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#my sexuality or lack thereof
aromantic-diaries · 9 months
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I'm all for very specific microlabels but also I just love how broad the term 'asexual' is. Lol my personal relationship with my sexuality is slightly more complicated but guess what motherfucker that's my business. I'm asexual. I sleep alone
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hwanwooyoung · 5 months
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[231019] M Countdown :: Baddie :: Yujin
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you ever see someone reply to u with such a long take that reads everything u said in bad faith and also puts words in ur mouth and ??? im so confused
#i asked a blog i used to follow not to tag the aro posts they rb as aroace cuz the post wasnt just about aroacesit only said aromantics#right#like this is an issue in aro spaces guys like it'll be an aro post that mentions sexuality or lack thereof nowhere in it#and it'll still be rb'ed and tagged with aroace#bc the blogger had like. rb'ed aroallo specific posts and tagged them as aroallo so i didnt get why they were rb'ing??? aro posts as#aroace when the post i was talking abt did not. mention anything other than aromanticism#like if theyre just doing it for aro organization purposes they should have tagged the one they rb'ed w aroace as aroallo too right?#but they didnt so thats why i brought it up and i mentioned that they didnt tag it as aroallo#again: the post i was talking to them abt did not mention asexuality or allosexuality at all#and they??? got back to me by??? talking abt how aroaces are still aromantic???#i n. i never said they werent? i said. not to tag aro posts with aroace if. it only mentions arospecs and not!!! sexuality anywhere#like i didnt. i never say not to tag it with just aro. i would have preferred it be just aro tbh as thats all that post was about#and then they said??? that me being like 'i'm not trying to be mean or anything' is. admitting that i'm being mean#???????????#and. yknow how i said if they're tagging aroace for aro organization purposes they should be tagging aroallo too if theyre#just tagging any posts that mention aromantics with aroace#i think they were claiming that they did and my suggesting they do that was ?? an admission of acephobia?? or something#but they blocked me now so i cant even ask for clarification on anything so whatever i guess#anyway. dont assume aros are ace just bc theyre aro. same goes for aro posts~
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theophagie · 7 months
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"Imaginary little girls ~can't just be tomboys in peace anymore~ because imaginary evil trans people will try to indoctrinate™ them" and are the ex-little girls who were instead at all supported by their parents and peers even for ~just being tomboys~ in the room with us
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spaceangst · 1 year
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the most frustrating thing about sexuality is wanting so badly to not be alone, to be worthy and capable of love but still terrified that you’re just not wired for it. and it’s not like i’m applying this to everyone on the aroace spectrum but there are so many times where i question if it’s just the way i was raised or if i really am, and either way, i really do hate how it makes me feel so left out of everything. because it’s one thing to know your sexuality and to find a community, but it’s another to not know nor have any way of figuring it out. sure, i thought i had crushes as a kid, but i also don’t remember anything beyond a year back because of trauma and depression. 
sure, no one’s ever liked me but that’s because that was my role; the ugly, nerdy, weird friend. it’s funny - i have blue hair and i’m an ethnic minority at uni and yet, i’ve danced on top of the washing machines alone without anyone noticing, absolutely bailed from skateboard and scraped everything without a single person turning my way, and been the first person to walk out of every single midterm or exam i’ve taken. i’m not even noticeable, nor am i memorable, so i get that people wouldn’t want that. and idk, being home for break, in a place i didn’t grow up in because of how much we moved around, i am so incredibly lonely it’s starting to physically kill me.
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alatariel-galadriel · 3 months
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⭐️
Alright alright alright SO one of my favorite lines in Calefaction isn’t exactly the prettiest when it comes to prose, but I love it nevertheless:  “He wants to file this all away and never think about it again, and he doesn’t ever, ever want to let go.”
That line was my breakthrough for the story. See, Calefaction got stuck in Writer’s Block Hell for ages because the difficult thing about writing an Itafushi story hinging on a conversation about feelings is getting Megumi to talk. He flat-out won’t. He’s allergic to it. He’d rather die.
So in order to have talk about feelings be a legitimate story beat, I had to figure out why he wouldn’t just ice out and avoid the conversation completely. I was honest-to-god drawing flowcharts to try and figure this one out, and then I wrote that line—he doesn’t want to let go—and it all sort of clicked.
Because that’s what kickstarted the tragedy of the two of them, isn’t it? Megumi can’t let Yuuji go, even within minutes of meeting him. He’s the one who advocates for Gojo to spare Yuuji’s life, even though it goes against his morals, because he can’t walk away from this dumbass he just met. Yuuji’s the one he makes exceptions for, over and over again, so while talking about his feelings is unbearable, the alternative just isn’t an option for him.
