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#my metas
mikaelson-hope · 5 days
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chani saying she hates her name sihaya because it's part of the prophecy... the prophecy being planted/a means to control the fremen but also tragically and horrifically being real because chani's tear did bring paul back. paul saying he prefers chani to sihaya because he loves her for who she is and not anything to do with the prophecy. chani hating her name because it's the part of the prophecy that took away what she had with the real paul, before the water of life
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realidadposts · 10 months
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I love your headcanons. What's your favorite one about Nicky ? And/or your favorite character trait of him?
Oh my goodness, thank you!
Nicky Nicky Nicky 💕💕💕
My FAVORITE??? That's a tall order cause there are so many things I love about him. Luca did such a stellar job of taking this character who doesn't have as much screentime as some of the other characters and bringing him to life in the most subtle ways. (I have an entire meta about subtle face acting from him and Marwan lol which side note, is flagged for sexual content, and I was sitting here reading it like "what why?? This is just about facial expressions?" And then I got halfway through and went "oop- that'll do it 😅")
I wrote a meta about this back in the old days, but I think about it every time I rewatch the movie so I'm saying it again: I love that Nicky is fiercely physical with his love.
We certainly get to see Joe be more vocal about is love, (and it's a violent movie they all are physical lol) but every bit of Nicky's physicality and fight chreo is about protecting people.
He is constantly protecting those around him with his body (and to be fair, they all do this at some point. Perks of being immortal is that you can use your body as a shield) but Nicky just KEEPS doing it.
There's a subtle moment after Joe gets stabbed by Merrick where TO ME it looks like he's trying to get between Joe and Merrick. The guy holding back Nicky is like GRIPPING his shoulder.
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Nicky is constantly going from the front of the group to the rear and back again. Like he needs to be the first line of defense against wherever the most unknowns are.
He does it when they first exit the lab they were being held in. He's second out of the door, following Nile's lead, but then immediately covers the rear (after executing a completely unnecessary slide move that you can only see in behind the scenes footage and always makes me laugh.) to then turn around and cover everyone else as they exit.
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Then again when he takes the bullet for Andy, he's at the rear of the group with Joe, takes the bullet, and then runs through the ENTIRE group, while healing from said bullet, past the door they are going to go into (and presumably check that it's clear) to cover the other end of the hall. And look at that he's at the rear of the group again... Over the course of not even half a minute. Ping pong ball Nicky over here.
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When Joe and Nicky are fighting Keane after the explosion Nicky is fucking reckless with how he fights, and mostly cause Joe is kind of getting his ass kicked. 😅 He throws himself onto Keane not once but twice! Both times when Joe is about to get absolutely bodied.
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In a similar fashion, Nicky often acts like a battering ram, taking people down for Joe to take out just after him. (If you go back up to that behind the scenes gif of Nicky sliding you can see he does this there too. Shoots a guy in the knee who Joe then shoots in the head.)
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Idk if this was at all coherent because I'm writing this on my phone while watching a Tinkerbell movie with my daughter 😂 so I'm sure I'm missing so many more examples of it. But Nicky is often quiet with his words, but he is not quite with his actions and I love that about him!!
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bluethepineapple · 9 months
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Reconciling Kindness and Callousness: A Discussion on Hermione and Emotions
One of the aspects that people struggle a lot with when it comes to Hermione is how she deals with emotions. This is a struggle that I, personally, find to be fair because she is quite complex in this regard.
Hermione can analyze people's emotional states well and is often shown manipulating emotions to get what she wants. We can see this as early as Philosopher's Stone where she, for example, flatters Hagrid to get him to reveal more information about the Stone.
“Oh, come on, Hagrid, you might not want to tell us, but you do know, you know everything that goes on round here,” said Hermione in a warm, flattering voice. Hagrid’s beard twitched and they could tell he was smiling. “We only wondered who had done the guarding, really.” Hermione went on. “We wondered who Dumbledore had trusted enough to help him, apart from you.”
As the series goes on, we will find more and more examples of Hermione perceiving, analyzing, responding, and even using other people's emotions with great accuracy and sensitivity. Most notable perhaps is her explaining Cho's emotional state to Harry and Ron in OotP, but several smaller examples are littered all over the books like her being the first to notice Neville's distress in GoF, correctly reading Harry's feelings about the Goblet of Fire, and giving a similar analysis for Tonks in HBP among other.
For as many examples as we can give of her perceptiveness and sensitivity to emotions, it also cannot be denied that Hermione commits massive social blunders over the series, many of which are attributable to emotional stupidity or failing to read the room. Most notable perhaps is her reaction to the death of Lavender's bunny where she uses it as a jumping point to try and convince her of the bogusness of Divination. There are many other examples of course, ranging from her haranguing Harry and Ron early in PS, to her approach with the house-elves, to insisting Harry teach them DADA in OotP despite his obvious discomfort.
How does one then reconcile Hermione's great sensitivity to people's emotions with her just as great callousness, both being prominent and consistent aspects of her character all throughout the series.
To me the answer is three-fold.
First, Hermione is incredibly cerebral even when it comes to emotions.
It is worth noting that Hermione's assessments of people aren't actually instinctive or even very empathetic. Rather, they are often profiles she builds about people based on observation and inference.
Let us take a look at the way she dissects Cho's feelings for example:
“Well, obviously, she’s feeling very sad, because of Cedric dying. Then I expect she’s feeling confused because she liked Cedric and now she likes Harry, and she can’t work out who she likes best. Then she’ll be feeling guilty, thinking it’s an insult to Cedric’s memory to be kissing Harry at all, and she’ll be worrying about what everyone else might say about her if she starts going out with Harry. And she probably can’t work out what her feelings toward Harry are anyway, because he was the one who was with Cedric when Cedric died, so that’s all very mixed up and painful. Oh, and she’s afraid she’s going to be thrown off the Ravenclaw Quidditch team because she’s been flying so badly.”
Hermione says what Cho's feeling and then follows it up with the circumstances that might have created those feelings plus her evidence for them. She lays everything out in a clean and methodical manner very reminiscent to when she's lecturing the boys about some sort of fact in their missions.
