario design/creative direction by series creator shu takumi, with the art director being kazuya nuri (responsible for character design for rise from the ashes in the series previous to this); aa5+6 was spearheaded by takeshi yamazaki, who had been with the franchise since its first game, with the slightly less tenured takuro fuse on art direction/character design. yamazaki and fuse are not without skill, but i think they're both significantly less skilled than takumi and nuri respectively and. it really shows.
pair that with the fact that aa5 and 6 fundamentally do not follow up on any of ace attorney 4's established characters or plots more than superficially, i don't think it's particularly useful to critique 4-5-6 as if they're a single body of work in the same way the trilogy is. apollo justice isn't a perfect* ace attorney game but it's a good one.
anyway i think buying into the 'dark age of the law' stuff in ace attorney 5 necessitates cheapening all of the events preceding it. the implication that 1. the law wasn't that bad before but it Is Now and 2. a single case was the tipping point for whether or not the entire legal system would be bad just ruins the times when ace attorney has managed to acknowledge corrupt systems as a massive source of problem for the everyman in the past
i think this screenshot from the dark age of the law wiki page says a lot:
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For starters, that phoenix quote. He would not fucking say that. I don't think there has ever been a point during or leading up to phoenix's career where he thought the legal system had 'glory' he would then want to restore it to. you seem to get it so im not gonna harp on this too much on this but. jesus christ
then, then there's fact that even by stating the most basic details about the franchise's events undermines the whole premise. like okay notice that the corruption that happens during the trilogy/investigations spinoffs is coming from all of the actual agencies that represent law and order/the system: the prosecutors, the police, and the prosecutorial investigation committee. however in aa5 the thing they choose to paint as responsible for supposedly unprecedented levels of corruption in the legal system is defense attorneys resorting to more drastic means, and the general public; aka not the people who are responsible for upholding the legal system but the people who are victimized by it and in opposition to it.
i don't think this was an intentional choice as much as it's just sloppy, inconsiderate, and contrived writing.
aa6 is just flat out racist. 'imperalist undertones' is i would say the gentlest way you could phrase it. like. japanese characters going to a made up south asian country that needs to be taught how to govern itself to quash its internal rebellion is like. so high on the yikes meter.
making a bunch of fake 'ethnic sounding' nonsense names filled with apostrophes to make them into silly sounding english phrasing was a disastrously tone deaf thing for the localization to do. they're really unforgivable. the worst of it all is probably "Inga Karkhuul Haw'kohd Dis'nahm Bi'ahni Lawga Ormo Pohmpus Da'nit Ar'edi Iz Khura'in III" i'm unsure if the names are quite as offensive in the original japanese because i haven't looked too much into what they actually are and have a really limited knowledge of the language. but. this name in japanese is "インガ・カルクール・ククルーラ・ラルバン・ギジール・ホフダラン・マダラ・ヴィラ・ヤシマ・ジャクティエール・クライン3世" which is written in katakana. katakana is, in contrast to kanji and hiragana which are used for writing japanese, used to phoenetically transcribe foreign languages or to write loan words. so the foreign-ness of this character is being emphasized here in the original text as well.
the supposed cultural inferiority of the khurainese people is baked into the game at pretty much every level, down to the gags. khura'in has the 'plumed punisher' show, which is actively criticized by the characters in game for just being a cheap ripoff of the steel samurai. they don't even get to have their own tv.
i believe the reason the racism is pretty much glossed over a lot in the fandom is for several reasons. for starters, ace attorney fans overall tend to fall into three camps: 1. people like me who fucking hate these games, refuse to acknowledge them, and would retcon them out of existence if possible. 2. people who have found things they like about the game and have a Good Version of the characters and plots that they have constructed in their head and 3. people who view all of the hate on these games as completely overblown
the first camp Does talk about how the game is racist but we're all already in agreement about that so it's kind of preaching to the choir and a bit redundant to keep going on about. the second camp tends to acknowledge the stickier aspects of the game but focuses on making content around the elements they like rather than critique. the third camp is the type to throw the baby out with the bathwater re: critiquing a thing they like. it's all haterism to them. but either way i think its kind of fucked up how many people will be like 'aa6 isnt that bad you guys are just mean' without even acknowledging these complaints.
anyway the khura'in country vs kurain village thing is really weird to me it shows both a lack of imagination and a disregard for the series' own established lore. why would a girl from a village where almost everyone is a spirit medium need to go to a place where only, like, two people are mediums to train.
i will say though that the divination seance is kind of one of the only things i found about aa6 to be an interesting addition. for a franchise with ghost summoning and murder solving, the two have a kind of hilariously low amount of overlap so i found the idea of bringing ghost bullshit into court really fun. mechanically speaking, the divination seances also felt a LOT better to play than the mood matrix segments of aa5.
in general, i think the biggest weakness of the mainline franchise under takeshi yamazaki's stewardship is its misunderstanding of stakes. both aa5 and 6 prioritize more bombastic and impressive on paper material stakes. oh no! the ENTIRE JUSTICE SYSTEM BEING GOOD OR BAD depends on this one case! on no! we have to DEAL WITH REBEL INSURGENTS! complete horseshit when there is not competent and functional enough character writing to get us emotionally invested here. yamazaki seems to think bigger is better, and that just simply isnt true for something like ace attorney
i've pointed this out in the past when critiquing aa5 and 6 but if you look at the actual material stakes on the line in ace attorney, they're at their highest after rise from the ashes. ousting the corrupt chief of police is the most impressive and impactful thing phoenix does with his career (arguably until the jurist system, but definitely in the trilogy.) but that's not the big Finale case for his character arc. his finale case is defending his college girlfriend; a nun who lives in the mountains, whose conviction would have had zero implications on the larger fabric of ace attorney's legal system. because takumi's writing clearly shows that he understands what makes a plot impactful is the emotional stakes the characters have invested in the events.
before taking over the main franchise, takeshi yamazaki was responsible for the miles edgeworth investigations spinoffs. i do enjoy both of those games - aai2 in particular is really strong. yamazaki does a great job with edgeworth's character arc even if i have some specific gripes with the duologys writing. i think theyre solid additions to the franchise. but you can see traces of this sort of misalignment in narrative priorities here as well. for example, the last case in aai1 is notorious for still going on for, like, an entire hour or two past the time when the last remaining plot point we care about has been revealed. because yamazaki seemingly had no understanding that That was the thing the case should have been about, and that should have been the final mic drop of the game. it just keeps going! he didn't know the game was done and he added a bunch more bullshit busywork after it that no one likes!
so yeah. without going into anything even as specific as how individual plotlines or character arcs were mishandled in aa5/6 that's really my overview What Went Wrong of those games.
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martian-astro · 3 months
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Atmakaraka series - Part 1
Atmakaraka is the planet with the highest degree in the birth chart.
Short note : atmakaraka can give good or bad results depending on the strength of the atmakaraka planet.
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Atmakaraka in 1st house:-
In this life the person needs to take care of themselves and focus on their own development.
Sun atmakaraka in 1st house- I like this one the most, I have only met 1 person with this placement, and she's so charming. I feel like people just see them as a leader. Sun is in one of the best positions here and people who have this placement definitely have a high self-confidence unless the sun is aspected by a malefic planet. It's also very easy for these people to focus on themselves. (now that I think about it, I really don't remember any celebrity having this placement, or maybe I've just forgotten, I'll have to check again, and then make a separate post about it because people who have it just have this "I know I'm the best" kind of vibe, you know???)
