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#movie adaptation
sincericida · 1 day
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Andrew Garfield when he reads a script for a religious role or biopic:
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Now, I’m here thinking things about Andrew and Miles in the same movie...
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jjadmanii · 5 months
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film adaptations are all fun and games until ppl start watching the movie without reading the book,,then it just becomes the 10th circle of dante’s hell
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0wikipedia0 · 2 months
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Alright everyone, I NEED you to go watch the new live action avatar.
Because despite everything, and I never thought I’d say this, it was good.
Now, don’t expect it to be exactly like the cartoon, because unlike it’s source material it has a darker undertone (which makes sense given it’s a live action, and not a cartoon catered towards a younger audience) but other than that I think it’s a overall pretty great adaptation. It reorders and removes and changes things but nothing feels unnecessary for the shift in theme they made.
Needless to say, go into it with an open mind and not so cemented in the idea everything needs to stay the same. If everything was the same there would be no need for a live action. The only difference would be that you can see the actors and at that point just go watch the original again. The adaptation took the source material and molded it into something different, but definitely enjoyable, and with people set in hating it for frankly obstinate reasonings, it’s not going to get a season two. And that would be a travesty because I for one, am dying to see where they takes this.
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bobauthorman · 8 months
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Team RWBY and Jaune can no longer watch film versions of The Girl Who Fell Through The World, because every time the Curious Cat shows up-screen they either shoot, punch, or stab the TV set.
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cassandraxiv · 9 months
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Ok, rant because I just re-watched The Lion, The Witch and the Wardrobe for the first time in years, and with the knowledge of storywriting I've accumulated in the meantime, the movie really impresses me.
One thing that struck me was that I could see that the people who made the movie had read the other books in the Chronicles of Narnia series. The most obvious is professor Kirke's reaction (beautifully played by Jim Broadbent) to learning of the world inside the wardrobe. He doesn't react with curiosity, but with recognition. Because he knows where the wood for that wardrobe came from. Because he has been to that world. Because he witnessed the creation of that world.
There are other minor examples, like the fact that the Lamp Post only has one cross arm (the other was torn off by queen Jadis in The Magician's Nephew).
This is something that has hugely bothered me about several more recent adaptations of books that I love, such as Eragon or The Letter for the King, which were clearly made by people with little to no knowledge of other books in the series, and perhaps no expectation to further adapt the series. These two are the most egregious examples I can think of right now, as they are both adapted so poorly that their respective sequels are pretty much impossible to adapt as a result of plot points they have changed, characters they have left out, or characters they included but killed off even though they are extremely important to the sequels.
Rant over.
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bleachedduck · 6 months
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"You had a beautiful friendship. Maybe more than a friendship. And I envy you. In my place, most parents would hope the whole thing goes away, to pray that their sons land on their feet. But I am not such a parent. In your place, if there is pain, nurse it. And if there is a flame, don’t snuff it out. Don’t be brutal with it. We rip out so much of ourselves to be cured of things faster, that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to make yourself feel nothing so as not to feel anything ― what a waste!"
—Samuel Perlman on Call Me By Your Name, by André Aciman. (Picture from the movie adaptation by Luca Guadagnino).
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deadpoetsmusings · 1 year
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Catherine Called Birdy (2022) dir. Lena Dunham
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troythecatfish · 5 months
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youtube
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balu8 · 6 months
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Alan Davis
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sunsis · 7 months
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still waiting for the brown sisters trilogy by talia hibbert to get a movie or (preferably) series adaptation. so many books being adapted into film and none are by popular Black authors, especially the romance books that are the easiest to adapt without the pressure of turning them into a big franchise. there is a severe lack of adult romcoms for Black women but a huge market for it, it's so frustrating
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acemdzsfan · 6 months
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Me: Vibing with a movie adaptation I'm watching purely because it is inaccurate and barely recognizable from the plot of the books.
Movie: Slams the exact same ending as the books into the last part.
