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brainhackmusicbox · 4 months

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youtube

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k1nkyl0ve · 1 year

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The Strokes-Is This It(2001)aesthetic

#is this it the strokes album #the strokes #indie #is this it #noiserock #2000s

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screamingforyears · 1 month

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IN A MINUTE:

A NEW MUSIC ROUND_UP…

@couch.slut are here w/ “THE DONKEY (ABRIDGED),” the second single from their forthcoming LP titled ‘You Could Do It Tonight’ (4/19 @brutalpandarecords) & it finds the NYC-based quintet of Dylan DiLella (guitar), Kevin Hall (bass/synth), Amy Mills (guitar/misc), Theo Nobel (drums/synth) & Megan Osztrosits (vocals) pig_fucking their way across 4 mins of visceral NoiseRawk.

“HORIZON LINE” is the final single in the run-up to @frailbodyil’s forthcoming LP titled ‘Artificial Bouquet’ (3/29 @deathwishinc) & it finds the Rockford-based trio of Lowell Shaffer (guitar/vox/keys), Nic Kuczynski (bass) & Nicholas Clemenson (drums) examining “a self-constructed pillar of shame” across 3 relentlessly lacerated mins.

“EVEN AFTER EVERYTHING CHANGED” is a choice cut from @lessercare’s highly anticipated forthcoming LP titled ‘Heel Turn’ (3/22) & it finds the EPTX-based duo of composer/lyricist/vocalist/guitarist Andres Chavez & drummer/percussionist/vocalist Zane Pacillas (w/ a special shoutout to bassist/guitarist Angel Yglecias) linking up w/ @softkillpdx’s Tobias Grave to bring a loaded 3:42 clip moodily lit, emotionally surged & Alt_rawking DreamPop.

“JSUK” is the lead single from @saturnalias6669’s forthcoming LP titled ‘Bugfest’ (5/10 @candlepin_records) & it finds Alex Tung’s Raleigh/Durham-based sonic art project bringing the explosively lo-fi goods across 4 blown out mins of dreamy AltGaze.

@so_totally are here w/ “DOZ ROSES,” the second single from their forthcoming LP titled ‘Double Your Relaxation’ (5/17 @tinyengines) & it finds the Philly-based quartet bringing their grunge_wedding vibes across a sub-4 min slice of six-string swirling & psych_poppin DreamGaze.

#lesser care #music #screamingforyears #songs #postpunk #indie #rock #goth #indierock #alternative #aesthetic #shoegaze #noiserock #newwave #Spotify #Bandcamp

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pheadhones · 6 months

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#based on a true story #noise #noiserock #home recording #Bandcamp

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angelspitmusic · 6 months

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Awesome new playlist: Industrial Incisions Prime cuts of new and old Industrial AWESOME

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dyingpharaohs · 4 months

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Dyingpharaohs.com

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siicycleshortsbicycleshorts · 4 months

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FREE PALESTINE & FUCK TERFS

stream tracklisting: (tracks w/ * are brand spank me mami new)

Text and Silence*

Eerie

Eerie pt2 (gncd)*

I Don't Love You (MCR Cover)

#bicycleshorts #mathwestemo #noiserock #instrumental #lgbtqia #fuckterfs #queer #poppunk #freepalestine #midwestemorevival #midwestemo

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I did this stream a few days ago.

#midwestemo #transwomen #art #diy musicians #lgbtqia #poppunk #two piece bands #mathrock #instrumental #bicycleshorts #mathwestemo #noiserock #fuckterfs #queer #Instagram

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angelspitofficial · 5 months

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Awesome new playlist: Industrial Incisions Prime cuts of new and old Industrial AWESOME

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morganyevans · 1 year

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Kingston After Dark: The Body/Head connection (backup of my interview from 2019)

1991: The Year Punk Broke was pretty much my almost daily afternoon home video consumption in high school after cutting class and taking acid during the day.

I cannot understate how much the classic noise-rock and grunge-era tour documentary meant to me and opened my mind, heart and ears to a lifetime of appreciating bands with edge, passion and a feminist streak, not to mention the joy of seeing Sonic Youth’s Kim Gordon clowning around with Kurt Cobain.