While certainly not cold or emotionless, it does become readily apparent that Hermione processes the emotions of people around her the same way she processes most other forms of information. She "studies" people around her, and from there, builds a baseline of information against which she infers what they are feeling and decides how to respond accordingly. In many ways, people's emotions to her are information just like any other.
Secondly, as kind and as warm as Hermione is, she prioritizes problem-solving over caretaking and is amazing at compartmentalizing emotions away if that's what it takes to get things done.
The fact that she understands what someone else is going through does not always mean she prioritizes these feelings. As mentioned above, what she understands of other people's emotions is just another bit of information she holds - and how she uses these facts vary wildly depending on whichever problem she was trying to solve at the time. Whenever she makes a social blunder, it is almost always traceable to her needing to solve some problem first and insisting on solutions that require significant emotional costs from the people around her.
The most extreme version of this is probably her insisting that Ron focus on their mission right after Fred dies.
They seemed to be wrestling together, and for one mad second Harry thought that they were embracing again; then he saw that Hermione was trying to restrain Ron, to stop him running after Percy. “Listen to me—LISTEN RON!” “I wanna help—I wanna kill Death Eaters—” His face was contorted, smeared with dust and smoke, and he was shaking with rage and grief. “Ron, we’re the only ones who can end it! Please—Ron—we need the snake, we’ve got to kill the snake!” said Hermione. But Harry knew how Ron felt: Pursuing another Horcrux could not bring the satisfaction of revenge; he too wanted to fight, to punish them, the people who had killed Fred, and he wanted to find the other Weasleys, and above all make sure, make quite sure, that Ginny was not—but he could not permit that idea to form in his mind— “We will fight!” Hermione said. “We’ll have to, to reach the snake! But let’s not lose sight now of what we’re supposed to be d-doing! We’re the only ones who can end it!” She was crying too, and she wiped her face on her torn and singed sleeve as she spoke, but she took great heaving breaths to calm herself as, still keeping a tight hold on Ron, she turned to Harry. "You need to find out where Voldemort is, because he’ll have the snake with him, won’t he? Do it, Harry—look inside him!”
From the section I bolded, it is obvious that Hermione knows that Ron is grieving and that she too is feeling the horror of Fred's death as well. It is worth noting though that she doesn't actually spare any words to comfort Ron. She doesn't stop to talk him through his feelings - rather she is telling him over and over that their mission has to come first. They both watched Fred die, but her focus even now is seeing the mission through.
This leads us to the final aspect:
Hermione projects this ability to compartmentalize to the people around her, especially when she believes them to be working together.
It is noteworthy that not only did Hermione set her own emotions aside, she asked that Ron do so too. And when Ron finally calms down, she then asks Harry to go and look into Voldemort's head. Not only is she compartmentalizing her own emotions away, she expects both boys to do so too.
Once more, there are many smaller instances like the above that cropped up all over the series. The Lavender problem, her campaign with the house-elves, her insistence that Harry teaches them DADA, her many many arguments with Harry - all of these are traceable to her insistence on setting emotion aside to solve a problem.
Doing the right thing holds primacy over people's feelings - both her own and those of the people around her.
Conclusion:
Hermione is a sensitive individual who reads people's emotions well and has many times reacted with great kindness and empathy to distress. This ability to read emotions however happens in line with her very cerebral personality, and while she can be sweet and caring, when push comes to shove Hermione focuses on problem-solving. This oftens leads to a disregard for other people's feelings and a consistent streak of callousness.
All in all, I find Hermione's relationship with emotions to be utterly fascinating. It is complex and dynamic, something that we see grow with her over time. Her reactions and tendencies are not clear-cut nor easy to map. Not only does Hermione defy the false dichotomy of book intelligence versus emotional intelligence, both are integral in the way she processes and reacts to emotion.
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aziraphales-lawyer · 5 months
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Archangel Michael Changing Sides in s3 (?)
I don't have a whole lot to back this up but I've noticed that there isnt a whole lot of theories about Michael and Uriel—especially Michael since Michael *is* one of the most prominent Archangels alongside Gabriel Raphael, Uriel, etc. And they knew that! Basically appointing themself as Gabriel's unofficial replacement (and its safe to assume that Michael expected to be the official replacement once they find (and then fire) Gabriel. Even AZIRAPHALE knew that, saying "Michael" immediately after the Metatron asked him about who would be the next Supreme Archangel. It seems like everyone is aware of this hierarchy. And the Metatron is very very aware of this hierarchy, needless to say, the bitch does NOT care. The Metatron let Michael play leader for a while and even let them believe that they're the next Supreme Archangel.
That being said, what happens to Michael now?
By the time s2 ends, Michael STILL thinks that they're going to be the next Supreme Archangel!! The Metatron made all the angels (except Aziraphale and Muriel) go back to Heaven. Michael is unaware that they are, in fact, NOT the next Supreme Archangel - but rather the traitor angel who has gone 'native' and, as far as they're concerned, immune to Hellfire.
Michael is also considered a prince of heaven, much like Gabriel. They're considered Chief Prince and would be the one to supposedly lead all the angels to victory against evil in The End Times (this role sounds awfully familiar). But now their role seems to be taken by Aziraphale. (Oof). So it seems like they will either be Aziraphale's right hand like they were Gabriel's (unlikely – and I'll get more into that later), or (the only other option) defy the Metatron's plans.
They know Aziraphale is as much of a traitor as Gabriel (trying to stop Armageddon AND "Fraternizing" with a demon!! – and Michael is aware that Aziraphale did it first anyway!!!) So, the Metatron appointing Aziraphale? It Does Not Make Sense. So either they take Aziraphale being Supreme Archangel at face value or NOT. Which will probably start a small Arc of them questioning Her Plans.
Not that Michael is all-innocent, either. After all, they're the angel who has direct contact - not just to *Hell* but to the *Duke of Hell*. Regardless of whether or not Gabriel knew about this contact.