Me: "wtf? What was the point of setting up this whole world and plot like a fan fiction if you're just going to cram in the tragic ending? At least commit to the bit."
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songofthesuns · 3 months
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call me insane but atticus finch is honestly FINE 😭
genuinely had a crush on him when we read tkam back in like 10th grade
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Jennifer Jones as Emma Bovary in Madame Bovary (1949)
via deviantart.com
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arag0rn2931 · 8 months
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The Nice Guys (a love story) - part one
part 2
Julie Healy (replacement of Jackson Healy) beats people up for money. When her job leads her to P.I. Holland March, her relatively simple life turns into something more dangerous and messy. She ends up having to work with Holland in order to find a missing girl named Amelia. Together, they uncover a government conspiracy whilst slowly falling for each other along the way. This is basically the plot of the movie The Nice Guys but I've replaced Russell Crowe's character with a woman, changed the dialogue a little and made her a love interest to Ryan Gosling's character.
Warning!! Lots of fluff (not in this part though… she’s beating him up), pining from Holland, enemies to lovers tropes, and more…
This story can also be found on Wattpad: https://www.wattpad.com/story/348465727?utm_source=ios&utm_medium=link&utm_content=story_info&wp_page=story_details&wp_uname=cat_n0ir15&wp_originator=Q3ak6Nr2TwScSd1AF%2B0jeVcPp4VnqeK%2FFpG8h883%2ByZYGgU2PIxfNxKTA3u%2BJh01ac%2BkLHewo5ojbj06hTeBHh%2Fja2ZQ5QiF8Wa9pnTlj39KKAEKnk2wfWhkb8ga8dTF
*I don't own any of the characters or events that happen in the movie this is just an adaptation*
"Love. Wonderful, isn't it? The intimacy of being understood. I was in love once. But you can never be wise and be in love at the same time. Remember that.”
Julie woke up to the radio, the same thing she did every morning. She hadn't gotten much sleep but that wasn't an uncommon occurrence. Her watch sat on her bedside table which she picked up. She then put on her shoes. Usually she would sleep in her clothes because no one was around to tell her otherwise. It saved time. Time for what? She didn't know. Her flared jeans were tight on her body and they usually left marks along her stomach, but they were hidden by her jeans. Solve the problem by hiding the problem. The top she wore however looked a little off colour so she decided to wear a different, more colourful one, maybe dazzle her next target a little.
She made her way to the sink, got out her toothbrush and vigorously started brushing her teeth. Her fish tank sat close by and she went over to examine it as she brushed her teeth, sprinkling a bit of fish food inside. All her little fish bobbed their heads up and began eating the multicoloured specks of food on the surface.
"Equanimity," Julie said to herself, reading the 'Word of the Day' for October 26th. "The quality of being calm and even-tempered." She spat out her toothpaste then looked into the mirror as she spoke: "She accepted his betrayal with equanimity".
Julie grabbed her keys and her sunglasses then made her way out of the door, shimmying her long brown coat on as she switched the power off and closed the door behind her. She drove in her car to Holland March's house, her next target. Sunglasses on for this encounter. As she drove up to the house, she noticed a blonde girl around 13 years old counting her steps as she walked, pretending to open a door then sit down on the grass with a book that she began to read.
She pulled up to the house and got out of the car, surveying the area. It was a nice house, pretty big. The guy had a nice car too. She checked the paper Amelia had given her one last time to confirm she was definitely at the right house. An incident had occurred once where she beat up the wrong guy (7s and 1s look the same). After walking up to the door, she rang the doorbell and waited patiently. Sometimes she would get a little nervous before a job but today wasn't one of those days, she wanted to beat this guy up after seeing how scared he'd made that poor girl.
"Who is it?" Holland called from the other side of the door impatiently.
"Messenger service. Is Holland March home?" Julie responded.
Holland opened the door with a hint of annoyance in his eyes at being disturbed but that emotion was replaced by another as soon as his eyes landed on Julie. Damn it, Julie hated when they were attractive, it hurt her a little to damage pretty things. She moved her sunglasses to sit within her hair, her eyes surveying his with no barrier.