From there, it was pretty easy to weave that thread throughout the rest of the story, and everything fell into place. The this-is-unbearable-but-the-alternative-is-worse motivation had the potential to be angsty but honestly just made his internal monologue an so much fun. His inner voice is so dry and logical that mixing in Dramatic Teenage Angst™  is hilarious to me specifically. For that exact reason, my second favorite section is “His face burns like he’s a middle-schooler with a stupid crush and honestly. Just shoot him now. Put him down like a sick dog. End his misery,” especially since this kid graduated middle school less than a year ago. It's wonderful.
Overall, this story was so much fun to write and I had a lot of fun answering this. Thanks for the ask!!
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pondscummy · 4 months
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I feel like kind of a bad person for this but a lot of the time I really feel like I would heavily prefer dating a cis man to dating a trans man
#pond.txt#like i feel like such a traitor lmao and obviously t4t is wonderful#I'd never like turn down someone i liked for being a trans guy; my last two meaningful relationships were w trans masc people#i'd very happily do that again but. But......#idk i just. i Like cis guys in a way that feels more charged and more... idk i miss cis men. sure they can't understand my gender#but neither can i lmfao i don't know how much that matters to me these days so long as i felt safe and wanted w my partner#i literally always picture myself w a cis man as my partner and i think i feel safer w one sexually idk#i have a definite preference for dick and i've got a condition that makes my uhhhh hole entrance hypersensitive#in a painful way. and with cis men i can grin and bear some rly painful sex until the nerves get desensitized and it's easier#but with my ex i like Panicked w the strap and broke down crying bc it hurt and i didn't feel safe at all bc they couldn't like#feel what they were doing and respond to my comfort or lack thereof by touch-sense#it's hard to say 'just a little bit at a time' to somewhere wearing a strap unless they're actually watching them enter you#and that's so like. clinical to me in that moment bc *i'm* not turned on enough to see it as like. sexy that they're watching#i'm just thinking about being viewed while in pain and it feels so vulnerable in a Wretched way. not hot and nothing to distract me#meanwhile i've trusted multiple complete and total strangers w the same thing and been able to get through to a point where#i can relax and enjoy sex after they've initially gone in. but i Loved my ex boyfriend and i couldn't bear to even let him try#idk. and i sort of love the relationship cis men have to gender (aside from the more toxic elements)#like i love the ease of knowing they're men. the comparative lack of thought. in a sense that's More like my gender than what most trans#guys i know experience. i've had Very little dysphoria compared to most. i just am like a guy idk. i don't think about it or care to#i just always picture myself w a cis guy:( i wanna cis boyfriend
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aplpaca · 1 year
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thinking about how I've seen OCD get talked about now, but haven't really seen many posts that actually explain what it is. And like, obviously people shouldn't get all their info about mental conditions from posts, but u can't deny that internet communities and stuff play a major role in people recognizing and putting names to their own experiences.
But like since the general public has like absolutely no idea of what OCD actually is (no thanks to popular media), and a lot of things I see talking about intrusive thoughts don't mention OCD (either bc they originated in OCD circles or bc intrusive thoughts aren't Exclusive to OCD or for some other reason), there should prob be more explanation put out on what OCD actually consists of.
Which is kinda hard in some ways, bc there are so many ways OCD can present in terms of what "themes" a person experiences, so someone talking about what their themes are might not ring a bell with someone who experiences different ones. But like, the core thing with OCD isn't the presence of certain themes, it's a specific pattern of spiraling thoughts and reactions.
Like. OCD is a mental condition/illness where people experience stressful, unwanted, repetitive thoughts. These are intrusive thoughts are what make up the "obsessions" part of the disorder. In response to these intrusive thoughts, a lot of people will perform certain actions or think certain things in an attempt to neutralize or disprove the threat they represent. These are the "compulsions" part of the condition.
For a more "traditional" example, someone experiencing intrusive thoughts that they might catch a communicable disease may obsessively wash their hands or google their symptoms to try to lessen the anxiety. While someone who is worried they might hurt someone (even though they very much do not want to hurt someone) may avoid being near sharp objects or may avoid the people they're afraid of hurting.
One of the issues with OCD is that performing the compulsions provides short term relief, but in the long term it only strengthens the stress caused by the intrusive thoughts, thus furthering the thought spiral and actively making it worse, to the point where, depending on your themes, you may be (almost) convinced that your intrusive thoughts represent the truth or the inevitable or something permanent.
Intrusive thought themes cam be literally anything, but some of the common ones are stuff like
Questioning your sexuality, gender, etc (what if I'm actually straight/gay/bi/trans/cis/etc?)
Being worried about losing control and hurting yourself or others physically, sexually, emotionally, basically any way (what if I want to kill someone? What if I'm a pedophile? What if I'm an abuser? What if I want to stab myself? Etc)
Fear of becoming or being sick
Worrying something bad will happen to you or people you care about
Worrying about your spiritual beliefs or lack thereof (what if I'm actually Christian? What if I'm actually atheist? What if i don't believe in the faith i ascribe to? Etc)
Worrying about relationship status (what if I don't actually love them? What if they're not "the one"? What if they're cheating? What if *I'm* cheating? Etc)
What if I'm a bad person?
