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cnox · 6 years

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Interview for Skaventhrone issue two. Copies on the way to Hollow Myths* soon!

S: You were recently featured on Never Stop the Madness - Black Metal Radio and had an impressive line-up of releases for the coming months. How has the exposure been?

C: Eve Skaventhrone, thanx much for this chance to further spin our web. Hails to NZ AC DS! We are psyched by the response from the NSTM - BM Radio Special and thankful to have been featured. This was a grand opportunity to get more airplay for our artists and tell a bit of what is to come from Hollow Myths*. We look forward to doing it again this winter.

S: A fellow conspirator has added that your release schedule for the year is quite evenly paced, what makes this different from your previous approach?

C: That may be a bit of misinformation because we will be like a bat out of hell yet again. Our upcoming releases have been stirring in the pot for some time, so we have had many moons to plot and plan. There will be unexpected surprises as we don’t tend to spell things out nor give away too much. So, please do keep watch. We have also put a new CD-R series into action in which we will be offering even more outsider music. And introducing new artists and their first works. We have a grip of sick releases in our trick bag already for this venture.

S: To talk about the name 'Hollow Myths'; A cynical person could read this as being lacking in substance, what are your feelings towards this?

C: When we say hollow, we mean a dark valley in the forest or hole in an old tree. Our workings should be considered as mythology or folklore that seeps and creeps out of the fog and cries out from the blackest of nights. We bring forth new legends and modern myths. “The Hollow Myth” is also a book I wrote long ago. We have shared some of this story and will be telling this tale over the years to come. The introduction came with the Bestiary Vol. One Compilation and Issue 1 of our zine is first in a series of character guides. Our antics are always subversive, so it should be obvious there is a hidden double meaning to our moniker, one-part existentialism and one-part absurdism.

S: Going back to releases; Your output last year was quite prolific and featured a wide gamut within the established DS scene; What do you look for in an artist?

C: Thank you for the fine words. We shall do the same this time around and then some. For us, it must be unique, sad and true. Unabashed, sinister and the synthesizer is key. We like to work with artists whom are free, patient and have a grasp on the big picture. Loyalty and trust is something we also look for in our creative working relationships.

S: Similarly, each of these releases has a very personalized approach. Is this something you find important to differentiate from other labels or distros?

C: We appreciate you taking notice and set out to do our own thing indeed. The music of our artists is so very personal, as it is to us, so we try and convey this with the presentation. The artwork, packaging and magical extras are all part of the experience we try to give. Sight, sound, smell and even touch. From the vintage cassettes, cases, paper, fabric and tie, to the natural accoutrements, candles, incense and wood - we want our releases to be something to have, hold and cherish. Nearly everything we create has been made by hand. There is art to hang on your wall, jewellery and badges to wear, talismans to take with you about your travels. In this, the music and ideas carry on with the you even when not listening but still in one’s heart and mind's eye.

S: I understand that yourself and your partner also have a project together. It's been described as a cutting of recording errors and artefacts from analog or older technologies.

C: Cristahel and I are Rowen. We make mythical electronic music and use analogue equipment. We record live with synths, drum machines, percussion as well as capture field recordings. We plug in, press record and play, do some mixing and then share these aural documents on our Plexus Station the evening of. We were lucky to have been picked up by Personnel Records, a division of the Black Metal label, Seedstock just after a couple of songs. They released our first demo “Ashen Spirit” on pro-tape and we are now composing a new album. An east coast wing of shows are in the talks for this summer and we are aiming on touring Europa this fall.

S: There seems to be a shift in the scene from those maintaining the traditional nostalgic approach to Dungeon Synth and those moving towards what could be considered a 'Ritual Ambience' in some cases with a stronger focus on minimalism and natural sounds; What are your thoughts to this?

C: We see it in three ways: originators, innovators and imitators. We lean more towards innovation. With experimentation comes inspiration and for us is the most interesting. Of course, we hail the founding fathers and tradition is to be respected. But, we want to hear something different and new. The ritual and ambient approach draws from magic which can manifest at the same time be happenstance. This is pure and exciting.

S: It certainly is, and it's great to see you're encouraging and creating a space for artists to do so.

C: We surely try.

S: In our search through the more historic artists on Hollow Myths, such as Apeiron, Depressive Silence, and Arthur, we get a feeling you've probably had an earlier connection with these composers. When did you first get involved with this area of the black metal underground, and these projects? And how did these interactions eventually lead to the creation of Hollow Myths?