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Michael seems to be cautious, hiding it from the other angels despite their authority over them. They know they're not supposed to "fraternize" will Hell, yet they do. And this probably won't be the last time they do it! Michael already has one foot in the door, just needs a push to get them through. That being said,
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They also provided Hell with Holy Water and brought it down there themself. Now, regardless of whether this was an agreement between Heaven and Hell to trade Hellfire/Holy Water, it's still striking that it was Michael who brought it Down To Hell, seemingly not even bothered by the fact that they're surrounded by demons. Michael - who, in Christian belief - being the one who led the army of angels who cast down Satan and his army of rebellious angels into Hell. Michael basically waltzed into the teritory of Every Person Who Hates Them Ever and didn't give a fuck. This may be due to their trust of Heaven/Hell's truce to execute two beings. Though I doubt Michael WOULD trust the truce (again, Michael walked into the Michael Hate Club HQ). No, Michael is aware of their power over the situation of their power over the demons because they've done it before. Being around a legion of them doesn't scare Michael, and they're probably prepared to smite any demon who even tries their patience. They were only genuinely worried when Aziraphale (as Crowley) went into the bathtub unscathed. At that point, Michael realizes that they have power against every demon in Hell. Except One. Which brings me to the next point–
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I dont think Michael will play nice with Aziraphale being the next Supreme Archangel. And neither will Aziraphale to Michael. To put it in a parallel (kind of), Aziraphale probably hates Michael as much as Crowley hates Gabriel. Beelzebub may have put Crowley in trial, but it was Michael who personally brought down the Holy Water. Maybe Aziraphale expected something horrible from the demons ("You're The Bad Guys") but Michael? "Archangel Michael?"//"I made Michael miracle me a towel", no, Aziraphale is just as pissed, and I believe he's playing it down like Crowley. Aziraphale was surprised it was even Michael at all, not the Holy Water, the fact that The Archangel brought it down themself for the destruction of his beloved demon. (Ineffable Idiots is a separate post, honestly). And now they're supposed to work together to bring about the Second Coming while Aziraphale just took the Major Role that Michael would have played in it? That doesn't sound like they'd work well together – that's why, I think, they wont.
And here's more things to consider:
(Images via @noneorother )
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In the image– Composition is very important! But guess what- Michael is not just NOT WITH THE OTHER ANGELS but also ISOLATED on the OTHER SIDE! Their body is facing away from the other angels but towards Shax (who is now Duke of Hell by the time s3 rolls around, I suppose???) Which we know Michael has contact to (or knows how to contact). Theyre also facing the same direction as Gabriel, now if that means much – and this is a shot about as long as the Bentley/Aziraphale body swap theory – but the Va Va Voom Yellow paint was something they weren't even expecting people to notice so I'm taking this opportunity anyway!
Anyway, like I said earlier, Michael already works with demons and has been since s1. They obviously know how to access "back channels". With their dispute with Aziraphale, questioning why the Metatron appointed him of all angels– well, Michael has more than enough (albeit, selfish) reasons to do it again. (Sometimes a selfish reason is enough, worked with Gabriel after all) I wouldn't know what their plan would be but all their motives to do so are already spelled out for us.
And as a cherry on top
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On the next image, its pretty easy to see how the character/backgrounds are tilted. Most of them "line up" with their respective backgrounds-except for- you guessed it. Michael. (And I think Saraquel too?) BUT while the angels are tilting one way - a different direction than the rest of the gang - Michael's tilt is the same direction as the rest of them even though their background is tilting another way (like Uriel's). This can either be read as changing sides despite their percieved respective side - OR - they are playing both sides, or will be.
Either way, I don't think Michael will continue to play with the Metatron's games after the Metatron took away their biggest role in The End Times and gave it to Heaven's most notorious traitor.
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queerolddad · 6 months
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S1 Ep1 if Hannibal, Aperitif, does a spectacular job highlighting the ways in which Hannibal and Will are dark reflections of one another concerning their empathy — or lack thereof — towards humans versus animals.
When we are initially introduced to Will, he seems distant if not blatantly standoffish, verging on rude in his conversation with jack.
He is not endeared to us right away, initially put off by his rejection of conventional societal norms
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This is then immediately challenged by the scene of Will rescuing Winston. He shows an innate gentleness and extensive patience in building trust with the dog and easily accepting him into his life.
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For Will, dogs are the antithesis of people. They are simple and straightforward, easily accepting any act of love and affection and eager to return the favor with loyalty and trust without ulterior motives.
Enter Hannibal.
We are introduced to Hannibal immediately after Will asserts that this serial killer is eating his victims. Will goes on to say that this killer sees these girls as merely pigs, nothing more than ingredients for his dinner parties.
We know from jump that Hannibal is a killer and a cannibal, but it is jarring when we’re told he’s violent and without empathy, only to be shown his methodical care and love when it comes to preparing his meals.
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A soft and romantic piece of music plays in the background, mirroring the soundtrack during the scene with Will and Winston. We are being introduced to these characters both from within and without, a unique perspective one does not expect from media surrounding a notorious killer and cannibal.
They are both outcasts or society in their own ways with Hannibal slightly better at adapting with his “person suit” than Will. They both have deep wells of empathy, but they are different than most. They do not connect to other people and instead find other ways of expressing empathy.
Empathy does not equal kindness or compassion, it is merely an understanding of the motives and feelings of others. It does not imply that one feels or interprets these feelings in the same way, only that they are able to receive and reflect them.
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They can only understand each other, each acting as the foil for the other. Hannibal nurtures the dark side of Will’s empathy while Will unknowingly coaxes out a possessive and devoted side of Hannibal he has not experienced since Mischa. Their relationships with other are shallow, although for Will it is a constant search for connection while for Hannibal it is a deliberate manipulation tactic.
Hence why when in Mizumono when Alana asks Hannibal if she ever could have understood him, Hannibal almost sadly replies “no.”
We see them immediately connect with each other over a meal — Hannibal’s expression of love and connection alongside Will’s understanding of a beast enamored by its feeder. Will wants to be trapped, understood, fed. Hannibal wants to feed.
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sakuplumeria · 11 months
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Give me my feral Albert: Adoption
I’ve never realized that the adoption of William and Louis differs between the anime and manga. It felt like the anime filled the gaps—vague plots—in the manga, but the more I crosscheck, the more I found differences. Once again, the anime tamed my feral Albert. How so? Let’s have a closer look.
