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#not much happens in this one
seveneyesoup · 17 days
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casgirl · 8 months
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people cosplaying on public transit are the backbone of our society and i am SO serious. there is no greater omen of good fortune than seeing hatsune miku on the bus.
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tearlessrain · 9 days
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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unforth · 8 months
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Gentle reminder that very little fandom labor is automated, because I think people forget that a lot.
That blog with a tagging system you love? A person curates those tags by hand.
That rec blog with a great organization scheme and pretty graphics? Someone designed and implemented that organization scheme and made those graphics.
That network that posts a cool variety of stuff? People track down all that variety and queue it by hand, and other people made all the individual pieces.
That post with umpteen links to helpful resources, and information about them? Someone gathered those links, researched the sources, wrote up the information about them.
That graphic about fandom statistics? Someone compiled those statistics, analyzed them, organized them, figured out a useful way to convey the information to others, and made the post.
That event that you think looks neat? Someone wrote the rules, created the blogs and Discords, designed the graphics, did their best to promo the event so it'd succeed.
None of this was done automatically. None of it just appears whole out of the internet ether.
I think everyone realizes that fic writing and fanart creation are work, and at least some folks have got it through their heads that gif creation and graphics and moodboards take effort, and meta is usually respected for the effort that goes into it, at least as far as I've seen, but I feel like a lot of people don't really get how much labor goes into curation, too.
If people are creating resources, curating content, organizing the creations of others, gathering information, and doing other fandom activities that aren't necessarily the direct action of creation, they're doing a lot of fandom labor, and it's often largely unrecognized.
Celebrate fan work!
To folks doing this kind of labor: I see you, and I thank you. You are the backbones of our fandoms and I love you.
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boonbeenblade · 2 months
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Alright Hermitcraft fans, As the new season looms closer, and as we have essentially been confirmed that two new people are joining Hermitcraft, we have to be on the same page. We all have our theories, and our hopes, and our corkboards, but what follows should be something that everyone understands.
Whoever the two new people are? We are going to hype the HELL out of them. There should be be a tidal wave of joy and support. Drowning them in positivity and welcoming them to Hermitcraft. Their announcements and first videos should be covered in enthusiasm. If you've never heard of them before, you give them as warm a welcome as an old friend - and give them a shot! Might find a new favorite!
I know that if you think someone is joining, and they aren't, you might be disappointed. But you do not put that shit on the people who are joining. You keep your discontent private, and out of the tags. I am not telling you how to feel. I am asking you to have a level of common decency. If you don't have something nice to say, you keep it away from where the Hermits can see.
Imagine getting invited onto the server - both a highly visible job and friend group all in one - and having fans of your friends act like they don't want you there. Hearing them say that 'someone else deserved it more' before you even have a chance. Or imagine you're one of the existing Hermits, and people who claim they support you are going on about 'disapproving' of your friends that you asked to join. Put very mildly, it's rude as hell, and discouraging as hell, and not the Hermitcraft way.
We can make them joining Hermitcraft the best decision of their lives. Or we can make it the worst. That's on us. Let's make it a good time for Hermitcraft Season 10.
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inkskinned · 1 year
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
#this was much longer i had to cut it down for legibility#but i do want to say i am aware this post doesnt touch on human rights violations as a result of fast fashion#that is because it deserves its own post with a completely different tone#i am an environmental educator#so that's what i know the most about. it wouldn't be appropriate of me to mention off-hand the real and legitimate suffering#that people are going through#without doing my research and providing real ways to help#this is a vent post about a thing i'm watching happen; not a call to action. it would be INCREDIBLY demeaning#to all those affected by the fast fashion industry to pretend that a post like this could speak to their suffering#unfortunately one of the horrible things about latestage capitalism as an activist is that SO many things are linked to this#and i WANT to talk about all of them but it would be a book in its own right. in fact there ARE books about each level of this#and i encourage you to seek them out and read them!!! i am not an expert on that i am just a person on tumblr doing my favorite activity#(complaining)#and it's like - this is the individual versus the industry problem again right because im blaming myself#for being an expert on environmental disaster (which is fucking important) but not knowing EVERYTHING about fast fashion#i'm blaming myself for not covering the many layers of this incredibly complicated problem im pointing out#rather than being like. yeah so actually the fault here lies with the billion dollar industries actually.#my failure to be able to condense an incredibly immense problem that is BOOK-LENGTH into a single text post that i post for free#is not in ANY fucking way the same amount of harm as. you know. the ACTUAL COMPANIES doing this ACTUAL THING for ACTUAL MONEY.#anyway im gonna go donate money while i'm thinking about it. maybe you can too. we can both just agree - well i fuckin tried didn't i#which is more than their CEOs can say
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collieii · 10 months
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someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.