C: In the 80's I was steeped in Heavy Metal music, having gone to countless stadium concerts for legendary acts such as Dio, W.A.S.P., etc., later to shows; Cro-Mags, Suicidal Tendencies, I could ramble on. In the early 90’s I went to a boarding school in the woods of New Hampshire and was cut off from T.V. and the goings on of counter culture. So, we made our own. Being up there, I sort of missed out on the first wave of Black Metal and The X-Files. In turn we took drugs, listened to a lot of Black Sabbath and N.W.O.B.H.M. and spent all our time in the trees. Though already a fan of Celtic Frost and much early Death Metal, it wasn’t until I came off that mountain and ended up back in the cities, did I discover some of what I had been missing. I was given a promo copy of the Gummo soundtrack and that crystalized things for me. Ever since then, I was hooked and dug as far as I could into the Black Metal and Dark Ambient Underground. I used to make a UG BM zine which led to many contacts with bands, labels, distros and made tons trades and orders along the way. Some mail correspondence comrades I have had for two decades now. I also had a dark electronic band and toured the world a few times which broadened my knowledge and network. One day it dawned on me to turn my passions and obsessions into my trade.

S: Dungeon Synth, and its surrounding genres, has a huge online presence through bandcamp, social media, and a large facebook group with over 3000 members, of which you're one of the admins. How has the online world affected the artists 'mystery' or even integrity, in your opinion? And is the responsibility of maintaining civility on the forums a burden at times?

C: I dislike speaking of the internet in printed zine interviews but understand this question cannot be ignored. There was rift a year or so ago that drove a wedge in the Dungeon Synth scene and I was made an admin of the main group to keep the peace as it were. And to save it from an impending doom that it is was facing as some sought to destroy the fortress wall that we had been building for so long. I have been manning it for the past couple of years and worked very hard to instill an ethic of friendship, honor and support. Drama, memes and off topic materials are not tolerated in the attempts to keep it focused and Dungeon - not a trash heap or place of trolls. I never intended to have this role, but it became a necessary evil. Our lands were being raided so, I stormed the castle and seized the kingdom for the preservation of all things DS. This being not unlike the mid-era BM scene where things got ugly, full of posers and rip-offs. But that’s another story. DS is now an entity of its own and I try to promote an atmosphere that is welcoming, and nurturing opposed to jaded sorts dictating how other artists and musicians should create. We are grateful to have a tight knit cast of active members with new folks everyday - things seem to carry on without any trouble. Any problems are just simply removed without much thought - forward march. As far as artists wanting to be anonymous, to each their own, I don’t see the need to hide.

S: As a collector, I'm sure you have many boxes of rarities hidden away from the public eye, what are some of your most prized and cherished?

C: This is true. Some things, I just don’t share and like to keep very close. All my collection is prized. I don’t do filler or bad condition. I obsess over the most obscure and often the overlooked and discarded. Not as much rare and pricey, rather merely special to me. Some of my favourites are looked down upon by most so, I won’t bother mentioning them here. I’m a stickler for collectability and keep it all mint. From limited 7”’s to etched and coloured LP’s, cult Cassettes to OOP CD’s. I also collect shirts, patches, badges, zines and have an extensive VHS library - mostly horror and sleaze. I am constantly buying, selling and trading. Out with the old in with the new. I only hold onto things I listen to, read, wear and watch over and over.

S: You mentioned a possible Europe tour, are there any particular destinations you're hoping to visit? Any artists you are planning to perform alongside?

C: We want to get back to Germany, then go to places we have yet to; the Scandinavian countries, all Eastern Europe and of course, New Zealand and Australia. We will play anywhere and everywhere though we will focus on night clubs, art galleries and uncommon venues. We also plan to do DJ sets, show our artwork, clothing line and spread our wings as Hollow Myths*. We hope to perform alongside old and new friends and intend to drag out some of our artists for these occasions.

S: We thank you for your time, and we're looking forward to the upcoming releases! Any parting words for our readers?

C: Art, music, nature, magic. Don't take any wooden nickels, don't play second fiddle, and don't roll over and play dead for anybody. Walk the endless corridor and shatter the Hollow Myth.

Thanx yet again. Dehails! - Canrith Knox of Rowen from Hollow Myths*

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celticnoise · 7 years

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There’s moment in the third season of the outstanding Boardwalk Empire which gives me the giggles every time I see it.

In the scene, a gangster named Gyp Rosetti has taken over a small town and is using it as base to smuggle alcohol and wage a war against Steve Buscemi’s Nucky Thompson. There is a minor Civil War memento in the town, a wide general’s hat owned by a famous commander. Rosetti admires it. Then, at the end of the episode, he strolls down to the beach where his men are taking delivery of a booze consignment … and he has the hat on.

Rosetti is a psychopath; we learn that early.