Moon atmakaraka in 1st house - I have noticed that people who have this are very sensitive, they try to hide their feelings but they are unable to do so. You know when you ask someone if they are okay and then they start crying and say "Nope, I'm okay, everything's fine" and you can SEE that they're not fine, that situation reminds me of this placement. People with this should definitely meditate, and Journaling can help too, and share your feelings with your friends or family. You guys need to learn how to control your emotions and deal with them in a healthy way. (also, not to generalise but be careful when dating a guy who has moon atmakaraka in 1st conjunct Mars because one of my friend was dating a guy with it and let's just say he was.... Aggressive)
Mercury Atmakaraka in 1st house - yooo, I'm so jealous of people with this, you know those people who start studying 1 day before an exam and still manage to score 90+, yup its them. I know a person with this placement who always has such "controversial" opinions but when you listen to why he thinks that, they make so much sense, he doesn't say things just to piss people off, he actually does his research and UNDERSTANDS an issue before talking about it. If afflicted, they can be scared to express their opinions because they know that it goes against the majority. I wouldn't say just express your opinions because I know how the world is but rather make friends who have the same opinion as you and talk to them. (it's okay if you hate Colleen Hoover, I'm with you)
Venus atmakaraka in 1st house - I know 3 people with this placement and their fashion sense is just WOW, not just fashion sense but design sense in general. So I know a girl with this placement, and she lives in a super tiny studio apartment but when you enter, it feels like the house is HUGE, because of the way she has designed it, placed the furniture and the colors that she has used. I also see a lot of people saying that people with this are extroverted and love the company of others but I don't think it's true for everyone. The studio apartment girl is super shy, she doesn't like going to parties or interacting with other people, she mostly keeps to herself. If afflicted, these people can have low self esteem and they can wear baggy clothes because they don't feel confident enough to wear the clothes that they really WANT to wear.
Mars atmakaraka in 1st house - so I know a person with this placement (that person is me), who loves playing sports, people who have it can be very athletic and be interested in activities like hiking and trekking, I also know another person who has this placement and she HATES working out, but she also has a very hard time controlling her anger, because there's no outlet, so when she's angry she just starts yelling and hitting people or just starts crying in the middle of nowhere, I used to be like this, but it got better once I started doing muay Thai and fencing, it's because all of my anger was being used in that. They can also feel their blood boiling when reading about social issues and it can make them really angry to read about things that they don't agree with, and listen to people who don't agree with them(like if someone tells me feminism is not needed anymore, I'm resorting to violence because WHAT THE FUCK??)
Jupiter atmakaraka in 1st house - these people are the definition of "mom friend", they are really good at giving advice and they are good at teaching as well, I have noticed. I have a friend who has this placement and she would teach me maths 1 week before the exam because our teachers were shit, and I would always score well because of how nicely she would teach me the concepts. She also convinced her mother to divorce her husband, and she was literally like "If you take this decision, I'll be with you, we'll figure something out don't worry. But if you don't leave him, then I'll leave and you can suffer alone", 💀, this may seem harsh but her mom needed to hear that. They can also unfortunately become the victims of parentification.
Saturn atmakaraka in 1st house - (everyone who has Saturn atmakaraka deserves a hug). They can be very pessimistic and can give up on things very easily, they can feel like no matter how hard they work they never get good results. I know a person with this, who would study SO hard, like stay in the library for HOURS only to get very low marks. I know that Mars is considered a malefic planet but in this case, if your Saturn is in conjunction with Mars then your situation becomes so much better, like no matter how many times you fail, YOU WILL NOT GIVE UP, and then, in the end, Saturn will give the best result because Saturn wants you to never give up, it wants you to fall and fall again but still complete the race and Mars, in this case, becomes the hand that helps you get up when you fall.
(all pictures are taken from Pinterest, this is not my art)
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© martian-astro All rights reserved, 2024
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dorianbrightmusic · 5 months
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i'm seeing a lot of Pokémon SV DLC analyses where people say 'Oh, Kieran's fixation on Ogrepon is because he sees it as a path to strength; Carmine's bullied him long enough that his shield against admitting his weakness to himself is adoring a legendary creature'. And don't get me wrong – these interpretations certainly hold water – but I've actually been working from basically the opposite angle for all this time.
By all means, Kieran idolises strength, but he inhabits Carmine's shadow – he's the weak sibling, and probably has been for a long time. Yet, rather than fixate on the fantastical power of the Loyal Three, he identifies himself with Ogrepon – the downtrodden, ostracised creature cast out to eke out a subsistence. A terrible demon that wasn't quite terrible enough to cause anyone any lasting harm. The creature defeated by heroes, rather than the perfect, heroic figureheads themselves. He's enamoured with the downtrodden; he sees himself in its grief, in its being cast out and excluded. He's been cast out and excluded all his life (and he can't be a bad person, right? It's not fair – he's hated senselessly, surely, rather than for some reason?) – he sees himself as harmless; so the ogre, too, must be harmless, mis-blamed. Strength is thus in resistance; in growing a shell to tolerate others' inexplicable cruelty. So Kieran looks to Ogerpon, and he thinks that the meek shall inherit the earth, and it gives him the strength to tolerate long nights with poor company. Others are villains – not him, not this creature – and he's safe in the knowledge that at the end of the day, at least an ogre can go down in mythology as the putative sole survivor of its trials.
In this sense, Kieran's like Penny – he finds himself in a position of weakness, of being victimised, and forms himself an armour of being an underdog, of being the thing that bites back. Yet while Penny's position is that the underdog might muster the strength to bite back and restore justice, Kieran's view is that at least the underdog was worth loving. He's inert and preoccupied with his inertia. He can't understand that maybe he could be a human, with the capacity to grow, the capacity to sin. And when Carmine is cruel to him, he reaffirms his own contrarian mindset more – she says I am worth little for my weakness, so my weakness is all I am worth; my weakness is my strength.
And yet he chases strength, because he has to to survive. So when the player comes by, and supports him, maybe he has the safety to walk away from his preoccupation with being an underdog, to enjoy strength for strength's sake. And then, he starts losing, but this time, there are stakes, since he can't just withdraw and be consoled by the fact that withdrawing is right, is right, is right. Thus, he must get stronger. And then, when Ogerpon turns out to favour Juliana, who's become Kieran's idol for all that strength means, rather than Kieran, who's Kieran's selfsame designated weaklingpatheticscumidiot——well, what can Kieran do but fracture, since his whole ideology, his whole premonition that he might have the right to inherit the earth, has been fractured? And, under stress, he pivots from one extreme to the other. All he knows is that weakness is now unbearable. He must get stronger. Must get stronger. Must get stronger—because otherwise he's doomed, he's nothing. He has no myth to dissolve his identity in any longer, so he reshapes himself around the only other standard he's ever known. And it twists him and it breaks him into tiny pieces, because suddenly, the last thing he can bear to be is Kieran: Kieran, the downtrodden and meek boy. He has to flip on his axis; he must become the designated villain of his story by popular imagination, or else be subsumed in the fact that he's going to die someday without any place in the world. He has to play a part, because he's been consigned to one so long, and he can't think of anything other than heroes and villains, enemies and martyrs. He can't be the bad guy. Strength is now goodness; weakness is now evil. And he can't reconcile who he thought he was with who he must become, and as a result, all he can do is try to destroy the person who's destroyed his ideology.