Fear of losing things
Fear of things not feeling right (this is often be related to other themes via magical thinking. ex: if I don't have my things organized Just Right then something bad will happen)
Fear of unreality
Compulsions vary by theme a lot obviously, but some common ones include
Hand washing
Organizing things until they Feel Right
Checking and double checking and triple checking to make sure you did something correctly
Obsessively reviewing your memories to disprove a thoughtor make sure you don't believe something
Arguing against the thoughts in an attempt to disprove them
Testing your mental reactions to a thought or to certain kinds of content, to show yourself you don't actually believe or feel something
Obsessively googling symptoms, testimonies, things related to your thoughts
Obsessive prayer
Repeating phrases, mantras, affirmations, etc in an attempt to make thoughts go away
Avoiding things and situations that set off your intrusive thoughts
Repeatedly asking for reassurance from others ("I'm not being xyz, right?")
But yeah this obviously isn't exhaustive but, just, if this kind of thing sounds familiar, you should probably do some research on OCD, bc while intrusive thoughts can occur with other conditions, the intrusive thought-compulsion spiral is the core of OCD and isn't really a subaspect of depression/anxiety/ptsd/etc. and the treatment and management of OCD can look different from other stuff, so its a good thing to look into.
(Also it's important to keep in mind, esp if you're someone that doesn't have it, that someone's intrusive thoughts Are Not "secret desires" or "repressed urges" or anything the person even remotely wants to act on. Someone having harm-related intrusive thoughts is not at risk of actually acting on them, no matter how worried they are of doing so.)
Anyway this was a long post and I don't have a neat way to wrap it up and also I accidentally added a poll and now can't get rid of it so here's free poll. I'm running on nyquil and a small amount of straight gin (which works very well at numbing a sore throat) rn gnite
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slytherinslut0 · 4 months
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MATTHEO RIDDLE- Beg For Me
Chapter Twenty Five-Info: You and Mattheo have been butting heads for months, since you were assigned as his tutor, and one day during a session full of tense bickering, he has enough.
Tags: 18+, Dirty Talk, Threats of Violence, Jealousy, Toxic Behaviours, Possessive Behaviours, Mentions of GunPoint (enchanted gun but still), Italian, Flirty!Theodore!Nott, Angst, Sexual Tension.
FIND THE REST OF THE CHAPTERS HERE.
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"I don't know about this, Em..."
Giggles danced through the air, originating from your blonde companion, currently immersed in a thorough investigation of your shared closet. Her voice, laced with amusement, murmured something indecipherable, the words muffled by the solidity of the wooden door. A long sigh escaped your lips, a potent release of pure exasperation.
"This is crazy," you muttered to yourself. "Nott is going to need an entire bloody medical team when he catches sight of me..."
The enchanting red dress, a gem sourced from a privy boutique in Hogsmeade under Mattheo's explicit direction, molded itself to every contour as you confronted your reflection in the mirror. As your eyes traversed the fabric's journey, or rather, the lack thereof--there was no escaping the undeniable truth; the dress was exquisitely tight, sparing no nuance of your silhouette to the imagination.
"Doubt he'll even get the chance..." Emily replied, finally reemerging from the closet, "lover boy will likely claim his head the moment he fixes his gaze on you for too long."
Emily's cheeky response added a layer of playful anticipation to the charged atmosphere, earning an exaggerated eye roll from you in response as you fought hard to suppress your smirk.
When you'd embarked on the hunt for the ideal dress, you had brought Emily along for her valuable opinion. As your gaze fell upon this specific piece, uncertainty gripped you, convinced it might be a touch excessive. Yet, Emily staunchly opposed that notion. Her unwavering belief in its perfection became a contagion, subjecting you to prolonged minutes of relentless persuasion. Gradually, her infectious enthusiasm chipped away at your resistance until, inevitably, you succumbed--reluctantly handing over Mattheo's gifted galleons.
"And do I truly wish to burden my conscience with the death of the schools most popular Italian playboy? And not to mention Riddle's certain Azkaban sentence...all but a couple months from graduation?" you deadpanned, fingers instinctively rising to massage your temples in an attempt to alleviate the burgeoning headache. "Maybe I should just borrow something from your-"
"Absolutely not," Emily interjected, her voice cutting through your proposal with firm decisiveness. She approached you, a sparkle in her eyes, and added, "you look perfect. Trust me on this."
Meeting your eyes in the mirror, Emily's irises shimmered with a warm reassurance. She adjusted her flowy emerald green dress, a garment she had acquired at Tom's request--they were going to the masquerade together, though the status of their relationship still remained uncertain.
Emily, ever the advocate of going with the flow, a concept apparently foreign to Tom, said she wasn't in any rush to make things official, understanding that perhaps it would look a tad bit odd for him to start dating her after he'd just paraded you around to all of his friends, merely less than a few weeks go.
