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zegalba · 8 months
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Heiko Hellwig: Silicon Cities (2017)
Colorful Circuit Cities Built From Motherboards, Processors, and Microchips. Hellwig built these cityscapes last year using the guts of old MacBooks, IBMs, and even PlayStations that he scavenged from eBay and friends' basements.
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robotgendered · 9 months
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circuit boards with hidden messages stimboard X]
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53v3nfrn5 · 5 months
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Heiko Hellwig: Silicon Cities (2017)
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catfindr · 3 months
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powerlineangel · 4 months
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My walkman named ILOVEYOU2000’s insides if anyone cares…
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Vice surrenders
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I'm on tour with my new novel The Bezzle! Catch me TONIGHT in LA with Adam Conover at Vroman's, then on MONDAY in Seattle with Neal Stephenson, then Portland, Phoenix and more!
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Vice died the way it lived: being suckered in by smarter predators, even as it trained its own predatory instincts on those more credulous than its own supremely gullible leadership. RIP, we hardly knew ye.
For those of you who don't know, Vice was a Canadian media success story. It was founded by a motley clique of hipsters, one of whom – founder of the Proud Boys – has since grown to be one of the world's great fascism influencers. Another perfected the art of getting young people to work "for exposure" even as he built a massive, highly lucrative media empire on their free labor:
https://www.canadaland.com/podcast/vice-oral-history/
Eventually, Vice transitioned to a string of progressively worsening corporate owners, each more dishonest, predatory – and gullible – than the last. The company was one of the most enthusiastic marks for Facebook's infamous "pivot to video" – in which Mark Zuckerberg destroyed half the media industry by tricking them into thinking that the public was clamoring for video content, based on fraudulent viewing numbers:
https://en.wikipedia.org/wiki/Pivot_to_video
Vice went all-in on video, spending hundreds of millions to finance Zuckerberg's doomed attempt to conquer Youtube. But unlike other the rubes who got zucked, Vice found greater fools to scam, convincing giant, slow-moving meidia companies that the best way to get in on the Next Big Thing was to shower them with vast sums of string-free money:
https://en.wikipedia.org/wiki/Viceland_(Canadian_TV_channel)
And yet, at every turn, through a succession of increasingly incompetent owners who bought the stumbling, declining Vice at fire-sale prices and then proceeded to hack away at the wages and tools its journalists depended on while paying executives salaries so high that they beggared the imagination, Vice's reporters continued to turn out stellar material.
This went on literally until the last moment. The memorial posted by 404 Media rounds up a selection of major stories Vice's beleaguered, precarious writers produced even as Vice's vulture capitalist leadership were pulling the rug out from under them:
https://www.404media.co/behind-the-blog-vices-legacy-and-the-idea-that-the-internet-is-forever/
True to form, those private equity scumbags locked all those workers out of the company's CMS without notice – and then forgot to lock down the podcasting back-end. That allowed a group of Vice veterans – Matthew Gault, Emily Lipstein, Anna Merlan, Tim Marchman and Mack Lamoureux – to gather for a totally unauthorized, tell-all session that they pushed out on an official Vice channel:
https://www.youtube.com/watch?v=TKT4OtDEJRA
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It's a hell of a listen. Not only do these Vice veterans have lots of fascinating history to recount, but they also describe the conditions under which those blockbuster stories of Vice's final days were produced. As the "visionary leaders" of the company paid themselves millions, they halted payments to key suppliers, from Lexisnexis to the interview transcription service the writers depended on. Writers paid out of pocket to search PACER court records.
Not only did Vice's reporters do incredible work under terrible and worsening circumstances, but the Vice writers who got out ahead of the total collapse are also doing incredible work. 404 Media is a writer-owned investigative news publisher founded by four Vice escapees – Samantha Cole, Jason Koebler, Emanuel Maiberg and Joseph Cox, which is both producing incredible work and sustaining the writers who founded it:
https://www.404media.co/
All of which leads to an inescapable conclusion: whatever problems Vice had, they didn't include "writers don't do productive work" and also didn't include "that work isn't economically viable*. Whatever problems Vice had, they weren't problems with Vice's workers – it was a problem with Vice's bosses.
