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#muse lyrics
alfaire · 2 years
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⠀⠀🕸⠀♱⠀✰⠀⠀⠀are you the poison?
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⠀⠀⠀ׄ  ׅ ⠀⌑⠀⠀⠀are you the cure?⠀⠀⠀🧷🫀⠀࣪ ˖⠀✶
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tomsmusictaste · 8 months
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Muse // Supermassive Black Hole
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musicsavedmylife16 · 9 months
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Hopelessly, I’ll give you everything.
Endlessly // Muse
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JUST GIVE US YOUR C O M P L I A N C E
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systemplaylist · 1 year
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Map of the Problematique Muse - Black Holes and Revelations (2006)
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bear-t00th · 4 months
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We've got to throw this year away like a bad luck charm
I Am My Own Muse by Fall Out Boy
HearnxCore
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forged-in-kaoss · 1 month
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🦋Fights and battles have begun Revenge will surely come Your hard times are ahead 🌀
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unboundprompts · 4 months
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You don’t have to do this if you don’t know the music, but could you possibly do prompts based on Muse (the band) songs? If I’m requesting wrong I’ll send another ask, my apologies ^^;
Muse Prompts
➢ writing prompts from Muse songs. feel free to edit as you see fit.
"I thought I was a fool for no one but baby, I'm a fool for you." - Supermassive Black Hole
"You may be a sinner but your innocence is mine." - Undisclosed Desires
"You're something beautiful, a contradiction." - Time is Running Out
"Your mind is just a program and I'm the virus." - Psycho
"You'd see that we should never be afraid to die." - Uprising
"I will be chasing a starlight until the end of my life." - Starlight
"I've exposed your lies, baby." - Plug in Baby
"Give me your heart and your soul." - Hysteria
"You set my soul alight." - Supermassive Black Hole
"This ship is taking me far away. Far away from the memories of the people who care if I live or die." - Starlight
"I know you've suffered, but I don't want you to hide." - Undisclosed Desires
"I tried so hard to let you go but some kind of madness is swallowing me whole." - Madness
"I could use someone like you. Someone who'll kill on my command." - Psycho
"You and I must fight to survive. No one's gonna take me alive." - Knights of Cydonia
"I just wanted to hold you in my arms." - Starlight
"I want to reconcile the violence in your heart." - Undisclosed Desires
"I need to know, is this real love?" - Madness
"You will be the death of me." - Time is Running Out
"How can we win when fools can be kings?" - Knights of Cydonia
"Love. It will get you nowhere. You're on your own." - Psycho
"This chaos, it defies imagination." - Panic Station
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g4rdensofb4bylon · 5 months
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always the poet never the muse.
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rpcmusings · 1 month
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i'd rather die on my feet ,
then live on my knees .
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septemberkisses · 2 months
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Just stop your cryin', it'll be alright
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They told me that the end is near
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We gotta get away from here
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— Harry Styles from Sign of the Times
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mariathechosen1 · 10 months
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Digging too deep:
Philosophical obsession to the point of self destruction
[Image description: A collage consisting of 10 different photographs and quotes, all related to digging and holes. From top to bottom:
A wikipedia headline that says “Law of Holes”.
A close up of a shovel, digging into loose dirt.
An excerpt from a wikipedia article about the law of holes: The law of holes or the first law of holes, is an adage which states: "if you find yourself in a hole, stop digging." It is used as a metaphor, warning that when in an untenable position, it is best to stop making the situation worse.”
A lyrics excerpt from ‘The Song With Five Names’ by Will Wood: You can break a shovel when you break new ground / You dig dirt up when you dig deep down / You should know better than that by now / It's not profound to know that you could never know!
A blurry photograph of a dark rectangular hole in the ground, seemingly a grave. The hole is so dark the bottom of it isn’t visible. Besides the hole there is a pile of dirt.
A lyrics excerpt from ‘Hand Me My Shovel, I’m Going In!’ by Will Wood and The Tapeworms: Gotta get to the bottom of this/ Gotta get to the bottom of this / Gotta get to the bottom of this / Gotta gotta get, gotta gotta get, gotta get / Gotta get to the bottom of this / Gotta gotta get, gotta gotta get, gotta get / Gotta get to the bottom of this / Gotta gotta get, gotta gotta get, gotta get / Gotta get to the bottom of this / If it kills me
An excerpt from a wikipedia article about the law of holes: The second law of holes is commonly known as: "when you stop digging, you are still in a hole."
A photograph of a deep round hole. There’s a ladder going down into it and the bottom of the hole isn’t visible.
An excerpt from the transcript of episode 88 of The Magnus Archives: It was very strange. It was just the one word, solid capital letters in a small, neat typeface at the very centre of the page. It said ‘DIG’. I took that to be the title, and turned to the next page. ‘DIG’. Exactly the same. The third page. ‘DIG’. The fourth page. ‘DIG’. Dig, dig, dig, dig.
A lyrics excerpt from ‘Hand Me My Shovel, I’m Going In!’ by Will Wood and The Tapeworms: Looking down I could say heaven sent me / Hand me my shovel, I’m going in!
/end ID]
[‘Law of Holes’ - Wikipedia, ‘The Song with Five Names, a​.​k​.​a. Soapbox Tao, a​.​k​.​a. Checkmate Atheists! a​.​k​.​a. Neospace Government, a​.​k​.​a. You Can Never Know’ - Will Wood and the Tapeworms, ‘Hand Me My Shovel, I’m Going In!’ - Will Wood and the Tapeworms, MAG 88 ‘Dig’ - The Magnus Archives]
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forstardust · 8 months
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musicsavedmylife16 · 9 months
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And I will risk everything just to feel the warmth and the voltage of your skin.