And as a result of this, you and Emily had a long, in depth heart-to-heart conversation where you made sure to unravel any lingering issues--the liberating honesty and the comfort of having someone in your corner again felt tangible. Although initially perturbed by the extended secrecy, Emily eventually grasped the rationale behind your discretion, acknowledging the protective measures taken for yourself and your desired career.
The depth of your longstanding friendship played a pivotal role in fostering this understanding, and you'd never been more thankful to have such a wonderful, supportive friend in your life.
"What do you think Michael will do when he spots you wearing traitor colours?" you teased, an impish grin playing on your lips as you watched Emily fix her long blonde hair, adjusting herself in the reflection.
"I reckon he'll be rather unamused," she snorted, a mischievous twinkle in her eyes. "But he'll be in for a real surprise when he sees you cozying up with Theodore Nott, the traitor extraordinaire."
"Cozying up with Theodore?" you retorted with a smirk, feigning innocence. "Absolutely not, I just recently cleared my conscience, I intend on keeping it that way."
"I wouldn't underestimate the Italian playboy; word on the street is he can be quite insistent..." Emily spun back around to face you, a cheeky smile playing on her lips. "My suggestion is that you tell him about Mattheo before he unwittingly finds himself sharing a bed with Berkshire."
Your expression sank, and a twist formed in your stomach. "Oh, gods, Emily, I need to change," you exclaimed, spinning around and making a beeline for the closet. "Surely there's a garbage bag or your grandmas old moo-moo hidden in here that I could wear instead, right?"
Emily's sudden snort echoed through the room, reverberating far louder than you'd expected. With swift precision, she wielded her wand, slamming the closet door shut before you could reach it.
"Come on, it's going to be fun," she teased, a mischievous sparkle in her eyes. "Give those cocky Slytherin boys an experience they've never had before. Making them squirm is a rare opportunity--after all, they're not used to being denied anything."
You hesitated, a reluctant smile crawling across your face at her words as you silently considered the prospect. Mattheo had always made it abundantly clear that girls were typically within arm's reach for him, and he could have anyone he desired. The idea of driving him to the brink tonight, knowing he couldn't do a thing about it after explicitly instructing Theodore to ask you, ignited a rebellious spark within you.
"Alright, but this better not turn into a disaster," you responded, your internal thoughts dancing between uncertainty and a subtle thrill. "If the mafia comes after me because I smacked their most prized possession, I'm blaming you."
"You look fucking hot. Own it," she encouraged, a playful smile dancing on her lips. Turning her attention to the door, a sudden realization struck her. "I've got to run. Promised Michael I'd help him with his bloody tie--but don't forget to check the mail. Something arrived for you earlier."
With a swift goodbye, she whisked away, grabbing her matching emerald green eye mask, leaving you to contemplate the mysterious package. Not one to dawdle, you approached the table by the door, spotting a small brown box with your name inscribed on it.
With eager anticipation, you unwrapped the package, unveiling a stunningly bejeweled red mask. A note accompanied the alluring accessory, bearing the cryptic message:
"Something about me, I fucking hate the colour yellow."
A smirk played on your lips as you extracted the exquisite gift from its velvet cradle. The crimson mask lay in your hands, a stunning creation adorned with gemstones that caught and reflected the light with each subtle movement. Blush flooded your cheeks as you approached the mirror, slipping the mask on. Turning your head in every direction, you marveled at the way it enhanced your features, making you feel like a mysterious enchantress.
The beauty of the mask was beyond words, and even though the logical part of you knew it had to be from Mattheo, the sheer magnificence of the gift made it feel almost surreal.
After what felt like an eternity lost in the mirror, admiring the stunning mask, the realization hit that you needed to meet Theodore. He'd mentioned waiting for you at the entrance to your common room, so as swiftly as possible, you adjusted your dress, attempting to cover up your chest, and gracefully slipped out of your room, navigating the familiar halls with a sense of purpose.
The chilled corridor welcomed you as you emerged, and after a brief moment of searching, there, like an awakening spell, you spotted Theo--and your stomach nearly leapt into your chest at the sight of him.
"Holy shit, Nott...are you...are you actually wearing enemy colors?" Your jaw dropped as you beheld Theodore in a Ravenclaw blue suit, a sight you'd never expected in a million years. "Hold still, I need to take a bloody picture of this."
Theo's arrogant response came with a sly smirk, his dark eyes tracing hungrily over your figure. He stood before you in a pristine suit, accompanied by matching vest, and a crisp white dress shirt underneath. The ensemble was adorned with exquisite gold links and buttons, showcasing his impeccable taste. His confident demeanour suggested that he indeed cleaned up more than nicely, and this was only a slight indication of his professionalism.
"Sure, have your laughs," he quipped, an arrogant smirk playing on his lips. His eyes moved deliberately, scanning the curves of your figure. "Enjoy the view while it lasts, little bird. This suit's debut is a one-time thing—I might just set it ablaze once the night is over."
"Well you certainly know how to make a girl feel special, don't you?..." you teased, grin stretching past your ears as you took another step closer. "How honoured I am to accompany you in this suits first and only outing."
