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yessadirichards · 2 months

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How French film is quietly becoming more diverse

PARIS

"Vermin", a horror film about killer spiders invading a run-down apartment block, has become the first hit of the year in France.

The eight-legged critters are not the only surprise in the low-budget film, however, which for once depicts France's ghetto-like suburbs as more than just a den of drug dealers and terrorists.

Instead the block is shown as a place of hard-scrabble solidarity whose problems stem from abandonment by police, media and society in general.

"We want to challenge stereotypes," said Olivier Saby of co-producers Impact Films. The company was set up in 2018 with a mission to bring more diversity to French cinemas.

"The goal is not to make sure there is a black, Arabic or white person in every scene," he told AFP. "We just want films and TV to reflect real life. If you walk into, for example, a lawyer's office today, you will find a lot more diversity than when you see one on TV."

French cinema has made steady progress in some areas.

French women won two of the last three Palmes d'Or, the top prize at the Cannes Film Festival. Three of the five nominees for best director at next month's Cesars (France's Oscars) are women. (The prize has only once gone to a woman, Tonie Marshall, 24 years ago.)

Race is trickier.

Some black actors have become superstars in France, especially "Lupin" star Omar Sy, and comedian Jean-Pascal Zadi, whose sharp satires about racial politics, "Simply Black" and "Represent", have earned awards and been big international hits on Netflix.

But progress is hindered because it remains illegal to gather data on race in France on the grounds that it would perpetuate artificial divisions, said Wale Gbadamosi Oyekanmi, a PR consultant who invests in Impact Film.

"France doesn't really talk about race. You can't monitor the depth of the challenge because you can't measure it" with statistics, he told AFP. "There are new voices that could be heard, that reflect the country as it is now. It's something that can and must be improved."

Analysts work around the issue by measuring how people are "perceived" rather than directly asking their race.

A study of 115 French films released in 2019 by 50/50 Collectif, a campaign group, found 81 percent of lead characters were "perceived as white".

That is not a commercial decision, it said, since the figure dropped to 68 percent for the 15 most popular films of the year.

But France's cultural gatekeepers still bristle at the idea of mixing social issues with creativity, said Marie-Lou Dulac, founder of diversity consultancy DIRE et Dire.

Many in France see encouraging diversity as a way of "perverting creativity," she said. "Actually it's a way to renew creativity, to encounter new stories and characters.

"We can't keep making the same old caricature of a French film -- a white professional couple in Paris who are cheating on each other," she added with a laugh.

Impact Films supports films with LGBTQ, disabled or ethnic minority leads, said Saby. It finances documentaries about environmental and social issues, and hires people from under-represented groups to work behind the camera.

It also works with scriptwriters to avoid cliches. "Why are minority actors always playing a drug dealer?" he added. "Does every action hero need to drive a 4x4?"

As in other countries, pushing for change triggers a backlash.

Powerful right-wing businessmen are also moving into film productions, such as last year's "Vaincre ou Mourir" ("Victory or Death") about the peasant counter-revolution of the 1790s, a favorite topic of pro-Catholic, pro-monarchy ultra-conservatives.

It was produced by the company behind the Puy du Fou theme park, owned by far-right former presidential candidate Philippe de Villiers.

The risk of a backlash is no reason to give up, said Saby, with "Vermin" up for two Cesar awards and well on its way to being the most successful French horror flick in nearly 25 years.

"There was always this battle. It's just that only one side was winning up to now," he said. "There's plenty of room on screen for everyone."

#yessadirichards

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vantedgesearch23 · 3 months

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Reimagine HR with Analytics and Personalization

Table of Content

Ring in the power of AI and Big Data

Putting data to good use

Conclusion

Are you a regular shopper on Amazon? Or maybe a Netflix subscriber or a Spotify addict? Thanks to these and some other indulging brands offering a deeply personalized experience, we’ve come to expect such personalized experiences everywhere we go, including the office. According to a KPMG research, organizations that actively focus on building employee experiences are four times more profitable than those who don’t. Another research by Gallup confirms that businesses with a high level of employee engagement report 21% higher profitability.

The future of HR automation and AI in HR is promising, presenting a compelling business case for personalization. The good news is that HR teams have been experimenting with different ways to personalize the workplace. Employees in some organizations can select individual benefits. DISYS, a global IT consulting and managed services firm, has introduced several recognition initiatives that align with employees’ individual needs and motivations while propelling an uplifting, unified company culture that also keeps employees engaged.

The problem is that most of these initiatives are sporadic and intuitive, rather than part of a well-planned enterprise-wide strategy.

Ring in the power of AI and Big Data

The application of data analytics in human resources and big data in HR is revolutionizing how managers identify individual challenges and build a personalized connect with employees. Managers can now improve their effectiveness by proactively recommending initiatives that can help facilitate employees, and both predict and enhance individual performance.

Experts believe that HR is an art and a science. In the past, only the intuitive and creative aspect of HR has taken precedence. But HR teams can now ditch their intuition-based decisions, and instead use relevant data and insights to personalize at scale and align with business operations.

AI and automation in HR, along with big data and HR analytics in the digital era, are transforming the employee lifecycle from hiring to development. An ML (machine language)-based system to assess skill data gives a more accurate view of the skills available in an organization keeping business goals in mind. It becomes easier for HR to find talent that matches the skills the organization is looking for, as well as provide opportunities to people looking for new experiences. For instance, one organization sources high-quality talent through personalized job portals that use AI to extract insights about a prospect’s intent, character, and persona. The user then receives personalized job recommendations and content based on his/ her skills, experience, interests, and behaviors.

Putting data to good use

Personalizing HR involves collecting employee information, hiring requirements, salaries, churn rate, etc. But HR’s role doesn’t stop at just gathering data on employee efficiency. Instead, it allows HR to observe patterns and extract insights into each process and then take relevant steps to improve these processes. Insights derived from data can also lead to recommendations that assist employees on their career journeys.

Moreover, there are some instances when HR is unable to respond quickly with human interactions. Automating processes and creating compelling digital experiences allows time for quality human interactions. To add a human touch to digital interactions, some HR leaders are creating digital experiences that mimic human interactions via the use of chatbots and virtual assistants. The Marriott Hotel group uses gamification to attract potential employees to their website, putting them in real-life situations in a video game to test them against the various elements that exist in a typical recruitment toolbox.

Having the data context of an employee’s career goals, skills and interests creates a richer corporate experience. For example, knowing that someone has an interest in graphic design or has been a people leader before might lead you to put them on a project or team where those capabilities are important. Another example, do high performers leave more often than low performers in an organization and if so, what is leading to that turnover?

Conclusion

Personalized HR practices are demolishing traditional hierarchical models and paving the way for new ways of working. AI is helping HR teams enhance multiple operations including self-service transactions, payroll, reporting and recruiting and talent acquisition. HR managers can benefit by incorporating AI to improve the overall employee experience and can even help the HR leaders reduce employee churn. However, AI applications need customization and are hard to standardize. The HR managers must determine what results they expect out of their AI application and carefully consider how AI will fit in before adopting a solution.

For organizations with growth aspirations, personalization of people practices is not an option but an essential ingredient to being future-ready. In this age of HR personalization, how ready are you?

#reimagine hr #future of human resource management #future of hr analytics

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finstermond · 3 years

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you've heard of spanish dub! castiel

get ready for german dub! jamie

in which she didn't go to prison but served in the army(!) where she still picked up her gardening skills by.. shoveling trenches i guess. which fucking army you ask? hell do i know but she did fuck all except shooting rats and pick up some gardening skills apparantly

#destiel #bly manor #german #german stuff #netflix hire real people challenge #jamie #damie #haunting of bly manor #the haunting of bly manor #netflix

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sweetkingdomstarlight-blog · 3 years

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they were roommates

Warnings - non consensual sex, anal sex, somnophilia, forced drug use

Pairings - Bucky Barnes x Reader

Words - over 2k

A/N - READ THE WARNINGS - I can’t stress this enough. Also if you are under 18 just shoo, bugger off. I wrote this from a prompt on @darkficsyouneveraskedfor stalker writing challenge, the prompt was your roommate isn’t who you thought they were. I’m still super new to writing and this is new territory for me, as always a huge massive thankyou to my beautiful wife @buckyownsmylife she helped me a lot and continues to hype me up.

It’s been six weeks since your friend got a new job upstate and moved out,. You’ve had an advert out for a new roommate but so far everyone who’s applied has either been rude or hasn’t shown up. You’re running low on your savings and would probably accept Satan himself if he could pay his fair share. That’s when your latest applicant knocked on your door.

James was polite and charming, he offered to pay a month up front to secure the room and could move in as soon as possible. You felt like a weight was lifted off your shoulders when he moved in later that week, it was a bit odd that he had no friends to help him but he didn’t seem to have a lot of stuff and had himself sorted while you worked in your home office.

The first night he offered to buy pizza and beers so you could get to know each other better, it turns out you two had a lot of things in common and he was easy to get along with. You must have had a few too many beers because your head felt fuzzy, deciding it was time to go to bed. You said goodnight to James and stood up but felt so dizzy you had to immediately sit back down. James was so sweet though, looking after you, he actually picked you up and put you to bed so you didn't have to walk the short distance to your room.

Waking up the next morning you realised you were wearing a t-shirt you didn’t recognise but you didn’t remember getting changed, your mouth felt strangely dry so you got up for a drink. That’s when the soreness hit you, in between your legs, rushing to the bathroom you were confused that you weren’t getting your period and nothing seemed to be different. You assumed you were getting sick and went for hot tea to soothe yourself.

Sitting at the kitchen counter drinking and nibbling on some dry toast, James walks in looking like he’s just been for a run. He grabs a bottle of water and walks over to you giggling “you can’t possibly be hungover you only had three drinks last night” you look up at him smirking and sarcastically respond, “yeah, well, maybe I’m just a lightweight”.

As you get up to clear away your mess he clears his throat making you turn. “Should we have a system for when we have people over in the future?” You look at him confused. “I’m sorry what do you mean? Do you want to bring someone over tonight?”

He chuckles at you, “Well no, not tonight but if you want your friend from last night to come back I can make sure you have some privacy,” he offers you, smirking at the confused look on your face.

“I’m sorry, I don't understand, I went to sleep last night. I didn’t have anyone over.” Taking a step closer, he leans on the counter separating you both. “Then who did I hear you with last night and who did I kick out this morning?” You stare at him open mouthed and scurry off to your room to check your phone for some clues, you feel your chest tighten when you see that you matched with someone last night and invited him over. How could you not remember? You were absolutely mortified, what is James going to think of you now?

Sitting in your home office talking to idiot customers on the phone all day, you try to take your mind off what happened last night. How can you have invited someone over, had sex and apparently stolen his t-shirt without even knowing? You vow there and then you aren’t drinking ever again. However, the end of the week rolls by and it's been the absolute worst, your boss is a dick, your customers are all idiots and to top it off your best friend hasn’t responded to your calls all week and you don’t know why.

You have a quick shower and decide to spend the night binge watching whatever you can find on Netflix when James sits next to you handing you a gin and tonic. “Thanks but I’m not drinking for a little while.” You go to put the drink down but he pushes it up to your mouth

“Don’t be silly, you’ve had a hard week. One drink won’t hurt” smiling at him you take a sip and he’s right, you instantly relax and get cosy on the sofa, ordering chinese and laughing at the show you both decide on. Waking up in the middle of the night with a dry mouth again, you find yourself laying on your bed but this time you have your own clothes on which is a relief. Standing up, you feel a bit weird round the back like you’ve been stretched out with one of your plugs but that’s not possible, they’re hidden in your box under the bed.

You drink a big glass of water and sit on the kitchen counter, a little uncomfortably, but quietly and relax. Something has been off the last week and you can’t put your finger on it, it's always weird when you get a new roommate and you’ve put it down to that but you just sense something isn’t quite right. You lean your head back on the wall behind you and get a surprise when James walks round the corner. “Hey doll, you feeling ok? You looked a bit sickly earlier and went to bed. I didn’t want to wake you up.”

You nod at how sweet he was and drink some more water before hopping down. “I’m fine just going to sleep it off.” He takes your glass for you, offering to wash it and says goodnight, watching you walk away very closely and licking his lips as his eyes roam over your body.

It’s been a few weeks now since James moved in, he’s got to be the best roommate you’ve ever had. He pays his bills on time, keeps the place spotless and he’s such a good cook, always making food and drinks for you. It's lucky that he’s so kind because none of your friends seem to be in touch anymore, you message them and even try calling them but no one ever replies.

You sit watching your usual Friday night film with drinks and Chinese takeout, talking to James about both your weeks, tonight though he sits closer than usual and his face seems to light up when you talk to him. He’s possibly the most beautiful man you’ve ever seen in real life, you’ve never looked at him that way before because not only is he your roommate but he’s so far out of your league it's laughable. You tell one of your stupid jokes and he laughs with his whole body, his arm goes around the back of the sofa and he pulls you in close, hugging into him, you relax biting your lip when he kisses the top of your head.

That was the beginning of it for you both. You had daily movie nights, he cooked for you every day, listened when you got upset that your friends seemed to have dropped you and even encouraged you to start running with him. Everything felt perfect, you still occasionally woke up sore with a dry mouth but James told you it was just your body getting used to all the exercise you were now doing. Both of you had really found each other, loners who just needed someone to listen.

You went down to collect your mail one day and stood talking to your elderly neighbour when she told you how familiar James looked, she couldn’t work out where she knew him from but she praised you on finding such a nice young man who apparently had carried her groceries up the stairs for her when the elevator was broken. Smiling at her you told her to have a good morning and went back to your apartment looking at the thick brown envelope addressed to you, you never really got anything in the post except the occasional leaflet. James had made you a coffee and you smiled at him taking the package in your room to open while you got ready to have a shower.