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balioc · 4 months
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Holiday Engineering: What Not to Do
We can learn a lot from Chanukah, because Chanukah is a garbage-tier holiday.
I mean this in a mostly-detached, mostly-analytic way. Like many people who were raised Jewish, I have some very fond and happy memories of Chanukah. Anything can accrue fond and happy memories, if you have a way of getting people to do it. But Chanukah is full of features that actively detract from its being resonant, impressive, memorable, or fun. It is an anti-advertisement for its community.
If you're a would-be designer-of-holidays, this is actually a really useful thing. Mimicking the good and successful holidays is quite hard; their quality tends to hinge on a lot of idiosyncratic hard-to-replicate factors, and "invent something as cool and punchy as the $WHATEVER" can be a tall order. But it's easy to look at a design failure and say, "I"m not going to do that."
With that, let's go into the details:
CHANUKAH: THE GOOD
Timing. It's a midwinter festival-of-lights. Solid start. Everyone loves those. Brightness and festival cheer, in the long cold winter nights, is practically a need for many. The holiday mostly skates by just on being the winter light festival for the Jews. A+. Or, really, we should knock that down to an A, because Chanukah usually comes too early to be ideal for this purpose, but -- still, quite good.
Traditional food (side dishes). Latkes are incredibly popular, and for excellent reason. If you're trying to settle on a food that everyone will love, "fried potatoes" is a damn good choice.
CHANUKAH: THE NEUTRAL
Symbols. There's really just one that matters: the chanukiyah (nine-branched menorah). Which is, on paper, a very cool and snappy symbol. Distinctive silhouette, ritual engagement, plus the allure of fire. But it loses a lot of points for the fact that you don't actually light the whole damn thing, and get the proper visual effect, until the very end of a long-ass holiday when everyone's enthusiasm and attention have ebbed. On the first night, in particular, you light just two candles in your chanukiyah, and it looks lopsided and sad.
Traditional food (sweets). Jelly donuts are fine, I guess, if uninspiring and uninspired. Chanukah gelt is pretty lame as candy goes...but from a holiday-design perspective, it's hard to go too far wrong with giving kids candy.
Music. "Maoz Tzur" is kinda pretty. "Oy Chanukah!" is kinda fun. That's pretty much it, barring some silly kids' music (and I guess that Adam Sandler thing). Nothing that will knock anyone's socks off. But, honestly, two decent songs is more than many good holidays have.
Gifts. Being the big annual gifting holiday is a double-edged sword. It's some super-powerful mojo, culturally speaking. People are obsessed with giving and receiving gifts, in a way that's very hard to excise or evade, no matter how often you trot out your utilitarian language about deadweight loss. Chanukah gets a lot of its traction out of the fact that it's the holiday where you get presents. But. (a) In the modern world, the gifting holiday is unavoidably a locus of stress and misery for many people, and Chanukah doesn't have nearly enough upside serving to support that burden. (b) Chanukah is bad at being a gifting holiday. The gifting is not well-integrated into the event, it's a tacked-on thing copied over from Christmas, and it shows. There's no real ritual surrounding it, no presents-under-the-Christmas-tree equivalent, certainly no Santa Claus. Worse yet, the eight-day-holiday thing means that either you need a set of gifts whose awesomeness is equally divisible by eight (mega-awkward), or else you have inconsistencies and disappointments.
CHANUKAH: THE BAD
Theme. What is the holiday about, when everything is said and done? What is our key takeaway message from all the shit we're doing. "God is great, God looks out for His people, God performs mighty miracles." Stop. Shut up. You fail. That's every holiday, if you're operating within a religious tradition. You need something more than that, something powerful and deep and important and special, to be even halfway-decent as a holiday. But for the vast majority of Jews (including Jews in the most orthodox and observant denominations), that's pretty much all you get. Because...
Mythology. The story of Chanukah, the holiday's narrative raison d'etre, is just unconscionably bad. In some extremely vague sense, it's a story about Jews overthrowing foreign oppressors and casting off foreign influences...which is already pretty bad from a modern liberal perspective, we don't like jingoistic ethnonationalism these days. But the actual events of the Chanukah story are less about Jews-against-foreigners than they are about Jews-against-other-Jews. It is a story about fanatics seizing power and murdering cosmopolitans. Virtually everyone hates that shit, up to and including the most tribal-minded Jews. The rabbis of the Talmud were pretty iffy about Chanukah for exactly this reason, and didn't talk about it much, with the result that the holiday doesn't have much in the way of supporting cultural infrastructure. And you really can't tell the Chanukah myth without that horrible stuff; it's so baked-in that it gets incorporated into even the most sanitized propagandistic Hebrew-school versions of the tale (with exactly the effects that you'd expect on Hebrew school students). The miracle of the oil feels like a tacked-on narrative coda, because it is, because without it the only possible moral of the story would be "kill your neighbor if he's not pious enough for you." But it's much too little, much too late. The miracle of the oil is super lame by miracle standards: no one is saved from danger, there are no memorable SFX, the whole thing is relevant only to the rituals of a long-vanished Temple.
[There are several lessons that can be learned from this particular problem, at multiple levels of abstraction.]
Structure. You can have a good eight-day holiday, but a festival of that length needs an arc. The days need to be distinct from each other. You need to be either building up to a climax, or -- more commonly, as with Passover and [the twelve days of] Christmas -- coming down from a main celebration at the beginning in a long pleasant haze of semi-special time. Chanukah is flat and internally undifferentiated, except for the addition of more candles to the chanukiyah. You can't sustain real holiday feeling that long, and there's no particular day on which you're supposed to do anything special, so it all just turns into a mush of "how much do we care right this moment?"
Activities. The traditional dreidel game is the worst, most boring, most unbalanced game in the history of games. Pushing it on children only makes those children hate Chanukah, and Judaism, and games, and you.
Traditional food (entrees). There's no classic Chanukah dish that can serve as a viable main course, unless you're one of those people who can happily eat fried potatoes as an entire meal. This is a glaring omission. It's particularly bad for Chanukah, because Chanukah has so little else going for it that it really needs to lean hard on the standard holiday "gather for a festive meal" thing.
Social role. As many people will eagerly tell you, Chanukah was a pretty minor holiday for most of Jewish history; it got big largely because of a marketing push in the 19th and 20th centuries, mostly because people got scared about the prospect of the younger generations assimilating, and wanted to give them a holiday to compete with Christmas. Which is maybe the worst idea that anyone has ever had. For more reasons that I can easily list here, modern Western Christmas is an absolute SSS-tier holiday, one of the very best of all time. Setting yourself up as a direct competitor to Christmas -- inviting your own people to make that comparison -- is tantamount to telling them that your traditions and your community are worthless and weak, and that they should join the ranks of the gentiles. And that would be true even if your own offering were something halfway decent. Trying to do it with Chanukah...it's like Estonia declaring war on the US. It's the ultimate "we have food at home." It is, if you'll pardon my saying so, Christian rock.