"Your wit is far too sharp for a Ravenclaw," Theo huffed in amusement, his stormy eyes glistening behind his dark blue mask. "You look properly fucking flaming by the way...do pardon my French."
You snorted, gracefully taking his arm as he offered it, intertwining yours around his. "French? I was under the impression you were Italian, Signor Nott."
"You speak it?" Theo raised an intrigued eyebrow, briefly glancing down at you as the two of you strolled towards the ballroom.
"Partially," you replied, a playful glint in your eye, your attention split between the conversation and the challenge of navigating gracefully in your black heels. Each step resonated with a confident clack on the school floors. "I dabble in a multitude of tongues...a side effect of an inquisitive mind."
"Is that so?" he said, pure intrigue in his tone. "Talk to me in Italian then,"
"Are you serious?" You snorted, far louder than you'd intended, waiting for him to say he was joking. He simply looked down at you, eyes locked on yours behind the mysterious mask.
"Absolutely serious," Theo chuckled, the breathy tones dancing in the air, a subtle spark of challenge in his eyes. "A little ball of knowledge, huh? Prove it."
A warm flush crept up your cheeks as you stifled your laughter. Theo had a charm of his own, a natural way of drawing people in much like Mattheo, although the troublemaking wizard had a slightly more breathtaking allure with those dark, intoxicating eyes and that unruly mop of chocolate curls. It wasn't a shortcoming on Theo's part--it was simply the irreplaceable magnetism that Mattheo possessed, but you couldn't deny the way Nott was making you feel.
"Alright, you want me to put my money where my mouth is, I respect that." You teased, clearing your throat as you pondered an Italian phrase that might leave an impression. After a brief moment of contemplation, it dawned on you. "Non c'è rosa senza spine."
(There is no rose without thorns.)
"Buona scelta," he replied with a smirk, his tone holding an air of both appreciation and subtle challenge. "Sei più astuta di quanto pensassi."
(Good choice; you’re more clever than I thought.)
"You underestimate me, Nott," you chuckled, a surge of pride coursing through you. "Consider that your first mistake."
"You know, the more I get to know you, the larger my desire to figure you out becomes,” he said, dropping his tone into a husky whisper as the two of you turned a corner. "You are...intriguing."
It was at this moment, as the two of you entered into the bustling main hall, that you were extremely thankful this event was a masquerade. The mask provided a welcome veil of anonymity, shielding you from the prying gazes that threatened to make you uneasy. It seemed you were blending seamlessly into Theo's arm, a part of the enigmatic allure rather than a subject of scrutiny.
"You couldn't figure me out in a million years," you retorted, a sharp edge to your tone, the corners of your lips subtly playing with a hint of a smirk. "Better men have tried."
Theo, as expected, didn't like that response. "Don't tempt me, little bird...I will make it my life's mission."
You rolled your eyes, chewing on your cheek. "You're far too sure of yourself, Theodore."
"Look at that, Bella...you're already using my first name," he quipped, smirking. "I'm making progress without even trying."
You fought the urge to smack him, your eyes narrowing in a playful challenge. "To know me, Signor Nott, I'll put you through hell...just ask Riddle, he can certainly attest."
"Mm, thats precisely the thing, little bird..." he said, his smirk holding a touch of intrigue. "Riddle's a closed book when it comes to you. Doesn't spill a damn thing, makes me wonder what secrets the two of you are hiding.”
"Quite a conspiracy, I'd say," you chuckled, relishing the light banter between you two as the distant sounds of music and laughter from the ballroom grew louder. With a nod and a playful smile, you gestured toward the entrance. "Shall we?"
Theo nodded, a playful glint in his eyes, as he released your arm and extended a hand to the small of your back, ushering you forward. "After you, milady"
Upon crossing the threshold into the ballroom, a breathtaking scene unfolded before your eyes. The room was adorned with vibrant spring decorations, an enchanting celebration marking the approaching end of the term. The fragrance of fresh flowers wafted through the air, and the soft glow of enchanted lanterns bathed the room in a warm, golden radiance. Hogwarts students from all years, dressed in their finest attire, wore a dazzling array of masks, each one a unique work of art.
As your eyes darted around the room, the search for familiar faces led you to a moment of anticipation. The diversity of masks, ranging from intricate designs to whimsical shapes, made it challenging to discern familiar faces.
Finally, your gaze landed on the only man you'd ever go out of your way to search for, his distinctive chocolate curls drawing your attention like a magnet amidst the sea of masked enchantment. The mere fucking sight of him, cloaked in newfound sophistication, sent a thrilling pulse through your veins, awakening sensations in your body that you were unprepared to face.
He stood there, like a fucking silhouette of elegance, adorned entirely in black--black mask, black suit pants, a sleek black dress shirt, and a finely tailored black suit vest. The only splash of colour adorned him in the form of a satin red tie, perfectly mirroring the shade of your dress. The entirety of your being froze in place, your throat resembling a parched desert, the sole reminder to keep moving coming from the steady pressure of Theo's hand on your back, coaxing you forward through the enchanting crowd.