In the shower you decided tonight would be the night with James, you shaved yourself from head to toe and used your best lotions. Winking at him as you walked to your room, he had a weird look on his face and couldn’t seem to look at you. In your room the envelope had been moved, it looked like it was open too. Bending down to pick it up you hear James behind you but before you can turn around you feel a pain in your neck and everything goes dark.

You wake up with a blinding headache and go to move but your body feels too heavy. “Ssshh sweetheart, don’t move, I had to tie you up for your own safety.” You look at him confused, trying to pull on your wrists but you can’t move.

“James, what’s happening?” Sitting next to you he slips some ice chips in your mouth to ease your dry throat and takes a deep breath.

“You can blame your friend, we were so happy and she had to try and take you away from me.” A tear runs down your cheek, you’ve never heard him talk like this and it’s terrifying. “I told your little friends to leave you alone or I’d take care of them all but they just didn’t listen.” He throws the envelope down and slowly shows you the newspaper clippings and articles they had sent you, apparently he was on the run and considered dangerous, something to do with what happened with the helicarriers that crashed a few months ago.

“I’m not the Winter Soldier anymore,” he says with a smirk, wiping your tears away and tutting. “Don’t be scared of me, I’m doing this for you, for us!” Pulling on the restraints on your feet and arms again he shouts, “Enough!” You stop immediately, scared of what he‘ll do if you don’t. “You were so nice to me on the phone when I first got free, you helped me hire that car that brought me to New York. I hacked into your company's database and found you. Your roommate was easy to convince with a little bit of money and I hired all those people to come and see you so when I finally got my chance you’d want me as much as I’ve wanted you”

“Why didn’t you just ask me out like a normal person?” You managed to stutter out, trying not to sound too pathetic.

“You never leave the house, you stay home all day working then sit watching TV all night, I saw you through the webcam. You really should be more careful.” He smirks before running his fingers over your naked body. Feeling how smooth and soft your skin is he smiles. “Did you do all this for me? Sweetheart, I’ve already had all of you, you don’t have to do anything special for me. I love you just the way you are”.

The realisation hits you and you sob loudly. “Have you been touching me while I sleep?” He tilts his head to the side and looks at you with so much admiration.

“You’re so smart, I’ve been preparing you to be mine. I didn’t know how long it's been since you’ve been with a real man, not those silly little toys under your bed and I wanted our first time to be special. I even set up that fake dating account so you would think you had a guy over on that first night.” He strokes your cheek and you have to bite your tongue to stop yourself from crying.

“James I’m cold, can you untie me and we can talk properly, please.” He studies your face for a brief moment before leaning forward and chuckling in your ear.

“You can’t think I’m that stupid baby, oh and you can call me Bucky now. If you’re going to be mine forever we need to get better acquainted.” He drops his sweatpants and straddles your hips. “We’re going to have so much fun”.

#bucky barnes x you #bucky x reader #bucky #bucky barns fanfiction #bucky barnes x reader #Winter Soldier

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joshjacksons · 3 years

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Joshua Jackson interview with "Mr Porter" (2021)

Minutes before Mr Joshua Jackson joins me in a booth for a Friday afternoon drink at a vibey hotel bar in Santa Monica, he’s confronted by his past. Or rather, a woman in her early twenties who is binge-watching Dawson’s Creek, the teen show about a close-knit group of high-school friends coming of age in a sleepy American town, which made Jackson incredibly famous between 1998 and 2003. The series, which also made household names of Ms Michelle Williams and Ms Katie Holmes, went off air 18 years ago, but is now streaming on Netflix, to the bemusement of Jackson, who played lovable rogue Pacey Witter. “This girl was like, ‘Are you...?’ And I’m like, ‘Yes, I am. He got old. I’m sorry to break it to you,’” he says, before ordering an iced tea and a charcuterie board to tide him over until dinner time. “It always surprises me when young people say they’ve just got into Dawson’s Creek. I’m like, ‘Is it a costume drama to you? Do you feel like you’re watching a historical documentary?’”

The idea of a Friends-style reunion episode or a Sex And The City revival feels equally far-fetched to Canadian-born Jackson, now 43 and wearing it well in a pale green linen shirt and tailored linen trousers by Oliver Spencer that complement his fading brown hair and Cali-tanned skin.

“I don’t know why you’d want to [bring it back],” he says. “Nobody needs to know what those characters are doing in middle age. We left them in a nice place. Nobody needs to see that Pacey’s back hurts. I don’t think we need that update.”

And Jackson doesn’t need Dawson’s Creek. From Mr JJ Abrams’ sci-fi series Fringe (2008-2013) to the Golden Globe award-winning The Affair (2014-2019), from Ms Ava DuVernay’s ground-breaking true-crime drama When They See Us (2019) to the recent Ms Reese Witherspoon and Ms Kerry Washington-produced Little Fires Everywhere (2020), he has commanded the small screen – with a collection of dynamic and diverse work – ever since.

His latest role as Mr Christopher Duntsch, the Texas surgeon convicted of gross malpractice when 33 of his patients were left seriously injured after he operated on them and two of them died, in chilling Peacock crime drama Dr Death, is only stepping his career up another gear.

“I’ve never played anyone irredeemable before,” says Jackson, who is joined in the eight-part series (based on the 2018 Wondery podcast of the same name) by Messrs Christian Slater and Alec Baldwin. “He is charming, gregarious and has a high-level intellect, but he’s also a misogynist, probably a sociopath, certainly a narcissist and a complete incompetent who is incapable of seeing himself.”

If Duntsch is terrifying, then Jackson’s portrayal is even more so. The artist formerly known as Pacey is virtually unrecognisable (thanks to prosthetics) in the opening scene, but the real challenge for Jackson was allowing himself to view someone who is so “spectacularly evil” as a human being in order to walk in his shoes. “It’s a more damning portrayal of the man to make him into a human being, rather than just make him the bad guy,” he says. “He really believes he’s the hero, he’s the genius and that he’s the victim, so once I got past my own judgment, all the other things fell into place.”

Jackson might have his pick of stellar roles – and challenges – now, but it has not happened by accident. Take it from someone who has been in the business since landing his first job aged 14 in Disney’s live-action movie series The Mighty Ducks, opposite Brat Pack alumnus Mr Emilio Estevez.

“You try to make it look like it happens accidentally,” he says, “but there is no way to do this and not be ambitious. I’d say I’m extremely ambitious because I’ve been doing this cutthroat job for nearly 30 years. I’m in the pay-off phase of my career now. One of the benefits of surviving for as long as I have is you get to learn from your own mistakes.”

Such as? “I wouldn’t say, ‘I wish I hadn’t done that,’ because it all becomes bricks in a path, but [after Dawson’s Creek] I was not choosy enough about the things I was doing. You get stuck. You start trying to perform the performance you think people are hoping to see you do. I was so used to working all the time that I just worked all the time. There was definitely a conscious moment in my mid-twenties when I realised I wasn’t really enjoying the work that I was doing. My manager at the time just said, ‘Take a breath. You’re burnt out.’”

The turning point came in 2005, when Jackson was offered a role in the two-hander Mr David Mamet play A Life In The Theatre, opposite Sir Patrick Stewart. “God bless him, Patrick could have made my life miserable because I had no idea what I was doing, ” he says. “I hadn’t been on stage since I was a kid and now I was in the West End in over my head. But it reminded me that I actually enjoyed being an actor, that it’s not about the red carpet or travelling around the world. What I really enjoy is working on good material with good people.”

It’s no surprise Jackson’s time on Dawson’s Creek led to a career crisis. From the ages of 19 to 24, he lived with his fellow cast mates in Wilmington, North Carolina, filming day in, day out, in an arrangement he likens to college. “You get to the end and they’re like, ‘Here’s your degree. Go live now. You’re an adult. Go out into the world,’” he says.

But most graduates don’t have to deal with global fame. “It’s transitory. You’re only ever cool for a moment and then you become much less cool. I was always pretty dubious about flatterers,” he says, recalling a time he was stung in London in the mid-2000s. “I went on a date in Hyde Park with a woman whose name I will not use – she was socialite-famous – and she was acting completely bizarre, looking over her shoulder the whole time. I came to find out that she had hired a photographer to follow us through the park and gave a whole story to the tabloids about how I was going to meet her family.”

It was his growing fortune, rather than fame, that caused Jackson the most anxiety. “Suddenly, at 19 years old, I was making more in a week than most of my friends’ parents would make in a year,” he says. “It was lovely to have the money, but it was that feeling of nobody is worth that kind of money. You feel like a fraud and it took me a long time to forgive myself for not being the thing that I was perceived as.”

Born in Vancouver, but raised in Topanga, California, until he was eight (before moving back to Vancouver following his parents’ divorce), Jackson bought his childhood home in 2001 and lives in it today with his wife, British Queen & Slim actor Ms Jodie Turner-Smith, and their 15-month-old daughter.

“My father unfortunately was not a good father or a husband and exited the scene, but that house in Topanga was where everything felt simple, so it was a very healing thing for me to do,” he says. Fast-forward to 2021 and his baby daughter now sleeps in her father’s childhood bedroom. “There was a mural of a dragon on the wall in that room that I couldn’t believe was still there, years later. The owner [who sold him the house] said, ‘I knew it meant a lot to somebody and that they were going to come back for it some day.’”

Becoming a first-time parent during a pandemic sounds stressful, but it afforded Jackson months at home with his wife and child that his normal work schedule wouldn’t have allowed.

“I now recognise how perverse the way that we have set up our society is,” he says. “There is not a father I know who works a regular job who didn’t go back to the office a week later. It’s robbing that man of the opportunity to bond with his child and spend time with his partner.”

Despite his obvious career ambitions, fatherhood has changed Jackson’s priorities in “every possible way”, he says. “It’s 100 per cent changed how I approach my work and my life. That has been made so clear to me in this past year. For me to feel good about what I’m doing day to day, my family has to be the central focus.

“There are plenty of things left for me to do, but now the thing that gets me excited is experiencing the world through my daughter’s eyes. I can’t wait to take her scuba diving. I can’t wait to take her skiing. I can’t wait to read a great book with her. I’m not worried at all she’ll be a wallflower. She’s been a character from the word go.”

Jackson met Turner-Smith, 34, two days after his 40th birthday. He had been single since his 10-year relationship with German actress Ms Diane Kruger ended in 2016. “I was not looking to fall in love again or meet the mother of my child, but life has other plans for you,” he says.

The couple met at a party. Turner-Smith was wearing the same The Future Is Female Ejaculation T-shirt Ms Tessa Thompson’s character, Detroit, wears in the 2018 film Sorry To Bother You. “That’s what I used to break the ice. I shouted, ‘Detroit!’ across the room. Not the smoothest thing I’ve ever done, but it worked. We were pretty much inseparable from the word go. It was a whirlwind romance and I can tell my daughter I literally saw her mother across a room and thought, ‘I have to be next to this woman.’”

A self-confessed “useless” shopper, Jackson gives his wife full credit for his current wardrobe. He is jewellery-free, apart from a wedding band and a gold signet “JJ” ring on his little finger (a present from his wife), and discovered tailored sweatsuits (by Stampd and Reigning Champ) in the pandemic.

“Jodie has influence in the way that a wonderful wife encourages you, through love, to dress well. She was like, ‘We’re going to throw away all the sweatpants from your past and I’m going to get you some that actually make you look like an adult male and you will still feel comfortable around the house,’ and I’m like, ‘What an amazing idea!’ Who knew you could get sweatsuits that actually look good on your body?”

Jackson’s style has evolved, he says, “from slovenly teen to it’s-nice-when-your-clothes-actually-fit-you”. The penny dropped after he auditioned for his former co-star Estevez, who was directing the 2006 Mr Robert Kennedy biopic Bobby. He said to me, ‘You only got this job because I know you. You came in here to play a very well-put together 1960s political operative and you’re wearing jeans and a hoodie.’

“I had to grow up a little bit. We are very much raised in Canada to never, ever show off, so it took me a while to recognise it’s OK to look good when you go out.”

Still, when you’ve grown up in front of the camera, “every pimple literally documented”, and lived (very successfully) to tell the tale, you can probably be forgiven for the odd fashion faux pas.

“I wore a silk Ascot to an event once in Paris and I still have nightmares about it,” he says. “I looked like Fred from Scooby Doo, but you live and learn.”

#joshua jackson #interviews #jodie turner smith #dawson's creek #dr death #fringe #emilio estevez #mr porter #patrick stewart #michelle williams #katie holmes

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twh-news · 3 years

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Interview: Makeup Artist Douglas Noe on Loki’s Looks Through the Years & Creating Anew for ‘Loki’ [EXCLUSIVE]

Douglas Noe has been in Hollywood for three decades. An award-winning makeup artist, he’s worked on projects such as World War Z, Planet of the Apes, Spider-Man 3, I Saw the Light, and Birth of a Nation. On top of these impressive credits, he’s also been Tom Hiddleston’s personal makeup artist since joining the MCU in The Avengers, designing all of the looks for Loki’s subsequent appearances.

Noe has been nominated for three Emmys with one win, and five Makeup Artist and Hairstylist (MUAHS) Awards resulting in two MUAHS awards. His skills include creating making natural and period looks, prosthetics, hair, and tattoos.

Along with being the head of the makeup department for the most recent Disney+ series Loki, Noe is also creating looks for the new Netflix comedy series True Story starring Kevin Hart and Wesley Snipes.

We had a chance to chat with Douglas Noe about his work on Loki, The Avengers, the incomparable value of teamwork on set, and most importantly, Richard E. Grant.

Nerds and Beyond: So you started your Marvel journey with The Avengers, but what drew you to your field in the first place? And how did you get your start?

