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#morag
alinalal-art · 5 months
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morag and company
Prints || Patreon || Redbubble
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lynarc · 1 year
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Morag
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rainydaysleuth · 10 months
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Pyra's Deep Thoughts
You can't tell me half of the cast in XC2 isn't bisexual!!!
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arciarcy · 1 year
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A Surprise Sena!
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rangarlamamicado · 1 year
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I'm being put to the stake for this one.
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rosettyller · 6 months
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How the minisodes/flashbacks serve to inform Aziraphale and Crowley's frames of mind, and their decisions in 2x06: a meta
part 1: victorian minisode [tag]
I'm sure other people have talked about this a lot, and I did touch on this in my meta here, but all the same, I'd like to sit down and actually get all my thoughts on the matter out somewhat coherently.
I think some people have had some difficulty accepting Aziraphale's decision at the end of 2x06, so it's really a good thing that these flashbacks - which appear to be all from aziraphale's point of view - were including, as they provide a lot of context to aziraphale and crowley's relationship, and why they chose what they did.
The minisode begins right after the intro; before the intro, we have Muriel visiting Aziraphale (and Crowley) to spy on them.
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(Please excuse Muriel's blink here, kmplayer was being a nightmare)
It's already been pointed out by many people how this is basically the same as police spying on / targeting queer people, which is again reinforced in the 1941 minisode.
But it brings to the forefront of Aziraphale's mind Heaven and Hell's surveillance of them, which is quite explicit in the Victorian minisode.
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Beginning with Aziraphale's bookshop and shots of his diary establishes it is his flashback.
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Crowley and Aziraphale are meeting up for a date casual meeting. There's no pretence of business, not even the Arrangement. They're beginning to feel safe(r) in their relationship - it's been almost 6 000 years, and they haven't been caught.
(more under the cut)
This minisode is more focused around morals, and it's set up straight away:
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Elspeth wants to keep herself and her partner alive. If she doesn't do this, they're dead, and she's not actually hurting anyone.
Crowley likes causing a bit of trouble, and furthermore, he understands her position. He doesn't agree with the Don't Do This Because God Said So, and sees a) a person not hurting anyone, but doing what they can to survive and b) someone willing to do anything to save someone they love
Aziraphale still thinks like an angel; God decides what is Good, and Bad, and God decided graverobbing is Bad. But Aziraphale isn't saying "stop doing this, you're going to hell because you're bad", he's saying "stop doing this, if you continue you're going to hell, because it's against God's will." he still thinks she can be redeemed.
Throughout this minisode, Aziraphale has big Main Character Energy (and Crowley had big Love Interest Energy), challenging Aziraphale's morals that he learnt from Heaven.
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As is the case with all the couples in Good Omens, Elspeth/Morag parallel Crowley/Aziraphale. Morag worries about Elspeth being condemned to hell, just as Aziraphale did.
Crowley and Aziraphale have their conversation straight from the books, about people who are poor having more opportunities to be good.
Apparanently, some people are saying this is OOC for Aziraphale, but I disagree. I think it sounds like exactly the kind of thing Heaven has said, over and over again, something Aziraphale believes because Heaven is Good, and because he wants to believe it, that those who are impoverished have a chance. (I had anther thought here, but I've forgotten it. Hopefully it'll come back to me.)
[Brief cut to Aziraphale & the yellow Bentley, Crowley's matchmaking attempt, then back to the minisode.]
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Aziraphale miracles the corpse, in an attempt to prevent Elspeth from sin. However, this means she loses money that would help keep her and Morag alive. We can see from Crowley's glare here that he's not impressed - that Aziraphale would take away Elspeth's choice to risk hell to keep herself and Morag alive.
Aziraphale, Crowley and Dalrymple have a conversation in which Dalrymple explains he's doing it to help people, and Aziraphale starts coming around to his point of view, running out of reasons to argue with it.
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Look at Aziraphale's face when he finds out the tumour was a seven year old boy's, and that he died. He's horrified, and then he looks like he's about to cry. (Not screencapped here, but he glances in Crowley's direction, and Up)
His hands are shaking when he hugs the jar to his chest.
Dalrymple reinforces again he's just trying to save lives, and then:
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Aziraphale looks down, thinking over what he said, thinking about the dead boy.
[Back to present, Aziraphale arrives in Edinburgh.]
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Aziraphale is delighted by his revelation, and shares with Elspeth that it's alright now, because it alleviates human suffering.
In voiceover/diary, Aziraphale states, "Having realised the error of my ways, I resolved to assist Elspeth and wee Morag in their noble quest to decrease human suffering."
This reflects Aziraphale's rather black-and-white view of the world; they're no longer sinners, but heroes, rather than just two girls trying to survive.
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When the watch is alerted, Aziraphale opens a tomb to help them shelter. He's committed.