As the two of you veered closer to them, the tension in your body was almost painful. Truth be told, it wasn't the singular presence of Mattheo that set your heart racing like a high-performance sports car on race day--oh, no, the true accelerant was his fucking date. The very girl from the washroom, the one you had directed him to accompany, and the vibrant colour of her long, flowing dress:
Yellow.
"Riddle, Malfoy," Theo uttered, initiating a firm handshake with each of his Slytherin comrades as they exchanged greetings. "Parkinson, Lanalock."
"Nott," Parkinson remarked, a smile gracing her features. "Never expected to see you in blue. You could easily pass for a Ravenclaw, you know."
Theo's response carried a touch of cunning arrogance, sneaking you a glance. "A choice made with utmost consideration, you might say."
In the midst of the social dance, your gaze and Mattheo's remained locked, an unbroken connection that felt more like a silent conversation than a mere exchange of glances. The unspoken tension between you two hung thick, and in that charged moment, it was uncertain if either of you had even blinked. Your heart pounded not only in your throat but also seemingly echoed in another, more intimate part of you as well.
Mattheo had never looked more fucking captivating, and the longing for him intensified by the millions--that merciless irresistible force effortlessly working to pull you closer.
Just as the tension threatened to become all-encompassing, Professor Dumbledore's voice reverberated over the lively chatter, his warm tone weaving through the air.
"Ladies and gentlemen, welcome to the enchanting Spring Masquerade. I hope the magic of the night unfolds to your desires. Now, if you would kindly make your way to the dance floor, we are about to commence the first slow dance of the evening. So, let the celebration begin."
The resonance of Dumbledore's voice snapped you from Mattheo's visual captivity, prompting a few deliberate blinks and an expelled breath laden with tension. Theo, with a gentle glance, took your hand, guiding the group to choose spots on the dance floor directly adjacent to one another. It required every fiber of your being not to steal a glance at Mattheo, aware that the mere sight of him holding another girl would induce a wave of nausea within you.
Your attention became an exclusive affair with Theo. As he placed his hands on your hips, his grip was tender, a sensation entirely distinct from anything you'd experienced with Mattheo. A sharp intake of breath accompanied the elevation of your arms, led your palms to find a gentle perch on Theo's shoulders. In the depths of his stormy blue eyes, you unintentionally delved, oblivious to the intensity of the eye contact you established--you were so lost in your own thoughts that a bomb could go off in this very room, and you were certain you wouldn't even flinch.
Then, Theo's voice broke the silence. "Little bird, are you alright?"
"Oh, yes," you blinked, your voice escaping your throat in a cracked whisper, as though each word were a struggle for breath. "And you?"
"More than," he quipped, a teasing smirk playing on his lips.
Your watchful eyes tracked the journey of his gaze, starting from your eyes, sliding leisurely to your lips, lingering provocatively before venturing lower, dipping over your chest with a seductive grace before sinuously slithering back up. The subtle intimacy of the visual exploration ignited a warmth within you, and you glimpsed his lips, recalling Emily's advice from your dorm. Make these men squirm.
"Glad to hear it," you mused, a playful edge to your tone, your fingers tightening their grip on his shoulders as he delicately drew you closer. "Wouldn't want the Italian playboy to be anything other than alright."
His grip tightened perceptibly, the sensation almost tangible as if his nails could breach the delicate fabric of your dress. The room plunged into a soft dimness, signaling the beginning of the slow dance. The shift in atmosphere was unexpected, enough to make you jump slightly. For a fleeting moment, you locked eyes with Mattheo, finding his gaze fixed on you, his hands scarcely making contact with his date.
Hastily looking away, Theo's voice reached your ear, dangerously close, "Italian playboy, hmm? Is that what they're calling me these days?"
"Don't act like you weren't already aware," you chuckled softly, the resonance carrying a hint of mischief. "Though, I must say, the rumors might be onto something."
Theo smirked, his voice a low murmur tinged with arrogance. "Well, uccellino, despite the rumors, I assure you I am a proper gentleman..."
A sharp intake of breath caught in your throat as his nails dug deeper into the fabric of your dress, compelling you closer as the two of you gracefully swayed to the music.
"How gentle you are, indeed," you mumbled, chewing your lip as you met his gaze, the two of you dangerously close together.
Theo's gaze deepened, his lean frame bending down as his lips brushed against your ear. "I may be a gentleman, Bella," he murmured, the words a seductive whisper. "...but if you keep looking at me like that--with those big eyes, biting on your goddamn lip...we might just be fucking on the nearest surface I find."
Oh, no. This was bad. Your response stammered out before you could even think to stop it, panic flickering in your eyes.
"I-I, excuse me," you stuttered, hastily breaking away from the dance just as the song was nearing its end. The abrupt departure carried a mix of flustered embarrassment and a desperate need to collect yourself.