Douglas Noe: Star Wars was a huge influence to me as a young boy, both sketching and drawing, and a little bit of sculpting but not much. Cut to 1983, Michael Jackson’s “Thriller” comes out and I find a magazine called Fangoria on the newsstands where I can order blood and wax and pencils and fake hair. So, I started playing with these things. I was also taken with the horror movie craze that was happening in the early 80s — Nightmare on Elm Street and Friday the 13th, and others, obviously.

In High School, in 1984, I joined choir thinking I would get an easy credit, but my voice had not changed. So the choral instructor had been waiting for a boy soprano to do a theatrical opera presentation. So with that I sang the lead, I quit choir after that, because my peers were merciless, but, I learned the world of theatrical makeup which I hadn’t been introduced to.

I did years of theater. I went to a performing arts high school — it’s called Fort Hayes School for the Performing Arts in Columbus, Ohio — graduated, went to beauty school, and continued working in Ohio doing industrial, commercial, theater, and opera [makeup]. Worked for Maybelline and Revlon, got restless, worked in Cincinnati on my first film in the summer of 1990, it was July so 31 years ago, A Rage in Harlem. And my boss said you come to Los Angeles, I’ll make sure you get on your feet.

Nerds and Beyond: So you mentioned that it’s been about 31 years since your career started, what’s changed over the course of those 30 years in your field?

Douglas: How much time do we have? I’d say the biggest, biggest change would probably be the way we make these things now. Although another large change, more specific, would be the materials that we use. There’s a constant evolution and reinvention of almost all aspects of the materials that a makeup artist uses. That said, I have to shine a light on the way we do things now with the onset of digital and digital cameras. Shooting on film now has almost completely fallen by the wayside. Film was very forgiving, quite frankly, and now it’s not so forgiving. And because of that, the bar has been raised. The wonderful thing about this journey is watching my peers just get better and better and better, my colleagues rising to meet the challenge of not having anything to hide from with this new way we make films.

Nerds and Beyond: So, sometimes you kind of throw prosthetics to the wayside in favor of a more traditional makeup. How do you make that decision on which one to go with?

Douglas: That’s an excellent question. The decision is based purely on what are we going to see. That’s where I start, what is the lighting? I have a conversation with the director of photography and I find out what is the dynamic. Obviously, I know from the script whether it’s an interior or exterior, or if we’re exterior but we’re going to be on a stage, if it’s day or night. These variables all play into my decision as to whether or not I should rely on my theatrical experience and ability to paint 2D to appear 3D, or go ahead and make small prosthetics and put them where I need to put them and use actual prosthetics in lieu of paint.

That has everything to do with lighting, locations, logistics, and because most of his [Loki’s] wounds appear on his arm and some on his face in the Void, it’s all very moody and very dark. And again, the theatrical quality of the paint is not going to be altered by the changing light, it’s just going to react the same way the rest of the face is going to react. It’s purple light, it’s going to make everything have a purple hue. There was no accounting for any correction that didn’t need to be done. There wasn’t anything wrong with that. It’s real.

Nerds and Beyond: So, you did make up for not only Tom on Loki, but you helped plan out the looks for everybody?

Douglas: Yes, what I do is I surround myself with strong talent. It’s all about team. I designed Wunmi Mosaku, Gugu Mbatha-Raw, Sophia DiMartino, and Tom [Hiddleston]. Regarding the rest of it, Neil Ellis, both Dennis Liddiard and I, added to the elements of his scars and wounds, which you would only see in close-ups.

The rest of it, the parameters are set — Blade Runner to Mad Men — and stay in those confines. And obviously, I choose color palettes for the women and there are parameters set for the men, but then it’s about team. I’m a big one on a team and not putting my thumbprints on other people’s work, but rather build other people up so they feel like they own what they’re doing.

My team consists of artists that also have stronger resumes and quite frankly, skills that exceed mine. It’s the mutual trust that allows us to keep a high level of artistic integrity in every aspect of the job. It also means I get the very best from my team, and it shows on the screen.

So, I didn’t have every look in my hand. Dennis Liddiard designed the Mobius character and I had Ned Neidhardt run with Gugu and turn up the volume on some of the elements that she already possesses that we can play with. Her eyes and lips, I think Ned turned the volume on both. And because we’re shooting in order, it’s a progression in the makeup you did.

Nerds and Beyond: When it came to Sylvie and Loki, when you when you’re doing those, did you try to kind of plan them both to have any similar things to give them a Loki look?

Douglas: It’s a fair question, but the answer is no. So again, I think the characteristics and traits that were going to be similar among them, aside from wardrobe and costume hints, were all character driven. And I did nothing with the makeup and hair to try to make them look or even closely resemble each other.

Nerds and Beyond: I want to kind of back up a little bit to Tom in the first Avengers film. That was by far one of his most standout looks. Can you tell me anything about what went into the creation of that absolutely tormented, haunted look that he had throughout that entire movie?

Douglas: Yeah, and that’s probably one of the elements that, because the character has evolved, we kind of left with Avengers because by the end of Avengers, and we carried it into Endgame, he does have a bit of an edgier look in Avengers, and not many people pick up on it. But the reality is he’s a little sculpted in Avengers.

I remember sculpting his cheekbones and temples, and doing a little play on his forehead for when he’s in the cell on the Helicarrier carrier with all that overhead lighting. I did like a little devil horn shadow, which is so subtle. The only person who’s going to notice is anybody who looks back at it and having read this and knows what to look for, but it is so nuanced and so subtle. And that’s the only place I think we did that. But the rest of him is very much chiseled and sculpted, but it’s a light touch.

And I think, again, as he evolved through the Marvel Universe and into the other movies that was something that was easy to leave behind, because I think that look played directly into his evil desire to rule over Earth. We rested that design element with that storyline.

Nerds and Beyond: It’s very clear too and I’ve always loved looking at that, because I’m a huge fan of the character. I’ve always loved kind of comparing how he looked in that movie to the rest of them.

Douglas: You’re on to me!

Nerds and Beyond: I’m not! I swear [laughs] So, what’s your best method for making the actors comfortable in the makeup chair? And with the final outcome?

Douglas: It’s dialogue; listening, talking to them, talking to their representation, whether it be an agent or a manager, and doing my homework and doing my due diligence to find out what’s going to make them comfortable the moment they walk through the door. I do my homework on them. It’s not just IMDb, it’s an internet search. So, I spend some time on the web and find out who these folks are, and if I find out, for example, they’re not one that likes to talk a lot, well, the writing’s on the wall, we’re not going to talk a lot, we’ll cut to the chase and get to the point. But also, it’s about building a rapport and building a relationship. Also, knowing that, I’ve said this in previous discussions, knowing it’s necessary to get out of the way.

Like if, for example, I’m not a proper fit for somebody, I have to be plugged in, I have to be aware enough to understand that it may not be working before somebody says to me, “Hey, this isn’t gonna work.” So it’s just about being open, especially as Tom’s personal on these projects and running the department, knowing that I don’t get to do everybody. I don’t get to put my thumbprint on other people’s work. Because not only is that disrespectful, it’s very often unnecessary, because I hire good people. I hire contemporaries and peers. Truly, you’re only as good as your weakest crew member. I surround myself with good people.

So, take Owen Wilson, for example, it would have been wonderful to do Owen’s makeup, but there were times when he was not going to be shooting with Tom and I was going to need to be ready for Tom or available to Tom, so it didn’t make sense. So I never touched Owen, I had Dennis Liddiard design that look and run with it. And then Ned Neidhardt took over that look when Dennis had to depart. That’s just one example of not trying to do everything.

Another one was the Classic Loki. I wanted to do Richard E. Grant’s [makeup] so bad, I can’t even tell you. I’ve been a huge fan since 1987. I wanted so badly to bring that full circle, didn’t make sense. It just didn’t make sense. So again, I never touched him. It wasn’t necessary. Ned was always there. And I think the same thing happened to me on Ragnarok reshoots, which I ran in Atlanta again with Dennis Liddiard. I wanted so badly to do Sir Anthony Hopkins makeup, but it didn’t make sense. So I was happy to hand it off to Bill Myer.

Nerds and Beyond: Oh man, I loved Richard E. Grant in this show so much.

Douglas: He’s amazing.

Nerds and Beyond: He’s so good!

Douglas: He really is. And he’s that good in person. He’s just so fun and interesting and alluring and attractive. He’s such a wonderful, wonderful person and, of course, a phenomenal actor.

Nerds and Beyond: I was watching little videos that he posted and he just seems like the warmest person.

Douglas: You know, just one last tidbit about Richard Grant is he’s got wonderful stories and as he’s telling them he’ll often stop and pause and just laugh. Just laugh, not for the sake of the stories or for anybody that he’s telling the story to, but because recounting the story brings him true joy. So he’ll stop and embrace that joy. Oh, it’s so wonderful.

Nerds and Beyond: That’s so amazing to hear. What is the most memorable job that you’ve done?

Douglas: The most memorable … That’s a tough one because I have so many fond memories of so many projects. The first Avengers film was memorable because there was a buzz, there was a vibration, a frequency, that was in the air when we were shooting that. We kind of knew we were making something big and something special. I don’t think any of us knew how big or how special it would be, but that certainly is one of the most memorable and most special projects.

I’m pretty good about focusing on the positive aspects of all these things, regardless of how difficult the project may be for whatever reason. The pros always, always heavily outweigh the cons, but I have a lot of wonderful, memorable experiences. Another one, it’s the polar opposite only because of the conditions in which we shot, but Birth of the Nation was one of the most memorable and exceptional experiences of my career. I was on the wrong side of 40, had 25 years of experience, and had still never worked so hard in my entire life. We did a 50-day shoot in 27 days. So proud of the work we did.

It was 100 degrees with 99 percent humidity, we shot it in the summer in Georgia, in Savannah, so it was hot, humid, and just getting the makeup necessary to be on individuals to stay put was its own challenge. And then the other challenges only added to that. But Nate Parker, the director, writer, producer, and lead actor, he is a special human being. And he was inspiring from start to finish. Usually, the first people in are the teamsters, transport department, and usually I’m second. He beat me in almost every single day. He’s in three hours before he needs to be. That was a very special experience.

Nerds and Beyond: Finally, are you excited about the news of Loki Season 2?

Douglas: I’m beyond thrilled! I invite being in the dark a little bit, I kind of like surprises and I like not knowing, so I suspected, but hearing the news confirmed, I was thrilled, naturally. What are they going to dream up? This is amazing. How do you top season 1 of Loki? That’s the burning question.

#loki #loki series #douglas noe #interview #article #nerds and beyond

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fitztragedy · 3 years

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Things I Want Changed in Fate S02

Better Costumes

Like, seriously, wth happened there? They were dressed awfully, and that's not news. The costumes were like straight out of a 90's teens movies, it was so obvious there was an adult trying do find out what teens used and maybe saw that 90s fashion was trending and thought that was the hype. Costume designer Catherine Adair has been a costume designer in 29 projects, none of them was a teen TV show (except her most recent project, after Fate, which is a disney kids mystery series) and 16 of wich were in the 90s. She has dressed TV shows before Fate but things like Desperate Housewives and The Man in the High Castle- Definitely not even close to the vibe Fate has. Hopefully she'll either do more research or they'll hire another costume designer since she's aparently working on this new Disney series. IMDb says we have a new Art Director in S02 (Justin Warburton-Brown, who apparently done The Witcher S02!!) so my hopes are very high!

New locations and sets!

I loved Alfea and the Winx Suite but I feel like we need more sets. That's not the fault of the art direction or set decoration (which were done by Karl Clifford -who isn't credited for anything but Fate- and Jil Turner who has a very good resume, having worked on Vikings and a lot of other fantasy movies and tv shows), I feel like they did a pretty good job with what they were given. Having the entire season be basically that got very repetitive and because of the number of views I'm hoping they have a bigger budged in S02 to be able to have different sets. I wanna see Magix! The cartoon did a wonderful job with the city near Alrea, it was super cool to see the futuristic town in a fairy show, which was a contrast to what me, as a kid, imagines what a magical town would look like. I don't think they'll to this for Fate but it'd be cool to see like magic being used in day to day lives. Also if Alfea is in the middle of nowhere where do the girls get like stuff? Where do they buy tampons if they need it? I MUST know!! Also it'd be pretty cool to see Solaria sometime. IMDb also told me we got a new set decorator in S02 and he's been the set decorator of Shadow and Bone (Kevin Downey) so I'M EXCITED.

More plot and Backstory for the characters

Let's skip Bloom and Sky because I think @lilshitwayne would do a better job talking about them and then focus on the others.

Aisha

WHERE IS AISHA'S PLOT??? They done my girl wrong, so wrong. Seriously, what is her backstory? What are her goals and dreams? What are her insecurities and challenges? What is her personal arc? What is her role in the series arc? I wish I could answer all these questions but I just can't. I saw @lilshitwayne and @rivusa dms about her yesterday and I want to give them the floor to talk about it so I'm not gonna say what they said, but I do want more from Aisha's character next season and I want her role to not be as suporting as she was in S01. I do think that the fact that she's a poc character had to do with her lack of development and I will HATE it if they make her also LGBTQ+ and continue with Netflix's trend of shoving all the minorities into one character. Hopefully because of the backlash they'll listen. Precious is a beautiful and great actress and she deservers better.

Musa

Musa had a pretty big part in S02 I'd say. She was basically the second most important character after Bloom, BUT she did not have a plot, let's be real. Her whole arch was basically "I hate my powers, they are useless and just make me suffer and I try to ignore them" and then she met Sam and was like "Oh he basically feels nothing so it's nice to spend time with him" and then she found out Sam was Terra's brother and wanted to keep their relationship a secret, then she told Terra and there was like too much drama for a non-dramatic revelation. Then she had to face her powers when Sam was dying but then he lived so she went back to being the same as she was but with a boring boyfriend now (I know people like Sam and that's okay because people have different tastes but I just don't see the appeal, okay? he's boring in my opinion). So like her whole development and plot was based around a guy. No internet struggle solved, no character development. Yes Musa is my favorite character but I still don't like her "plot".