I never thought decades later I would get a chance to talk to Gordon myself. Her fabulous noise landscape painting band Body/Head (with fellow guitarist Bill Nace) has a sophomore record called The Switch out on indie giants Matador Records as of July 13. It is an unromanticized-yet-meditative collection of moody guitar swells and poetic fragments as well as an excellent boundary-pushing follow-up to their 2013 debut Coming Apart and 2016 live album No Waves.

It was a genuine pleasure for myself and my partner Elizabeth Gomez (a.k.a. psych folk singer Globelamp) to interview Kim and Bill before their upcoming BSP Kingston back room theater appearance on Friday, July 20.

Morgan Evans: BSP is a great, non-corporate venue that has grown out of community love and involvement. How did you end up stopping here?

Bill Nace: Someone offered for us to play there and it fit into our routing. I don’t know much about Kingston. I saw Television once. My friend Angel [Deradoorian] opened. There is a poet, Ben Estes, who actually used to live with Kim who I think lives up there now and runs a publishing imprint called The Song Cave. Is Grasshopper from Mercury Rev still there?

Morgan: Yeah, he’s my friend! I am hoping he will do a song with me on my next Walking Bombs album. Kim, I wanted to know if you saw The Center Will Not Hold documentary on Netflix about Joan Didion. I know you mentioned her in your memoir, Girl in a Band. Did you like it?

Kim Gordon: I did. I thought it was pretty fluffy, but I liked learning she would get up in the morning and wear her dark glasses to have a Pepsi for breakfast.

Morgan: I remember that part! It was amazing! Your music in Body/Head is so expansive. There is a lot of debate right now about visibility and why music called “experimental” is often given that category when it is made by white people and not by other races. Everyone can experience things in a unique way, even through a pop song. What was some formative music that made you start to dissect music in a different way and opened your mind? Your records are kind of an experience rather than someone performing a genre.

Bill Nace: That’s a big one. I think experimental is such a weird phrase. We are not experimenting. We know what we are doing. Experimental is like a word that is seen in contrast with pop music. I never feel like I am commenting on pop music or trying to deconstruct that. It is more our own thing. Everyone thinks of pop music as the norm but that doesn’t have to really be the case. There are unlimited access points into music.

Elizabeth Gomez: Kim, I’ve been in the music scene only a little bit and have encountered a lot of sexism. I can only imagine how much you have, being such a pillar in the scene for so long. As a rock icon, do you have any advice for women who want to keep focusing on their art and drown that stuff out?

Kim: I would just … play louder [laughing]. It’s no different than anywhere else, the culture. I guess I got used to working from a position as a bass player that was sort of a supportive role, initially. If you are not directly in the limelight you can be more observant about things and kind of … I don’t know. It’s so normal to be in a male dominated society that it’s kind of … I guess my bar of expectations is a little bit low. [Laughs.] Especially right now with a Supreme Court opening and everything. At the same time, you can’t really stop energy. The wrath of millions of women will be really hard to contain if Roe v. Wade gets really fucked with. It’s coming to a head, in a weird way. I hope it’s not coming to a head in like a “the end of the world” way [laughs].

Elizabeth: The bar is kind of low. I know what you mean. Our president is Trump.

Kim: I guess I am used to working with limitations, is what I am saying. I kind of like that, in a way. I make it work for me. By people not expecting certain things from you, you can kind of surprise them.

Morgan: So, the song itself and song title for your track “Change My Brain” jumped out to me. People cry about “fake news” and trolls try to muddy the waters online so people can’t determine facts anymore. It makes gaslighting easier. We all have some cultural biases, but you can just hear a song and it can make you relax or feel unity at times. That piece was strong and has a great crawling tension build. Music can reset our brains sometimes back to a better reality.

Bill: For us, we try to go in and focus and play. We play and then go back to what we have done and a world and thread happens without us trying to steer it. “Change My Brain,” I came up with that name on tour a few years ago as a possible 7-inch title. We had been on tour for awhile and I just felt insane. I think we like titles like that that are really open so the listener and audience are active participants, rather than putting a fine point on anything.