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blackopals-world · 8 months
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What's the NRC staff's experience at ♨️!Yuu's bath house? I don't believe you've ever written about it in detail; only mentioning it on ♨️!Yuu's initial post. Then again I may have missed it since Tumblr is being rude right now. Feel free to gloss over this one if it doesn't seem like something you want to answer.
I haven't written about this yet.
The staff are in the unique position of having free access to the Onsen and its service. In exchange, it gets to operate without an alcohol license.
Yuu has promised that all the drinks are watered-down to the legal requirements and no one is getting drunk (which is only half true.) Keeping the faculty in the loop keeps Yuu out of trouble.
The Onsen has a private spring designated for VIPs and faculty. It has unlimited food and bottle service.
The main reason the adults use it is because it's the only place to relax away from students. Say what you want but standing all day, and being surrounded by unruly brats is exhausting. The onsen is perfect for getting away.
Everyone has a reason to go and it differs for everyone.
Trein
He's old he needs a good soak in the mineral baths. He usually drinks a strong soju and talks to Yuu about his younger days. Grandpa has a lot of wild stories before he became a teacher. He also goes on and on about his wife and how they fell in love.
He treats Yuu like a grandkid and goes to the onsen mostly for the atmosphere.
Crewel
He completely changes when he's relaxed. Yeah, he is worried about Yuu but when he is tired he needs to cut loose. He will literally let his hair down for one thing. He smokes even if Yuu gives him the stink eyes and tells him to take it outside.
He usually let's Yuu mix him a cocktail or a house wine of their choosing.
He uses the spa services the most. Facials, manicures, pedicures, and hair treatments.
Behind all that, if you get him in at the same time as Sam he's a college student again. Roughhousing, drinking, and telling vulgar jokes. If Yuu isn't there to see it.
Sam
The only reason he's still allowed is because he supplies the Spa and bar. He doesn't ask questions either.
He orders hard liquor, dark. Whiskey, vermouth, and Adictivo Doble Reposado (a favorite in my family) He once tried to get away with ordering absinthe and was poured a glass of water.
He enjoys the steam room says it feels like a hot summer Louisiana day by the bayou. (Trust me you with that was true. Louisiana summers can be amazing but the swamp is no joke)
Sam likes to goad the others into drinking more before challenging them to a few rounds of cards. He doesn't play any of the workers because Yuu trains them on how to win or lose games on purpose. Those girls could whoop your butt.
Vargas
He needs a good ice bath and massage after training. He views the onsen as an important part of taking care of your health. Taking time to relax the muscles and taking care of your body is key to a long life and healthy mind.
That being said he orders tons of beer and food. We can't all be perfect. He falls asleep sometimes and snores like a bear.
He likes to play ping-pong in the game room but he's really bad at it. No one tells him because he's so determined to win. It's doesn't matter because if everyone is drunk they all suck but think they are playing the best game of pong ever.
Crowley
Banned.
Fine. He's allowed. Begrudgingly.
He isn't treated badly but Yuu would rather he leave. But the onsen would be shut down he didn't agree to let it stay open.
He takes off the mask for once and scared Yuu.
"Who are you?!"
"What are you asking? It is me your dear headmage."
"You're lying! Where is the bird man?!"
Yeah, no object permanence here.
Crowley will get wasted off his ass and join in any chaos the others create. Children, the lot of them. He drinks just about anything. It's whatever suits his fancy that day.
He gets his hair done while he's there along with his nails. Yuu finds it weird that his hair creates a natural black oil like some species of bird and his nails are as hard as talons and just as sharp.
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littlestpetgoth · 5 months
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Tell us more about your little homestucks?
ok.. ill only go over my descendent ocs because they're the ones ive been posting about recently, i have too many homestuck ocs to cover lol..
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mayosi pyrope is the first descendent oc i made back when there was a brief trend on twitter to make, fan descendants of the trolls. i think i was inspired by ko's descendent acarid, and terezi being one of my favorite trolls i ended up making a bootleg pyrope. (and i draw them together all the time bc they rot my brain)
they're a radical transmasc weeaboo skater "vigilante" who grew up being raised by humans in a very normal average household where they got basically anything they wanted with no issues. their interests include; dishing out justice, watching animes, playing videogames, and doing sick tricks on their board. they wield a katana that resembles terezi's dragon cane.. they're my simplest designed character, and though they look a lot like terezi with a skirt and long hair their design was heavily influenced by dirk because i imagined that dirk has influenced some kind of anime character that mayosi obsesses over and has based their look on..
they aren't at all interested in, being a lawyer or anything like that and would like to take care of bad guys samurai batman style in their ideal world.. unfortunately the loving gently parenting of their human family didn't toughen them up enough so they're mostly a baby who doesn't do well when faced with conflict. mayosi's easily bossed around by anyone who firmly tells them to do something because they're too scared to step up and stand up for themself and others, they have a lot of shame for not being as strong and cool as terezi or red glare. real wet blanket.
uuuh like terezi, they weren't always blind. they were lured in by their ex best friend now super complex hate not boyfriend acarid and he poured acid into their eyes, ruining their vision and giving them crazy chem burn scars.. i think around this time they were also given their super rad pointy shades so they can look more like their hero, but it was a major blow to their confidence since not only are they a weak coward they're now a weak coward who can't see. they eventually learn to navigate the world via sound waves, its not as effective as terezi's sniff and taste vision but mayosi isnt as interested as smelling and licking everything in their presence.
example of what i think it's like for them here..
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theyyy are convinced by acarid to join him in his perfect sburb sesh, where they eventually grow a pair and cut off his arm and gouge his eyes before being shot in the brain and killed dead without ever waking on their moon. (sad) mayosi's feelings about acarid, who essentially abuses and manipulates them constantly, are very complicated because they feel an obligation to take on the brunt of his crazy in order to protect everyone but also because they cling to the nostalgic memories they have of him and are hoping he'll one day go back to that.
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kokesi megido is based on kokeshi dolls, i think she sees ghosts and is really scared of them so she's super skittish and is always finding ways to shoo them away.. she probably knows how to speak japanese ig, i dont have a lot to say about her unfortunately.. i like how her design turned out though.
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grimir maryam and romato vantas are brothers adopted into a rich human family, they're both spoiled brats and are constantly bickering with each other when they aren't pretending the other exists. grimir is mute and likes to garden (sooo original, i know) and romato speaks a lot and is a hopeless romantic writer. shrug.
i don't have as much to talk about. for any of my descendents other than mayosi because i have a really hard time developing ocs when i dont have people to bounce ideas off of. i mean most of mayosi was formed around acarid's existence and from ko's influence, otherwise they also wouldn't be developed . sorry .
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andreabandrea · 5 months
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I absolutely don't mean this in a bad way, but I think a lot about how Pokemon is a power fantasy for kids. And I know this is obvious because it's a game for children, but let me ramble.
Think about it: you can go wherever you want, knowing you're safe because your Pokemon will protect you. In the later games, you can dress however you want and express yourself freely. You can connect with nature and communities of friendly kids and adults around you. You can make a meaningful, positive impact on the world. You can stand toe-to-toe with adults who, in real life, would ignore or even belittle you because you're just a kid. (And, of course, you have superpowered pets that love you.)