Stella and Terra

idk what I'd say about them. I think one of the other girls in the fate fandom might have takes and stuff. Terra had the self-steem and body issues that basically went no where and Stella has mommy issues and issues in general that are probably gonna get more developed already so I'm not too worries about them.

I know people didn't like that they made Stella have a very different personality than the cartoons and (hot take) I kinda like it. Don't @ me. Stella was hella annoying in the cartoons and I like this very messed up Stella we got, yes she's a bitch but she's got layers and I can't wait to see them Explored.

Terra was not a cartoon character and I have no fucking idea why they didn't just put Flora. Flora in the cartoon had also a very different personality so maybe they thought she didn't fit, but then why not keep her and just change the personality like they did with Stella? Also if they had made Terra latina it wouldn't have changed anything in Terra's plot. Idk what happened behind the scenes but that's what we got. I do want Flora to appear and be this cute cinnamon roll but also badass (and latina) so *fingers crossed*

Riven

ah, Riven... He has so much potential and I can't wait to see his character development throughout the series. I can see a lot of troubles at home and internalized homophobia and fuck he's just so god damn Bi. Hopefully that little interaction with Dane about just liking whoever depending on the gender will make Riven be okay with his sexuality and I really like this plot okay?

Also, yes, as a Rivusa shipper I want that to happen and I've already done two huge post about Riven and Rivusa in Fate so if u wanna read more go and do it (here and here).

The rest idgaf about them (I do but i'm too lazy to type)

Future characters

I wanna see Brandon. They call even make Stella bi and change Brandon to like Brenda or something, I've done that in fics and I think that'd be interesting.

Flora, of course, as said above.

Helia if they bring Flora along. They should pair him with Terra, he's Flora's.

I don't wanna see Tecna and Timmy tbh, might be a controversial opinion but I didn't really care for them in the OG and with all the normal technology in Fate I don't really see a reason for them. Unless they change Tecna's powers like they did with Musa, but we don't need another white basic bitch character.

I think that's it!

If yall want to answer and discuss Fate feel free to reblog! I'd love to talk about how we could improve the show!

#fate #ftws #fate winx #fate the winx saga #winxsource

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docholligay · 2 years

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Shamash Answers: Other

These Shamash answers are the biggies! fifth place gets one entry, 4th two, 3rd 3, 2nd 4 and 1st 5. This one was a goofy/funny headcanon or thought for SAILOR MOON

5th: The senshi figure out how to change their uniforms, but Haruka is terrible at it. She is the last one to get pants. -- @powerofaname

4th: Did you know that tentacle dildos actually exist? Cause neither Michiru or Haruka did. But, thanks to Minako, they have since been granted with that magical knowledge. And 3 tentacle dildos. Of different colors. And varying sizes. -- @madegeeky

3rd: Michiru has a separate, secret Netflix account where she does nothing but watch reality TV. The programs she favors are mostly cooking/baking shows, but sometimes artistry-related - never anything quite as gauche as the bachelor, “real housewives” or that sort of thing, but still far less cultured than she would prefer to say she watches in her spare time. Someday, she’s invited as a guest judge and has to pretend like she doesn’t already know the hosts’ names and the show’s format. -- @awashsquid ( I absolutely believe this firmly)

2nd: At some point, in various low-stakes adventures, every one of the Senshi had to borrow the disguise pen and impersonate Sailor Moon for one reason or another. (Don’t ask why this fell on Haruka at any point. Don’t ask why this fell on PLUTO OR HOTARU during Stars apparently. The answer is always Shenanigans.) All of them are a little bit inaccurate in their own unique ways, much like Venus Moon (or Zoisite Moon for that matter.) The exception is Rei’s, which would be spot-on except that she cannot bring herself to act like Usagi even for a disguise and Shenanigans. By sheer coincidence, all of them resemble various unlicensed Sailor Moon knockoff dolls. -- regalli

1st: Michiru cannot stand the sound of people chewing. Nails on a chalk board are as the finest symphony compared to people chewing in her ear. All her life, she had successfully hidden this weakness. Unfortunately, their princess had the manners of a pig. So it came to pass that Usagi shoved a magazine in her face, spraying spittle and shredded chips on chips while masticating in her ear like a cow chewing her cud. A lifetime of discipline contained her revulsion to the slightest twitch of her brow. It was no use. Minako had seen. And so her greatest love's dearest friend issued a challenge. Every time Minako came to visit she would bring the loudest foodstuffs she could find. Chips, carrots, she would even *chew*on lollipops and jaw breakers, trying to make Michiru acknowledge what they both knew. Michiru reminded herself that Minako was Haruka's best friend. Haruka would be most upset if Minako were to disappear without a trace. Michiru's response must be restrained and proportionate. Thus, she hired a polling firm through several shell companies. With that data, she commissioned a Sailor V OVA in which the lead character was a shy, (hollywood) homely girl who was unable to obtain the romantic attraction of a single person and was always rescued by the male lead who, alas, was not interested in Sailor V. Instead, he is madly in love with his lost Moon Princess, and Sailor V is so kind hearted and gentle that she wants nothing more than for her beloved to be happy with his princess, and so vows to do eveeuthing in her power to reunite this most prefect couple despite her own desperate longing for the Prince of the Earth. Oh, truly Sailor V would never find a truer love! After seeing this, Usagi exhibited her typical paranoia that one of her friends was trying to steal her cardboard paramour, going so far as to break out her pink ninja outfit again, and when Minako confronted Michiru about the character assassination, she called out her producer who presented the (oh so carefully edited) polling data to show that the product was carefully tailored to be as profitable as possible, and of course Ms. Kaioh was not involved in any creative decisions. That was when the war began in earnest. --- @annoni-no (This was a wild ride beginning to end and I adore it)

#eights days shamash drawing

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livinglikearoyal · 4 years

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K-drama Recommendations: Nov. 2019

One of you asked for some K-Drama recommendations and here you are! Keep in mind that I watched some of these quite a while ago so the plot isn’t as fresh in my mind as I’d like. I tried to keep the list to K-dramas that are fairly easy to find either on Netflix or Hulu. I’d love to hear your opinions on these and any recommendations you have for me! Also, these aren’t necessarily in any sort of order...but I will say the top 10 that were described are ones that I will probably rewatch at some point because I enjoyed them so much.

Chicago Typewriter (Netflix)

Summary: This one is hard to summarize without giving away the storyline. It follows a group of three characters through two eras: the 1930s Japanese occupation of Korea and then the present timeline. The characters’ reincarnated selves are brought together seemingly by fate and struggle to find out the truth of the past lives.

Why I liked it: Netflix almost did me dirty on this one. The summary and preview that popped up were not intriguing to me at all. However, it said I’d be interested in this (98%) so I figured I’d give it a shot. Boy...was this a journey. I absolutely fell in love with the characters and I loved how there wasn’t a “weak link” in the trio. They all brought something unique and important to the dynamic of the show. The acting is spectacular and they really allowed these characters to grow. The storyline can be predictable at times...but how they get there is unexpected. The ending had me in happy tears. 10/10 will watch again!

Romance is a Bonus Book (Netflix)

Summary: This kdrama follows Kang Dani, a 30-something mother, and her journey to find herself after a divorce. She reenters the workforce after being a housewife and finds herself at a popular publishing company as a temporary worker (I believe it was an internship). This company just happens to have one of her childhood friends as one of the co-owners and editors-in-chief. That doesn’t make it any easier on her and the series follows her through the hardships and triumphs of finding her independence.

Why I liked it: The title says it all. The romance is just the cherry on top for this storyline. It really follows Kang Dani and looks at all of the challenges that people of various demographics face: single parents, “older” individuals trying to find a job after a time away (and while competing with the younger folks), women in general, etc. I was going through a bit of a quarter-life crisis when I stumbled upon this...questioning my job, my love life (or lack thereof), the expectations that I was facing...and it really helped ease a lot of the anxiety. Plus, Kang Dani and Cha Eunho are absolutely adorable working alongside each other. The ending credits of the final episode got me too. This is the one that I couldn’t help to rave about to my coworkers that have never watched a kdrama in their lives.

Strong Girl Do Bong-Soon (Netflix)

Summary: Bong-Soon was born with superhuman strength like the other women in her family and she aspires to become a video game creator--making a game with a strong female character like herself. In real life, she tries to be more “girly” and “delicate” but it doesn’t always work. One thing leads to another and she finds herself hired as a bodyguard to the CEO(?) of a video game company and also tries to find a kidnapper that is threatening her neighborhood.

Why I liked it: Strong female lead...duh! :) But in all honesty, I don’t remember all of the details from this one as I watched it a long while ago. I remember it being funny, sweet, inspiring and suspenseful. I loved the main three characters too!

Hello, My Twenties (Netflix)

Summary: A group of female college students learns and grows while living together. Each character has their own backstory, secrets, and hardships. The five bond through the various hardships, traumas, and successes that come their way.

Why I liked it: 5 strong women finding their way in the world. They struggle with so many realistic things: temptations, poverty, insecurities in their love life, an apartment ghost, an attractive neighbor. It was a fun and heartfelt journey. Realistic. You can definitely learn something from this one! Once again, my single self enjoyed that it wasn’t relying on a love story to draw the plot forward also.

The Smile Has Left Your Eyes (Hulu)

Summary: Kim Moo Young has lived a traumatic life and is rolling with the punches. He has also forgotten many of his childhood memories. When he happens upon Jung So Min, he doesn’t think anything of it. They grow on each other and eventually enter a relationship, much to the disapproval of her brother, a homicide detective. He believes Kim Moo Young is more sinister than he lets on.

Why I liked it: Just looking at clips/photos/quotes from this drama still tugs on my heartstrings. This one made me an emotional MESS. Seo In Guk is PHENOMENAL as Moo Young. Absolutely phenomenal. His character is so cold and detached--flawed--but he still makes the viewer connect with him. The storyline could be cliche (amnesia, secrets, etc), but they execute it so well. Each episode is a cliff-hanger and you get so emotionally invested in the characters, Moo Young especially, that you just stay up all night binging it...knowing that you are on a train that is heading straight for heartbreak. I will definitely rewatch when I’m in my feelings.

One Spring Night (Netflix)

Summary: Lee Jung-In is a librarian who happens to meet Yoo Jiho at the pharmacy where she buys a remedy to her hangover but forgets her wallet. He tells her to pay him back later and pays for a taxi. She is in a long-term relationship with a very well-off gentleman and is battling with pressure to get married from both her family and her significant other, but she has her doubts. This meeting with Yoo Jiho makes her question marriage even more as she begins to fall for him. Another issue, he is a single father and is looked down upon by their society and her family because of it.

Why I liked it: I always love a show where they go against the norms. I fell in love with Yoo Jiho immediately and his son even more so. It is real. The conversations are thought-provoking. The love is sweet.

Just Between Lovers (a.k.a. Rain or Shine) (Netflix)

Summary: Two individuals who lost their loved ones in a tragic mall collapse meet each other after there is news that a new mall is being built in the same location. Lee Gang-Doo was an aspiring soccer player when he lost his father (a construction worker) in the mall collapse and his legs were injured, ruining his dream. He has become a bit of a “bad boy”. Ha Moon-Soo was at the mall with her younger sister when it collapsed. Ha Moon-Soo survived; her sister did not. The two characters find out that their lives are more interwoven than they thought and work to figure out how they can stop another traumatic event from happening in the same location.

Why I liked it: It had mystery. It had trauma. It had love. These two main characters are complete opposites on the outside but their traumas bring them together and they make an awesome team. Another one that really tugs on your heartstrings!

Black (Netflix)

Summary: Black is a detective possessed by the Grim Reaper. Ha-Ram can see shadows of death. These two struggle to save the lives of people, breaking the rules of heaven. (from AsianWiki)

Why I liked it: It has been quite a while since I watched this one. It was my first Korean mystery show. This is one that you can’t watch when you are distracted...you need to have your eyes on the screen at all times or you are going to miss something important. It was suspenseful and interesting. I’m not sure if it is one I will rewatch, but it is definitely worth the first time!

Vagabond (Netflix)

Summary: This is a newer addition to Netflix. Cha Dalgun is a stuntman that has taken in his nephew after he was abandoned by his mother. Their relationship becomes strained as his nephew begins to see how much Cha Dalgun hadn’t wanted a child before him and doesn’t have the finances to live a prosperous life. When his nephew dies in a tragic plane crash alongside the rest of his soccer team, we begin to see how much the boy meant to Cha Dalgun. When some video clips shared on the cloud make Dalgun suspect malicious intent in the plane crash, our story begins. He meets Go Haeri, a member of the NIS, when the bereaved families fly in to collect their deceased loved ones. A story of political corruption, big business, terrorism, doubt, and crime-fighting ensues.

Why I liked it: This one isn’t completed on Netflix yet so I don’t know the ending, but it is definitely suspenseful and you find yourself trying to figure it all out and cheering on or booing at the characters. The characters of Cha Dalgun and Go Haeri both won my heart early on and now I’m hoping their ship sails! Each episode leaves you on the edge of you seat.

Rookie Historian Goo Hae Ryung (Netflix)

Summary: Goo Hae Ryung is still single in her late twenties and is seen as a sort of misfit as she seeks knowledge rather than a husband. She becomes a female historian in the Joseon Dynasty. Prince Yirim has been living a life away from society, writing love stories that are popular but forbidden by the government. The two happen upon each other in a book store where she speaks poorly of his writing/genre. As they come to be familiar with each other through their positions, they work to uncover the secrets that the rulers would prefer to keep hidden.

