The Joker was apprehended, sitting on the ground as Batman guarded him, but the kid--"Bruce Wayne's newest ward, how tragic! Hehehe!"--was nowhere to be found. Nightwing and Red Hood desperate searched the warehouse until a shuffling noise grabbed their attention.
A kid, black haired just like the kid in the Joker's broadcast, crawling out of a pile of boxes. "Is it over?" the boy asked quietly.
Nightwing guided him to the only exit, unfortunately walking past the boy's own kidnapper. "Yeah, kid. It's over. Come on-"
Like a shot, the boy rushed the Joker and kicked him right in the balls.
The Joker wheezed like a dying squeaky toy. Red Hood froze. Nightwing immediately snatched the boy up by the armpits, but all that did was give the boy the height to attack again, punting Joker in the jaw. The clown went down and cracked his head on the floor. He did not get back up.
There was a moment of silence before Red Hood roared with laughter, his helmet distorting the sound.
7K notes
·
View notes
I am such a slut for Danny having supernatural strength and being able to kill someone with a single slap because he’s used to fighting ghosts who are built Sturdy (and literally can’t die, that is very helpful in a sparing partner) so he has to learn such meticulous control when he moves to Gotham where he starts regularly getting into scuffles with humans who think he’s an easy target (he looks like he has the sturdiness of a wet newspaper) and the whole time he’s more stressed about not drawing the Bats attention by being too good or accidentally killing someone so he has to walk that fine line of acting like a scrawny loser and dipping out at his first chance without being clocked as a meta.
Danny, laying on the ground and getting kicked repeatedly by a thug: *tries to angle himself so the guy can kick out a knot in his back*
Danny: *deadpan* oh, ow, stop that hurts, oof
Robin, watching from the rooftop and recognizing the dramatics from the Supers: father there is a meta
Batman, also watching and having flashbacks to Clark’s earlier days: *so so tired and already mentally getting the adoption paperwork ready*
4K notes
·
View notes
Good Morning Beautiful. 🌻 🌞
1 note
·
View note
Mukuntuweap (Zion NP) and some other Northern Arizona spots last week.
144 notes
·
View notes
I’m starting to take photos for work! Really exciting opportunities. To celebrate here’s a low quality phone pic from a hike with great friends lol
48 notes
·
View notes
Something I love to think about is every iteration of Leo’s relationship with Splinter and how Splinter’s interests always define how a Leo presents himself.
I used to abide by the idea that a Leo will simply emulate his Splinter directly, and to an extent I still believe that to be the case, but moreso I think Leos have a tendency to mold themselves into what they believe is their Splinter’s ideal son - someone who embodies all the traits Splinter has explicitly shown to admire or value in a person.
Most of the time, they try to be a dutiful and honorable boy abiding by the full extent of ninjitsu teachings. Then you have Rise Splinter, who very much still has undeniable prowess in the art of fighting and being a ninja, but when it comes to how he shows his interests to his boys…one thing reigns supreme.
Acting. Shows. One liners. Flamboyance in the name of gaining an audience’s attention.
He showcases Lou Jitsu movies on repeat for the boys, passing down the morals and words from those movies to them with no small amount of pride. All while fully expecting them to respect these teachings.
So, of course, Rise Leo picks up on this. He’s a Leo, after all, as much a daddy’s boy as any other variation of him, only he clocked his father’s interests to be different than most others. He picks up on the art of showmanship, of keeping things to himself so as to be a more exciting twist later, of treating the world as a set to act in.
He’s an actor, not just because Splinter himself was one, but because Splinter likes acting and showed one particular actor (unknowingly to the boys, it was himself) as the pinnacle of all his teachings. As someone to value and admire. And even more than that - Splinter focuses on the character the actor is portraying rather than just the man himself.
And I think this is all even more interesting when taking the turtle tot short into consideration, because very, very briefly, just as with many times else throughout the series, we see how easily Rise Leo aligns with his other selves, seeming to pick up the sword easier than his brothers do their own weapons - after quoting Lou Jitsu of course. After emulating his idol - the person who his father seems to admire so much.
Point being, it’s so interesting to see how Leos tend to mold themselves in one particular way throughout every variation - that being, what their father is shown to value most in people.
849 notes
·
View notes