In the anime, the adoption of an orphan revolved around the Earl Moriarty. It showed that the Earl was cornered to foster an orphan.
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Duchess Pénières was a noble in a higher rank than Earl Moriarty. If he was questioned by the Duchess herself, in front of the society in the party, how could he say no? Though in this scenario, another question popped up in my mind: How come a noble such as the Duchess had the heart to foster an orphan, at that era where Albert despised literally everything in the world? Following the logic of the story, this was rather questionable. But then, it was an addition, anime only, background.
So let’s just continue. The conversation led the Earl to ask Albert to chose an orphan to bring home.
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It was the Earl who took the initiative to foster an orphan, rather than Albert, even though he was forced to do it. It seemed like the idea of taking William and Louis home came to Albert’s mind because the Earl asked him to. He wouldn’t dare to actually ask William and Louis otherwise. At least, with the sequence of the scenes in episode 2, I myself interpreted it that way.
And this very interpretation, was a contrary to the manga.
Interestingly, the adoption revolved heavily around Albert's mother and the original William in the manga. We firstly learn about the adoption from the countess, when she lashed out to our William.
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It didn’t say much yet, only that they were adopted, but noticed how full of hatred she was about our William calling her “Mother”. We get so much more about the adoption out of the original William.
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Okay so, there were no hints of the Earl making a move to adopt an orphan. So far, the fact that William and Louis were adopted was because of Albert. He was the only one having the “noble” mind to come up with something so bizarre like adopting orphans. Obviously not the original William himself or the countess, but also not the Earl. So where was the Earl in the manga? He showed up a little.
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We can see that the Earl was, like all other nobles at that time, hungry for a higher position in the system. He despised and avoid connections with people from the lower class. He based his actions as to whether it would benefit his position in nobility. He was not someone who would just agree to adopting an orphan from the lower class. So, the question now was: How did Albert actually manage his father to adopt not one, but two orphans from the lower class?
Two possible answers as of now.
First, as we’ve seen from the previous panel, Albert used the “noblesse oblige” to bring William and Louis home. He probably had a heated discussion with the Earl about it. I am leaning to think that the discussion was in private, because if the discussions were carried out with the whole family, can you imagine the countess’ reactions? Albert was clever enough to avoid something that will make his plan fail. However, discussing things only, wouldn’t make the Earl agree, I suppose. There must be something else…
My discussion with @hergan416 brought to light, the affair that the Earl was having. I don’t know how could I skip this fact, when it was explicitly there.
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Now, this was something we don’t get from the anime either. And where would this bring us to? Did Albert know? Oh, I believe Albert knew. I mean, even the original William knew…
In the past, Albert had won the negotiation for his weekly visits to the orphanage before. Oh I believe this brought dispute before, since the Earl has the responsibilities of his children’s actions. Words spread fast, and what would others say when they see Albert went to the slums every week? Even if it was for charity.
Adoption was much bigger than just visitations though, so I guess Albert had to use a trump card for this. The affair. Did he threaten to leak the affair? Because even if it was probably a common practice, but it would struck the Earl’s position if publicized. Did he ask cooperation from the mistress to smooth out his plan? Because if it could increase the probability even just a little… I honestly don’t know, but I would like to think both?
He had the brain. He had the power and access. He had won against his father once, so I’d like to believe he had the courage too. It was not as big as his desire to get rid of people. It was only to bring two people to his house. I believe he would give it all. After he made the offer to William. After he found his way of salvation.
In the end, we see the adoption happening. Whatever he did, he succeeded. Maybe he asked for William’s assistance, maybe not. Didn’t really matter. But as you can see once again, Albert was not the lame teenager who just did as he was told as the anime showed. He didn’t bring William and Louis home because the Earl asked him to. He pushed the agenda to his father. He was taking the initiative. This is the Albert I know.
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ingoodjesst · 1 year
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for himeno, on many levels, "it's a pain in the ass when your partner dies."
for a long time, she has stood still in her grief and trauma, even as life moves on around her.
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then she meets aki.
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after aki tells himeno about sticking gum on the woman who hit her, she stares wide-eyed at him; as she blinks, the stoplight in the background changes from red to green.
in the following pair of shots, aki explains that she shouldn't just sit back and take this treatment. the camera pans on his closeup but not hers; he's in motion, but not her.
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then it sinks in. aki's "easy revenge" has given her permission to stop cradling her pain for a moment, to care about herself, to move on just a little - it's given her permission to smile again.
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piracytheorist · 1 year
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Spy x Family masterpost
Reminder that I do not read the manga past what the anime has adapted. None of the posts here include manga spoilers, and I would ask of you to not tell me any such spoilers if you reblog them!
Posts are listed newest to oldest. You're welcome to reblog this post, but I will update it with new posts as I make them.