Why I liked it: The cast of characters is spectacular. While Hae Ryung and Yirim are the leads, there are so many supporting characters that catch your attention and win over your heart or make you absolutely hate them. They also aren’t all the boring, simple, support characters. They are so complex that this seems more like a slice of life piece rather than a drama. The storyline is interesting, especially to someone with little to no knowledge about the Joseon dynasty, Hae Ryung stays strong and independent while also showing her vulnerability. Yirim puts off a clueless aura but is really a strong character. Did I mention the characterization is amazing?

A Few Honorable Mentions...

Something in the Rain (Netflix)

Memories of the Alhambra (Netflix)

When the Camellia Blooms (Netflix)

Descendants of the Sun (Hulu)

Thirty but Seventeen (Hulu)

What's Wrong with Secretary Kim (Hulu)

#chicago typewriter #romance is a bonus book #strong woman do bong soon #hello my twenties #the smile has left your eyes #one spring night #just between lovers #rain or shine #black #vagabond #rookie historian goo hae ryung #kdrama #recommendations #livinglikearoyal recommends #netflix #hulu

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halloweentv · 4 years

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Celebrate Halloween time on Disney Plus. You can think of it as your own DIY “Disney’s Halloween Treat”

Halloweentown movie seties

Marnie discovers she is a witch and visits Halloween town while learning more about her powers

Hocus Pocus

The Sanderson sisters come back on Halloween night for revenge.

Mom’s got a date with a Vampire

Adam and his sister set up their mom on a date so they can sneak out. But they didn’t expect her date to be a vampire.

The Nightmare Before Christmas

Jack akellington daocovers Christmas and tries to take over.

Frankenweenie (movie & Short)

Victor loses his dog Sparky but brings him back to life with some

Girl Vs. Monster

The daughter of two monster hunters must take on a monster of her own.

The Simpsons

Treehouse of Horror episodes. Every season has an episode early in the season that parodies horror and other pop culture. Classic Halloween specials...at least the first few seasons for sure.

Big Hero 6

s1e22 Obaki Yashiki

Hiro visits a haunted house and keeps seeing Tacashi around the city.

So Weird

S2e07 Boo

On Halloween Fi finds the town they’re in filled with strange trick or treaters.

Suite Life of Zack and Cody

S1e19 Ghost of 613

Zack and Cody find out there is a legendary haunted room in the hotel.

Gravity Falls

S1e7 Summerween

Gravity Falls loves Halloween so much they celebrate it in summer as well.

Phil of the Future

S1e15 Halloween

Debbie is revealed to be an evil cyborg

Even Stevens

S2e11 A very scary story

Louis realizes the kids at school are turning into zombies without eyes.

Lizzie Maguire

S1e24 Night of the Day of the Dead

Kate disrespects Miranda’s artifacts from the Day of the Dead.

Boy Meets World

S2e6 Who’s Afraid of Cory Wolf

Cory goes through some changes and he thinks he may be becoming a werewolf.

Lilo & Stitch

S1e5 Spooky

It’s Halloween and an experiment turns people’s worst fears into a reality.

————————————————-

A list of 6(7) episodes that all connect at the same Halloween event it was marketed as “Monstober Spooktacular Weekend”

Jessie

*S4e18 The Ghostest with the Mostest

Stuart warns the kids about a ghost named Abigail.

Girl meets World

S2e18 Girl meets world of terror 2

Riley and Maya meet a ghost!

I Didn't Do It

S2e18 The Bite Club

A fortune teller predicts bad luck for Logan.

K.C. Undercover

S1e24 All Howls Eve

KC dresses as a spy for Halloween to impress a new boy.

Best Friends Whenever

S1e9 Cyd and Shelby's Haunted Escape

Cyd and Shelby teleport to New York and get stuck in an escape room with Riley and Lucas.

Austin & Ally

S4e15 Scary Spirits & Spooky Stories

A trip to New York inspires three spooky stories

-Also part of the crossover event but on Netflix as of Sept. 2020

Liv and Maddie

S3e5 Haunt-A-Rooney

Liv and Joey travel to New York for Halloween

————————————

I didn’t do it

S1e18 Next of Pumpkin

At the Holla!-ween fest, Garrett is stuck in a corn maze

Jessie

S2e1 The Whining

The kids go trick or treating while Jessie fights exhaustion

S3e1 Ghost Bummers

Jessie and the kids throw a Halloween party.

S323 The Runaway bride of Frankenstein

Jessie doesn’t know how to respond to Brooks’ proposal.

Best friends whenever

S2e6 Night of the were-diesel

Austin & Ally

S2e1 Costumes & courage

Jimmy Star asks Austin to perform at his annual Halloween costume party

S3e20 Horror stories and Halloween scares

Power outage leaves the friends locked in Sonic Boom over night.

Ultimate Spider-Man

S2e21 Blade

Spider-man fights alongside vampire hunter Blade to stop Dracula

S2e22 The Howling Commandos

Spider-man teams up with the howling commandoes to save his friends.

S3e10 Halloween night at the museum

Jessie and Spider-man team up to save Halloween.

S4e20 Strange Little Halloween

Trick-or-treaters begin turning into real monsters.

Phineas and Ferb

S1e9 One good scare ought to do it!

Isabella is inflicted with an extreme case of hiccups.

S1e 22 The Monster of Phineas- -Ferbstein!

The grandparents tell the boys about Ferb’s ancestor.

S3e14 That’s the spirit! /The curse of Candace

The kids encounter a strange boy who is convinced his house is haunted.

S4e18 Terrifying Tri-State Trilogy of Terror

In this Halloween episode, our characters, star in three terrifying tales.

S4e19 Drusselsteinoween/Face your Fear

When Doof inherits a castle, Vanessa moves her Halloween party.

S4e30 Night of the living pharmacists

Dr. Doof turns people of Danville into Doof-zombies

Wizards of Waverly Place

S3e2 Halloween

The wizards hire real ghost to keep the sub station the best haunted house.

Hannah Montana

S1e17 Torn between two Hannahs

Miley’s look alike cousin goes to the Hollywood Halloween party and tries to expose Hannah’s identity.

Kim Possible

S1e14 October 31st

When Kim lies about not wanting to go trick or treating with Ron there are some unexpected consequences.

That’s so Raven

S2e2 Don’t have a cow

Raven uses a spell book it make her costume better b it she ends up turning into a cow.

Proud Family

S2e2 A hero for Halloween

Penny eats some scary snax and gets super powers.

A.N.T. Farm

S1e14 Mutant Farm

S2e13 Mutant Farm 2

S3e12 Mutant Farm 3.0

Halloween themed episodes based on each seasons premiere.

Shake it Up

S2e5 Beam it up

Flynn thinks his neighbor is an alien

S3e25 Haunt it up

Flynn challenges Deuce and Ty to stay the night in a haunted house.

Kickin it

S1e12 Boo Gi Nights

On Halloween the Black Dragons are expected to wreak havoc.

S3e15 Temple of Doom

The gang host a Halloween party at the temple

Milo Murphy’s Law

S1e20 Milo Murphy's Halloween Scream-A-Torium!

Zack doesn’t think anything about Halloween can scare him anymore.

Star vs. the forces of Evil

S2e11 Hungry Larry

Star and Marco help Mr. Diaz create the scariest Haunted House on the block

The Adventures of Ichabod and Mr. Toad

The classic tale of Ichabod Crane and the headless horseman

Donald Duck

Trick or Treat

Donald plays a trick on his nephews but a witch helps them out.

Mickey Mouse

Lonesome Ghosts

Mickey, Donald, and Goofy run a ghost exterminating agency.

Goof Troop

S1e29 Hallow-Weenies

Pete and Goofy get captured by ghost so Max and PJ need to rescue them.

Duck Tales

S1e65 Ducky Horror Picture Show

A group of monsters rent Scrooge’s convention center for their meeting.

Mickey Mouse

S1e10 Ghoul Friend (2013)

S2e8 The Boiler Room (2014)

S2e19 Black or White (2015)

*The Scariest Story Ever: A Mickey Mouse Halloween Spooktacular (2017) (hopefully this will be added to Disney Plus soon)

Recess

S3e34 Terrifying tales of recess

Bitch tells the kids three scary Halloween stories

Recess: Taking the 5th grade

Spinelli believes she is too old for Halloween

Ravens Home

S1e11 The Baxtercism of Levi Grayson

Booker and Levi try to fool a ghost-hunting classmate.

S2e16 Switch-or-treat

Raven and Booker switch bodies on Halloween.

S3e10 Creepin’ it real

On Halloween, a spooky new neighbor moves in.

Sonny with a Chance

S2e18 A So Random Halloween special

Shaquille O’Neal hosts a Halloween special.

Good Luck Charlie

S2e12 Scary had a little lamb

Teddy and Ivy take Charlie trick or treating but an annoying kid ruins their night.

S3e16 Le Halloween

Teddy and Spencer celebrate their anniversary and Amy dresses as a kangaroo

S4e14 Fright Knight

Teddy and her friends decide to go Halloween caroling.

Stuck in the middle

S2e18 Stuck in a merry scary

Harley hopes to prank Rachel

Fish Hooks

S2e5 Halloween Haul

The gang go trick or treating outside the tanks.

Gargoyles

S2e7 Eye of the Beholder

The Gargoyles are able to go out on Halloween night. Meanwhile Fox becomes more of a wolf.

Twitches

Reunited twin girls discover they have powers.

Twitches too

When a new evil threat arrives, it’s up to the twitches to save Coventry.

Doug

S1e8 Doug’s Bloody buddy

On Halloween night rumors circulate that Skeeter is a vampire.

S3e6 Night of the living Dougs

Doug’s friends and family are too busy to help him make a Halloween costume

The Emperor’s New School

S1e20 The Yzma that stole Kuzcoween.

Yzma sets out to destroy the annual Kuzcoween holiday.

Honorable Mentions

Bizardvark

S1e12 Halloweenvark

S2e12 Halloweenvark: Part Boo

S3e7 Halloweenvark part 3: Mali-boo

Crash and Bernstein

S1e2 Scaredy Crash

S2e2 Health-o-ween

Mighty Med

S1e3 Frighty Med

S2e3 Liar, Liar

#halloween #disney #disney plus #hocus pocus #halloween episode #monstober #disneys halloween treat #streaming #halloween tv

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lokiondisneyplus · 4 years

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Over five popular seasons, the story lines of “Better Call Saul” have unfolded across nail salons, fried-chicken joints and other strip-mall staples of American life.

When new episodes begin premiering next year, though, the locations that give the “Breaking Bad” spinoff its texture could be reined in or done away with altogether. The culprit? The novel coronavirus, which is limiting where the New Mexico-set AMC show can film, potentially altering both its style and substance.

“Like a lot of other people, we’re going to have to be very creative in where and how we shoot,” said Mark Johnson, the veteran producer who oversees the Vince Gilligan hit, whose writers just began collaborating on the series’s sixth season. “A lot of places just won’t let you in.”

Across the entertainment industry, casts and crew are beginning to return to work after a five-month hiatus. In states with loosened restrictions, such as Georgia and New York, production is starting to crank up under tight controls that alter how sets operate. Instead of crew members freely mingling, they’re being divided into “pods" that limit how production departments such as wardrobe or lighting can associate. Covid-19 officers monitor the health of the cast and crew to determine who is allowed on set. “Zones” dictate where those cast and crew can go.

These changes might seem technical, but they hint at the far-reaching effects the virus will have on final screen products. Interviews with 12 executives, writers, agents and producers across the Hollywood spectrum suggest a dramatically transformed world of entertainment. Until a vaccine comes along, they say, covid-19 will change what Americans watch as dramatically as it has where they work, shop and learn. Forget the new normal — movies and TV are about to encounter the new austerity.

Crowd scenes are a no-go. Real-world locations will be limited. On-screen romance will be less common, sometimes restricted to actors who have off-screen relationships. And independent films — that tantalizing side dish in the U.S. entertainment meal — could be heavily scaled back.

“A lot of people believe this is just about getting back to work,” said Mark Gill, a producer and former head of Warner Independent Pictures, the studio unit responsible for independent hits such as “Slumdog Millionaire” and “Good Night, and Good Luck.” “They don’t realize the massive cultural impact we’re about to face.”

For most of its history, Hollywood created entertainment based on a simple premise: Shuttle in large numbers of people and move them around at will. That’s certainly true of crews. But it especially applies to extras, the low-paid day laborers who pack sets and off-camera holding areas in order to create dense crowd scenes — and, in turn, lend the work real-world atmosphere.

Such scenes have of course been part of some of the most memorable moments in Hollywood history. From “Ben-Hur” to “Braveheart,” on-screen entertainment has become indelible thanks to hundreds of people you’ve never heard of packing tiny spaces, then moving as one when the cameras roll.

Yet the virus has essentially made these hires impossible. Many don’t want to risk their health for a $100 paycheck and remote shot at background glory, and producers don’t want to take on the liability even if they did. “Braveheart" used about 1,600 extras, many from the Irish Army reserves. Experts say the movie couldn’t come close to being shot today.

“Those of us in the entertainment business are not used to being told ‘no’‚” said Lucas Foster, a longtime Hollywood producer who counts the 2005 romantic-action hit “Mr. & Mrs. Smith” and last year’s Oscar-decorated blockbuster “Ford v Ferrari” among his credits. “And when it comes to things like crowds, there’s going to be a lot of no.”

Foster understands the challenges personally — he’s one of the first producers to have made a movie in the age of covid-19.