Which makes Vice's final, ignominious punishment at the hands of those bosses even more brutal, stupid and inexcusable. According to the leaked memos emanating from the company's investors and their millionaire C-suite toadies, the business's new strategy is abandoning their website in order to publish on social media.
This is…I mean, this,..
This is…
Wow.
I mean, wow.
The thing is, the social media business model is a giant rug-pull. They're not even bothering to hide their playbook anymore. For social media, the game is to encourage media companies to become reliant on third parties to reach their audiences. Once that reliance is established, the companies turn down – or even halt – the ability of those media companies to reach their audience altogether. Then, they charge the media companies to reach their audiences:
https://www.eff.org/deeplinks/2023/06/save-news-we-need-end-end-web
Now, this wasn't always quite so obvious. Back when Vice was falling for Facebook's "pivot to video," it wasn't completely obvious that the long con was to take your audience hostage and ransom them back to you. But deliberately organizing your business to be reliant on social media barons today? It's like trusting your money to Sam Bankman-Fried…in 2024.
If there was ever a moment when the obvious, catastrophic, imminent risk of trusting Big Tech intermediaries to sit between you and your customers or audience, it was now. This is not the moment to be "social first." This is the moment for POSSE (Post Own Site, Share Everywhere), a strategy that sees social media as a strategy for bringing readers to channels that you control:
https://pluralistic.net/2022/02/19/now-we-are-two/#two-much-posse
Predicting that a social media platform will rug the media companies that depend on it today doesn't take a Sun Tzu – as cunning strategies go, the hamfisted tactics of FB, Twitter and Tiktok make gambits like "Lucy and the football" look like von Clausewitz.
The most bonkers part of this strategy is that it's coming from private equity bosses, who laud themselves as the great strategists of the 21st century, whose claim on so much of our global capital and resources is derived from their brilliant insight, which allows them to buy "distressed assets" like Vice, "restructure" them to find "efficiencies" and sell them on.
The reality is that PE goons – like other financiers – are basically herding animals. Everyone's hit on the tactic of buying up beloved media companies – from the 150-year-old Popular Science to modern publications like CNet – and then filling them with spammy garbage in the hopes that Google will fail to notice and continue to award them pride-of-place on search results pages:
https://pluralistic.net/2024/02/21/im-feeling-unlucky/#not-up-to-the-task
The fact that these billionaire brain-geniuses can't figure out how to "turn around" a site whose workers a) produce brilliant, popular, successful work; and b) depart to found successful firms that commercialize that work tells you everything about their ability to spot "a good business opportunity."
PE – like other mafiosi – only have one business-plan, the "bust out," where you invade a business that produces useful things, force them to pay your chosen suppliers sky-high fees for things they don't need, extract massive fees for your "management" and then walk away from the collapse:
https://pluralistic.net/2023/06/02/plunderers/#farben
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/02/24/anti-posse/#when-you-absolutely-positively-dont-give-a-solitary-single-fuck
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never-obsolete · 7 months
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PC World - May 1997
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moecartoons · 3 months
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Cyberweek Day 3 - Magic
An excuse to draw Motherboard influenced by some hcs of mine. I see Cyberspace itself as a mixture of magic and science.