Tag for fanart (by other people)
Tag for meta (by me and other people)
The blog where I count each character's separate screentime per episode
Reactions/analyses of season 2 episodes
Fanfic
Crack recaps by me
Small Things I Spot, Headcanons & Theories (on different posts because tumblr won't allow more links)
Meta / Analysis
An analysis of leitmotifs in the anime soundtrack
Analysis of the scene in episode 9 where Twilight is testing Yor
Nightfall's hopes of awakening Twilight's heart
The Briar siblings' lies
The balance of dark topics and humor
Detail on the printed version of the manga
Loid complaining about Yuri being loud
The kindness surviving
The different voices of Twilight, Loid, and [redacted]
Yor remembering Loid's supportive words
Yor using melee weapons and being cautious with getting physically close with a friend
Loid focusing on Anya's mental well-being in episode 32
The narrative takes the side of peace, not of any country
The narrative forgiving characters being soft for their family
Yuri's reaction to Loid
Yor connecting with Olka's need for a peaceful life
Twilight taking Anya back home in episode 1
Twilight making Anya happy
Season 2 opening credits analysis (Part One - Part Two/Tea Time)
Yuri's jealousy
How the humor makes the story more human
(way more under the cut)
What Twilight's "I want to live" narrative can build on
Anya playing
The different levels of secrets kept, lying to themselves, and accepting their love for their family
Manga/anime comparison for the last scene of chapter/episode 1
Anya's reaction to saving Loid from the bomb
Twilight encouraging Anya to prioritize peace
Yor threatening the "secret police officer"
Thoughts on Nightfall
Damian Desmond, the bully and the victim
Loid's reactions to Swan's insults
Justice, Protection, and Kindness
The distance between what Twilight sees of himself and what Nightfall sees of him
Yor's guilt in using Loid
Bits from Episode 10/Chapter 16
Twilight appreciating Yor's strength
Twilight and relationships
Twilight and his denial
Henderson being biased towards Loid
Anya's fear of her powers being revealed
An analysis of how Yor sees Loid - and how that can collapse post-identity reveals
Trigger discipline and gun safety as shown in the manga and anime
Different opera depictions between manga and anime
Depiction of young [redacted] between manga and anime
Eden College's philosophy around family values
Loid's reaction to Yor's tasty dish
Yuri's extremism
Twilight's unprecedented honesty with Yor
And what the way he opened up to her says about him
Earlier thoughts on that (posted before the Very Disastrous Date episode aired)
Twilight's view on the spy job
Twilight donning the persona of the kind of person he despises
Twilight trying to woo Yor and why the kick in the chin was important to the narrative
Masks Off - every time we see Twilight rip off a mask he wears, and how it's shown in the narrative
A bit more on the masks (the post that inspired the meta above)
Sylvia talking to the students
Twilight's views on not being recognized
Yor acknowledging Loid's flaws
Thoughts on Loid fixing the penguin
Yuri idolizing Yor's cooking vs Loid accepting it without criticizing her
Nightfall and Twilight being in different wavelengths
Twilight's genuine smile
The honesty between Loid and Yor despite the lies
Twilight's perfectionism, but gratitude for others' successes
Earlier thoughts on that
Anya's powers within the narrative
Twilight feeling jealous of close connections
Misc thoughts
Ketchup messages
Thoughts on the family relationships
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mikaelson-hope · 19 days
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do you ever think about how (at least in the movies) leto is like chani and jessica is like paul? jessica has this destiny and obligation that she fights because she loves leto, who is genuinely a good man. and sometimes that destiny and her subsequent actions are morally wrong, at odds with leto's goodness. and in the same way, paul is chained to this destiny he can't escape, killing billions and doing evil because the water of life showed him he had to in order to keep his loved ones alive and keep humanity from going extinct.
and at his side is chani, who stays true and good through it all, but inexplicably loves paul, who has this evil destiny looming over him and changing him into this person he was so afraid to be
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realidadposts · 1 year
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zeroducks-2 · 4 months
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(Espero que se me sea entendible)
Que opinión tienes de que Eo haya dicho:
"because it's the only time you'll spend with me."
En vez de:
"because it's the only time I'll spend with you
Te entiendo sì :) Sorry my Spanish isn't good enough for a complete answer but I do understand it well enough.
So the reason why Eo says "It's the only time YOU will spend with me", and not "the only time I will spend with you", is because he does spend a lot of time with Barry even if Barry is normally not aware of it.
Eo follows him around, spies on him, literally stalks him day and night and keeps him under control, he does spend a lot of time with him. It doesn't work the other way around though! Barry doesn't know Eo is there (and even when he suspects it, they don't really interact), so he doesn't in fact spend time with Eobard in return. It's a one way thing in which Eobard watches and looks and observes but never acts, like when he came back from the however many years he was tortured in prison and started just following Barry around, watching him without ever interacting (Eo was being ridiculously shy about it, and the funny thing is that at that point, Barry would have likely been happy to see him and greeted him like an old friend).
Conversely, when Eobard is actively making his life impossible, Barry is forced to react to the things he's put through, therefore he will "spend time with him".
See, Eo has this distorted view of relationships in which spending time with a loved one means that the ONLY WAY he has to be noticed and get the other person to give him attention, is through breaking things. As a child he was ignored by his parents who locked him in a playpen and never even turned towards him, and the only way he had to get them to pay attention to him was to break expensive toys. That would get his father to finally notice his existence and beat him up, which hey, I'm sure it won't traumatize a small child at all!
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If you can go past the terrible art, this is what his life has been like for a good chunk of his childhood (then his parents genetically engineered another child and forced him to be his little brother's primary caretaker, while continuing to treat him like garbage).
And sure, now Eobard isn't a child anymore, but the 25th century is a bleak place and beside for the Flash comics he found refuge and comfort in, he didn't have any other guardian figure (or any friend really) who taught him how love even looks like. So, when Barry loses his entire shit in Running Scared, absorbs the Negative Speedforce and beats the everliving hell out of him, from Eobard's perspective he's still giving him attention! It worked, he broke "enough toys" to get Barry to spend time with him! ... In the sense that he was a menace for long enough and threatened Iris enough times, and it's interesting to me how in Running Scared he is so disoriented and so overpowered that he could do 200% more damage, but truly his only goal is getting Barry to spend time with him therefore he keeps said damage to a minimum.
He could have killed Ace, but he just tossed him around a bit. He could have killed Iris, and he barely even touched a hair on her head. He brought her to the 25th century after realizing that she didn't remember barely anything about him (unacceptable! One of the most important people in his life forgot shit about him!!), but beside scaring her, the whole RS arc ends with Iris sporting not even a bruise. The entirety of Running Scared could be summarized with "local time traveler gets brought back to life by his crush, is disoriented as fuck and in his need for attention makes a mess and gets himself killed again (by his other crush)". And in my strictly personal opinion, the reason why his antics look especially childish in Running Scared also comes from the fact that he's indeed extremely disoriented, both by the whole flashpoint paradox situation (he can't forget anything while everyone else has altered memories!), and by the fact that he literally just died and came back to life. Imagine the headache.
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bluethepineapple · 1 year
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Harry and Hermione: Balancing Acts, Effort, and Compromise
One of my favorite aspects of Harry and Hermione's dynamic is the way it is marked by conflict. @ashesandhackles' meta over here expands on the way Harry's relationship with conflict evolve over time. For my own piece however, I wish to focus on the nature of Harry and Hermione's conflict, especially, and the way they add nuance and complexity of their relationship.
