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oreo-cookies-fan · 4 months

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Berlin quotes that made me scream MARTIN in my head:

Numero uno:

Andres: The love of your life is a fairy tale! I'm sorry to be the one to tell you, but … love just fades away. The only thing worthwhile is the beginning. That's the best part of love. When every song you hear reminds you of her. When you're having a meal together and all you do is talk. When everything she says makes you laugh.

Damian: No, no, no. Love is precisely what comes after all that. When the spell is over. Then, during dinner, you're happy to be quiet because you're at peace. To love someone, you must really know them. How can you love someone you don't know?

Numero dos:

(Don't know why the English version didn't translate this, but here it is:) Damian to Andres, while talking about how love ends and makes you suffer: You're a sick narcissist. Crees que estar a tu lado merece ese sufrimiento? (Translation: Do you think that being by your side is worth the suffering?)

Numero tres:

Andres: You see, I have become a fugitive of love. And what I'd really want, if I'm honest, is that it lasts forever. (...) my own experience of love is that it just melts away, you know? I realise the only thing I know, the only thing I've ever known about love is the beginning, but God, what I want, what I really want, is to experience a love that never ends.

((Damian: There's always an end.))

Bonus, because it's about Damian and his wife, Carmen, but it also hit like a line from a Berlermo gifset:

Carmen: Maybe you are the love of my life, but that doesn't mean we'll spend the rest of our lives together.

#berlin netflix #berlermo #ofc the famous buenos aires coffee shop quote but i couldn't find it in the show atm #does he know? does he know that martin loved him exactly the way he wanted?#it's killing me #this sick bastard is killing me #please give us season 2 if only to make its last scene a berlermo first meeting and andres narrates it as the moment he met #the love of his life #feel free to create heartbreaking gifsets with those quotes #or write fics about them #both is great #lcdp

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idkwhatthistbh · 1 year

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I need more of Wednesday with Bianca and Enid next season because her dynamic with them was so much more entertaining than with either of her love interests.

Bianca challenged her constantly yet they connected and she opened up to Wednesday. Bianca even gets the Nightshades to help her with the Tyler thing and LITERALLY SAVED HER IN THE END. Friendly rivalry for the ages anyone HELLOOO!?!? ITS RIGHT THERE!! i wanna see them constantly trying to out do each other both in classes and in fencing yet be so willing to verbally and/or physically decimate anyone who dares screw with the other girl not because they think the other girl can’t handle herself but simply because they care for each other in their own weird “would rather die than admit it” way. And when they team up? everyone is scared because they are just THE power duo. i need to see them win that fencing title.

Enid!! idc if their dynamic either stays platonic or becomes romantic i just want more PLEASE!!!! Enid challenges Wednesday emotionally but she doesn’t want to change her. After a while she takes the threats on her life in stride and just smiles because she knows that’s just how Wednesday is and embraces it. Even adapting to it, making morbid jokes that are in no way her. She picks up on Wednesdays hidden meaning when she says that Thing missed her instead of making her admit it she just rolls with it. Enid even uses Wednesdays hidden way of communicating to tell her that she’ll miss her even if Wednesday didn’t get it (the squirrel thing). Wednesday doesn’t see Enid any differently just cause she can’t transform. To her it didn’t matter if she could turn into some flesh ripping beast or not she was still her weird as shit roommate no matter what. Wednesday even spares her feelings about the snoods when we all know if it where basically anyone else she would have burned it in front of their faces without hesitation. She even asks Enid if she’s ok later on! I just want to see the two of them have this unbreakable bond that no one really understands. They take each other in as they are and evolve together because they work, they shouldn’t, but they do.

#in conclusion #SCREW THE LOVE TRIANGLE #GIVE US THE GIRLS #also i just wanna say neither of these relationships are perfect but their teenagers so ofc they aren’t #please netflix #I am begging #i need a season 2 #i am experiencing extreme brain rot help #wednesday netflix #wednesday #wenclair #enid sinclair #wednesday series #bianca barclay

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kams-corner · 1 year

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Wednesday Season 1 Episode 7

Was just watching Wednesday with my little brother and we were at the scene where Wednesday and Enid are listing off annoying habits and after they had finished my brother was immediately like, "Are they lesbians?"

NETFLIX, if my eleven-year-old brother who doesn't actively support lgbtq+ even though I'm a part of it can ask that, they definitely are.