What this moment signifies, and what makes it hilarious, is that it’s the point where we realise he’s also bat-shit crazy.

It’s the moment where some of his men realise it too.

I felt a little bit like that this morning, watching Pedro Caixinha moving glasses around a table in an attempt to explain his tactics yesterday. That feeling only grew when I read his account of how he changed his team talk because he realised his players were scared. Scared of him? The idea makes me want to burst out laughing, not because he seems scary or that I find the idea ridiculous, but because a picture is emerging here of a guy who’s not quite right.

Six days a week training, anyone? Cutting the close-season short? Is there something wrong with a standard training regimen? Have teams suffered from a too-lengthy break in the summer? Does he really think he can elevate his sub-standard players by making them work until they drop? I’ve listened to this guy talk and it doesn’t take long to start forming the impression that he is absolutely barking mad.

Before Pittodrie he talked about it like he was going to war.

Did his team look ready for war yesterday? They were absolutely spineless.

The entire club is in locked in a waking nightmare. Darkness has fallen right across it. Their supporters have regressed into their old obsessions and “cultural norms.” Their boardroom is a dysfunctional shambles, run by a crook.

Their first team squad is sub-standard at best.

Their manager finished fifth in Qatar last season. In Qatar. Think on that for a moment.

Yesterday was a performance even Warburton would have been ashamed of.

It says a lot that Graeme Murty – who they couldn’t wait to replace – got more out of these guys for the visit to Celtic Park than this guy managed yesterday. That was a cup semi-final … with the added prize of halting our unbeaten run and wrecking the treble talk. There is a feel-good factor at Celtic Park that is part of what’s driving us forward; I’m not saying they would have ruined that yesterday had they won, but they would have removed the warm glow that’s over everything right now.

And they didn’t show up at all.

We owned the whole pitch. There was a seven minute spell when we played with ten men and passed the ball around like guys playing in the park on their holidays. Do their fans know what that means? There’s no desire in that team of theirs, no heart, no bottle, no ambition whatsoever and that permeates their whole club.

This is a club getting by. That’s all. They have no long term strategy or direction. They appear to have one goal; catching us, somehow, before we hit the ten titles. A smarter group of people on the board would focus on simply getting their house in order, and being the best club they can be in the short to medium term, and building up.

Not these people.

The stupidest thing they ever did was appropriated the name Rangers and grabbed the Survival Lie as hard as they could. Had they accepted they were a NewCo they might have the realistic expectations of one instead of trying to re-establish something that was, in itself, little more an illusion. Rangers was built on debt.

Trying to be that has made them desperate and when it becomes apparent to the men who offered him the job after a single interview – and ponder that for a moment too – that Caixinha is a guy a few sandwiches short of a loaf they will have to act and that will make matters worse.

They did no due diligence on this guy at all. That should tell you how well thought out the move is. The idea of appointing a Director of Football was put on hold almost as soon as they were telling the world that it was the way forward and essential to “the plan.”

A plan so subject to the fluctuations and palpitations in the stands ain’t no plan at all.

They are a club without leadership of any sort, whilst Celtic is now a well-oiled machine. We’re planning a bonanza strip launch in a few weeks to which the fans have been invited. They don’t even know, over there, if they’ll have one at all because they are still bickering with Sports Direct. When they can’t even get the simple stuff right, and look professional, then they can certainly forget trying to chart a course to overhauling us.

There is no sign of this ending. They are years from being able to compete with us. Years. The forlorn hope that Brendan would get tired of it all and head for England has already been dashed; he’s made it clear that he’s here for ten and perhaps beyond, not that it matters. There are other top managers out there and once we’ve re-established ourselves as a club to take seriously in Europe there will be no shortage of interest in the job he leaves behind.

Caixinha is a dreadful appointment, and it was suicidaly stupid of them to give such a guy a multi-year contract. But he’s a symptom of the wider malaise, the one that has Joe Garner, Joe Dodoo and Martyn Waghorn “competing” for a place in the team alongside a 37 year old Kenny Miller. The one that saw them sign a kid from Accrington Stanley about whom the best the media could say was that he might even be better than his dad.

His dad, Dean Windass.

And even that proved out of his reach, a step too great, shoes that were just too big to fill.

“Now he knows how Jordi Cruyff felt,” my mate said yesterday, to much hilarity.

This is the surreal level they are at now, where everything comes off a little farcical. I don’t know how they dig their way out of this. The one obvious move would be not to try, to settle for what they are for the moment, but there’s zero appetite for that confrontation with reality.

The pain that’s engulfing their support is entirely self-inflicted.

And there is no end to it in sight.

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