Given that the height of their tension appears in Order of the Phoenix, I will focus my exploration on their dynamic in this book.
Hermione has Harry's number. She gets how he thinks, how he feels, and knows full well how he will react in any situation they come across. We see this in how she greeted him when they first meet in OotP.
"HARRY! Ron, he’s here, Harry’s here! We didn’t hear you arrive! Oh, how are you? Are you all right? Have you been furious with us? I bet you have, I know our letters were useless — but we couldn’t tell you anything, Dumbledore made us swear we wouldn’t, oh, we’ve got so much to tell you, and you’ve got to tell us..."
She knows full well that the silence will bother him. She understands that he would feel angry at the isolation and opens up their conversation with an apology and explanation.
This is an ongoing theme in OotP. The problem with Hermione is that as much as she understands how Harry's head is going, her position in whatever argument they are having is often diametrically opposite to his. And she doesn't know how to get him to see her side of the bargain.
Harry is itching to join the Order and fight, but Hermione understands (and agrees) with the need to keep them out of the loop. Harry doesn't feel qualified to teach DADA, but Hermione believes he can succeed. Harry doesn't want to share his experiences in the graveyard with anyone, feeling that what he had given should have been enough, but Hermione understands the curiosity and skepticism of everyone else and so pushes him to share anyway.
In OotP, Hermione is dealing with two separate and often conflicting agendas when it comes Harry. There is the war effort (eg. Umbridge, the DA, counter-propaganda) in which she recognizes Harry to be an extremely valuable resources, and there is Harry himself, her friend who is hurting deeply.
OotP is a balancing act for Hermione, and the problem in their relationship is that there is actually no way to balance both. Giving Harry the time and space he needs requires that she put her plans on hold. Her plans mean pretty much forcing Harry to do extremely painful things he would rather not do.
And so, failing to strike a balance that works, we see Hermione choose the war over Harry's well-being. It's not an easy choice though, and we see her try to be Harry's friend even if that friendship jeopardizes her painstaking plans.
We see this best in the Hog's Head. This chapter opens with Hermione's repeated assurance to Harry that these people just want to hear Harry's side.
We can therefore infer that her pitch to them was that they come to Hog's Head and Harry will tell them what they need to know.
"I’ve told you, they just want to hear what you’ve got to say,” said Hermione soothingly; but Harry continued to look at her so furiously that she added quickly, “You don’t have to do anything yet, I’ll speak to them first."
But the moment the meeting shifts, and these newcomers demand the story that was promised to them, Hermione backpedals hard.
"Zacharias Smith,” said the boy, “and I think we’ve got the right to know exactly what makes him say You-Know-Who’s back." “Look,” said Hermione, intervening swiftly, “that’s really not what this meeting was supposed to be about —"
She sees Harry's discomfort, and despite the success of the meeting hinging on his story, she tries to divert the attention away from him anyway. She's protecting him at the expense of her meeting.
But an interesting thing happens - stubborn Harry Potter CONCEDES.
“It’s okay, Hermione,” said Harry. It had just dawned upon him why there were so many people there. He felt that Hermione should have seen this coming. Some of these people — maybe even most of them — had turned up in the hope of hearing Harry’s story firsthand. “What makes me say You-Know-Who’s back?” he asked, looking Zacharias straight in the face. “I saw him. But Dumbledore told the whole school what happened last year, and if you didn’t believe him, you don’t believe me, and I’m not wasting an afternoon trying to convince anyone.”
He tells her it's okay and then proceeds to give up his stubborn reticence to support her. He compromises and tells them a version of the story he feels comfortable sharing with these strangers.
While understanding doesn't come easily to both of them, there is clear and concentrated effort from both parties to try. They listen to what the other person has to say. They freely voice their counter-arguments. They figure out compromises and accommodations that they can both live with.
We see this best even in what is arguably one of the biggest and most important fight between them: Sirius's rescue in OotP.
The interesting part here is that Hermione's approach is actually all wrong (at least at first). Her comment on his saving-people-thing has him becoming defensive. And upon seeing this, Hermione CHANGES track.
"I’m trying to say — Voldemort knows you, Harry! He took Ginny down into the Chamber of Secrets to lure you there, it’s the kind of thing he does, he knows you’re the — the sort of person who’d go to Sirius’s aid! What if he’s just trying to get you into the Department of Myst —"
She elaborates on her points, explains what she means in ways that not only Harry can understand, but also makes him feel less judged and attacked.
And it works - Harry understands. More importantly he LISTENS.
"But if this is a trick of V-Voldemort’s — Harry, we’ve got to check, we’ve got to —” “How?” Harry demanded. “How’re we going to check?"
Considering Harry's mindset here, it's actually quite impressive that Hermione managed to change his mind as much as she did. We can see here that he is in complete panic. He dismissed Ron and Ginny's protests outright. He is losing his head and wants to go charging ahead, Voldemort be damned.
But he listens to Hermione. He pays attention to what she has to say, and he does adjust his course of action according to her advice no matter how begrudgingly.
All of this is to say that Harry and Hermione's relationship is defined by compromise above all. It is a constant negotiation between the two of them, and this pattern persists all the way through HBP and DH.
Hermione insists that something dodgy is going on with the Potions book, so Harry let's her check it. Harry wants to stay in Grimmauld Place in DH, so Hermione goes with him. They both decide to go to Godric's Hollow, and while Hermione wants to focus on finding mission-relevant information, she looks for the Potter's graves too. Because that mattered to Harry.
What makes Harry and Hermione's relationship so compelling is how hard they try for each other. Their relationship only survives through a lot of effort on both sides. There is nothing instinctive or easy about the way communicate with each other. But they also love and respect each other enough that they willingly put in all the effort necessary to make it work between them.
From OotP onwards, Harry and Hermione stand as equals. They fight together, support each other, and it is only when they work together that they manage to see their missions through.