#body/head #sonicyouth #noiserock #artrock #kimgordon #billnace #matador #punk

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g001abi · 6 months

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Mãe que dá Medo - MANEJO FÁLICO

arte por damaged artwork

#noiserock #albumcover #noise music

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terminalghost · 1 year

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#noiserock #the jesus lizard #man or astro man?#dwarves

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castrationanxietyy · 9 months

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Interview with 2070, el cid 6/19/23

As long as the opening band isn’t anything I can’t find on a UC radio station’s cluttered CD shelf, I usually like to stay and watch for a while. The crowds may be dull as they attempt to decipher whether the music is worth their attention, but the few listening are decently impressed. Most of the time, they won’t get anywhere far. This is one of the disappointing aspects of the LA music scene. However, with all genres considered, it makes some interesting discoveries.

I understand the annoyance of writing about two separate bands from the same night, but 2070’s performance opening for Bar Italia was something I would have kicked myself for if I had missed it. After one song, I pulled out my notebook and began to write anything that came to my head– I knew I would have to interview them despite knowing nothing but what had laid before me. Until the actual interview, I hadn’t even known the band’s name. After “excuse me”-ing my way to the front, knocking over someone’s propped recent purchase of Tracey Denim in the process, I was able to grab the bassist’s attention.

2070 originated in their home state of Michigan without any stable bandmates. Frontman Trevor Coleman began the band alongside bassist Khari Cousins’ brother before Khari took his place. The band’s current lineup consists of drummer Rogers DeCoud, guitarist Danny Rincon, Coleman, and Cousins.

Cultivating a fanbase out home, the band had some general success in surrounding cities. After moving out to LA with other 2070 bandmates, the pair began assimilating into a new landscape.

Much of the band came to be in spur-of-the-moment decisions, as each band member have their own additional side projects to focus on. Two of the three are indie-lofi artists, with the drummer DeCloud being a DJ. Despite this, their work doesn’t clash.

COU: “I feel like our own solo stuff is all very different, but we have very similar interests in music.”

COL:“We realized we play really well with each other.”

For me, this statement was not shocking.

Their sound fills the room, and I had explicitly asked them if it was the venue or how they genuinely play, realizing after that the question sounded slightly backhanded.

COU: “We still record softer but I feel like we still play it somewhat louder to like, give it that like ambiance– that like fills up the room.”

Once again, no surprise here. It is one of the beauties of seeing the band live, your experience is nowhere near the same as remote listening. I had mentioned to them that their imperfect playing added an element of reality that many current artists desperately try to erase. Artists have begun to sound formulated for live music, with their production tuned to what is believed to be imperfect perfection– a simulation of raw performance. While I am nowhere near calling 2070 the finest performers in LA, they have true character. Their fear of mistakes is not at the forefront of performance; they don’t become hindered by an overly loud chord.

COU: “ I don’t know if it is intentional it just always happens that way. I think we are just comfortable with it being that way. [...] We just kinda play through it, but it’s always something.”

Unfortunately, due to the owners of the venue yelling for us to leave and my inability to write legibly, the other questions were left unanswered. After the initial viewing, I can confirm they will be on my radar, and should be on yours too.

2070 is signed (but not consummated) under the label Already Dead; their discography has been consistently growing, with singles released relatively regularly.

#indie #lamusicscene #indiemusicscene #shoegaze #noiserock #noisemusic #dream pop #alternative music #music #el cid #journalism #music posting #music journalism

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doktordismemberment · 11 months

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Black Elk

Jesus Lizard adjacent noiserock skronk meets mid-period Neurosis burl and mangy Unsane-ish snarl.... Add it all up and you've got one of my favorite albums of the 00's

Give this one a spin if you dig Chat Pile, does a pretty similar thing almost a full decade earlier.

#Noiserock #Sludge #00's #Bandcamp

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ankhtv · 11 months

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#AlternativeMetal #NewMetal #DarkMetal #SkaCore #NoiseRock #metalheadforever

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polaroidblog · 1 year

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“Death of melody” - Preoccupations live @ Covo Club, Bologna, 2023/03/01 - @pre_occupations #preoccupations @covoclub #covoclub #indierock #punk #postpunk #noiserock #live #music #concert #bologna (presso Covo Club) https://www.instagram.com/p/CpRvikZsm5P/?igshid=NGJjMDIxMWI=

#preoccupations #covoclub #indierock #punk #postpunk #noiserock #live #music #concert #bologna

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angelspitmusic · 5 months

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Awesome new playlist: Industrial Incisions Prime cuts of new and old Industrial AWESOME

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