Verona // Muse
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1989 - The story of two muses
Back to my first and forever love – Lyric analysis!
1989 is very close to my heart, and I have always found it noticeable that this album has quite a contrast between love songs about a very up and down/anxiety filled relationship on one hand, and the very raw and heartfelt romance as portrayed in ‘This Love’ and YAIL on the other.
And the 5 new vault songs we have on Taylor’s version now have added quite a bit of detail to the picture that emerges and I’m more convinced than ever that there are two distinct relationships/muses being described and I fancied doing a deep dive into how each one is described in the music and how the themes connect to other songs. (And it may even explain the beach theme 😉)
Ok, so, I have actually sorted every song from 1989 that is about a romantic relationship, including the 5 new vault tracks, into this scheme (even though I found some really hard!)
Muse 1 – “The heartbreaker” This relationship is described as very up and down, very anxiety-driven, something you can’t walk away from like an addiction, “against your better knowledge but can’t help myself” kind of way. Taylor has described this person as ‘the one that might one day interrupt your wedding, because you’re never truly over’.  Break up: ‘you left me’.
Muse 2 – “The one that came back” While this relationship is by no means described as perfect, it has a very different tone to it. It’s very much based in secure feelings, ‘us against the world’, any difficulty faced is worth it. Break up: ‘had to let it go’. And the person came back when it counted.
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(Sorry about the pictures, I couldn't fit a table in any other way)
I am really impressed with how much just five new songs have furthered the story of these two relationships and I (personally) love how much this is filling in the blanks and makes everything make so much more sense. 'You can hear it in the silence' vs 'Now your silence has me screaming' almost killed me, honestly. She really found the love that needs no words. 🥰 And the direct contrast of the metaphors, one relationship as an addiction with very high highs and very low lows, and the other as the calm waves on the shore that continually come in and out with the tide, is just so masterfully done, I love it. And I think given the beach theme of the 1989 TV covers, we can guess which of the muses is being honoured in this re-branding.
Lyrical connections to later albums
Perhaps not surprisingly, these two muses and their lyrical themes show up again in Taylor’s music in later albums. The connection I’ve already seen a lot of people make is the playing cards reference from Say Don’t Go (‘I’m trying to see the cards that you won’t show’) linking to Cornelia Street (‘back when we were card sharks, playing games’). And I love how this tells the story of someone whose previous relationship impacts how they react in a new relationship. Because the person in Say Don’t Go really did lead her on and played her and then left, whereas the Cornelia Street muse didn’t but Taylor thought as much based on her previous experience (‘I THOUGHT you were leading me on…but then you called, showed your hand…’).
Another parallel to Lover songs is the ‘light in the dark’ theme that starts in This Love with “lantern burning/ flickered in my mind for only you”, which feels very similar to “chandelier still flickering here” from Death by A Thousand Cuts. This relationship/lover is the light that perseveres in the dark, even if it’s just flickering, it never goes out. It lights up the darkness (‘glowing in the dark’), whereas the other relationship is a “shot in the darkest dark”. We obviously get a whole lot more songs in later albums that reference love as light in the darkness, most prominently in Daylight, the Lover album closer. But more subtly, I also think that “Takin’ your time in the tangerine neon light” from Slut, and “hang your head low in the glow of the vending machine” from Cruel Summer follow that same pattern. Something that illuminates the darkness. And just btw, Slut and Cruel Summer give me a very similar vibe in terms of different takes on the same situation…anyone else get that? But one last, maybe more subjective, connection is the line “I’ll pay the price, you won’t”. Which everyone immediately took as a comment on double standards between men and women, but I think it could also be interpreted to mean ‘I’ll happily pay the price and take the hit, so you don’t have to’, if you interpret the song to be about dating a man in public to keep a female partner out of the public eye.  With that in mind, the line becomes very reminiscent of ‘I can never give you peace’ from folklore, both expressing that Taylor wants to shield her lover from the media scrutiny that comes with dating her.  
Suburban Legends alone has so many links to later songs that I had to give it its own paragraph. The chorus ‘I didn’t come here to make friends’ is so ‘I don’t want you like a best friend’ coded, and ‘We were born to be suburban legends’ gives me big reputation/big conversation vibes. Other people have already pointed out that ‘flushed with the currency of cool’ draws links to Gold Rush and Gorgeous (‘You’re so cool it makes me hate you so much’) and ‘so magnetic it’s almost obnoxious’ is very similar to ‘magnetic force of a man’ from Lover. All painting the picture of a person who is so cool and alluring that they feel almost unattainable. The whole premise of the song being that the narrator didn’t come to make friends, but instead is on a mission to get what they want, feels very Mastermind to me. The background music over the outro confirms that, as it’s the same production as Mastermind (I call it ‘game show music’ 😊) and the lyrics saying that the muse now doesn’t knock anymore, suggests to me that maybe the masterplan has worked. Lastly, the conclusion of the song being ‘my life is ruined/I always knew it’ is a different way of saying I’ll happily ruin myself for you, as in ‘for you I’d ruin myself a million little times’ from Illicit Affairs.
We don’t get nearly as many references to the first muse’s themes in later music, but ‘fell from the pedestal, right down the rabbit hole” from Long Story Short is a nice drawback to the wonderland theme. Bottom line though, ‘It was the wrong guy…’.
And there we have it, the story of the two muses of 1989. If anybody here is even remotely as excited by lyrical analysis as I am, this one is for you, and feel free to have a friendly chat in the comments if I’ve missed anything!
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walkie-talkie static, white noise telepath,
can you read between the morse-code lines?
dead from the neck up, but living just enough
to beg you "pretty boy, please let me die".
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