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akiizayoi4869 · 1 year
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Master Meta post (updating)
The Last Agni Kai
Azula's family does indeed owe her
Zuko at age 13 vs Azula at age 14
Azula fanfics that make her stand trial for war crimes
The most tragic character of the show is Aang, not Zuko
If Kuvira can be redeemed, so can Azula
The dumb letter in The Search
Zuko did not realize that Azula was abused
Zuko only asks Azula what's wrong with her one time in The Search
On the topic of Azula, Ozai, and Abuse
Zuko and Ozai in The Promise
The Search: a story about abuse, abuse apologism, and ableism
Smoke and Shadow: "Trust is for fools! Fear is the only reliable way!" On steroids
Stealing food: Suki Alone vs Smoke and Shadow
Comics! Zuko and Comics! Ursa don't care about Azula
Azula brought Zuko home with her because it's what Ursa would have wanted
Azula redemption circle jerk
Azula and Zuko in the Crystal Catacombs
Azula and Zuko in the first half of Book 3
Azula and Zuko headcanon
Zuko's fever dream
Ursa and Azula: "What is wrong with that child?"
Azula and Ursa: A complicated mother daughter relationship
Commentary from The Search and Smoke and Shadow
The Search commentary
Aang killing Ozai dies send a powerful message
"Azula should be blamed for everything wrong in Zuko's life"
Azula did not think that Zuko would join her in Ba Sing Se
Jet had every right to be suspicious of Zuko and Iroh
My thoughts on Uncle Iroh
Zuko and Mai in Nightmares and Daydreams
Mai and Zuko in The Beach
The Family Portrait
"I just asked if you were cold, not for your whole life story."
Aang hate in fandom
Azula in Nightmares and Daydreams
Who cares if Azula did bad things? She's not real.
Why Azula killing Aang does not mean that she is evil and irredeemable
The Invasion Plan
Zuko and Jin's date
Zuko apologizing to Iroh
Why Zuko's arc falls flat for me
Most horrific Mai and Ty Lee take I've ever heard
Zuko doesn't know what's wrong with Azula in The Search
"She was right, of course, but it still hurt."
Azula did not hold power over Zuko
The bedroom scene
Aang when Appa gets stolen
Zuko needs to forgive Azula in order to move on and let go of the anger and resentment that he has towards her
The Infamous Smirk
The Southern Air Temple
Azula is not irredeemable
Zuko's redemption arc deserved better writing
Unpopular opinion: Aang understood Katara's pain better than Zuko did
Azula in The Storm flashback
King Bumi
Original cover art for The Search
Zuko and Azula both get undeserved hate
Why doesn't Zuko's crew know about his scar
Azula is not a feral animal or a bumbling crazy person
Azula was abused in the asylum
Book 3 should not have been the last season
Azula saying "I am about to celebrate becoming an only child!" to Zuko is not abuse
Little Azula eating mochi
Gene Yang's favorite panel in The Search
Yang forgot all of the bad things Zuko did when he wrote the comics
Azula and the doll
Azula and the sandcastle
Azula in the spirit temple
"I think we should take they're precious hope, and they're land, and burn it all to the ground"
Azula and the mirror scene
Iroh not wanting to fight Ozai
Azula calling Zuko "Zuzu" is not abusive
"Dad's going to kill you."
Tumblr ask: "Why do you think that so much of the ATLA fandom just violently hates Aang?"
Tumblr ask: The WORST Azula take ever(probably)
The Fire Nation and genocide
New(?) Unpopular Takes
Tumblr ask: Would you mind explaining the mirror scene?
Azula is not an irredeemable spawn of Satan
Part 2 of Azula is not an irredeemable spawn of Satan
Azula and war crimes list from villains wiki
Ghost Azula AU idea
Why the theory that Azula brought Zuko home to use him as a scapegoat makes no sense
Azula defeated herself before her agni kai with Zuko happened
Kya and the Southern Raiders
Iroh encouraging the toxic sibling rivalry between Zuko and Azula
Suki Alone
Sokka's trauma
Zuko was a willing participant in the sibling rivalry between him and Azula
Iroh never told Zuko what the "correct way" was
Azula sketch
Stop downplaying Sokka
Azula the mochi thief: wanted dead or alive
DOBS Kataang kiss
Tumblr ask: Azula slept her way to the top🤮
Sokka training the children of the Southern Water Tribe
Azula and Zuko in the Lost Adventures comics
Azula did not force Mai to join her in Omashu
Atla fandumb thinks that Azula should not have told Ursa what she overheard that night
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kneebrac-ed · 1 year
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this post has had me thinking all day about ed going through the mortifying ordeal of being known because stede isn’t good at picking up innuendo and ed isn’t equipped to express his wants. stede takes innuendo sincerely (and ed doesn’t have the heart to correct him), is delighted to learn but not necessarily to apply, and is so painfully open about communication that it makes ed’s brain melt. in his experience things just happen, rough and tumble, sometimes good sometimes not. but stede won’t settle for vague fade to black implications. he likes to say/do/explain/ask so directly, so adoringly. and sometimes ed wants to die rather than find words for things he can just ask for and they will happen
(which is such a soft dom stede thing. the way he’s gently, almost incidentally forceful in saying ‘slow down, stop, we’re not doing anything until you can say it. you’re going to sit there and tell me’. inescapable demand but so kind and eager about it and there’s so much reward, ultimately. but if ed doesn’t want to throw a tantrum/sink into the floor/fight an unwanted emotion first
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rev3rb · 2 years
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How Kakyoin vs T. D’arby Supports Kakyoin’s Backstory
Given that this arc is over 30 years old now, I wouldn’t be surprised if someone has said this before, but this is something I haven’t been able to stop thinking about.
So let me start off by saying that I actually personally hate that Kakyoin lost the fight vs Terrence T. D’arby. The loss by itself already felt cheap. When you take into account that Kakyoin just rejoined the group after being severely injured and proceeds to die shortly after this, then it makes it all the worse. I get the meta reasons behind why Kakyoin lost, but Kakyoin had nothing go right for him (unless you wanna count figuring out The World) for the entirety of the Crusaders’ time in Egypt and that sucks.
With that out of the way, let’s dive in.
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At the start of the race, T. D’arby uses Atum to help boost his car. As shown by Kakyoin’s commentary, not only is he familiar with this strategy, but he also knows approximately how much time it takes to pull off, which is why he doesn’t start trying to do it himself. What’s worth pointing out is that Kakyoin isn’t surprised by T. D’arby using his stand here but that T’Darby is applying this strategy in the first place.