MAKE WENCLAIR CANON IN S2

#wednesday netflix #wednesday addams #enid sinclair #wenclair #wednesday x enid #make them canon #netflix #wednesday #enid #season 2 #lesbian #lgbtq #lgbtq+#give us this ship pleaseeeee

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taylorscrows · 1 year

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I relate to nikolai lantsov because i too am a simp for zoya nazyalensky

She is mothering guys

#grishaverse #shadow and bone #shadow and bone season 2 #zoya nazyalensky #nikolai lantsov #zoyalai #sobachka #I love them so much #netflix please give us zoyalai crums this season

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rory-bor-e-alis · 1 year

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She’d never be that polite to him

#lockwood & co #lockwood and lucy #netflix #lockwood and co #give us season 2

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absent-o-minded · 2 years

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Uh Oh

The YR Season 2 Teaser dropped yesterday? You know what that means ! *Fires up the Chainsaw*

The Palace:

Personally, I think it was very clever of the YR PR team to release the first 4 minutes of Season 2 in replacement of a supposed trailer (eventhough one will likely come) because this does something very different to that of a montage of clipped, edited snippets throughout the entire season - Here, we're given a tonal opening.

Right from the get go, the transition from Wille's soft, intimate dream sequence to reality is indicated through a colour shift, and thus within moments of 0 dialogue an obscure location setting, we understand the gravity that the consequences of Season 1 has had. The golden-hued, saturated colour composition of Wille's dream is ruptured upon opening his eyes, whereby a greyish-blue seeps in through the curtains and he remembers where he has woken up. Simon isn't here. Actually, he never was. Unfortunately, Wille is in the single worst place on Earth. The Palace.

Even just by this subtle indication, the Palace becomes this sterile, de-saturated environment and we realise that the extent of the ending of S1 has, in fact, extended to the building itself. To Wille, the Palace takes upon this sombre reminder of the loss of hope. And despite never being a home, it's even less of a house now, because it's haunted.

The Walk:

This idea of the Palace being haunted is solidified in this small scene because Wille takes on the persona of a ghost.

The interaction between himself and the Cleaner/Housekeeper is weird, especially considering the royal settings, because all usual pleasantries are abandoned. Instead, Wille walks past, and she offers him no more then a quick glance, before continuing with her work. And it's not a look of acknowledgement either, it's more so the look you give when you hear a noise, wondering where it came from.

In turn, the camera follows him through the dimly-lit corridor as he stalks through it, the white shirt making him look almost-hollow. It's hinted at the gothic and I love it, because it makes so much sense. When a character is ruined, deprived and lost, they're not really full anymore, they're drifting through states longing for warmth. That's what Wille is doing right now. All of his desires (as seen in the very first 20 seconds) are confined to dreams, where he can escape the sadness of reality and experience a different plain, but that is his only solace.

Even now, he is both unrecognisable to himself and to staff of the palace. He's so far from who he was that when he got so close to experiencing something that felt like his, it was brutally stripped away and stomped on. Now, all that's left is himself (whoever that is) an his grief (wherever that's getting stored - It's pestering and sweltering). This is really just me wanting to start a ghost choir tbh.

The Blazer and The Portrait:

How has all of this pain, this line of ascension, this sense of missing and longing and wishing been compacted into a blazer? Erik's blazer.

I could cry over this picture - It doesn't fit at all. It's too big on the arms and at the waist. The crown has lost all of its significance, because now the blazer grips the body, but on Wille it's oversized because it was never meant for him. None of this was ever really meant for him. None of the plans made were catered towards him, the narrative followed someone else and he was supposed to be a supporter. A bystander. But now, the room is empty. The stand holds a piece of what waits for him, but it feels all too wrong and uncomfortable because it was Eriks.

His body is distorted in it because he's trying to fit the role of something that was never tailored to him, but he's desperate to feel some sort of closeness to Erik. He's hugging it tighter around himself in the hopes that he'll feel like Erik, assured and confidant, or even better, that he'll feel Erik, his compassion and his warmth. He's just a kid. Isn't that enough? He's just a kid who misses his big brother and who just wants a hug.

Not just this, but Erik's portrait is in the frame and is placed behind Wille, which has so many meanings, such as: 1.) Erik is subverting the theme of pressured surveillance by looking almost fondly, or sadly on his doting brother, like he understands that from his death, Wille now must fill his shoes, and he has to bare witness to the trials and tribulations that Wille is about to face, 2.) Wille is trying to emulate Erik's confidence and grace, of which are all encapsulated in this blazer as the framing lends itself to parallelism - The blazers present on Erik, but it looks neater, refined, right, like it's meant to, but on Wille it just looks strange.