In March, the Los Angeles resident was in Australia, several weeks into preproduction on a new version of “Children of the Corn” when the pandemic began to spread. Millions of dollars had already been committed to the movie, adapted from the same Stephen King story that yielded the 1984 cult hit. So rather than shut down, he decided to proceed — cautiously. Foster created a production bubble, consulted doctors regularly, procured large amounts of tests, and engaged in elaborate workarounds in realms like crowd scenes.

He said it worked, but with major accommodations.

“I had to figure out how to do a crowd with no more than a few people at the same time. And with very specific camera angles. And by taking actors who would normally be close together and making them not close together,” Foster said. “In the end, I’d get the scene I needed but it looked different than it would have before the pandemic.” (Computer-generated crowds, he and other producers say, only work for more distant shots; anything requiring close-ups needs the real thing.)

It helped, he noted, that many of his actors were children, who are believed less susceptible to the effects of the virus, and that much of the movie was shot in cornfields and other vast outdoor spaces, a luxury not all films have.

Producers say the added cost required to implement all the safeguards could also result in a lower-end finished product. Films and TV shows achieve their level of shine through an endless period of refinement, with actors and directors often attempt 10 or more takes of a scene. With everything now going longer — and thus costing more — they may not have the luxury.

One producer of multiple studio hits said he expects the number of takes to drop significantly as the virus balloons budgets. He also expected a diminution in night scenes, which tend to be more involved and expensive than day scenes. He said some productions will be able to make the switch, but not all will be as lucky.

Also unlucky, say Hollywood veterans: movies where characters seek to get lucky. Many insiders say romantic scenes will be a major challenge in movies. Two agents separately reported they had high-profile clients who told them they wouldn’t shoot love scenes during the pandemic.

“I think every agency right now is looking down their client list to see which actors have spouses who are also actors, because then we could try to get them cast, too,” said one of the agents, who spoke on the condition of anonymity because they were not authorized by their company to speak to the news media. “I’m joking. Sort of.”

The added wrinkle is even if the actors trust each other in real life, many of their characters would still have to take precautions on screen.

“How do you send two characters on a first dinner date when people aren’t really going on first dinner dates?” said a creator of romantic comedies who asked not to be identified because they did not want to be seen as criticizing colleagues who are attempting new projects. “You can send them on a socially distant walk, I guess.”

Writers say that leads to a broader dilemma: how much to incorporate the pandemic into their stories. On one hand, they say they don’t want to pretend the virus doesn’t exist. But acknowledging it poses its own challenges.

“Do you really want your stars wearing masks because that’s what characters would do? Do you want to have people engaging with each other in groups no larger than six? Do you want to write stories where everyone is at a safe distance?” said Mark Heyman, the co-writer of “Black Swan” and “The Skeleton Twins” and creator of the CBS All-Access historical drama “Strange Angel.” “Because a lot of those things won’t be very much fun to watch.”

Yet if creators aren’t willing to do that, he said, it could lead to those shows or movies getting shelved out of a fear that audiences will judge them inauthentic.

Heyman was working on a series set in a high school for Netflix when the lockdowns began. That project has now been put on pause. “It’s not easy to make a show about high school,” he said, “when there is no high school.”

To avoid reminding viewers of the pandemic, creators may take an approach that will lead to an unusual trend.

“I think over the next few years you’re going to see a lot more movies set in the past,” Foster said. “Even movies written for the present will be changed. They’ll make it the ’90s because then you don’t have to deal with these questions. And then you can just put in some cool ’90s music, so everybody wins.”

A few creators have gone the other way, leaning in to the pandemic.

Writers on Apple TV Plus’s “The Morning Show,” set at a news program, have torn up existing scripts to make the pandemic a part of the story line, according to a person familiar with the show who was not authorized to speak about it publicly. But with a lag time of months between shooting and airing, experts say that creators also risk looking out of date by the time episodes release to the public.

Sensing an opportunity, horror filmmakers have also tried to embrace current events.

“The horror genre is very suited to the pandemic and lockdowns — we’re always trying to create a feeling of being trapped anyway,” said the horror filmmaker Nathan Crooker.

When quarantines hit this spring, Crooker gathered nine noted horror filmmakers and had them shoot an anthology film — short fictional movies connected by the larger virus theme — and titled it “Isolation.” He required filmmakers to use only the materials and people they were in lockdown with, even prohibiting Zoom and other technologies.

“I think we’re going to get a very cool effect that mirrors what people are going through,” Crooker said of his work. “But I don’t know that every movie that gets made would want to look like that.”

One consequence of the virus could turn out to be the movies that don’t get made at all.

Some of the most beloved films of the past two decades, from “My Big Fat Greek Wedding” to “Whiplash,” “Little Miss Sunshine” to “Fruitvale Station,” were independently financed. But before rolling cameras, independent productions require insurance policies to protect them from workplace lawsuits, along with completion bonds, in which a guarantor assures they will step in with funds to finish the movie if production is halted.

Experts say no company will cover covid-19 with either policy, effectively preventing production.

“Covid is an absolute disaster for the independent-film industry,” said Sky Moore, a partner in the corporate entertainment department of the Los Angeles law firm Greenberg Glusker who has spent several decades putting together film financing deals. “The lifeblood of independent-film financing is loans, and loans need insurance. Now you have this massive hole in the middle of all of it.”

Moore believes the toll will be vast.

“I think 50 percent of the independent industry goes away,” he said.

(Movies financed by large studios do not buy these policies; Netflix or Disney would just absorb a shutdown or lawsuit as the cost of doing business.)

Even if they can work around the insurance issues, many independent films won’t get made because they simply won’t have the money. “It’s already hard to get funding for a lot of these movies,” said Shaun MacGillivray, a producer who makes large-scale independent documentaries. “And now you’re telling investors the budget is going to be 30 percent higher?”

The independent-film world is trying to push ahead, slowly. The Sundance Film Festival, the epicenter of the indie-film business, where companies like Hulu and Netflix sometimes pay more than $10 million for an independently financed movie, will hold a partially physical, partially virtual edition in January, albeit at just about half the length.

“We are reminded daily of the power of what is made newly visible to us, the importance of what we look at,” Tabitha Jackson, the director of the festival, said in a letter to staff this summer explaining why the festival needed to go on. “My hope for this edition of the Sundance Film Festival is that through a multiplicity of perspectives held by artists and audiences in their various communities we will also come to feel the power of where we look from.” Left unspoken: What happens in 2022, when the well runs dry because new movies can’t be insured and produced?

Whatever entertainment can get made, experts say, will have a more hermetic look. Even television shows, once shot heavily on sets, now often rely on the authenticity of locations; a police procedural feels like it does because detectives are popping into pizza places and apartment buildings.

“We don’t want everything to be a chamber piece,” said Johnson, the “Better Call Saul” executive producer. “But if many shows look different, I think that’s okay, because the world looks different.”

Then, considering the challenge further, he added, “And if that doesn’t work, then at least our show has a lot of deserts and open roads.”

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sssshhhthefilmsabouttostart · 3 years

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The best and worst films of 2020

Let’s be honest - 2020 was an extremely shitty year for moviegoers everywhere, as the Queen would say an annus horribilis.

Due to the Covid pandemic’s dramatic impact on nearly every facet of human life, cinemas closed, film festivals went virtual and film productions became an intricate mess of insurance and safety challenges.

Yet despite these dire challenges and an unpredictable future, cinema remained very much alive throughout the year, with a wide range of ambitious undertakings snaking their way into whatever form of release seemed viable. Blockbusters receded to the background, allowing a wide range of movies to trickle through an uncertain marketplace that would have been hostile to them even in pre-pandemic times.

So what cinematic gems and unmitigated disasters were dropped upon audiences during the year?

Ladies and gentlemen, may we please offer for your consideration...

HONOURABLE MENTIONS

THE CURRENT WAR - THE LIGHTHOUSE - IN FABRIC - BEING FRANK: THE CHRIS SIEVEY STORY (D) - BOMBSHELL - THE PEANUT BUTTER FALCON - THE SOCIAL DILEMMA (D) - LIGHT OF MY LIFE - THE ASSISTANT - THE LODGE - THE GENTLEMEN - THE WAY BACK - DARK WATERS - 1917 - THE BURNT ORANGE HERESY - THE HUNT

2020′S TOP TEN BEST FILMS

10. THE WOLF OF SNOW HOLLOW

Hot off the critical success of his debut feature ‘Thunder Road,’ writer-director Jim Cummings’ refreshing yet effective take on the werewolf genre amped up the dark comedy whilst delivering quite a few chills. Tinged with realistically flawed characters and clever scares, ‘The Wolf of Snow Hollow’ might not have been your typical werewolf flick but it successfully managed to bring that classic legend to life once again.

9. LET HIM GO

Previously last seen together as Clark Kent’s adoptive parents in ‘Man of Steel,’ Diane Lane and Kevin Costner were reunited onscreen as husband and wife again in writer-director Thomas Bezucha’s neo-Western drama ‘Let Him Go.’ Adapted from author Larry Watson’s 2013 novel, the film featured stunning landscapes, full-blooded moments of sudden violence and compelling performances from Diane Lane, Kevin Costner and, most memorably, Lesley Manville’s turn as a gritty and cunning matriarch.

8. COLOUR OUT OF SPACE

Based on the classic short story by HP Lovecraft and featuring another scene-stealing performance from Nicolas Cage, this clever adaptation was an effective horror film with an unrelentingly grim sci-fi bent. In addition to the truly disturbing and inspired images of queasy body horror, ‘Colour Out of Space’ also marked the eagerly-anticipated re-emergence of filmmaker Richard Stanley (his first time back in the director’s chair since being fired from his 1996 remake ‘The Island of Dr Moreau’).

7. THE INVISIBLE MAN

Who knew a remake could be so refreshing? With this updated take on the H.G. Wells tale, writer-director Leigh Whannell did just about everything right, delivering a tense, clever thriller with touches of both horror and sci-fi. As the fascinatingly flawed yet appealing tough protagonist, Elisabeth Moss gave a captivating performance in a film that was chilling in all the right ways, packed with plenty of twists and a deliciously nasty resolution.

6. THE TRIAL OF THE CHICAGO 7 (NETFLIX)

Whilst the subject matter of ‘The Trial of the Chicago 7′ shared an uncanny relevance to today’s politically charged times, as a gripping courtroom drama with a stellar cast, the film ticked all the boxes. ‘West Wing’ creator Aaron Sorkin put his trademark traits - razor-sharp wit, rhetorical flair and political insight - to very good use in this masterful retelling of the trial following the 1968 anti-war protests outside the Democratic National Convention.

5. HEARTS AND BONES

In his debut feature film, Australian director Ben Lawrence created a spiritually rich and immersive drama about the relationship between a grizzled, broken war photographer and a Sudanese refugee. Whilst Hugo Weaving was note-perfect in his portrayal as a crumbling man wrestling with his past, equally impressive was first time actor Andrew Luri who delivered a quiet yet memorable performance in what was an affecting piece of cinema.

4. TOTALLY UNDER CONTROL (DOCUMENTARY)

Watching a documentary about the COVID-19 crisis in the middle of a global pandemic might not sound appealing but prolific filmmaker Alex Gibney’s latest work was easily the most essential non-fiction film of 2020. Shot safely in secret for five months, ‘Totally Under Control’ played out like a tightly-wound thriller as it placed the Trump Administration’s inept response to the coronavirus pandemic under the microscope.

3. BAD EDUCATION (HBO)

As far as crime stories go, embezzlement isn’t always the most thrilling subject. However, ‘Bad Education’ turned a relatively simple white collar crime story about a New Jersey school administrator caught stealing money into a compelling drama, thanks to an incisive and nimble script and spot on performances from Allison Janney, Geraldine Viswanathan, Ray Romano and especially Hugh Jackman.

2. MANK (NETFLIX)

Director David Finch’s dazzling portrait of Herman J. ‘Mank’ Mankiewicz, the screenwriter who collaborated with wunderkind filmmaker Orson Welles to write the first draft of ‘Citizen Kane,’ was a cinematic jewel from start to finish. Similar to last year’s ‘Once Upon A Time in...Hollywood,’ ‘Mank’ delivered a layered depiction of the filmmaking process, whilst Gary Oldman continued to excel at immersing himself in playing real-life characters, this time as the hard-drinking, intellectual screenwriter.

1. NOMADLAND

Writer-director Chloe Zhao’s intimate drama about an unemployed widow living as a van-dwelling modern-day nomad was a thoughtful, contemplative and reflective piece of storytelling. It may have touched upon mature themes about loneliness, financial instability and restlessness, but ‘Nomadland’ remained an uplifting and hopeful piece of cinema that captured the various bittersweet reasons people choose to live a life on the road.

With an outstanding performance from Frances McDormand, brought to life through the charm of the ‘real life’ supporting cast, great direction and Joshua James Richard’s mesmerising cinematography, ‘Nomadland’ was the perfect film for 2020.

...AND NOW THE WORST!

DISHONOURABLE MENTIONS

VAMPIRES VS THE BRONX - BAD BOYS FOR LIFE - THE OLD GUARD - PROJECT POWER - ISN’T IT ROMANTIC - THE RHYTHM SECTION - WHERE’D YOU GO, BERNADETTE - I’M THINKING OF ENDING THINGS - MIDWAY - YOU SHOULD HAVE LEFT - BABY DONE - FORCE OF NATURE - CAPONE - THE NEW MUTANTS - DOOLITTLE

10. WONDER WOMAN 1984

To quote Red Letter Media’s resident film critic Mike Stoklasa, “this movie was the cinematic equivalent of the Bluesmobile.” Directed by Patty Jenkins, this 80′s-set sequel to the 2017 DC superhero hit was lethargically paced and featured a completely bonkers narrative that made absolutely no sense. Horribly scripted, disjointed and overstuffed (a runtime of 2.5 hours), ‘Wonder Woman 1984′ sadly jettisoned everything that made Jenkins’ original film so compelling. The result? An appalling misfire.