I think about how in the original games, Brock and Misty are presented as kids/young teens and become friends with Ash. But, Lt. Surge presents a difficulty spike-- if you chose Bulbasaur, you can easily sweep the first two gyms with it, but now you don't have a supereffective match up unless you plan more. I think it's meaningful, then, that Lt. Surge is portrayed a big, scary adult man and military to boot. In the anime, he's presented as being condescending and intimidating toward Ash. But, you as the player are able to overcome this intimidating man through the power of your Pokemon. The same can be said for people like Team Rocket and Giovanni-- Giovanni's original sprite in Red & Blue makes it look like he's looming over you, sneering at you.
It can easily be forgotten by adult fans, but you're seeing this world through the perspective of a child. Giovanni looming over you represents how it feels to be a child, powerless, and face an adult who's cruel to you. But you defeat him at every match up.
Satoshi Tajiri would go on to say that Pokemon was inspired by his childhood, in which he'd go out and collect bugs. Miyamoto would say that the first Zelda game was inspired by his childhood in which he'd explore the local area and caves and so on.
It makes me sad to think that, as the world becomes more modern, more urbanized, and (as parents tend to see it, at least) more unsafe, this childhood that inspired these classic games become further out of reach for kids. When I was growing up, I lived in a suburb full of concrete. I couldn't walk anywhere, and even if I could, my mother was too anxious to let me just go around unsupervised.
This is why getting the bike is such a big moment in Pokemon-- you can go so much farther as a kid on a bike! But, I also could only ride my bike up and down my boring street before running into a major street full of cars going 50 MPH that would have murdered me instantly.
This isn't a doom post. I still believe that we can repair the damage that capitalism and cars have done to the world. But, I think that in times like this, it's more important than ever for kids to have access to these power fantasies, these escapes from a world that they have no ability to fix, but still suffer from regardless.
Ironically, I think that when I play Pokemon now, I play it to feel smaller rather than to feel bigger, the opposite of how I played it as a kid. Now, it's comforting to escape from work and stress into a world in which your only concerns are walking to the next town, catching a new Pokemon, and maybe fighting a gym leader. The same can be said of any piece of media that someone is nostalgic for, but I think Pokemon feeds into it well because its design is so baked in the experience of being a child.
When I'm playing Pokemon, especially when replaying an old game, I still remember things like only saving in Pokemon centers so that my character could sleep there in a nice building, or imagining them setting up camp if I had to save and quit on a route. If I had time, I would feed my Pokemon some Pokeblocks or etc. at my little 'camp' so they wouldn't be hungry (which is why I felt like the cooking and camping systems from SwSh were so real for me, haha).
I don't think that there's a 'wrong' way to play Pokemon-- I know people enjoy competitive Pokemon, and strict challenge runs, and stuff. And I can enjoy that, too! But, for me, Pokemon is about childhood, you know?
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factual-fantasy · 3 months
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27 ASKS! :00 THANK YOU!! :}} 🧈
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@amoonlight007
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I'm indifferent to it. I know of it and have seen a lot of people play it, buuuut it doesn't really catch my interest much.. :( 💔
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If he was starving or dehydrated.. he probably could have :( Not sure what he'd see or hear though..
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@neo-metalscottic
AAAA THANK YOU SO MUCH!! :DD 💖💖
Although unfortunately I cannot reveal anything without spoiling stuff..
Though I can say that the animatronics- new and old, are not fully aware of Fazbear Entertainments history.. 👀
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@badlyblurry
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WAAAAATHANKNYOU SO MUCH!!! 😭😭💖😭THIS MADE MY DAY SO MUCH BETTER FR THANK YOU SO MUCH!! YOU'RE TOO KIND!!💖💖💖
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I think there is yeah :0
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Well of course :0 But considering Seam and Jevil's trauma with Spade King.. if they ever saw a Lancer they likely would have just turned the other way in discomfort-
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I feel like either Peso, Dashi or Captain Barnacles. :0
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Other than maybe effecting his magic in someway..? I cant think of anything :0
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That world looks beautiful! Yet also spooky <XD I don't know anything about Worldless but if its safe, they'll stay a while. :0
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I feel like none of the Octonauts get seasick. Considering their species, line of work, and life experience..
But maybe if there's a crazy storm of sorts,, mayyybe.. Tweak.? wouldn't feel the best? But it'd be less sea sick and more like a headache. :(
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I don't intend for them to encounter anything like that no.. <:/ But if they did? They would FREAK OUT. You bet the Octopod would be stationed nearby for months as the Octonauts studied the sunken city XD
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Oh hugs for sure. Angsty? Wholesome? It doesn't really matter. A hugs a hug and I love drawing them 🤗
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XDD I'm glad you like what you see! And I'm technically into Undertale atm! Well, its a bit more focused on Deltarune characters. (Seam and Jevil) But there's a handful of Undertale characters in there as well! :}}
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XDDD THANK YOU SO MUCH!! :D And yes indeed! I am the culprit behind the silly jester men and their very large spider/human DJ friend XDDD
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I'm not familiar with tarot cards, so I haven't thought about it no.. <:/ Sorry!
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@rubydraft
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AAAAAA THANK YOU SO MUCH!!! I DON'T HABE THE WORDF- THIOS IS SO KIND!! THANK YOU!!! STUFFING THIS ASK UNDER MY PILLOW SO I CAN WAKE UP AND READ IT AGAIN EVERY MORNING FRFR 💖💖😭💖
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KXKSXCKJ FR THO IT'D BE LIKE THAT XDD
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@khoiazo
I think they'd be too disturbed by the burning corpse on the ground to even realize that you were dancing <XD
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I think that Fazbear entertainment doesn't add more characters because its a lot more complex than we might think.
Not only do you have to design and build the animatronic and its personality. Which would include probably thousands of dollars in work and trouble shooting to make one that is as advanced as the others..
You also have to set up an attraction for it. You have to set up marketing, plushies, clothes, toys, themed food, etc. You have to hire employees to run the attraction, you also have to train said employees on how to run the new attraction. You have to get handlers for the new animatronic, build another green room on Rockstar row, redo all the maps in the Pizzaplex to accommodate for the new attraction.
This also includes updating the fazwatches/making new fazwatches to hand out. Every single staff bot has to be updated in order to be made aware of the new animatronics presence and how to interact with it.
Like. Soooooo much would go into adding a new animatronic its crazy-
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Jevil feels bad for his original counterpart. Because he's still locked up in a cell..
Seam is probably jealous of his original, thinking that he got off easy. He doesn't even have shackles..
Goner kid doesn't envy her original at all. Considering her original is still lost in the void somewhere..
Grillby had a run in with his original.. it did not go well..
Asgore does not envy his original at all. He cant imagine how it would feel for his children to pass, and his wife to leave him out of disgust...
River feels.. a bit indifferent to her original I imagine..
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@elegysonnet
I do! Somewhat-
A family member introduced me to the web comic a few years ago. And I kept up with it for a while.. Eventually though it stopped updating. I was bummed. Figuring that something must have happened..
..Only to find out that they were working on a pilot animation the whole time and are as alive as ever! Still haven't sat down and watched the pilot like 9 months later-- 💔
As for my opinion on the comic, the artwork is fantastic. But I don't got two braincells to rub together and don't understand/remember the story so uh.. <:D yeah...
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Now thankfully I don't think it would ever come to that-
Even after someone as powerful as an Asgore joined their group, Jevil is still endlessly paranoid and risks nothing when it comes to Seams/the groups safety.
