#museo nacional thyssen bornemisza

[oncanvas]

New York Street with Moon, Georgia O'Keeffe, 1925

Oil on canvas 122 x 77 cm (48.03 x 30.31 in.) Museo Nacional Thyssen-Bornemisza, Madrid, Spain

#art #painting #georgia o'keeffe #modern art #20th century #1920s #women artists #female artists #new york #new york city #oil #museo nacional thyssen bornemisza #american

[garadinervi]

Giorgio Morandi, Natura morta, (oil on canvas), 1948-1949 [Colección Carmen Thyssen, Museo Nacional Thyssen-Bornemisza, Madrid. © Giorgio Morandi / VEGAP, Madrid]

#art #drawing #mixed media #giorgio morandi #colección carmen thyssen #museo nacional thyssen bornemisza #1940s

[iamainhoa]

Ernst Ludwig Kirchner

Fränzi ante una silla tallada 1910 Óleo sobre lienzo. 71 x 49,5 cm Expresionismo

El estilo expresionista del grupo alemán Die Brücke, caracterizado por la simplificación formal y el uso arbitrario del color, encuentra uno de sus mejores ejemplos en el retrato de esta muchacha del barrio obrero de Friedrichstadt de Dresde.

Protagonista de varios retratos de Kirchner y otros artistas del grupo, Fränzi aparece sentada en una silla, cuyo respaldo tiene tallada una figura desnuda de mujer.

La joven nos mira desafiante con su rostro definido a base de gruesas pinceladas antinaturalistas de un intenso color verde, que contrastan con el carnoso tono de la silueta femenina que la enmarca.

La frontalidad con la que se presenta ante nosotros pone en evidencia la herencia de modelos pictóricos de Munch, Van Gogh y Gauguin, así como del arte primitivo..

📍Museo Nacional Thyssen-Bornemisza, Madrid

#arte #art #painting #paint #inspiration #fan art #iamainhoa #pintura #arteveryday #museo nacional thyssen bornemisza #starlight express #expressionism

[pikasus-artenews]

Lucian Freud. Nuevas perspectivas Lucian Freud si è dedicato in maniera quasi esclusiva alla rappresentazione del corpo umano e le sue opere sono carne e sangue.

#art #Museo Nacional Thyssen Bornemisza #Pikasus #Pikasus Arte News

[geritsel]

Francisco de Goya - El tío Paquete (Uncle Paquete), c. 1820.

#spanish painting #portrait painting #Museo Nacional Thyssen-Bornemisza

[pagansphinx]

Henry Manguin (French, 1874-1949) • The Prints • 1905 • Museo Nacional Thyssen-Bornemisza, Madrid

#Museo Nacional Thyssen-Bornemisza #art #painting #fine art #art history #19th & early 20th century art #henri manguin #french artist #french painter #fauvism #fauvist #women in paintings #paintings of women #art nude

[lescroniques]

El Thyssen estrena les videoguies en llengua de signes, que fan les obres més accessibles a les persones sordes

servimedia.es timeout.es El Museu Nacional Thyssen-Bornemisza ja ha posat a la disposició de totes les persones que ho requereixin les noves videoguies de llengua de signes, que abasten un itinerari que inclou 50 obres representatives de la col·lecció de la pinacoteca en un dispositiu portàtil multimèdia que integra llengua de signes i subtítols…[…] (servimedia.es)

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#Bankinter #Evelio Acevedo #Museo Nacional Thyssen-Bornemisza #Pedro Guerrero

[eirinstiva]

El azul de este cuadro es más especial de lo que piensas

​@Ter cree que si Caravaggio hubiese visto ‘Campesino catalán con guitarra’ de Joan Miró habría pensado que era ‘algún tipo de broma’. Y es que la idea de poder usar un simple tubo de pintura para conseguir un color cuando antes había que moler un mineral y mezclarlo con clara de huevo o aceite parece efectivamente... una broma. Pero no lo es. Descubre por qué el azul es un color mucho más especial de lo que pensamos gracias a las explicaciones siempre fascinantes de @Ter .