Seeking refuge, you maneuvered toward the drink table nestled in the far corner of the room. The dim light and distant chatter provided a momentary escape as you began to slam back drinks, attempting to drown the intensity of the encounter with Theo.
As the remnants of a calm facade settled within, a subtle shift in the atmosphere stirred your senses. A tingling awareness compelled you to glance over your shoulder, only to find yourself ensnared in the dark, intoxicating depths of Mattheo's eyes. A strange yet undeniable wave of relief washed over you, despite the fact that he stood looming directly behind, adopting the guise of casualness while pretending to grab a drink.
"Mattheo," you breathed his name, the syllables escaping your lips like a breathless sin, a recognition of the forbidden allure that surrounded him. "What are you doing?"
Mattheo's breath, a tantalizing whisper, brushed against the nape of your neck, setting your nerves ablaze. "I can't stand the way he's touching you, Raven...I can't even stand the way he's fucking looking at you..."
Your lungs seemed to stall. "This was your idea, Matty..."
"I'm well aware," he hissed, the energy radiating from him palpable in the charged air. "Fuck, you look so fucking sexy...you are so goddamn beautiful, you know that?"
"I'm not sure I do..." your heart melted, a subtle heat pulsating through your thighs. "I think I need you to tell me again."
"You are so, so fucking beautiful..." he muttered, his voice a deep husk, strained with lust as it left his throat. "You are the most captivating girl in this entire fucking room...I can't stop staring at you...I can't stop needing you..." you gasped as his hand grazed over your ass, subtly, but a feeling you'd never miss. "What do you think you're fucking doing to me, hm?"
You nibbled on your bottom lip, the flush of blood coloring your face. "At this moment...nowhere bloody close to enough."
Mattheo's voice, saturated with desire, responded, "You're absolutely right, princess...and I can't wait to have you all to myself, as soon as this dumb fucking dance is over."
A soft hum escaped you as your lids fluttered, reveling in the warmth of Mattheo's body behind you. "Unless Nott gets to me first..."
As though a switch had been flipped, Mattheo's hand seized your wrist with a subtle yet undeniable warning, a silent caution against uttering anything remotely similar again.
"Don't even joke about that, Raven," he growled, the intensity in his voice cutting through the air. "I swear to Salazar himself, what I did to Berkshire will pale in comparison to what I'll do to Nott."
"So jealous, Matty..." you purred, smirking as he slowly released your wrist. You couldn't deny that his possessive tendencies did something to you, however fucking insane they were. "So angry..."
"You like that, don't you?...dirty little slut..." you could practically hear the smirk on his perfect fucking lips, your entire body vibrating with need. "Keep tempting me, princess...I'll bend you over this table, fuck you in front of the whole fucking school...I'll point my gun at Notts fucking head and make him watch, on his knees in front of you as I fuck you stupid...how does that sound for jealous, hm?"
Breath eluded you, the sheer intensity threatening your consciousness. "Godric, help you..."
"Sorry, Raven, but the only help from above that I believe in is a sniper on a rooftop..." Mattheo's voice, a deep, honeyed drawl, slipped from his lips. "And just so you're aware, I know eighty different ways to kill a man--and I can make an easy seventy nine of them look like a bloody accident...understand?"
"Fuck..." your mind struggled to form coherent thoughts. It had been days since his last touch, and the way he spoke now made you crave him more than the very air you breathed. "I don't think I do...I think I need you to tell me again..."
"I've never been a jealous man, Raven..." Mattheo's gaze swept the surroundings, ensuring no lingering gazes were watching. Satisfied, he shifted slightly, his lips now at your other ear. "I've never envied someone for what they have or who they're with, and yet, I'm damn jealous of every asshole you smile at, everyone you openly converse with...I've never fucking wanted something that I couldn't have, a girl I couldn't get...so this, all of this...is fucking maddening."
Your lungs seemed to stall, a momentary freeze as if he'd submerged you into the heart of a raging inferno. A surge of warmth flooded through every fiber of your being, an intoxicating heat.
"I need you," your voice murmured, the words dripping with a desperate longing. "I need you in every fucking way imaginable..."
"Mm," Mattheo hummed, the warmth of his touch tracing the curve of your hip. "Such a delightfully dirty mouth for a princess..."
Feigning innocence, you lifted your gaze to meet his, a coy smile gracing your lips. "Perhaps...but even princesses have their secret pleasures, don't they, Matty?"
For a moment--a fleeting, beautiful fucking moment--your eyes locked, and it was in that secret realm, where slight smirks played on each of your lips, and the tension was fucking so thick that you could hardly breathe--where you both knew you've found what the whole fucking world was still carelessly searching for.
And it was there, that you knew--no man, no job, no fucking career could ever make you feel as happy and needed and treasured as Mattheo Riddle did. In his own, crazy, fucked up way.
Mattheo blinked. "Meet me in the washroom in forty minutes.”