9. THE GRUDGE

A curiously talented and interesting cast were somehow lured into - and subsequently wasted in - this pointless, tired, reboot/revival of the long-running ‘Ju-On’ Japanese-based horror series. Despite director NIcholas Pesce’s attempt to disguise the rudimentary nature of the plot via back-and-forth timeline jumping, ‘The Grudge’ was just a formulaic paint-by-the-numbers meander through a poorly developed story that existed only to prop up a bunch of uninspired jump scares.

8. BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN)

There are many movies that have no reason to exist - and this latest misfire from DC Comics was one of them. Directed by Cathy Yan, ‘Birds of Prey’ was a mire of uninspired ideas and recycled genre conventions that got old real quick. Penned by Christina Hodson (’Bumblebee’ being the ‘highlight’ on her resume), the script was as simplistic as it was thin, with needless subplots merely introduced to inflate the film to a decent running time. Even Margot Robbie’s manic performance as the ‘Mistress of Mayhem’ couldn’t save this mess.

7. JAY AND SILENT BOB REBOOT

What could’ve been a dream film for fans of these two classic stoner characters instead was nothing but a string of cameos and callbacks in a plot-less bore. Director Kevin Smith sucked all the life and fun out of this watered-down story, that suffered from a constant series of awkward and forced jokes that were painfully unfunny. An unfortunate stinker.

6. AVA

This latest foray into the ‘female assassin for hire’ genre was about as cliched as you could get. An emotionally troubled female killer whose male mentor assumes the role of the surrogate father? Check. Pounding dance music score? Check. Obligatory nightclub fight sequence? Check. Confused love interest? You betcha! Humourless, dry and uninspired, ‘Ava’ played out like a poor man’s ‘La Femme Nikita.’

5. FANTASY ISLAND

Hollywood’s obsession with repackaging Gen-X childhoods continued with this absurd attempt to reboot the classic 1970′s TV series as a low-budget horror joint under the Blumhouse label. At a dangerously close two hour runtime, there was simply nothing interesting about the film’s characters or its inane plot about a mystical island that grants wishes (a’la ‘The Monkey’s Paw’). Our advice? Turn ‘de plane’ around if you ever plan to visit this ‘Fantasy Island.’

4. ARTEMIS FOWL

For every ‘Harry Potter’ that explodes into the public consciousness, there always seems to be a dozen or more failed franchises. Sadly, Disney’s ‘Artemis Fowl’ found itself in the latter category. Director Kenneth Branagh’s dull and superficial attempt to transfer this popular children’s book series from page to screen suffered from a lack of character development, an over-reliance in CG effects and featured a lifeless performance from newcomer Ferdia Shaw as the titular character.

3. HUBIE HALLOWEEN (NETFLIX)

A month before last year’s Oscar nominations were released, Adam Sandler joked on ‘The Howard Stern Show’ that if the Academy snubbed him for his role in the film ‘Uncut Gems,’ he would make a movie “that [was] so bad on purpose.” And that’s exactly what happened. Supposedly a comedy, ‘Hubie Halloween’ was unfunny, disposable and completely devoid of any originality. Sadly for audiences, Sandler signed a four-movie deal with Netflix last year, worth up to $275 million - so we can expect to see more of this shit soon!

2. ALIEN ADDICTION

Aliens visit New Zealand and get high smoking human faeces? Someone should have advised Kiwi director Shae Sterling that audiences have moved on from such puerile comedies as this abomination. Suffice to say, if anybody ever admitted to finding this film remotely funny, they’d probably be outcast from society. An embarrassment to all those involved.

1. THE BEACH BUM

Director Harmony Korine’s generic stoner comedy about a prolific poet who drifts through life in a drug-induced haze had all the natural high of an unfiltered, soggy joint and was easily, hands down, 2020′s worst film.

‘The Beach Bum’ was a pretentious and uninteresting movie whose lead character, considered to be an ‘artistic genius,’ was nothing more than a relentless shithead to everyone around him. As Moondog, the semi-naked, bongo-playing, pot-fuelled beat poet, Matthew McConaughey was insufferable and grating in his portrayal of a character you would quite easily want to punch in the face - repeatedly. Blazed and confused, ‘The Beach Bum’ had no plot, no class and no entertainment value whatsoever.

MOVIE POSTERS

From the classic to the abstract, here is just a sample of some of the best poster designs from a highly unusual year of movies.

...AND FINALLY, WHEN WHEN IT COMES TO DIRE-LOG, THEY SAID WHAT!?

“I've never wanted anything more. But he's gone, and that's the truth. And everything has a price. One I'm not willing to pay. Not any more. This world was a beautiful place, just as it was, and you cannot have it all. You can only have the truth. And the truth is enough. The truth is beautiful” (’Wonder Woman 1984′).

And who could forget this little chestnut of advice...

“That is the only truth and truth is all there is. You cannot be the winner because you are not ready to win. And there is no shame in that. Only in knowing the truth in your heart and not accepting it. No true hero is born from lies” (’Wonder Woman 1984′).

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zebrawuzhere · 3 years

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Super cheesy Christmas movies on Netflix to make holiday AUs out of or just to watch

So, I ADORE holiday aus and these movies are just so fucking cheesy that they make great fanfiction. Also, even if you don’t write fanfiction, they’re great 1 am binge movies (I know from experience). FYI, these are all straight couple movies, buuuuutttt.... that’s what fanfic is for! Here are a couple of my personal favorites, and I’ll add more later. Please spread this across the fanfiction community, I want this to be seen! (Also, if you end up using these, please send me the links, I want to read them!!)

A Cinderella Story: Christmas Wish

Despite her vain stepmother and mean stepsisters, an aspiring singer works as an elf at a Christmas tree lot and finds her own holiday miracle.

It’s basically a vine girl meets this rich boi and they’re like “ooh hoo hoo I like youuuuuuuu but i don’t know who you truly are hmmmmmmm”. It’s amazing.

A Christmas Prince

When a reporter goes undercover as a tutor to get the inside scoop on a playboy prince, she gets tangled in some royal intrigue and ends up finding love - but will she be able to keep up her lie?

These three are my personal favorites, they’re just.... pure fanfiction material. Like, royal AU, sass, a cousin who’s a bitch, and plus.... two sequels!!

A Christmas Prince 2: The Royal Wedding

A year after helping Richard get to the throne, Amber is about to become his wife. But is she really made to be queen?

(Spoiler alert: she isn’t) This one... is great. All of them are great. But, weddings are really hard to write (at least in my experience), so...

A Christmas Prince 3: The Royal Baby

It's Christmastime in Aldovia, and a royal baby is on the way. Amber and Richard host royals from a distant kingdom to renew a sacred truce, but when the treaty vanishes, peace is jeopardized and an ancient curse threatens their family.

This one is cool because there are 2 plots, the baby and the cuuuuuurse!!! Fun!!!!

The Knight Before Christmas

A medieval English knight is magically transported to present-day America where he falls for a high school science teacher who is disillusioned by love.

This one makes a truly fantastic AU, I mean, time travel?? Her not believing the knight and then he disappears, and she’s like “oh shit he was telling the truth oh well, now I can’t tell him so sad alexa play all by myself” then poof poof love love ahahaha

Christmas with a Prince

Pediatric specialist Tasha Mason is focused on keeping the kids in her ward as healthy as possible. But when the handsome Prince Alexander Cavalieri breaks his leg on a nearby ski-slope, Tasha is forced to allow him to secretly get well on her floor, and she's furious that a spoiled Royal is interrupting the precious healing time her kids need. Soon, however, Tasha learns that some tough love and a lot of Christmas spirit could turn this royal pain into a knight in shining armor.

Medical AUs, let’s go!! Plus, childhood friends, a crush spanning like 20 years, what’s not to love?

Holidate

Fed up with being single on holidays, two strangers agree to be each other's platonic plus-ones all year long, only to catch real feelings along the way.

Welcome to cliche-land! Complete with people thinking they’re weird, fake betrayal, love confessions loudly in-front of other people, and their family members shipping them. This basically is me, but without the romance.

Hometown Holiday

Krista is starting this New Year with a new business and a resolution to be more selective with who she dates. When Krista meets Ryan Rourke, an entertainment lawyer from LA, the two really hit it off. Ryan is in her hometown to sign a local rancher turned viral signing sensation as his new client. Now with Krista also in Rust Creek, maybe there is more of a reason to stick around. Both are holding onto things from their past and are forced to make some decisions if they truly want to be together.

A flower person, and an Entertainment guy meet-cute, what’s not to love??

Christmas Wedding Planner

Wedding Planner, Kelsey Wilson, is about to have her big break: planning her beloved cousin's lavish and exclusive wedding. Everything is going smoothly until Connor McClane, a devilishly handsome private investigator, shows up and turns Kelsey's world upside-down. Hired by a secret source, Connor quickly disrupts the upcoming nuptials but wins Kelsey's heart in the process.

OOH HOO HOO DO I SMELL DETECTIVE HOLIDAY AUS?? MY FAVORITE!! No, but seriously, this movie is greaaaaaaaaaat.

A Christmas Catch

A small-town policewoman falls for a suspected diamond thief at Christmas time.

Aw yiss more detective aus. This one is great because it’s just so fucking awkward, with the detective constant being watched and told what to say, as well as Sir Oblivioso.

The Holiday Calendar

A struggling but talented photographer inherits an antique holiday advent calendar, the contents of which seem to predict the future. Will this magical calendar lead her to love this holiday season?

Oh yeah, magic au, with them not believing it and constantly denying it, and I mean the romance isn’t the best, but oh well.

Midnight at the Magnolia

Longtime friends and local radio hosts Maggie and Jack fake it as a couple for their families and listeners in hopes of getting their show syndicated.

Fuck yes, the “we’re pretending to be lovers, when we’re just friends trying to deny our desire to actually be lovers” au! Woohooooooo!!!

Christmas With a View

Secret aspirations between a failed restaurateur and a celebrity chef threaten their blossoming Christmas romance.

Ah yes... the classic chef au. Lovely.

Christmas Inheritance

To be the CEO, an heiress is challenged by her dad to deliver a Christmas letter in person to his ex-partner in their hometown - traveling by bus, incognito and with only $100. Will she learn something from the people there?

Basically, weird, spoiled rich girl meets this guy who’s just trying to be nice to her, but she’s like “i don’t know how to survive ugh daddy help me”

Holiday in the Wild

Jilted by her husband on the eve of embarking on an African safari, a woman travels to the continent alone where she meets an elephant conservationist.

Divorce, wounded elephants, meet-cutes, what’s not to love??

#fanfiction #fanfic #ao3 #netflix #christmas #christmas au #holiday #holiday fanfiction #netflix is my only consolation #trigger warning: cringe #this is so cheesy oh my god #destiel #stucky #sabriel #johnlock #ineffable husbands #hannigram #drarry #holiday au

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beneaththetangles · 4 years

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BNA: Finding Refuge For Ourselves

The selection of anime available on Netflix has been excellent and is growing as they embrace the fandom and bring fans more content. Some of my personal favorites have been Neon Genesis Evangelion (which I hadn’t seen previously—I totally enjoyed it), Seven Deadly Sins, Kakegurui, and several movies as well. One that recently interested me is Studio TRIGGER’s BNA.

I love this cover—anything with neon lights and a cityscape, you have my attention

At the center of the story is Michiru Kagemori, who has transformed into beast girl (tanuki to be exact), though she isn’t sure how or why it happened. She sneaks her way into Anima City, a haven for any beast people to live. Regardless of where they come from, all are welcome to this place, so Michiru leaves her parents home without notice and finds a way to get smuggled in. She almost loses her life on the way there to some people who hate beastmen, but she does make it!

Her hopes are that it’s an accepting place and where she can be herself, a utopia for beastmen. Her first impression is of emptiness, as there’s no one on the streets and everything is dark. Suddenly, all the citizens come forward and begin to celebrate the 10th anniversary of the city and a huge festival begins. She is overjoyed to see all the smiling faces, festivities, and excitement.

Michiru bumps into a wolf that is crying tears of joy, who tells her to take in the celebration they have been waiting to have for 1,000 years. So long? Have beastmen been around for 1,000 years? Maybe later on that gets answered, but I haven’t figured it out yet as I haven’t finished the series.

Trouble happens shortly after that. Not only does Michiru get her wallet stolen by a monkey, she sees a wolf-man plant some kind of device on a large structure, which of course explodes and causes chaos. People are running for their lives, while she is blamed for the destruction by the other wolf whom she saw crying. She explains that it wasn’t her, and they both end up chasing the perpetrator.

Once they find him, a fight ensues with the wolfman which ends with more destruction and a better understanding of how much humans hate the beastmen. This small group of mercenaries were hired to disrupt the beastmen festival since there is heavy racism towards their kind from humans.

This episode reminded me of the reason why Michiru went to Anima City in the first place. She was looking for a safe haven from the confusing nature of being a beastmen (beastwoman?) since she knew about the misunderstandings that it would cause. When she arrived, she thought it was amazing! A party was happening, everyone was having a blast, and she was able to fit in without anyone looking down on her.

Then reality hit, and she found out that there are real problems even in paradise. I thought of the verses that say:

By faith Abraham, when called to go to a place he would later receive as his inheritance, obeyed and went, even though he did not know where he was going. By faith he made his home in the promised land like a stranger in a foreign country; he lived in tents, as did Isaac and Jacob, who were heirs with him of the same promise. For he was looking forward to the city with foundations, whose architect and builder is God. Hebrews 11:8-10

Like Abraham, Michiru was looking forward to the city that she hoped would be a refuge from the human world, even though she wasn’t sure how it would be. With the challenges all around us, and maybe particularly this year, its a common refrain to want to escape the lives we are living and find somewhere else that is better.