The blue of this painting is more special than you think @Ter believes that if Caravaggio had seen Miró’s Catalan Peasant with a Guitar he would have thought it was ‘some kind of joke’. Indeed, the idea of obtaining a colour straight out of a tube of paint when you used to have to grind a mineral and mix it with egg white or oil seems just that, a joke. But it isn’t. Discover why blue is a much more special colour than is thought with Ter’s ever-fascinating explanations.

#art #history #art history #arte #historia #historia del arte #museo nacional thyssen-bornemisza #Youtube

[nobrashfestivity]

Vincent van Gogh Evening Landscape 1885 Oil on canvas mounted on cardboard. 35 x 43 cm Museo Nacional Thyssen-Bornemisza, Madrid Inv. no. 788 (1966.8)

#vincent van gogh

[antonio-m]

“The Death of Hyacinthus”, c.1752 by Giovanni Battista Tiepolo (1696-1770). Italian painter. Museo Nacional Thyssen-Bornemisza, Madrid. oil on canvas

[ce-sac-contient]

František Kupka - Study for the Language of Verticals, 1911

Oil on canvas (78 x 63 cm)

Museo Nacional Thyssen-Bornemisza, Madrid

#František Kupka

[oncanvas]

Boats Moored on a Pond, John Henry Twachtman, circa 1890-1902

Oil on canvas 72.5 x 50 cm (28.54 x 19.69 in.) Museo Nacional Thyssen-Bornemisza, Madrid, Spain

#art #painting #john henry twachtman #impressionism #19th century #1890s #1900s #oil #american #museo nacional thyssen bornemisza

[ohsalome]

Ivan and Phoebe by Oksana Lutsyshyna

Ivan and Phoebe is a novel about a revolution of consciousness triggered by very different events, both global and personal. This is a book about the choices we make, even if we decide to just go with the flow of life. It is about cruelty, guilt, love, passion – about many things, and most importantly, about Ukraine of the recent past, despite or because of which it has become what it is today.

The story told in Oksana Lutsyshyna’s novel Ivan and Phoebe is set during a critical period – the 1990s. In the three decades that have passed since gaining independence, Ukraine has experienced many socio-political, economic, and cultural changes that have yet to be fully expressed. The Revolution of Dignity in 2014 marked a pivotal moment in the country’s history, as it signaled a shift towards European integration and a strong desire to distance itself from Moscow. Prior to this, Ukrainian culture had remained overshadowed by Russian influence, struggled to compete for an audience and was consequently constrained in exploring vital issues.

77 days of February. Living and dying in Ukraine

"77 Days," is a compelling anthology by contributors to Reporters, a Ukrainian platform for longform journalism. The book, published in English as both an e-book and an audiobook by Scribe Originals.

"77 Days'' offers a tapestry of styles and experiences from over a dozen contributors, making it a complex work to define. It includes narratives about those who stayed put as the Russians advanced, and the horror they encountered, like Zoya Kramchenko’s defiant "Kherson is Ukraine," Vira Kuryko’s somber "Ten Days in Chernihiv," and Inna Adruh’s wry "I Can’t Leave – I’ve Got Twenty Cats." The collection also explores the ordeal of fleeing, as in Kateryna Babkina’s stark "Surviving Teleportation '' and "There Were Four People There. Only the Mother Survived." 

It also highlights tales of Ukrainians who created safe havens amidst the turmoil, such as Olga Omelyanchuk’s "Hippo and the Team," about zookeepers safeguarding animals in an occupied private zoo near Kyiv, and one of Paplauskaite’s three pieces, "Les Kurbas Theater Military Hostel," depicting an historic Lviv theater turned shelter for the displaced, including the writer/editor herself.

In the Eye of the Storm. Modernism in Ukraine 1900’s – 1930’s

This book was inspired by the exhibition of the same name that took place in Madrid, at the Museo Nacional Thyssen-Bornemisza, and is currently at the Museum Ludwig, located in Cologne, Germany. 

Rather than being a traditional catalogue, the publishers and authors took a more ambitious approach. Rather than merely publishing several texts and works from the exhibition, they choose to showcase the history of the Ukrainian avant-garde in its entirety – from the first avant-garde exhibition in Kyiv to the eventual destruction of works and their relegation to the "special funds" of museums, where they were hidden from public view.