If anyone found out that he could dimension hop? He would immediately assume that he is no longer safe around those people and would flee that AU.
And if someone did take him well.. now you've got a mighty king and a determined human on your tail. Which are not good people to have after you-
Though I suppose all of that aside.. if that did happen? The only one who would remember is Frisk. And she would be greatly disturbed.. Upon a reset, she would tell Jevil very sternly that this AU is not safe. Jevil wouldn't question her for a second and would instantly open up a mirror and they would bounce-
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Oh! I'm glad to hear that the "controversy" was nothing serious! :0 Thank you for the info! :}
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Jevil probably told the kiddos to be on the look out for a new hat. He could have told them he likes to wear a hat but doesn't like his jester one. They would understand the assignment and would be on the look out :0
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Sometime after Peach was rescued the bros were brought over to Daisy's kingdom to meet her. Kind'a just a "meet the legendary heroes that saved my best friends life" situation.
It wasn't love at first sight- but Luigi did notice her. Not just for her beauty, but for her bravery and personality as well. 💚🧡
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@beryl-shade
XD Made me imagine a home alone situation. The Glamrocks setting up slap-stick humor type booby traps to deter the bad guys XDD
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gooey-the-goodra-649 · 2 months
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Meet Alice!
This is Alice! (Short for Adelaide). This Is her Carnival design! (Carnival au belongs to @sm-baby !). She's a purple spool of thread, and she's a ditzy type character!
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I based her outfit offa' 50's things in general (TO kinda keep with the barber shop quartet thingy with players). I imagine she was close friends with Caine and Abel before they got trapped in the the carnival . She would always get them up to trouble, being a bit of a rascal! Always pushing them out of their comfort zone and all. I live to imagine she'll casually "Flirt" with them (nothing like, explicit or vulgar. Kinda like "oh you got all dolled up for ME! What a show!") But she wouldn't make any actual romantic advances. She just knows they're a buncha bible slinging goody-two-shoes and likes to tease and fluster them a lot.
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Since I realized Caine and Abel were kinda like mugman and cuphead I decided to make her A LOT like Miss chalice. She's got a bit of a "Ditzy" voice goin on, she's a lot more witty and brazen, and she's always getting the two brothers in trouble. But she cares about them quite a lot!
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She primarily wears puprle, and she carries around a large sewing needle which she uses as a weapon. (Courtesy of Caine, for self defense of course!). She's not a coder by any means, so she has no "power" like the boys. But they coded in some extra stuff for her (Like a respawn screen, a few extra buff here and there.) But she's crafty and quick on her feet, always being able to weasel her way out of a tough spot! I'd like to say she's on Miss Pauling's (from TF2) level of dexterity, so she can hold her own pretty decently.
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Just some extra stuff about her: Relationships: Caine: Oh VERY close! She likes how goofy he is, always bringing a smile to her face! Though she also loves teasing him. Abel: Also incredibly close! She's always trying to drag him along with her to who knows where, but he always has to be a "goody-two-shoes" and reject her. Whatever. Pomni: They get along just fine! At first Pomni didn't like her very much, a she she thought she had a thing for Caine. But no! Pomni usually turns to her whenever she needs to know something about Caine. Ragatha: Not much to say. She thinks ragatha is too uptight and needs to learn to live a little. Ragatha thinks she's a wild street dweller. They don't care for each other much Zooble: Fine. Able gets along with her, so she makes an effort to get to know her purely for Ables sake. They don't really chat 1 on 1, only when they're both around able. Gangle: She can respect her enjoyment of plays, but they have some creative differences. Alice prefers stand up comedy and improv, so following a script ain't really her thing... Jax: They don't interact very much. She actually sort of likes his wildness, but only to an extent. She avoids him at all costs though. (She's not willing to be crushed AGAIN). She sets up counter pranks and traps to keep him away, and so far its worked. Kinger: She knows the least about him, having never even been in the same room as him. Though from what Pomni's told her, he's a ruthless tyrant. She dislikes him off the bat, having a general disdain for authority. Some backstory tid bits: She met Caine and Abal as they all grew up in the same church community. Where as Caine and Able became "good stand up Christians" she got more and more wild as the years went on. Adam and Eve always though she was a bit of a "bad influence" on the boys but they hung out nonetheless. She was always getting into trouble and hanging around some of the street kids (with Able and Caine stuck to her hips). She was always a bit scrappy and crafty, having more street smarts than books marts. She's mellowed out a bit but she's still fun as ever!
Oh I'm TOTALLY gonna do more w/ her! Than you SOOOOOO MUCH @sm-baby for making such an AMAZING AU! KEEP UP THE GOOD WORK GIRL! :DDDD
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morgueofstories · 6 months
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c!Dream ship rings
Basically rings that I believe c!Dream's partners would give him. I didn't do a lot of c!Dream ships because I couldn't think of how and why they would do a ring for c!Dream. So if you don't see the c!Dream ship you like in this post don't be mad at me
DNB
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Techno would craft the ring himself, using the gold and gems from his own collection. The flowers represent roses, Dream's favorite flower. Techno engraved the words "Home is where you are" on the inside of the ring's band. It took Techno a couple weeks to craft the ring as he wanted it to be perfect for Dream.
Dream bursts into tears when Techno proposes with the ring a wintery night, the northern lights and stars the only witnesses to the lovely event as Techno puts the ring on Dream's finger.
Dreamnap
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Sapnap crafts the ring using nether roads and gold, and he enchants the ring with fire protection like how blaze hybrids would do when getting married to other blaze hybrids, as it prevents the ring from melting. It takes Sapnap a few tries to craft the ring and he has to ask Bad to help him, but Dream loves it and that is all that matters.
Sapnap almost dropped the ring in his excitement to put it on Dream's finger which they still laugh about years later.
Awesamdream
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Sam is meticulous when making the ring, he doesn't want it to be flashy to the point it looks fake and cheap but also wants it to be symbolic of their relationship. After creating many designs and making a few test rings, he goes for a simple gold band with an emerald in the center that reminds him of Dream's eyes.
Sam is initially worried that Dream won't like the ring because of how simple it is, but his fears disappear when Dream kisses him, stopping him mid-ramble. Dream pulls away from the kiss and tells him that he loves it, and that is all Sam needed to hear to put the ring on Dream's hand.
Drunz
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Punz's expertise in making stuff involving gold and gemstones is only for weapons, so he decides to try and find Dream an exquisite ring that no one else has. He manages to hear a rumor about a ring being sold in a black market auction that was found in the End and believed to have been worn by one of the rulers of the End before the kingdom fell into the void. The ring is said to have been made by End crystals, Nether Stars, and Amethysts, making its value extremely high.
Punz won't tell Dream how he obtained the ring and why he had gone to a black market that suspiciously went up in flames hours later.
Farfadream
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Farfadox uses Netherite ingots to make Dream's ring as that is how rings are made in Demon culture as it shows how much you respect and love your spouse. Farfadox manages to obtain a pink diamond (which is a rarity as there are so few to be found) and places it in the center of the ring, surrounded by engraved roses.
He proposes to Dream in the rose garden that he had built for his lover, and the way Dream's eyes sparkle as he says yes makes Farfadox feel like the happiest man in the entire universe.