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blistexenthusiast · 18 days
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AZPR EvBoard
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alexologyart · 9 months
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MAQUINATIONS
Based on MotU: Revolution new character, Motherboard. I wanted to incorporate Entraota in the plot, and I had some ideas about that :)
Soon in INPRT and Redbubble
Full in patreon.com/alexology
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saccharine-dreamer · 3 months
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Schiaparelli 2024 Spring Couture Collection
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a-tohmic · 3 months
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Schiaparelli for Haute Couture SS24
Paris Fashion Show 2024
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53v3nfrn5 · 4 months
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SONY: PlayStation 2 Limited Edition ‘Ocean Blue’ Console (2002)
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fckyeahnetart · 3 months
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schiaparelli
haute couture ss24
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ape-apocalypse · 3 months
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Road To The Kingdom - My Planet Of The Apes Retrospective
With the hype for Kingdom Of The Planet Of The Apes on the rise, I decided to do a bit of a deep dive into the trilogy of reboot movies starring the incredible Andy Serkis and the various tie-in titles.
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Why ramble on about a series that most people seem to overlook? Well, I think back to an interaction I had here on Tumblr in 2017, just one week before War For The Planet Of The Apes came out. While scrolling through the POTA tags, I found a post that wondered if anyone was actually excited for the new film or if the studio hadn't gotten the message and was making it for an audience that didn't exist. I responded that I was genuinely excited for the new film, that I loved the motion capture apes and the action scenes and the surprisingly engaging story, and would be seeing it opening weekend. The other person seemed surprised by my honest answer and apologized for their snarkiness (a truly shocking turn of events in the history of the Internet!).
I explained that I'd gone into these films thinking of them like Jurassic World series; I wasn't there for a great story and deep writing, I just wanted to see dinosaurs destroy things. So when I went into the POTA films, just expecting to see fun action movies with monkey chaos and apocalyptic results, I was surprised that I was swept up in the characters and their stories. I loved seeing the life of Caesar from tiny carefree baby to resilient revolutionary to fearsome leader, and the lives of all the humans and apes around him. The other poster said they hadn't actually seen the movies, just expected them to be shallow cash-grabs on reboot nostalgia, but they might have to reconsider giving them a shot after my enthusiastic response.
So if I can sway the minds of anyone who has written off these films, more movie tickets sold might mean more films and other media told in this ape apocalypse world!
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And even if you already know and love the films, I also want to give some love to tie-in materials. Books, comics, YouTube shorts, video games; POTA has a surprisingly large catalog of bonus material for a series not considered mainstream like Marvel or Lord Of The Rings or Star Trek. I don't see them get many mentions in the fandom so hope a little spotlight on them can help them shine. They have delicious tidbits of world-building and character backstory, filling in gaps between the movies. I already have my fingers crossed there will be some tie-in material covering some of the huge time jump between War and Kingdom. With three hundred years passing between them, there is so much to learn about the ever growing and changing ape societies. I'm eager for any scrap of info they'll share!
But really, even if nothing I write changes anyone's mind about this franchise, it's still fun to gush about one of my favorite fictional universes.
My brief history with POTA was that I didn't know much about the original films before going into the new Andy Serkis trilogy. I'd heard enough about the original film to know the main beats of the first movie (quotes like 'damn dirty ape', the reveal of the planet being Earth with the Statue of Liberty). I saw the Tim Burton film which didn't leave any kind of impression other than the incredibly realistic costumes/make-up, so much so that I was apprehensive of the CG apes. Since getting into the new films, I've started watching the originals and may cover those just for fun.
So whether you're a long-time die hard fan or a fresh face to Caesar's legacy, I hope you'll enjoy my thoughts on the Planet of the Apes franchise!
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Links to all my posts as they are released:
- Rise Of The Planet Of The Apes Film
- Prelude and Contagion Comics
- Motherboard YouTube Shorts
- Firestorm Tie-In Novel
- Fall Of Man Comics
- Dawn Of The Planet Of The Apes Film
- Dawn Tie-In Comic
- Revelations Tie-In Novel
- Last Frontier Video Game
- Crisis Video Game
- When Worlds Collide Comics
- War For The Planet Of The Apes Film
- War Tie-In Comic
- Caesar's Story Novel
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Beyoncé for the Renaissance World Tour
MOTHERBOARD ACT
CUFF IT
ENERGY
BREAK MY SOUL
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