These texts explain Ukrainian context to those who may have just learned about the distinction between Ukrainian and Russian art. Those "similarities" are also a product of colonization. It was achieved not only through the physical elimination of artists or Russification – artists were also often forced to emigrate abroad for political or personal reasons. Under the totalitarian regime, discussing or remembering these artists was forbidden. Archives and cultural property were also destroyed or taken to Russia.

"The Yellow Butterfly" by Oleksandr Shatokhin 

"The Yellow Butterfly" is poised to become another prominent Ukrainian book on the themes of war and hope. It has been listed among the top 100 best picture books of 2023, according to the international art platform dPICTUS.

The book was crafted amidst the ongoing invasion. Oleksandr and his family witnessed columns of occupiers, destroyed buildings, and charred civilian cars. Shatokhin describes the book’s creation as a form of therapy, a way to cope with the horrors. "During this time my vision became clearer about what I wanted to create – a silent book about hope, victory, the transition from darkness to light, something symbolic," he explains.

Although "The Yellow Butterfly" is a wordless book, today its message resonates with readers across the globe.

A Crash Course in Molotov Cocktails by Halyna Kruk

A Crash Course in Molotov Cocktails is a bilingual poetry book (Ukrainian and English) about war, written between 2013 and 2022, based on Halyna’s experience as an author, volunteer, wife of a military man and witness to conflict. 

The Ukrainian-speaking audience is well-acquainted with Halyna Kruk – a poet, prose author and literature historian. Kruk is increasingly active on the international stage, with her poetry featured in numerous anthologies across various languages, including Italian, French, Swedish, Norwegian, Portuguese, Spanish, Polish, English, German, Lithuanian, Georgian and Vietnamese. 

For an English-speaking audience, her poetry unveils a realm of intense and delicate experiences, both in the midst of disaster and in the anticipation of it. The poems are succinct, direct, and highly specific, often depicting real-life events and individuals engaged in combat, mourning, and upholding their right to freedom.

#ukraine #ukrainian stuff #ukrainian literature #books #book recommendation #ukrainian culture

[iamainhoa]

Alfred Dehodencq

Danza Gitana en los Jardines del Alcázar, frente al Pabellón Carlos V, 1851 Óleo sobre lienzo 111,5 x 161,5cm Gitanismo

Hoy, 16 de noviembre,  se celebra el Día Internacional del Flamenco, fecha que busca recordar el día exacto en que la UNESCO, reconoció a la cultura andaluza como patrimonio de la humanidad.

Como conmemoración traigo esta preciosa pintura donde podemos ver representada una Cofradía en Procesión por la Calle Génova, Sevilla, esta obra es una escena animada de gitanos bailando flamenco afuera de uno de los pabellones árabes de los Reales Alcázares de Sevilla, conocido como el Pabellón de Carlos V, rodeado de naranjos. En medio del círculo, una gitana baila al son de los cantos, la música y las palmas de sus compañeros, quienes la espolean mientras contemplan sus movimientos.

El flamenco es un arte, donde se conjugan el cante, el toque y el baile de las diferentes culturas que convivieron en Andalucía en el siglo XV. Desde entonces su estilo único e historia se ha trasmitido de generación en generación de forma oral.

Tanto el toque, la letra como el baile, están cargados de emociones sinceras, palabras sencillas y una expresión apasionada de los sentimientos mas profundos del amante flamenco.

¡Feliz día internacional del Flamenco! <3

📍 Colección Carmen Thyssen-Bornemisza, Museo Carmen Thyssen Málaga

#iamainhoa #art #fan art #painting #paint #pintura #inspiration #arte #arteveryday #madrid #museo nacional thyssen bornemisza #art painting #painter #gitanismo #flamenco #andalucia #baile #gitana #paco de lucia

[shineemoon]

230731 choiminho_1209: 📸. (📍 Museo Nacional Thyssen-Bornemisza)

#SHINee #minho #choi minho #choiminho_1209

[mentaltimetraveller]

Lucian Freud

Reflection with Two Children (Self-Portrait) 1965 Oil on canvas. 91 x 91 cm Museo Nacional Thyssen-Bornemisza, Madrid

#Lucian Freud