"And who might you be?" He leant against the doorframe with a smug little smirk on his face, his eyes slowly making their way up and down her figure. Never mind, Julie thought, this guy was an asshole. And with that she punched him hard in the face, making him stumble backwards. "What the fuck?" He muttered, then slammed himself against the wall and slid to the floor.
"Mr. March, we're gonna play a game." Julie picked him up by his arm aggressively. His bicep felt hard and strong against her hand. Not that she noticed.
"I think you have the wrong house," Holland gasped. Julie didn't like what he was suggesting with that comment so she chucked him across the room, sending him flying.
"It's called, 'Shut up unless you're me'," she kicked him which led to him being flung onto his back. He desperately tried to wriggle backwards away from her but a barricade soon blocked his progress.
"I love that game," Holland wheezed as he rested against the barricade. Julie took his wallet out of his jacket pocket that had come off him in the scuffle.
"You're a private investigator?"
"Look, there's 20 bucks in there, all right? Just take it."
"No, I'm not here for that. I told you, I'm a messenger," she said. She then made a point of looking around his house. "You can afford to live like this as a P.I.?"
"What's the message?" Holland asked angrily.
"Oh, right, right," Julie remembered, leaning down close to Holland's face, making direct eye contact. She cleared her throat. "Stop looking for Amelia, all right?" She smiled sarcastically as she poked his chest for each word, ending with a tap on his nose.
"I'm not even looking for Amelia. She's a person of interest, man," Holland responded with the air of a petulant child. "Fine. I'm done. Put a fork in me," he said, looking and gesturing to anything that wasn't Julie. He then realised what he'd just said. "Don't really put a fork in me," he pointed at her, resuming the direct eye contact. Julie lifted herself away from his eye line but his eyes followed her.
"Amelia is gonna be so happy that you got the message so quickly. It's gonna make her smile. That's good." Julie looked around the house again then back to Holland. "Now, ahem, I got one more thing I need to ask you before we're done here."
"You wanna know who hired me," Holland groaned.
"Bingo. Yeah," Julie smiled broadly, "Now we can do this the easy way or we can do it the hard way."
"Glenn."
"What?"
"Lily Glenn. Two N's. Old lady hired me to find her niece on Tuesday."
"You just gave up your client."
"I made a discretionary revelation," Holland said as he pulled himself up again.
"No. No, you just gave her up. I asked you one simple question. You gave me all the information... What little respect I had left for you is now gone," Julie rolled her eyes.
"I though that's what you wanted," Holland replied. He then quickly leant over the counter to grab a gun from the cookie pot but Julie had already noticed. She punched him before he could shoot her. He dropped to the floor and the gun left his hand.
"Now, I'm very sorry that you didn't get the message," Julie said as she leant against the counter looking down at a groaning Holland.
"Me too," he sniffed. "But I get it now. I get it. I dig it." However he obviously hadn't as he began determinedly army crawling across the floor toward his gun. Yet Julie managed to kick it away from him before he could grab it. "Shit!" Holland lay his head on the floor in defeat.
"What about now?" Julie lifted up his chin so that Holland was looking at her, "You get the message now?"
"Yep," Holland nodded vigorously whilst looking into Julie's dark, brown eyes. They looked unnervingly cold.
"Are you sure?" Julie asked him as one would ask a child.
"Yeah. I'm-" Holland began to say but Julie dropped his chin from her grasp and his head hit the floor, hard.
"Alright then," she brushed herself off as she stood up tall. She walked around his tense body that was still on the floor. "Give me your left arm."
"Huh?"
"Your left arm. Give me your left arm. This one," she grabbed his left arm but Holland began to struggle.
"No!" He struggled under her grasp.
"Yeah, come on," Julie managed to grab Holland's arm and pulled it back behind his body whilst Holland screamed many refusals. "Did you cut yourself?" She asked, an ironically worried expression on her face. The cut looked very deep.