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uninformedartist · 6 months
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So just finished watching the ep so review. Spoils ahead:
So the episode was ok to me, solid 6/10 one of the better episodes which since this was supposed to be an "extravagant" ep why does it got better quality than the main eps, idk Viv has her moments like this ep and other eps its a train wreck in writing ect.
Mammon worked on my nerves, from design to his movements, personality ALL of him was annoying, which props for an annoying Villian but its Villian I never want to see back again and he's hinted for some sort of return.
Side tangent: Mammon is like the how many-ith Villian to get a return ep/hint at one. It was 1st cherubs, then dorks, then stella/ice twink, striker/crimson now Mammon & according to the leaked storyboards a ghost guy that tries to talk IMP into off-ing themselves... its a flipping lot and cherubs & dorks seem to be forgotten dispite dorks knowing & having hard evidence they exist, flip Viv chill it with your Villian of the week cos its way too many now.
Anyway, Blitz didn't need to be in this ep besides the flashback. Ozzie got him to talk Fizz out of being Mammon's puppet but ultimately Ozzie spoke him out of it & gave him courage to quit/confront Mammon. Even Blitz being a bodyguard/killing people for Fizz could've been any imp. Blitz is starting to feel like Steven from SU, in every ep even tho the ep doesn't need him/ the episode surrounds topics a wee child shouldn't be in (i.e Lapis trauma dumping on Steven & he a child isn't really equipped to handle that situation).
My fave part of this ep was Ozzie and Fizz. Ya'll I legit prayed Viv wouldn't mess these two up and my prayers were answered. Absolutely a joy these two were. Fizz especially what a darling. Loved that small scenes with him and the deaf imp child, l dont know sign language but it looked genuine animated and was just sweet moments.
From their interactions, Fizz's panic attacks/self doubt felt & were genuine... I felt that as someone that has panic attacks from high stress on my studies/life. It was just handled well. Fizz feeling less than and needing to prove himself from 1. his past 2. his appearance, that accident affected his self image/worth so much (why I felt him forgiving Blitz was too hastily done but I digress) & 3. him doing this Mammon contest still to gain/earn Ozzie's love for him cos Fizz believes Ozzie only sticks around because of this fame Mammon gave Fizz. Ozzie finally saying what he loves about Fizz was lovely, wanted that in the 1st ep but ¯\_(ツ)_/¯. Their song was... I didn't like it BUT the message in it was beautiful. Lastly Fizz saying fuck you to Mammon from the courage/strength Ozzie gave him was a nice send off... also Ozzie saying he loves Fizz ah ngl that made me smile agh I just love them. I want to see them more than the Stolitz show but thats only a wish. Props Viv, you get 1 brownie point not messing this up.
Last findings, the ep was bloated as hell my soul Viv please stop cramming so much in an ep, this one is 30 mins long & yet still felt bloated. Pacing was a motherfuka damn it was bad & the swearing was jarring (its a Viv written ep I don't expect any less but still gonna point it out) and the comedy wasn't so prominent in this ep, Blitz/Mammon gave some comic relief but in the best and worst ways:
The way the VA delivered this line "to be fucked" made me laugh, the line is cringy but the delivery lol gold
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Aand Blitz, my soul shut the fuck up & get out this ep. Last ep & this one he said something so agonizingly cringe I pulled my face
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The world of HB is legit American hell or earth just painted red since Fizz named all these places in America just "hellified" where his fans come from.
And very last, congratulations Salem glad you got the cathartic send off you deserve from working under Viv, truly fuck you "Mammon" indeed :) also glad they credited you this time.
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inktailsaystuff · 3 months
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Kaveh and Alhaitham Relationship Headcanons~
Tw: none
Pre-relationship~
Alhaitham was the #1 Kavetham denier
Kaveh was aware of his feelings and just kinda moped about it
Poor man thought Alhaitham didn't like him back so he would just be all sad
Alhaitham was in denial
He didn't even realize that he had been crushing on Kaveh for the longest time
He just thought that he had grown attached
Kaveh brings Alhaitham food whenever he goes out (THIS AINT A HEADCANON THIS IS CANON AND WE ALL KNOW IT)
Alhaitham's face is on like every page of Kaveh’s sketchbook
They bicker a lot but the moment Alhaitham thinks he's genuinely hurting Kaveh he gets all apologetic and switches topics
Because Alhaitham doesn't talk to people a lot Kaveh didn't really get jealous when someone flirted with Alhaitham
BUT ALHAITHAM- 
Naur this man was so down bad without even knowing it if someone got too “close” with Kaveh he would try to one-up whoever the offending person's intelligence
Everyone but Alhaitham can see how Kaveh is desperately pining after him
No one can see Alhaitham pining after Kaveh other than Nahida 
They just think it is an L for Kaveh and many people tell him to move on
(Kaveh does not move on)
When Kaveh gets too drunk and starts getting sad Alhaitham will “rEluCtanTly” console him.
Cyno and Tighnari have a bet on who will confess first because Tighnari heard with his massive ears Alhaitham consoling Kaveh while he was blackout drunk
Eventually Nahida steps in, after watching Alhaitham read every book in the library to try and figure out what his feelings are
Alhaitham denies the claims, and Nahida just is like: You gay. 
Kaveh confesses first and has this whole rant where he's like “I know you don't feel the same way and you can kick me out of your house.” 
Alhiatham just went “I like you too.” he won at life and was having an internal party
Cue awkward staring 
Alhaitham just kinda asked if Kaveh wanted to kiss and they did 
Dendro gays are official :D
Relationship~
They have separate rooms but despite that, Kaveh likes sleeping in Alhaitham's room since he likes being close to him
Alhaitham likes having Kaveh’s presence nearby
Alhaitham actually struggles to sleep if he can't feel Kaveh’s presence nearby 
When they get into an argument Alhaitham will steal Kaveh’s keys to force Kaveh to talk to him
Despite his appearance, Alhaitham requires at least one physical contact a day with Kaveh, aka buff abs man needs a kiss to function 
Alhaitham does not want Kaveh to move out, one time Kaveh mentioned it, and Alhaitham just flat-out said you're not leaving. 
Alhaitham doesn't do much physical contact but he just likes having Kaveh near him, like as long as Kaveh is within arms reach he is happy
They will have dates where Alhiatham reads and Kaveh draws him
Alhiatham fills Kaveh’s sketchbook more than ever 
Alhaitham likes looking at the drawings Kaveh made
Kaveh constantly gets hit on by other men because of how feminine he looks and Alhaitham just kinda glares
He wont say anything to get people to back off, he’ll just glare or move closer to Kaveh
Alhaitham is so soft for Kaveh its like wild and at the same time hes the biggest jerk to Kaveh
One of their love language is bickering, 
No you can't change my mind
They will nitpick each other's tastes but never go as far as to actually hurt each other's feelings
When Kaveh cries Alhaitham just throws all his brain cells out the window, now he is just fussing over Kaveh, holding him and whispering reassurances his brain turns to mush and the only thought is to make Kaveh feel better
If anyone other than Kaveh knew about this he would kill himself he never wants this to get out
Inktail’s Dendro bonus of a wedding plan~
They both get each other rings, well Kaveh makes his for Alhaitham, and Alhaitham just buys one.
Kaveh took on like a million commissions so he could get the materials for the ring
He has an entire sketchbook dedicated to ring designs
Alhaitham just gets a simple gold ring with their names engraved (it costs more mora than the rent)
Alhaitham proposes first and after calming down a Kaveh crying from joy Alhiatham receives his ring. 
