“The Land of Veils” by Molly Peacock
Beth carefully carves the pears into her
plastic bowl while I talk to her mother.
Beth looks directly at our eyes, but we blur
into the foreground, and Beth blurs toward another
land of her own. “You are very grown-up indeed,
slicing that fruit so nicely,” I think she’d like
me to think before her mother and I speed
far away through the waters, then land and strike
our tents on the shore of the chest and thighs
of so-and-so’s ballet instructor. The talk
of women, the thousand dim kitchens I sighed
in the backgrounds of, hoping just once to stalk
the animals of my mother’s friends’ desires--
Beth is doing it just right; she does not
commit the sin of commotion; she aspires
toward a grown-up task (fruit salad); she will blot
herself all up until she is a ghost
among the veils and veils and veils of omen
laughing in their tents along the coast
of experience, the ripe persimmons
of acknowledged fantasy in their hands,
until the land of her own we believe Beth is in
is among our burnishing lands.
2 notes
·
View notes
They sailed back to North America from Liverpool on the Lake Simcoe that October. The ship ploughed through huge waves—fourteen days of roiling side to side and meals flying off plates.
—Molly Peacock, Flower Diary
3 notes
·
View notes
The Silver It Always Is
What if we imagine loss as being
overcome with the urge to give everything
away? There, now we have a shape for filling.
Hold on, let's not fill it with the same thing.
Let's wait for the shape of that emptiness
to soften, as arms loosen their embrace,
as clothes loosen, as lips part to confess
then reconsider and curve in the face
of what won't come back – not a broad smile, simply
a change from the grim line, the small upturn,
as a leaf revealing its belly to a breeze
shows the silver color it always is,
except now we notice it and notice how the tree
is prepared to give everything away.
Molly Peacock, The Second Blush
1 note
·
View note
The Widow's Crayon Box: Poems
By Molly Peacock.
1 note
·
View note
Putting a Burden Down — Molly Peacock (from Take Heart, 1989)
Putting a burden down feels so empty
you almost want to hoist it up again,
for to carry nothing means there is no “me”
almost. Then freedom, like air, creeps in
as into a nearly airtight house, estranging
you and your burden, making a breach to leap in,
changing an airless place into a landscape,
an outdoors so full of air it leaves you breathless,
there’s so much to breathe. Now you escape
what you didn’t even know had held you.
It’s so big, the outside? How will you ever carry it?
No, no, no, you are only meant to live in it.
This wide plain infused with a sunset? Here?
With distant mountains and a glittering sea?
With distant burdens and a glittering “me,” here.
0 notes
Hot Day in Agrigento
Molly Peacock
Temples look like discarded alphabets.
We loved lying in their shadows lazily
deciphering and resting and laying bets
on what they really were for. Easily
caught by fantasy, we no longer cared
why they were there, just that they were. Happy
to sit down and drink the water we shared
(having lugged our plastic bottle, and hats,
and camera, through the human dung bared
right there in the sun—where else could you get
relief with no toilets?) we guzzled it down
and splashed it on our arms, hands, legs, and necks.
A girl in dirty, expensive clothes found
us with the bottle and asked us for some.
I said no. As she left, a gagging smell wound
its way out from the bottle’s damp lung.
I’ve often been asked to give what I’ve saved,
but under the temple I said no, numbed
against the girl, like one of those bridesmaids
who kept her oil in the Bible story
and was safe for the night. I’d hated those maids
until I became one in my story,
the shape of the character I’d searched for
surprising me as the temples did: See
how golden but pocked they’ve become, nor
are they quite decipherable anymore,
at least to those who forget what they’re for,
which is worship, the greed of prayer.
“So that’s who you are,” my friend said. “Thirsty?”
With him I drank, not quite the maid in the story,
but in her shadow, like letters at rest
in new words on a palimpsest.
1 note
·
View note
not quite the maid in the story,
but in her shadow, like letters at rest
in new words on a palimpsest.
-Molly Peacock, “A Hot Day in Agrigento”
0 notes
not 100% happy with how these turned out so some old fakemon to compensate
85 notes
·
View notes
“he was a rainbow man that represented life at its fullest” - nott
“long may he reign” - beau
“shine bright circus man” - caleb
48 notes
·
View notes
Postcard Illustrations by Kinuko
61 notes
·
View notes
...no one lifts the hem
of our privacy. It is a godless,
childless world we sleep in, relieved that we
are relieved of faith and responsibility,
though that means there's no one to watch us
and therefore bless us. And so I clamber
through my eyes, then fly out from my head
to bless, if I can, our sheeted chamber,
gawking from the ceiling at us in our bed.
from “World We Sleep In” in Raw Heaven: Poems by Molly Peacock, p. 52
1 note
·
View note
In light of Yasha getting a peacock feather tattoo for Molly, I am once again thinking of how she was there when Molly got most of his. How Tealeaf and Yasha could've gone and gotten more together after the campaign. How Mollymauk came out as genderfluid when he first got his peacock feathers; the fact that she really knows just how much they mean to him--
Did Kingsley go with Yasha when she got her peacock tattoo?? Did he give her a little playful poke in return, ask for the story? Does he still have his? ....Or is this very recent. Does Kingsley know, has he seen it yet? How does it make his heart feel, to know that he was loved so much in another life, Beau and Yasha both got matching tattoos of his--
48 notes
·
View notes
Pink Paperclip
A pink plastic paperclip lies prone on
The counter, its curve-return-curve
out of reach of the dishcloth: I miss it
as I swipe the crumbs into the trash
with my ruthless urge to order.
My husband comes by, saying
"I've got a foster home for paperclips,"
and takes it to his room, to a little box
where it waits in readiness,
the color of a girl's barrette.
I might have chucked it,
and this is why the gods terrify me.
Yet they merely interest him, among all
The other beings in the world, including me,
whom he still finds useful,
even inspiring my new goal:
to personify everything,
each in the bloom of its use,
becoming a poet after all.
-Molly Peacock, The Second Blush.
1 note
·
View note
“You deserved that.” 🔥
22 notes
·
View notes
A Hot Day in Agrigento
Molly Peacock
Temples look like discarded alphabets.
We loved lying in their shadows lazily
deciphering and resting and laying bets
on what they really were for. Easily
caught by fantasy, we no longer cared
why they were there, just that they were. Happy
to sit down and drink...
1 note
·
View note
PSA- Always quarantine your new fish, mutuals.
See the tags for a lovely late night rant because I’m stressed the fuck out 💃🏾
21 notes
·
View notes