"I'm dealing with an injury," Holland responded childishly.
"Right, look, when you're talking to your doctor, just tell him you have a spiral fracture of the left radius," Julie held his left arm firmly.
"No. NO!" Holland shouted.
"Deep breath," Julie said, then twisted. A satisfying crack followed. A not so satisfying shriek came after as Holland reacted to the damage. "Do you mind if I have an apple?" No reply. Julie took one anyway. "All right, Mr. March. You have a good day, okay?" She took a bite of her apple then left.
As she walked to her car, apple in hand she was stopped by the same blonde girl she'd seen acting strangely before she'd met Mr. March.
"Hi," she smiled at Julie, a bag of groceries in her hand.
"Hey," Julie responded as she opened her door.
"Want a Yoo-hoo?"
"A Yoo-hoo? Are you kidding?" Julie turned around, chucking her finished apple behind her. She looked into the bag and took out a Yoo-hoo. "Oh, yeah. You know, I haven't had one of these in about 20 years."
"Are you a friend of my dad's?" The blonde girl asked with a smile.
"Yeah, yeah... we're um-"
"He never has girls over," the girl said with a sly sort of expression.
"Oh no, sweetheart. Your dad and I, we're, uh, business associates. He's inside, resting..." Julie confirmed with a small smile which the girl returned sweetly. "Didn't I see you crawling round a vacant lot a couple of blocks over?"
"Um, maybe," the girl looked behind her, slightly awkwardly. "I read there sometimes."
"Right," Julie nodded. "Thanks again for the Yoo-hoo," she said as she got into her car. The girl smiled and walked towards her house, completely unaware of her fathers' agony on the other side of the door.
"Bye," the girl said.
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shyjusticewarrior · 20 days
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You know what about Catching Fire we don't talk about enough? How the movie made Effie's hair the wrong orange but left in the lines referencing it's brightness anyway.
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doyou000me · 2 months
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Adaptation Concerns
I found out about Love In The Big City through this book club, so the very first thing I knew about it was that it is going to be adapted into a movie and a series. Throughout my reading, one question has therefore been a constant presence in the back of my mind: how are they going to adapt this? 
Already after reading Part I, I had concerns and wrote in my notes that “This seems to be the part they'll make the movie adaptation of which raises the question of if they'll be able to keep it as raw and unfiltered or if they'll romanticise it.” This is after reading part I, before we got into the truly heavy stuff. 
When this week’s reading questions popped up, I realised that my concerns for how the adaptations will be done are clouding my expectations for both the movie and the series. Don’t get me wrong - I am very much looking forwards to seeing the movie and the series, to see how they handle the source material and to get to discuss it with you all, but when @bengiyo asks “What parts of the book are you most anticipating in the forthcoming adaptations?” I can’t think of anything. I can't think of a single thing, because what I am anticipating is disappointment. 
Now, maybe I’m just tired and cranky and pessimistic. Maybe I’ve just been let down by one BL series too many in the past few months. I am feeling like a party pooper, but after receiving an ask on the subject from @archiveofmystuff (and this is your answer to that ask, btw), I realised I’m not the only one thinking of these things. I am honestly concerned about how the movie and the series will handle the source material, and the more I think about it, the more concerned I get. The reasons are many, so let me break it down a bit, starting with a couple of things that concern both adaptations and then delving into the movie adaptation and the series adaptation separately.  
[putting the rest under the break because it's long and also spoilers]
Heavy (Taboo) Themes 
As we’ve discussed in several posts in the past few weeks, the book handles a lot of really heavy themes. There is homophobia, terminal illness, attempted suicide, stigma and discrimination and HIV - and that’s just me rattling off the first few things that come to mind. All of these topics are not just complicated, but also sensitive. Some of them have been handled in Korean series and movies before (terminal illness and suicide, for example), some have not. Not that I can claim to have complete knowledge of what happens in Korean series and movies, but I have never seen themes such as HIV and the stigma and discrimination around it. 