How else can you say 'I miss you so much' when the other person isn't here to hear it? How else can you articulate 'I wish you were here. Or at least, I wish I were more like you, so then maybe in some part you would be here.' other than trying to picture their clothes, their face, their eyes? How else are you supposed to ask 'God, I wish that you would tell me what do to. How did you do it so well? How do I do it as well as you?' other than wearing their blazer and hoping that it'll wrap you up and take you away from all fo this? When you can't sleep, and you can't weep, and you can't put a name to your pain, what else are you meant to do than miss them and hope that it's enough?

The Tin:

I know I said that I could cry at the last picture, but this really is the last reason to push the stake further in. Just look at it, it's so-

Of course, just to plop the cherry on top of the cake, Wille ruffles in the inside pockets and finds this little tin (Is it a match tin?) engraved with 'Once A Brother, Always A Brother'.

This little addition offers the only reciprocal of Wille's love, as well as offering the only validation of his feelings, because it works both ways. As well as being Crown Prince, Erik was the only one that Wille wholeheartedly trusted, and felt like he could tell anything to. That's a special person, and it's a unique relationship when it happens, one that is precious. But Wille is also Erik's brother, and there is likely a part of him that feels responsible for carrying on his legacy, both out of love and out of duty. In this situation, the lines are so blurred it's hard to tell where devotion starts and obligation ends.

Not just this, but the fact that it's a match tin (as far as I'm aware) and in S1 Wille's flame was 'ignited' shows how Erik has always been present throughout Wille's journey.

I would just want Wille to know that Erik loved him so much, and that he would've been so supportive and proud of his little brother. Now I'm going to go burst into flames tears, 'xcuse me.

The Burning and The Mirror:

Now, I'm no pyromaniac, nor have I dabbled in arson, HOWEVER-

Notice how, through the framing, Wille's face somewhat replaces August' in the mirror after Wille has burned it away? His flame has been ignited, and now it's manifesting within himself. The burning itself is significant because it's an act of self-rebellion, and provides a little bit of catharsis.

Through this, Wille is actively erasing August from the narrative and distancing him from his Brother, who isn't here to do it for himself. Perhaps one of the main things that Wille is trying to protect is Eriks legacy, particularly in relation to his previous friendship with August, who Wille already stated at the end of S1 is "no longer a part of his family." It's just that now Wille has reason to act upon his desires.

But also, the way in which the 4th wall is broken is equally as significant - Beforehand, when Wille first breaks the 4th wall in S1, it's in the Apology issue and the camera creeps closer until it receives the warranted reaction from something that is suffocating and intrusive. But now, he breaks the fourth wall through the perspective of the mirror, looking at us through a reflection, as if we're stood behind him (The question this begs is whether that's in solidarity for Reputation Era or that we as an audience represent the lingering presences that he's ready to banish, displaying the conviction he has about August).

Either way, our presence is acknowledged, this time against the framework of consequences as opposed to the previous one in S1 of expectation.

And I understand that revenge is not always the healthiest means of healing.....HOWEVER-

The Eriksson House and The Acceptance:

IT'S THE GROOVY GANG !

This is a slightly different representation of the Eriksson home than we've seen before, as usually it's dark and the mains rooms we've seen are the kitchen, the living room and Simon's room, and initially when I watched this I thought that they had moved (The threat of getting doxxed, the presence of the press etc) It could be a possibility, or it's just that we're seeing a different image of the home.

It appears much lighter and airier, comprised of pastel greens and windows, which offers the impression that maybe the family are in a better place now due to the stark contrast between this home and the Palace.

Also - I'm guessing that the letter Sara gets is for her acceptance for residency at Hillerska, right? But the placement of the acceptance letter is both for narrative sake, like kickstarting Sara's journey regarding staying at Hillerska as well as externalising her wants - Acceptance. Throughout S1, that is all Sara wanted and all that she craved for, and now, this is the first sign of her integrating into the Hillerska environment and hoping that she is accepted beyond admission. I'm really excited to see how her story plays out !

HONOURABLE MENTIONS:

Wille simply just closing the door on Kristina. No shouting. No crying. No clipped words. Just the simple act of rejection.

More indications to August' eating disorder/body dysmorphia (He's an extremely nuanced character, and I still stand by the fact that resenting a character for their actions whilst acknowledging their nuanced portrayal are not mutually exclusive. Thanks critical thinking, luv you babes <3)

The music that played after Wille lit up Augusts face? Already SLAPS. I'm so excited for this years soundtrack !

Well, I'm down with freshers flu atm so this genuinely took all of my brain power and now I am s P e N t. But, please let me know what you think !

#young royals #young royals spoilers #young royals netflix #yr season 2 spoilers #yr s2 spoilers #young royals season 2 spoilers #lisa ambjörn #analysis #it's like giving crumbs to pigeons out here #one 4 minute teaser and suddenly none of us know how to act anymore

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