While it is somewhat bedazzled and has a pair of jewels Alhiatham still wears it since Kaveh gave it to him  
Kaveh got a green jewel that matched Alhaitham’s boob gem 
Kaveh cried at their wedding, 
Alhaitham was internally combusting at their wedding
Nahida was the officiator
Collei was the flower girl
And Scaramouche was the makeup artist
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abrisaber · 9 months
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A long post about the establishing and foreshadowing of Blitzo's character in Helluva Boss (and a Stolitz rant)
A lot of people tend to criticize character development in Helluva Boss, So I wanted to discuss the development that HB gets right, which is that of its main character, Blitzo. Firstly I want to lay out every instance of Blitzo getting some form of development or foreshadowing.
S1; EP2- Loo Loo Land.
This is only one line but it's still important to point out because 1, It shows how Blitzo thinks of Fizzarolli, and 2, It foreshadows Blitzos history with him and his (maybe) first failed relationship with someone close to him.
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There's also this line where Robo asks "Does anybody love you" and Blitzo responds with "No." While this was clearly a joke, I think Blitz genuinely believes nobody loves him. He scratches his face out in photos and says "I'm going to die alone aren't I,' So he very clearly has issues with his self-worth and how he views himself. Maybe this is a punishment he inflicts on himself to remind him that he's a failure and that he doesn't deserve the people in his life
S1; EP3- Spring Broken
This one is clear as day. His relationship with Veronika is at the forefront of this episode. We don't know much about their breakup or what led to it, but it's safe to assume that it was caused by Blitz.
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In Ozzies Verosika states Blitzo didn't reciprocate in their relationship, and says he's selfish both in bed and in public. In Spring Broken, she says Blitzo didn't do his job well as a bodyguard and explains how Blitzo dumped her by leaving and stealing from her.
This is the first real glimpse at how Blitzo has ruined his relationships with people. If my current timeline theory is correct, with Verosika being the last serious relationship Blitzo was in before he started sleeping with Stolas, his breakup with Verosika could've been one of the first instances in his life where he pushed someone close to him away out of fear. My theory is that Verosika was a fallback after his relationships with Fizzarolli and Barbie Wire ended on bad terms, and that's why he never truly treated her right when they were together.
S1; EP5- The Harvest Moon Festival.
This one delves more into Blitzo's views of himself rather than his relationships, but it does become important on that front too since in Truth Seekers, this is flipped to reflect how his self-worth affects his willingness to be with people.
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S1; EP6- Truth Seekers is going to be a long one because of how much is said and shown during Blitzos hallucinations.
S1; EP6- Truth Seekers
Firstly, what "Moxxie," says is telling because this is Blitzo's own brain explaining his character flaws to him through someone who he constantly belittles.
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Blitzo responds with "I don't need you," which obviously isn't true due to how often he fucks up and leaves things to Moxxie and Millie (Which is what fake Moxxie says)
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Striker saying "But you don't want to do things alone" is his mind using striker, the person who confronted him about his self-worth, to say he doesn't want to be alone.
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I don't know if this was an intentional decision but it's indirectly using a figure that shows he views himself lowly as an explanation for why he pushes people away despite not wanting to. It's basically saying "You want to become better, you don't want to be alone, but you think you're undeserving so you push everyone away from you."
Moving to fake Fizzarolli, again this section will be longer since I have a lot more to say.
Fizzarolli's design is something I theorize a lot about, mainly because the other two renditions look pretty close to their real counterparts, but Fizz is cartoonish and sort of looks like rubberhose-style animation. I think this style was chosen to represent how long it's been since Blitzo and Fizzarolli have been friends.
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Another thing about his design is the heart on his forehead. I don't think it was just to make it look simpler because the design is already pretty plain. I think this is supposed to show that Fizz and Blitzo had a romantic relationship that ended poorly.
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I don't know when this SS from the 2022 trailer is supposed to take place in univ. The trailer was released after "Ozzies" so it could be a shot in the present in the upcoming S2 EP6, but I don't know if Blitzo would allow this to happen after what happened at Ozzies, not unless he has (or had) a major soft spot for Fizzarollli. Fizzarolli's language in Ozzies suggests he hasn't seen him or heard from him in a while (he says "That Blitzo? So you're showing your face?")
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Of course, this was just a setup to make fun of him for his keychain so It could be from after Ozzies, but this is just a clip from a trailer so It's not going to be a clear answer until we get the episode it's from.
Finally moving on to Verosika, the heart on her cheek is now broken as well, and her makeup is smeared. This design of her is showing how upset and hurt she is, and how bitter it's made her.
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Lastly, moving to Stolas and the ending of the trip,
I believe these chains removing the weird goop is meant to represent how he views his relationship with Stolas. The goo represents his past problems and flaws, and Stolas is someone who can help him deal with that. But the chains are his fears and flaws negatively effecting him.
Stolitz Rant Incoming
I see people use this as a reason to say Blitzo doesn't like Stolas and doesn't want to be with him, yet no one points out how Blitzo was the one to crawl towards him, granted it was to escape from his past, but he still made the choice to go forward.
Stolitz discourse is something that always divides people. On one hand, people say Blitzo is manipulating Stolas by pretending to want to fuck him just for his book, and on the other, people say Stolas is harassing Blitz by not taking the hint. These arguments aren't too far off, but there isn't any INTENTIONAL manipulation.
Blitzo does care about Stolas. This isnt something that just happened suddenly, the show is trying to establish how he feels about Stolas, yet there's always a crowd that says "Where did this come from? Why is this the first time we're seeing this?" as if thats not how shows work.
This is the first we're seeing of Blitzos true feelings because this is the ESTABLISHING period of the show. There haven't been any more indicators because there wasn't any show before this. Sure you can make the argument that there were more opportunities to put more ground beneath this story but you cant then fault the show for trying to establish ground AT ALL. It's like not studying for a test and crying when you fail.
Blitzo is uncomfortable because he's currently in turmoil. For years he's been in a constant shit storm of pushing his loved ones away and isolating himself from them until he's left alone. And now it's coming back to bite him in the ass because he doesn't realize how badly hes hurt people. It took hallucinatory drugs and a musical number to get him to see that he's truly hurt the people he loves and that he has a trail of bitter and angry exes.
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Stolas is just the one who's made him understand what intimacy means to him, and why he's afraid to have that. He WANTS to be with Stolas, but years and years of isolation have left him afraid of a new partner.
It's why he stalks M&M, its why he looks for Barbie, its why he pours so much love into Loona. He's looking for a way out of his cycle of pain.
In Stolas's defense, he's just doing what he thinks Blitzo would like. The texts in Western Energy show that Stolas is genuinely trying to make an effort to make their relationship less transactional, and Blitzo isn't reciprocating at all (something we know he's done before).
I'm closing this off now because I don't want this Stolitz rant to drag on but I will return to this with more on Stolas's behalf. This post was mainly about Blitzo and his character.
In conclusion, I think that #HelluvaBoss deserves a lot more credit than its given. Stolitz is a toxic relationship, but it's only toxic because Stolas and Blitzo have major character flaws that prevent them from having a healthy relationship. And that doen'yt make them evil people. Theres no real malice or abuse, just misunderstanding that lead to toxicity and no comunication.
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