Would a mainstream Korean audience be ready for a movie/series depicting such themes? Coming from an outside perspective looking in, I do not think so. As we’ve discussed in part III (for example in this post by @stuffnonsenseandotherthings) many of these topics are still seen as taboo in Korea. I am therefore very concerned about how they’ll tackle these subjects in the adaptations - if they’ll tackle them at all. Korean series do not have a pristine past when it comes to representation of queer characters. Seeing that the author himself is the screenwriter for the series adaptation gives me some hope, but not enough to assuage my worries. They might make a fantastic job of it. They might make an honest attempt and fumble it. They might remove parts. I do not know, and all I can do is wait and watch the movie and series when they come out. But they are going to have to tread very carefully, and they are going to have to be very aware of what decisions they make in the adaptations. 
Mainstream Reception
How the movie and series are going to be received by the mainstream audience is another worry of mine. Especially because they (the producers, writers, directors, investors and everyone else involved in making these adaptations) have to be aware that, to some extent, these adaptations are going to be viewed by a larger mainstream audience. Why? First off, the source material is a prize-winning novel that has gained some attention. This alone could lead to a wider interest among the general audience. However, what really makes me think the movie and series adaptations are going to go mainstream is the choice of actors. 
The movie is headed by Kim Go Eun. She’s got several main roles under her belt, perhaps most notably in the incredibly popular series Goblin from 2016 but she has also been the leading actress of several major productions since. Long story short: she’s famous. In the movie adaptation she’ll be playing Jaehee. With her, she’ll have Steve Noh who’ll be playing “her gay best friend” and Kang Ha Neul (I haven’t found who Kang will be playing, but my assumption is that he’ll be Jaehee’s boyfriend). Neither Noh nor Kang are newbies, and they’ve both been in large productions before. 
The series seems to have Nam Yoon Su playing the main role of Young, and Nam isn’t a new face either. He gained recognition in the Korean series Extracurricular in 2020, and has since been busy. Alongside Nam there are several familiar faces, such as Lee Se Hee, Jin Ho Eun and Kwon Hyuk (who, interestingly, was also in the Korean BL series The New Employee). As with the movie adaptation, none of these actors and actresses are newbies - they are more or less known faces. 
My point? Adding known actors and actresses to a movie and/or series production is going to bring interest from a larger mainstream audience. This brings me back to the previous point about the heavy themes in the source material - will a mainstream audience be ready for a movie/series with such themes? Will actors and actresses of some level of fame be willing to put that fame on the line, with the risk that the movie/series could be badly received because of the general view of such taboo themes? Will the production be willing to take the risk, or will they cater to that mainstream audience and aim to create a more palatable product? Again, I don’t know. We’ll have to wait and see. 
The Movie Adaptation
The movie is going to be an adaptation based on part I with Jaehee, which initially seems like a wise choice. There’s a lot going on in the book, potentially too much to do it all justice in one movie, so to choose one part of the book seems like a good idea. The focus, however, concerns me. 
As mentioned above, Kim Go Eun who’ll be playing Jaehee in the movie adaptation is potentially the most famous person out of all the actors involved in these two adaptations. Kang Ha Neul who (I think) will play the husband-to-be is also quite famous, while Steve Noh appears to be slightly less so (please do contradict me if I’m wrong, this is based on my own impressions from watching series as well as the MyDramaList profiles). What does this tell me? The money and fame is invested into the straight characters of the story. 
And the synopsis? 
“The movie depicts the love and separation of the free-spirited young generation, the free-spirited Jae Hee and her gay best friend Heung Soo who share a house together.”
Am I just being picky, or is Jaehee introduced as the front and centre of the film? 