Anima City

Most of you reading this are likely anime fans, gamers, otaku, or whichever term you would like to call yourself. Myself, I fit the anime fan / gamer role, but mostly as the latter. I love to play videogames and explore worlds, imagine I am part of them and just forget the troubles of this life while I game. But I can’t imagine forgetting that I am not actually in that place, that the life that matters is in the game and not my real one.

Living in this reality means that I can’t pretend that life will just suddenly fix itself, people will all be nice and loving, or that all my problems will disappear when I play a videogame or if I watch an anime (which I enjoy doing). Michiru thought that Anima City had the acceptance she was looking for, which it did actually! She just didn’t know that this city has it’s own issues, especially really dangerous ones as you continue to watch the series. This city is going through a lot, which nobody told her about when she decided to move there. And she wasn’t going to suddenly be without problems just by moving there.

Another relation I can give to this is when someone gives their life to Christ and decides to follow Him. We go from living in the flesh to living for the spirit (Galatians 5:17), and then we often look for others who we can relate to (going to church, small group, online Christian groups, etc).

2 Corinthians 5:17

Therefore, if anyone is in Christ, he is a new creation. The old has passed away; behold, the new has come.

When I gave my life to Christ at 17 years of age, I knew nothing about the bible, church, Christians, or this whole Christian culture that does exist in America. I didn’t know there was a huge market of books, music, clothing—basically a Christian version of everything! Over the years, as I became more entrenched into faith culture, I thought everyone was just in love with Christ and wanting to follow Him wholeheartedly. I was very mistaken!

Just like people outside the church, there are many in the church that have personal agendas and motivations that drive them, rather than being driven by a desire to seek God. I had to learn the hard way (another story for another post) that life isn’t perfect in the church, even though at first I thought it was. Like Michiru, I found out that the grass isn’t greener on the other side (or better on the next island over), and that there are problems in the body of Christ as well.

There’s no perfect group and no perfect city or place to live. Everywhere and everyone has issues. Sure, without a doubt, some places are better to live in than others. But to pretend that any places, any group, or any church is perfect and without faults is foolish.

Like Michiru, I hope that wherever you are, whether it’s a great place or a not so great place, you can make it a little better. What we do impacts others, so let’s bring some positive change to our schools, workplaces, homes, communities, being who we are and expressing our God given talents. God can use you to be a blessing to others—you just have to be obedient to what He is asking of you and look for opportunities to help.

=====

BNA: Brand New Animal is available for streaming on Netflix.

#Anime #Christianity #BNA: Brand New Animal #Articles #Author: Samuru

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curiosity-killed · 4 years

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9 and 10, shiro ship or voltron ship of your choice :D

trope mash-up prompts

this is pure silliness tbh

9 & 10 — Dance AU + Airport/Travel AU with Shallureith

A twelve-hour layover on paper didn’t seem that bad. They were all together so they could take turns taking naps, and there was a nice reprieve in being stuck in an airport. It was like a break from reality, an excuse to eat doughnuts cross-legged on the floor and watch Netflix at 3 PM. Or at least that’s what Allura kept telling herself. By hour nine, though, it was becoming apparent that her theory didn’t work so well off paper.

Shiro was working through his series of physical therapy stretches, less because he actually needed to and more because he’d finished the book he was reading. Keith, meanwhile, had been pacing for the last fifteen minutes because he’d sat still for a grand total of thirty. Propping herself up from where she’d been laying back on the floor, Allura huffed out an exhale and eyed the both of them. As if following some unspoken cue, Keith paused in his pacing to meet her eye, and Shiro lifted an eyebrow in question.

“We could play a card game,” she offered. Canting his head, Shiro seemed to consider it, but Keith’s nose wrinkled in distaste. Despite being the one to offer it, Allura sympathized; her legs itched with restless energy, a need to move, and not just sit and occupy her mind. “I have an idea,” Shiro said, “but uh…it’s dumb.” Naturally, that seemed to pique Keith’s curiosity, and he inched closer. Allura stifled her laughter but inclined her head. “I’m okay with dumb,” she said. “It’s midnight and we’ve run out of snacks.” Their backpacks got stashed under the seats, and within five minutes, they were on the moving sidewalk. Shiro, as the one with the idea, got to lead, and Allura had to fight back giggles as he directed them into plies. It was the same combination he always fell into when he was warming up or teaching a class on the fly, and they were synchronized as they sunk into a grand plié in fifth. At the end of the track, Keith took over and they move onto fondus on the one rolling the opposite way.The airport was quiet by now, but the few people who passed by paused and squinted at them a moment before hurrying on their way. A couple of the younger ones stopped long enough to take a picture or video, grinning as they turned away to carry on to their gate.They skipped some steps, trading tendus and degages for pas de cheval and piqués. Anything that didn’t work well on moving rubber tracks while they were wearing tennis shoes was thrown off; this was just for fun, after all, not a real class. They stretched with ankles resting on the railing, and developped on an angle to keep from blocking the one or two other passengers trying to get one way or the other.Jumps were skipped for safety reasons, as well as turns, but that didn’t stop them from going into lifts like they’d had a whole class to warm up. Shiro pressed her up over his head like they were standing on steady ground, and she couldn’t help a grin breaking over her lips that was half nerves and half delight. There was always something exhilarating about big lifts, about soaring through the air with the floor eight feet below. She could hear the announcement as a plane deboarded, and a new rush of passengers started trickling through the terminal. Oh no, she thought, holding in some cross between a giggle and groan as she held up her arabesque. They’d started this as a silly distraction while the terminal was occupied only by sleeping passengers, but now they were getting something like a crowd. People stopped, first just a couple, then a whole cluster along the railing.As Shiro stepped carefully from the track and settled her on her feet, there was a round of muted applause — not too loud, as if mindful of those still sleeping on the floor and across the bench seats. “Maybe we should call that enough,” she said.Before Shiro could answer, though, there was a burst of startled laughter and applause, more raucous than before, and looking over, she covered her mouth with her hand. Keith had unfolded into a handstand, body perfectly perpendicular as he trundled down the moving walkway. Shiro bleated out a strangled laugh as Keith shifted to full splits, still inverted, completely ignoring the couple who now rode behind him and stared blearily at his antics.“Shall we?” Shiro asked, grinning, and offering out his hand.“Will you be my Romeo?” she replied.It had been their last performance this season, and the pas de deux was still fresh in her mind and body. Shiro broke into a grin at the challenge and accepted immediately. Onstage, the process of getting into the lift was simple, graceful; on the walkway, it was a little more utilitarian. Shiro knelt, reaching up his arm, and Allura laid out on his shoulders in the same motion. He took a step onto the walkway as he rose, in time for her to extend her leg to the ceiling and let her arm drape down across his chest.“Holy shit,” someone gasped in their little audience, and Allura grinned. Shiro turned in a tight circle rather than the usual steps and swung her legs down so that she hovered as if en pointe in thin air, chest arched to the sky. Lifting her back up, he braced himself for the second developpe, higher this time so she nearly unfurled into the splits still draped over his shoulders. He stepped onto firm ground, settling her lightly on her feet, and the crowd broke into a round of true applause. Laughing, Allura dipped in a curtsy, extending the hoodie around her waist like a skirt.“Now that’s just cheating,” Keith laughed, coming up behind them. “How’m I supposed to top it?”“Well, you could always lift me,” Shiro replied, jostling Keith’s elbow with his.Catching the light in Keith’s eyes, Allura laughed.“You two figure that out, I’ll buy some time with our audience,” she said.Trading classical for modern, she stepped onto the walkway to toss her leg up into a full tilt, fingers placed delicately under her chin. She’d been hired for a music video over the summer, her first big commercial contract, and as she pivoted into an illusion, leg fanning in a great circle behind her, she heard a murmur of recognition.“Hey, wait,” someone started as popped a hip and flicked her long white braid over her shoulder, “she was in Leon!”She shot a wink in the general direction of the speaker and, as the walkway rolled to an end, dropped into an inverted cabriole before springing up and into a messy pirouette. Carpet and sneakers didn’t make for a good turning combination, but she got a whistle as she stepped out of it, laughing.On the other end of the walkway, Keith and Shiro were already starting, and she stole glances as she hurried down the length back to their starting point. It wasn’t that different from peeking from the wings during a crossover, only she was usually in a skirt and stage makeup for that rather than her worn-in leggings and airport-bathroom face wash.The prep into this one was deceptively simple: Keith crouched as Shiro tossed his weight onto his shoulder, flopping like a particularly bulky sack. There was a smattering of confused laughter, as if the audience thought they’d traded dance for a farce, and Allura grinned. She knew this step, remembered this piece. It was an older one — a pas de deux about the homoeroticism of trench warfare created by a guest artist on Keith and Shiro back when they were still students. The lift was, admittedly, a little more effective with the achingly intimate cello solo that normally accompanied it, but she could already feel anticipation tingling under her skin at what came next.From his limp drape over Keith’s shoulder, Shiro straightened up into a handstand, arms tight around Keith’s waist and feet pointed to the ceiling. The laughter shifted into quiet gasps. Keith’s hands hooked around the back of Shiro’s thighs, guiding them in a motion almost like an upside-down cartwheel. As his legs came around, though, Shiro didn’t neatly step off but froze, body perpendicular to the ground. Keith’s wiry arms shifted, lean muscle straining under his t-shirt. A few steps from the end of the walkway, Allura froze. That lift was supposed to swing around, Shiro rotating across Keith’s waist — but there were glass walls cutting their path off. Swinging him forward was bound to leave Shiro with a concussion and knock both of them on their asses on the walkway. Her hands tightened, involuntary, with worry.As she watched, Keith bent, shifting so that Shiro was nearly diagonal to the ground as his legs came around, slicing a breath above the rail. She gasped, startled despite herself by the fluidity as the two of them shifted, reoriented the choreography and brought Shiro neatly into an inversion before stepping off to a chorus of whooping and claps from their transient audience. Looking out over the little crowd, she could spot half a dozen cellphones lifted up, filming, and she held back a laugh. Coran was going to have a fit.A boarding call came over the PA as Keith and Shiro reached her, both breathing a little hard, and the crowd started to disband. Drawing her bottom lip in under her teeth, Allura rested her hands on her hips.“I think it’s time for our finale,” she declared.“That didn’t count?” Shiro breathed out, laughing.“Nah,” she said. “Hey, remember that character class we took with Nikola Kaminski?”Shiro’s eyebrows rose, but Keith’s lips turned up in a grin, and he started nodding before he even replied.“Oh hell yes.”She wouldn’t have been able to do it with Shiro, not with their height difference, but Keith was the same height as her if she didn’t wax down her hair. They took the walkway grinning, two steps apart and bouncing slightly in rhythm with each other. The dispersing crowd paused, lingering to see what was going on, and Shiro stalled with the first steps of Nutcracker’s Russian. Allura laughed, shoulders shaking, but gave Keith a firm nod as they approached the center of the walkway. He took one chasse, throwing himself up into her arms. She heaved, pushing off with her thighs, and flipped him up so one leg extended to the sky. Suspended there for a moment, he flicked one hand up to salute the audience before she swung him back down and they pranced off their impromptu stage. Despite the hour, their tiny crowd burst into cheers and applause. They’d accumulated more than she’d realized during the mini performance, and Allura laughed as they took bows from either end of the walkway. Drawn away at last either by boarding calls or by the sense of the performance ending, the crowd trickled away and Keith and Allura wandered down to where Shiro waited for them. Her heart raced under her t-shirt, cheeks flushed with adrenaline and endorphins. Keith’s cheeks were as pink as hers felt, and Shiro’s bangs stuck to his forehead. Reaching up, she combed them back, and he laughed.“Well, that is a new stage for me,” he remarked.“Your dumb idea was pretty great,” Keith said, looping an arm around Shiro’s waist. Shiro grinned, and Allura pressed a kiss to his cheek before tangling her fingers with Keith’s. “I honestly thought you two were going to get concussions doing that Huntsman lift,” she admitted as they turned back to their waiting bags. Keith shrugged his near shoulder, as if unbothered. “Keith had me,” Shiro said. “I wasn’t worried. Did you hear them during your Leon solo?” Laughing, Allura dropped into her seat, twisting around to drape her legs over Keith’s lap. Now that the adrenaline was starting to fade, she was finally almost sleepy. “I wondered if anyone would recognize it,” she admitted, leaning her head against her hand. “Too bad you didn’t have the costume,” Keith remarked, dropping his arm over her shins. Shiro snorted and Allura reached over to pinch his arm. The costume in question had been little more than a white bralette and shorts — and an entire bucket of red and black paint. Keith only grinned, unrepentant. “Next time I do a bikini dance, you guys are doing it shirtless,” she declared.

Glancing over to meet Shiro’s eye, Keith lifted his eyebrows and shrugged. “Deal,” he said. “I assume that’s our first summer layoff project,” Shiro agreed. Allura laughed, settling more fully into her seat. The metal arm rest pressed into her back persistently, but if she leaned in toward Keith and shifted most her weight into the pleather back, it wasn’t so bad. “Perfect,” she said, eyes slipping shut. “You two come up with some choreography and I’ll run final edits.” Already sleepiness curled around her, lulling her off. Distantly, she could hear a quiet chuckle and feel the gentle warmth of Keith giving her leg a light squeeze. The last thing she heard as she drifted off was Shiro: “Sweet dreams, Princess.”

#voltron #voltron ficlet #shallureith #dance au #shiro #allura #keith #voltron fic #my writing #ask games #this is such nonsense but was fun ty!!#machidielontheway #asked & answered

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