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Crowley sends the watchmen down a hole. Rather more severe than Aziraphale's reaction.
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Morag dies while Aziraphale is busy giving a big speech on how he's going to save her.
I've spent a lot of time thinking about the purpose of this (not Morag's death itself). The only conclusion I've arrived at is it's making a point about how even if you have a Realisation, and you change your mind and your morals, that doesn't undo the hurt you've done in the past. But I don't really like that.
Upon the suggestion of Elspeth taking Morag's body to Dalrymple, Aziraphale is horrified.
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Note how Crowley is in the dark, Aziraphale in the light, while Crowley is the devil on Aziraphale's shoulder, whispering in his ear.
This challenges Aziraphale's newfound Realisation, bringing it closer to home.
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(Crowley spends a lot of this minisode lurking in the dark behind Aziraphale's shoulder)
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Crowley is decidedly less active in this minisode than Aziraphale, but here he goes big (literally), and saves Elspeth from suicide. Not Aziraphale, the angel.
Crowley brings up sinning again, and suggests to Aziraphale that he give his money to Elspeth, as it's what she needs to live a good life. (Aziraphale's stil a bit iffy at first, but he gives it)
I think this reflects, to an extent, Aziraphale's lack of initiative - he doesn't do things (or isn't supposed to) without Heaven telling him to. Such as the way they limit his miracles. He's not able to see a person suffering, and miraculously fix their life. And while Crowley is watched, and restricted, Hell certainly don't complain when he comes up with the brilliant plan on his own that secures them lots of souls (eg. Spanish Inquisition, French Revolution).
And then we have the lovely moment, Aziraphale reaching for Crowley and guiding him, Crowley saying, "Where are you?"
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Aziraphale's hands on Crowley's hips - they do physical contact now
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Their positioning is reminiscent of the Wall Slam scene.
And we know Crowley didn't have to drink it - he could have miracled it away, poured it on the floor, whatever. And it definitely did affect him, and yes it was funny, but Crowley's dialogue here reinforces why he did this: Hell is watching.
(and now here's the part where I actually get to the point of this meta. in case you've forgotten, it's how the minisodes provide context for the Final Fifteen)
Heaven and Hell are watching Aziraphale and Crowley - we know it's constant, if not always active, from the Earth Observation Files photos of them together in S1.
And Crowley is aware of this - has he been caught before? Anyway, he has an excuse (that can be verified) all ready to go if he's recalled to Hell.
(I also think it's a bit of a defence - in the Wall Slam scene as well - because Crowley disagrees with Heaven's definition of Good)
When Crowley gets dragged to Hell, Aziraphale is left alone in the cold, dark graveyard.
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His voiceover, "And that was the last I was to see of Crowley for quite some time," reflects that this diary entry is written some time after Crowley was taken, and they've since met up again. This means Aziraphale has had a long time to (over)think about what was done to him.
What Aziraphale sees is, Crowley is good. He does good things. And when he does good things, he needs to disguise it so he can excuse it to Hell. And when he fails in that, he is punished by Hell.
Why wouldn't Aziraphale want Crowley back in the fixed Heaven? Where he can help people in safety, without fear of punishment?
And if he can learn, why can't the other angels?
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moonllita · 1 year
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Ladair family :)
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cosmicplanarian · 5 months
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Mórag and Brighid from Xenoblade 2
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shezgaming · 7 months
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moppynoko · 5 months
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pattheanimator · 1 year
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Tried something a little more modern this time! I wanted to study Gurihiru’s style, and thought that Xenoblade Chronicles 2 might be a good fit. What do you think?
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phantom-nisnow · 1 year
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Big illustration of the Xenoblade 2 crew I did a while ago eating a bunch of yummy foooood
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sicahyart · 1 year
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The Flame Inquisitor
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dq-avenquire · 1 year
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unironically happy with how i rendered her boobs sorry :( 
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frickingnerd · 5 months
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proposing to morag
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pairing: morag ladair x gn!reader
tags: spoilers for the xc2 ending, angst with a happy ending
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malos was defeated. the world was created anew. everyone should be happy
but ever since defeating malos, morag hadn't quite been herself. instead, she's been thinking about his last words and what they meant for her life
morag wondered what the purpose of her life was and the desire to figure that out let her down a spiral that was unlike her
when you began to notice her getting worse, you decided to prove to her that she already had a purpose. or that she could decide herself what her purpose would be
when you proposed to morag, you told her that you believed her purpose was to make the people in her life happy
that just being herself and being part of their life was enough to make people happy and to fulfill her purpose
you told her that she didn't need a purpose in life and that being herself and doing what she wanted was enough
but if she wanted a purpose, then becoming your wife could be the one she chooses for herself…
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moonllita · 7 months
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I think Clorinde have big Morag energy so I dressed Morag as her
You can download the full high res, timelapse video and psd on my Patreon!
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