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#mention of tony stark
taw-k · 11 days
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I love domestic Avengers with my whole heart. Showing that they're not just superheros but people too. People that make stupid jokes and love their families and get sick and fail and have parties and mess around and act like children sometimes.
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pr0crastin · 6 months
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Peter refusing to accept Tony’s money so Tony getting creative, I present to you
Tony breaking all of Peter and May’s things so he can replace them with better ones, examples include
Tony putting a fork in the toaster while it was on under the pretence of taking the bread out
well how was I supposed to know it doesn’t go in there? Friday usually makes me breakfast
Mr Stark you literally built an empire off of your technological genius-
Look kid, I’ll just get you a new one
Tony casually leaning against the fridge and knocking it over
I’m really buff kid I don’t like to talk about it
Tony testing out his thrusters in Peter’s living room, results include a destroyed television and a hole in the wall it was mounted on
Good thing we have spares in the basement
Spare whats? Walls?
Spare TVs, underoos. The wall I’ll have rebuilt- it was looking a little shaky anyways
That wall has stood perfectly fine for sixteen years-
Friday I’m gonna need you to send one of the spare plasma screens and two guys to install it, thanks
Tony straight up throwing the microwave out through the kitchen window
MR STARK-
Pete, do you know how detrimental microwaved food is to your health? I’ll get you a new one
WON’T IT STILL BE DETRIMENTAL
My own technology kid, you don’t look this young at my age just like that
Tony blasting a hole through the washing machine
So noisy these things. How do you stand them
Oh my God-
Pepper just bought a washing machine we don’t need, funny thing that
Tony setting the apartment on fire
I’d love to hear you explain this one Mr Stark
Irrelevant, also you can just move into the state of the art apartment at stark towers what a coincidence that it’s empty
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phoenixyfriend · 1 year
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[squints at the MCU] Tony Stark has displayed more ability to weather interrogation and torture than Steve Rogers.
This is "(displayed more)(ability)," not "(displayed)(more ability)," to be clear.
(I know fiction’s depiction of torture is famously propagandafied, but in this case, it’s not about torture for information so much as physical traumas shown on screen.)
(Anyway, have a rant I did on discord the other day.)
It's not really so much about "resisted the urge to hand over information" as "survived a truly harrowing experience and still came out of it trying to do good."
Tony's very first movie involves getting repeatedly drowned while in constant pain from bomb injuries as a civilian contractor, and I… don't think I can remember anything even a little similar with Steve
I don't think he's ever been captured for long before breaking out? All his injuries are in active battle, not torture.
Like... Steve went through something horrible with the ice and losing Bucky, nobody can argue that. But I think it's very telling, sometimes, that movie Steve, especially 2012 movie Steve, is completely unaware of the absolute nightmare that Tony experienced in his solo movies.
I have so many feelings about Tony Stark being the epitome of "guy who was raised and manipulated into being a bad person by someone he trusted, and (after a horrible experience) attempts to be a better person, constantly and consistently, even if he sometimes fucks up in the execution."
And the way that some fics elide his experiences in cleaning up other people's messes (first Obadiah's, then Howard's) and how that doubtlessly compounded his many neuroses from fixing messes that he did actually create himself is just
I have a lot of feelings
And am also feeling a little bitter and salty about how Tony Stark's MCU incarnation reportedly took some inspo from Elon Musk... and a little petty and satisfied about just how drastically we've all be shown that Musk can never live up to the idea of 'billionaire with inherited wealth who actually, without hesitation, risks his own life to save millions' that he tried to use PR to achieve in the media with 'my electric cars are gonna save the world' stunts about things he didn't actually have a hand in inventing
I'm just reading some fics I really enjoyed when I was still in the YA fandom, and there was a reference to a line Steve said in the movies and I started thinking (again) about how frequently fans take lines from Steve or Sam about Tony as gospel, because they haven't seen Tony's movies, and the lines from the star spangled boys are contextually meant to show that they don't know jackshit about Tony or his life, because they are directly contradicted by multiple prior films.
Also like... how often Steve's traumas get explored (in fic) in a way that Tony's just... don't? At most, his issues about Howard get explored, but that's it.
There's this moment in CACW that people take as Accurate and it infuriates me.
Tony Stark: [Back in the cell.] Just look. Because that is the fellow who was supposed to interrogate Barnes. [He shows a holographic image of Doctor Broussard.] Clearly, I made a mistake. Sam, I was wrong. Sam Wilson: That's a first.
Which, like... it's a bad movie. Obviously. But also
That line is immediately followed by Tony revealing that he's here to help the others and is sabotaging the security to make sure Ross can't take advantage, and yet fanfic still uses Sam's quote to promote anti-Tony agendas!
And 'Tony admits he fucked up' is. Like. Listen to me
Tony's first solo movie is fixing Obadiah's machinations. *
His second solo movie is fixing his Dad's fuckup.
His first team movie is fixing Thor's mistakes.
His third solo movie is fixing something that is only tangentially his fault.
It's not until AoU that the fuck-up is really his and his alone (well, not counting Bruce), and even then, even then, a massive portion of the blame is narratively laid at Wanda's feet!
And only then do we get this man, who has spent five movies seeing what happens when people don't take responsibility for their actions, or have anyone riding them to be ethical, who has criticized himself for neither having that oversight nor providing that oversight for people who snuck shit under his nose, that is when we get Tony weighing in on the side of "most countries on the planet are agreeing with this and it's for a reason, please work with me here, maybe we can get some of it rolled back to be less authoritarian and more reasonable."
* and removing himself from the military industrial complex he was raised and groomed to be in, but that's a system and not an individual act or a set 'villain'
Or as @firebirdeternal put it:
I would say that his first solo movie does have a large element of fixing his own mistakes too, it's just that his "mistake" was Trusting the Wrong Person and not taking personal responsibility for how his actions are affecting the world. (Which, he immediately does upon coming back from being captured? "We're going to immediately stop making weapons, because it's making the world worse" and then when Obadiah cuts him out of the company he goes "Oh. Okay no that didn't work, have to personally fix all this then.") and yeah it's just Tony have plenty of reasons to be on the side of "Someone needs to have oversight over this"
IM1 is such a good exploration of someone in privilege saying "this stops now" in a situation where they do have control because they have been confronted with their mistakes in a way that's unavoidable
It's also like, a great example of the fantasy of the Super Hero. Because Tony Stark, the businessman, even with all his wealth and knowledge, isn't able to stop the systemic harm being caused by His Own Company. One person isn't able to do that, even with the best of intentions. It isn't until he becomes something else, something more, a Super Hero, that he's able to make any kind of meaningful change on his own. