just endlessly thinking about blue eye samurai.
thinking about how akemi, taigen, and mizu are if a coin had three sides or maybe just the two and mizu is the bridge of metal between them.
akemi being the ideal image for women, for the life they endure. she was simultaneously a princess, a prostitute, and a prisoner. her entire life was men making decisions for her, even the ones that had good intentions, and she believed her deepest desire was freedom. it still is, but she has been revealed to this heinous predicament of her gender, and she’s realized that to reach true freedom as a woman is to be the bird in the cage, to play nice and to earn the love of a man until he buys her a bigger cage and a bigger cage until he trusts her not to fly away. and it'll never be true freedom, but it will come with power. it'll come with the freedom of only one master rather than many.
taigen being the ideal image of a man. not all powerful, but not weak. he had a taste of what it'd be to succeed, and when it was taken from him, that easy success, he mistook it for his honor. he hunted mizu down to kill him, and instead he saved him. he saved him and saved him and he came closer to killing mizu when they were on the cliff's edge, and just when he gets to the point where he may actually fight mizu, he's tortured for information on him. he is tortured. Literally tortured within an inch of his life, enduring such a heinous violence, and he refuses to break. this man was a fight, was the torturer, and the victim of his torturing could've been his salvation from pain but he refused. mizu gave back taigen's honor but not by fighting him.
akemi wanted freedom and learned she would need power to have it.
taigen wanted power and learned that the violence that came with it was infinite and dishonorable.
and then there's mizu. mizu who wants revenge, wants acceptance. arguably the same things as them both. mizu wants acceptance, the freedom of living and the freedom to love and be loved. mizu wants revenge, which follows after violence and power, to get said acceptance. she thinks she must do both, have both, to live peacefully, and she's blatant about how she will not live without either.
she's given acceptance with the blacksmith, her "mother," her husband, but she sees the flecks of avoidance in it.
the blacksmith will not hear of her true gender. her "mother" will not acknowledge the crime of her birth. her husband can't find tolerance for the violence within her, the man of her.
and so she has to balance the woman and man of her, the ronin and the bride. taigen and akemi. and it's meeting mizu that they start to unravel their own identities.
mizu, who is both, and akemi and taigen who thought themselves one but turned out to be neither.
god.
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Speaking of how boss music with lyrics is a great way to add characterization, I'm reminded of my personal headcanon regarding Dragonsong's singer. Officially it's supposed to be Hydaelyn, but tbh it would make more sense (to me at least) for it to be Ratatoskr singing it, especially after going through Endwalker
Firstly, Ratatoskr was noted for being a singer. Several of her descendants are mentioned as succeeding her legacy in the same way (that one PvP mount). Secondly, the word choice within the song doesn't match up with another one that's sung from Hydaelyn's PoV: Answers. Where Answers has "my children," Dragonsong has "children of the land." It doesn't make as much sense for Hydaelyn to say something like that, but if we consider that the people who once dwelled in the Churning Mists were known as landlords, in comparison to the dragons being called skylords, it would make far more sense for it to be said by a dragon
Thirdly, it would have greater emotional impact for Dragonsong to be Ratatoskr's spirit lamenting this thousand-year war and wondering why mortals would do such a thing, why they would betray her so, than for it to be Hydaelyn doing so when she has a far greater understanding of mortals (compared to something as alien as a dragon). Especially given that Dragonsong is a track more closely associated with Nidhogg and Hraesvelgr, Ratatoskr's two closest siblings, than with Hydaelyn or even Midgardsormr. You hear a vocal-less version at Zenith, where Hraesvelgr lives, and the full version during the Final Steps of Faith, the culmination of the Dragonsong War and the final confrontation with Nidhogg. Midgardsormr, meanwhile, has his own personal theme (Primogenitor) and Hydaelyn is notably absent from most of HW's story
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Alright guys. You know what time of the year it is. The sun is shining, the temperatures are rising, the flowers are blooming and it's time to explore a magical forest with the daughter of a psychic, a rich history nerd, a polite dead guy, a dangerous dreamer and a lonely magician.
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