THE KNIFE // SILENT SHOUT
[SILENT SHOUT, 2006]
In a dream I lost my teeth again
Calling me woman and a half man
Yes, in a dream all my teeth fell out
A cracked smile and a silent shout
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Crime & The City Solution review for The Weekend Australian
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Fad Gadget for Sounds, April 1980
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Throbbing Gristle - Mutant TG - TG remixes
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The Normal - T.V.O.D. (1978)
Daniel Miller
from:
"T.V.O.D." / "Warm Leatherette"
(7" Single)
Electronic | Synth-Punk | Post-Punk
JukeHostUK
(left click = play)
(320kbps)
Personnel:
Daniel Miller: Vocals / Instrumentation
Produced by Daniel Miller
Recorded:
@ David Miller's Apartment
in London, England UK
Released
May 5, 1978
Mute Records ((UK)
Sire Records (US)
♪♪♪ ♪♪♪ ♪♪♪
Tell a Vision
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Ben Frost - Tritium Bath (Official Video)
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HAMBURGER LADY
THROBBING GRISTLE
[D.o.A THE THIRD AND FINAL REPORT, 1978]
Hamburger Lady
Hamburger Lady
She's okay if you change the tubes
Tubes in her legs, the tubes in her arms
She's okay...
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Yann Tiersen — 11 5 18 2 5 18.
2022 : Mute.
! acquire the album ★ attach a coffee !
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Meat Beat Manifesto - "Psyche-Out (Sex Skank Mix)"
Psyche-Out [Mute, 1990]
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see the stars..
they’re shining bright..
everything’s alright tonight..
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A Certain Ratio - All Comes Down to This - still rolling! New album out April 19
It All Comes Down to This, for now at least, is the sound of the current incarnation of A Certain Ratio. Indeed, in many senses, it is the purest distillation of their essential sound ever committed to tape. Their thirteenth studio album, it is the first time ever they have recorded strictly as the core trio of principle band members – multi-instrumentalists Jez Kerr, Martin Moscrop and Donald Johnson.
From the moment the rattling, call-to-arms drumroll intro of opener ‘All Comes Down to This’ gives in to a wall of slithering, watery guitar squawks and bounding, rubbery bass notes, it is obvious that A Certain Ratio have once again been able to tap into a new artery of life. The record’s ten tracks present ten distinct moods, from the urgent, muscular, foreboding groove of ‘Keep It Real’ to the open, breezy, melodic synth of ‘God Knows’, every bursting moment of It All Comes Down to This is defiantly, resiliently alive.
The essential difference between It All Comes Down to This and its immediate predecessors is that for this recording process, the band turned to the doyen of contemporary underground rock producers, Dan Carey (Black Midi, Kae Tempest, Black Country New Road).
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Biggest Mood Ever [Edit] (2022)
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