there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!
so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"
miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)
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overcastkid · 4 months
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ummm yeah
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arealtrashact · 20 days
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Look at my therapy group, dawg. ( I'm never improving my social functioning )
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cube-cumb3r · 1 year
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while im at it neopronoun opposition is weird to me as a swedish person.. the whole debate is so anglocentric that they assume every language landed on the same solution they did, to reuse a plural pronoun as a gender neutral one and then they think any other solution is absurd or unheard of. what do you mean you just made another pronoun up you cant do that!! etc
coz its like here in the 2014 the swedish academy accepted 3rd person pronoun "hen" (as opposed to hon/han) like officially into our word list after it gained some popularity in the 2010s. like that is a NEOPRONOUN that someone just Came Up With in like the 60s and then people just started using it and now its just a recognized part of our language. sure we could've also reused our plural pronoun "de/dem" as a gender neutral one but we just made up a new one instead. and to like imply that mainstream use of a neopronoun is just UNHEARD OF and that neopronouns is something the mainstream could NEVER GET USED TO EVER!!! is... your perspective is very limited to the english speaking world is all i can say
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raepliica · 8 months
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tristamp post-S1 mashwood sillies and tri98(?) merylwood :]
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Hunger
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Okay hear me out!
We have all talked about how Jason gets pit rage because of the Lazarus waters being gross ecto, or how his obssession is the Joker and needing to kill him and a bunch of other things,
Yes?
With me so far?
Okay!
Let me give that a twist,
That Pit Rage Jason feels is hunger, specifically a ghosts hunger.
Jason came back from the dead not fully, he's a starving ghost with a malnourished proto-core, until he properly eats it will stay weak and hungry.
How does the Joker fit in all this?
Easy, With the lack of good ecto for Jason to feed and stabilize from the next best option is his murderer.
Consuming that who killed you is very nourishing for a new ghost.
So Jason getting angry with the bats and others when they tell him not to kill the Joker or actively prevent him from even getting near him is like putting all his favourite foods right in front of him and then taking it away from him,
Each time getting worse for Jason, only getting hungrier and hungrier each time it happens.
How would you feel if you were starving and people kept offering you food and then pulling it away before you could eat it?
Confused?
Desperate?
Anger?
It doesn't count as cannibalism if you're not the same
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Jason biting the bars of his holding cell like a dog
Dick: "Is it just me or where his teeth always that sharp?"
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Oracle: "I lost sight of the Joker!"
Jason hunched over with glowing green eyes while drooling: "No worries he's nearby I can smell him."
Other Bats listening on the comms: " ...What the hell do you mean smell ! Are you drooling ?!"
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Bats: "Wow Jason sure is getting creative trying to get the Joker!"
Jason:
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Check tags for some funny extras
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Just an Idea
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cozylittleartblog · 3 months
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lethal company is a workplace comedy
this prank got us All killed. btw.
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isjasz · 5 months
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[Day 114]
ONE MORE DAY THIS IS NOT A DRILL FT GIGGS IN LIFE SERIES!!!!!!!1!1!1!
Without the 1!! :D
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emry-stars-art · 3 months
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@neilimfinejosten said coffee shop au last month so you’ll never guess what I’ve been thinking about
A few thoughts under the cut!
Andrew works at a coffee shop in a college town, so far with all the foxes except Aaron, and Neil’s been far away on the run. I’ve been putting Robin in this one and I bet Seth hangs around the shop for Allison. Aaron will pick up a shift or two but mostly he’s focusing on school.
Anyway one day in a cold winter a new guy comes into the shop looking to warm up, and Andrew just happens to be working the register (rare). It’s hard to tell with the mask, but this guy doesn’t seem to be much older than him or the team, and Andrew can catch glances of bandages and band-aids under his clothes.
He becomes a regular through winter, but none of the baristas can decide on his name because he gives a different one every time he comes in.
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flowergrenades · 6 months
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BBC Ghosts | 5×05: Carpe Diem
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