My concern here, based on the choice of actors and various synopsis that I’ve read, is that they’re going to straighten out the movie. They’re going to make Jaehee the main character, which is going to make for a heteronormative story with traditional values. My pessimism is telling me that we’re getting “lost young woman living with her gay friend (le gasp!) finally settles down with a proper young man and finds happiness in marriage”. Young (in the movie renamed Heung Soo, another clue that they’re going to be changing things) is going to get sidelined and left behind, and while that is the theme and tragic end of part I in the book, it’s going to be proof that the gays don’t deserve to be happy and in love in the movie. This, for me, would be the worst case scenario and all the alarm bells in my head are going off and I do hope I am wrong. 
Please, I beg, surprise me. 
The Series Adaptation 
As earlier mentioned, the series adaptation has the authors as the screenwriter, which is very promising! As mentioned above, the risks with famous actors and a mainstream audience applies here as well, but I want to address two additional concerns: genre expectations and narrative structure. 
Genre expectations I am curious to see how they’re going to market the series adaptation. Korea has been putting out more and more BL series lately, no doubt catching on to the success of Thai BL series the last few years and wanting to cash in on the popularity, so they might decide to market Love In The Big City the series as a BL, which would come with certain expectations from the audience. Regardless of the marketing, large parts of the audience will not have read the book before seeing the series, and there’s the risk that they’ll approach it as one would a normal BL series. That is, I suspect they’re going to expect romance, BL-style kisses/sex scenes and a happy ending. 
That is not Love In The Big City.
There is romance, yes, but it is tragic romance. It doesn’t work out. Young does not get to skip happily into the sunset with his partner - not to mention that there are several partners and failed relationships, which does not happen in the world of BL. And the sex? Most BL-fans will likely expect a sweet/passionate kiss, some will hope for an expertly composed bed scene of deep sighs and romantic lighting, intimate touches and blissed out expressions transitioning to some cuddling and pillow talk. Now, I’m not trying to throw shade, but that’s not how sex is depicted in the book. 
In the book? 
“We’d gone at it a little too hard - there was bleeding.” (134) 
Yeah. Not happening in your regular BL-series. 
As I thought already after reading part I, this book is unfiltered. It is raw. It is real. There is no romanticisation to be had. And I am worried that the production will choose to filter it to cater to the expectations of the audience, or the audience will react negatively to the rawness of it and reject it. Again, I hope I’m wrong. 
Narrative structure  Judging from this post that @my-rose-tinted-glasses put up, they’re going to cover the whole book in the series adaptation. As already mentioned, that’s a lot to cover, but this is a series and so they have more time to cover more ground. 
But the book is not written as one story, it is deliberately written in four parts that are connected but not structured as a single narrative. I have been reading it as parts of the author’s own life, or at least more or less inspired by the author’s own life. They’re bits of reality put on paper, written as looks into a life lived. While some editing and adding has surely been done, the parts are not structured with the clear narrative arc and conclusion that stories tend to have - because it’s not a fictional story. 
I think the book is better for it. I appreciate how real it is. But how will they carry it over into a series? Will they follow the book closely and let the eight episodes correspond to the four parts? Or will they weave it together into one cohesive story with a narrative beginning, middle and end? If they change it, it’ll be at the risk of losing some of the real rawness of the book. If they don’t change it, it’ll again risk alienating a large portion of the viewers. 
I obviously do not know what they’re going to do with these adaptations. With what I know of the audiences - both the larger mainstream audience in Korea and the more specific BL-invested audience - I think that large portions of the audience will be unable to appreciate Love In The Big City, so I believe that the production will choose to make changes in the adaptations. What those changes will be and what the final product will look like, only time will tell. In my worst moments, I've been convinced they're going to pick out the “good parts” and piece together a perfectly generic romance, offencive in its inoffensiveness, all smooth where the book is crinkled with the raw complexity of real experiences. As I’ve said before: I hope I’m wrong. 
Final thoughts lifted from my notes: 
I am equal parts overjoyed that they're really investing in these adaptations and worried that they'll scrub it clean. 
They're either going to create a generic romance that's not worthy of the name, or they're going to make history. 
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