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This is likely because Kakyoin is shown to be as accustomed to using his stand while playing F-Mega as T. D’arby. In fact, I would argue he’s even more accustomed to it as this is a very strange move that is implied to only work with stands. After all, the two times we see it, it’s Heirophant Green doing it, not Kakyoin himself. It should be safe to then conclude that Kakyoin truly is surprised by the application of the strategy itself more so than anything T. D’arby is doing physically.
So, this begs the question, if Kakyoin knew about this strategy and is accustomed to using his stand while playing video games, why didn’t he immediately start mashing the gas button with Hierophant Green himself? It’s not like he can really afford to lose this game. We’re just going to ignore that he does and things turn out fine regardless for the moment.
The answer is simple.
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Kakyoin never had any friends growing up. He wasn’t interested in other people, which means it’s highly likely that anything he did in his leisurely time was done alone/with only Hierophant Green. He has likely never played F-Mega with another person. Possibly, he’s played with a family member that decided to humor him, but it’s pretty safe to say that most of his experience with the game comes from playing against bots.
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On top of that, it’s important to establish that Kakyoin is incredibly good at and familiar with F-Mega. It’s a sentiment further backed by pretty much everything Kakyoin does/commentates on in this arc.
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I don’t know if you’ve ever played a game to the point where you start memorizing events and maneuvers down to the exact second as Kakyoin has, but as someone who has (not nearly to that level but close enough), I can tell you that you start self imposing handicaps to keep the game fun. This is especially true in a game as arguably repetitive as a racing game where the bots can stop being a challenge after a while. Purposefully putting yourself at a disadvantage vs the bots is a great and easy way to keep the game feeling fresh. Not using the starting boost is then one of the simplest handicaps you can give yourself.
“But wait,” I hear you asking, “you said yourself that Kakyoin can’t afford to lose, so why is he purposefully putting himself at a disadvantage? His background shouldn’t matter.” A good point. Especially since Kakyoin isn’t the kind of person to do that kind of thing.
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Joseph makes this clear. Yes, the DIO situation is a lot more dire than this one, but Kakyoin’s soul and Jotaro’s well being is still on the line here. There’s no real room for anything beyond trying your best. So the answer?
Habit. Again, he’s just not used to playing with other people. Maybe he’s played with someone who was willing to humor him before like I said earlier, but they likely didn’t have much skill so even if they knew about and used the boost, Kakyoin wouldn't have to try that hard to win. Between that and simply underestimating T. D’arby’s skill/knowledge, Kakyoin likely didn’t even think about using the starting boost. He’s probably never needed to use it himself to win. When you get used to purposefully not using an advantage, sometimes you momentarily forget it even exists in the first place until you see it being used.
And it’s not like Kakyoin doesn’t have a plan to deal with putting himself at an initial disadvantage.
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Kakyoin’s spin move has to be incredibly practiced. Beyond having to know it’s even possible, something T. D’arby doesn’t seem to know until Kakyoin does it, it’s incredibly risky.
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Kakyoin can’t afford to fall off the track. If he had miscalculated it, he would have lost right there and then. If the move is so risky, it seems a little drastic for the beginning of the race, and Kakyoin isn’t one to take unnecessary risk. However,
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He’s well aware of his own limits and generally never over exerts himself. He wouldn’t risk pulling a move that could so easily lose him his soul if he wasn’t confident in his ability to pull it off. The fact that Kakyoin uses this spinning move twice supports his confidence in his ability to safely execute it.
Speaking of that second spinning maneuver, let’s talk about how that, and its failure to win Kakyoin the race, further showcases the idea that this arc perfectly supports Kakyoin’s friendless childhood.
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This is a solid plan, and against anyone other than T. D’arby, it probably would have worked. It certainly would have worked against even the highest level bot.
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Meanwhile, T. D’arby’s strategy is something that would only ever work against another person specifically. Not only do you have to get two cars through the tunnel, but you then need to have the proper power level discrepancy to be propelled to the other track. Not to mention that this all banks on the other player/bot deciding to hit you in such a way that propels you towards the other track. It’s highly unlikely you’re going to get two cars into that tunnel if one of them is a bot. You as the player would have to choose to enter the tunnel with a bot by driving on the wall as the bot is never going to do that itself. Sure, getting into the tunnel alongside a bot is possible, but if all that was highly unlikely, then getting a bot to not only not lose power in the tunnel but also knock you off the track at the right time has to be damn near impossible.
T. D’arby obviously knows this strategy is possible given the way he explains the situation here, which means he has to have done this before. Good luck getting this exact situation to happen with a bot not once, but enough times to know that this is a surefire strategy.
Quick aside. Given that I mentioned that Kakyoin’s spinning maneuver doesn’t seem to be something T. D’arby is familiar with, and therefore couldn’t have practiced against, I should point out that knocking cars off the track is something a car can do with simple bumping. You theoretically don’t need to spin like this to knock someone off the track. It should be even easier in this section of the race as, as we see in the beginning of the game, there are barriers in place that would make it difficult to fall off the track,
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while in this particular section, there is nothing to prevent you from going over the edge.
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In short, Kakyoin’s strategy relied solely on well established game mechanics and his own proven strategies that he could have figured out playing against anyone, be they bots or real people. T. D’arby’s strategy on the other hand relies so heavily on specific circumstances that he only could have ever figured this out by playing against someone else skilled enough to help him set up the situation. The only way Kakyoin could have learned of this strategy is if he played with other skilled players, and given his backstory, that would likely never happen.
It’s worth noting that Atum’s mind reading abilities wouldn’t have been useful in this situation either.
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It only seems to work when T. D’arby himself asks a question with only two answers. No questions were ever involved in this race, so T. D’arby would have had to rely solely on what he knows works within the game. It really was just T. D’arby setting up a situation where Kakyoin was damned if he did, damned if he didn’t using incredibly specific circumstances.
At the end of the day though? I still think it’s such an asspull that T. D’arby won this one and will forever be salty about it on Kakyoin’s behalf LOL
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