so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.
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i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.
i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.
anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.
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one of the things I think a lot of goyim esp western based don’t clock about Jews is that a lot of the places we lived before mass immigration to the US&west and the creation of the state of Israel not only often pretty violently killed or expelled us, but were and are sights of continual warfare and dislocation that was and continued to be fucked up by external and internal conflict, by the direct actions of the British ottoman French American and Russian imperialisms….. Jews only became a “western” people through the acts of violent dislocations from our homelands we’d often lived in for hundreds and thousands of years.
We lived in Afghanistan. We lived in Yemen. We lived in Iraq. We lived in Serbia. We lived in Bosnia & Herzegovina. We lived in Belarus. We lived in Ethiopia. We lived in Algeria. We lived in Morocco. We lived in Syria. We lived in Iran. We lived in Kurdistan. And we lived in Ukraine. We often have complicated histories with these places, varying extents to which we identified with them or with the nationalisms that drew their borders, but we lived there, and in so many ways, from our language to stories to food, we carry them with us and are hurt by the loss of their memory in our lives, pushed into the diaspora of the diaspora. None of this justifies the often profoundly violent antisemitisms we found there, nor should it allow for simple rounds of flag waving - our communities were almost always older than the modern states, and many institutionalized Jewishness as something irreconcilable from the modern National Citizen. But we lived there. Inextricably we are a part of their history, just as they are a part of us.
Any simplistic takes about how Israeli jews should just LEAVE AND GO HOME without understanding the contexts of why that isn’t possible not only whitewashes histories of violent antisemitism but also the CURRENT ongoing realities in many of the countries we lived in, and it comes off not only as callous to Jews but to the people who continue to live there, after our links were severed. Any antizionism that doesn’t seriously reckon with these histories is incomplete. “Why don’t you go back to where you came from?” The American goy asks. I think of my friends and community. To Odessa? Or to Baghdad? To Aleppo? Or to Herat? YOU TELL ME.
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Tom's line about Shiv being selfish and "find[ing] it very hard to think about me" is actually so telling because while it's absolutely true that she rarely takes his position into consideration, Tom never once thinks about what he can do to help Shiv unless it also benefits him.
Every single time he makes a move or sacrifice that might help her, it's always something that he thinks will give him a leg up. He volunteers to take the fall for cruises, not for Shiv, who is in no way implicated, or even for Waystar, but because he thinks it'll ingratiate him to Logan, and the second it seems like he might have to actually follow through on that, he immediately tries to get out of it and even throws Shiv under the bus. Meanwhile, for all that Shiv disregards his interests, there are a number of things she does that only help him, and she's the one who actually sacrifices something and undermines her position with Logan to beg him not to let Tom go to jail.
It just makes it so clear that no matter how much he might love her (and I think he does, in his own compromised way), for him their relationship was always built on the underlying assumption that it's her job to prop him up, but it's not his job to help her.
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i find it an interesting detail that this is where the thumbnail comes from, specifically the frame where he says "demonized" (from the titular song)
now i've only watched npmd once so idk if there's any like. subtext as to if max was a typical bully in how if he bullied others due to his own background or insecurities or if he was just genuinely just a terrible person, but it seems interesting that starkid chose this specific frame to go on the thumbnail (i get it he does look frightening and cool at once and it conveys the vibe of the musical)
i mean it's obvious that he's a completely deranged person (i think especially after coming back from the dead) but yeah, what i thought was interesting, was that by starkid choosing this specific frame, they're also immediately demonizing him to anyone that stumbles upon the musical, even before starting it so!!!
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