—————————
Chapter 26->
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ineffable-romantics · 8 months
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Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:
This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:
First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)
These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.
I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.
This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.
Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.
This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.
If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.
With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.
Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can
Food
Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).
This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.
Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.
(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)
Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.
The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.
And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.
It's What Humans Do
In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).
He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).
What the "humans do" that angels wouldn't understand is messy, physical forms of love.
But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.
Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?
Angels, Demons, & Asexuality
Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.
Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)
And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).
The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.
I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.
Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.
Except...
Brielzebub
We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.
For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.
And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).
Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.
Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.
Crowley & Aziraphale's Dissatisfaction
But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?
And it doesn't seem to be enough for either of them.
At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).
So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?
I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.
After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)
Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.
However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".
Someone should tell that to Aziraphale's face, then.
I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.
But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.
(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)
More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.
Aziraphale's Hedonism
Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.
It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.
Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.
Dancing
I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.
I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.
We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.
(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)
As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.
Love Languages
I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.
We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.
You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.
The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).
And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.
So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.
So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.
"You said 'trust me'" / "And you did"
Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.
First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")
(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)
More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.
Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.
The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).
Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.
Also also: "Aim for my mouth"? Come on.
The Birds & The Bees
Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.
Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.
Probably not important. Just thought it was worth mentioning.
The Kiss™ & Religious Trauma
The Kiss. Where to even begin?
This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.
Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.
It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.
Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.
Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.
So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.
I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.
What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.
All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.
(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)
Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).
Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.
In Conclusion
I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.
So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.
You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.
But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.
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Bonus feature: the very silly notes I made to myself that inspired this post
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nothorses · 2 months
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What do you think gay men are attracted to in men that they can’t be attracted to in women?
It can’t be anything about femininity or masculinity obviously. That’s both sexist, and cultural so can’t be what drives men-only attraction.
It can’t be anything about stated identity because someone could lie just as easily as they could tell the truth in such a statement, and it makes no sense because homosexuality and heterosexuality exists in other species with no stated identities. It’s not like other animals without gender are all pan.
Saying idk it’s the vibes or some indescribable trait men have that women can’t but “I can’t explain” is a nonanswer.
Soooooooo what is it? Or do you think any sexuality but bi/pan is just cultural performance or an identity rather than an inborn orientation?
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I think trying to find one perfect answer that applies universally is the critical mistake here. I mean, I am a gay man. I say this because as of yet, that's the clearest answer I have for myself personally; maybe there's a possibility I experience attraction to a woman at some point (maybe I already have???), but I don't really have clarity on that right now, and it doesn't serve me to shape or explain my identity around "maybe"s.
Trying to pinpoint exactly what it is that attracts me to other men, specifically, is also like... not that useful. I used to find myself really attracted to feminine men specifically; not feminine women, not masculine women, not masculine men, not androgynous anyone, but feminine men. Specifically, men who were feminine in a very particular, long-hair-certain-attitude kind of way.
Recently, I have found myself appreciating, more and more, a certain kind of masculine body type and gay masculinity that I was never really interested in before. I find it incredibly hot. A lot of that coincides with things I appreciate about my partner, too, and things I find myself appreciating more about my partner as time goes on- as well as things my partner expresses appreciation for about me!
And I haven't even touched on attraction to nonbinary folks here because, like, it's a massive spectrum. "Nonbinary" means something different for every individual nonbinary person. To my mind, of course there's a possibility I experience attraction to a nonbinary person; how they identity, present, and what attracts me to them are all even more impossible to know for certain than the "maybe"s and the "why"s around my attraction (or lack thereof) to men and women.
My relationship to my own orientation was vastly different pre-testosterone versus post-testosterone, too. I was much more reserved and uncomfortable with relationships and attraction before I started T, and the only dynamic I ever felt was even a little bit tolerable was one where I was the "masculine woman" in a lesbian relationship. I didn't realize until very shortly after starting T that, actually, I like men. A lot. I felt comfortable with my body and my masculinity in a way I never had been before, and I felt comfortable in relationships with men; I no longer felt like I was The Woman By Default in contrast.
And that's all just me! This is my personal, specific, individual relationship to attraction, and how gender- both others' and my own- factors into my relationship with orientation.
I don't think it's necessarily inborn, or completely unchanging for everyone. I also don't think the same factors apply for everyone. I think a lot of different things can be true for different people, all at once, and it's not really useful to try to pinpoint a specific, universal explanation for orientation.
Everyone has a different relationship to orientation and gender; everyone will be influenced differently by cultural factors, by their own ways of processing and understanding the world around them, by the ways different aspects of their culture, identity, personality, and inborn traits and how they all interact with one another, and sure, maybe even by biological factors and tendencies.
Trying to solve this puzzle for the entire world of diverse human beings isn't going to make it any easier to understand yourself. Focus on what this all means for you, personally, and accept that you will never, can never, fully and perfectly understand anyone else's internal world and workings. Things get a lot easier when you can let go of that & just appreciate the diversity of human experiences, y'know?
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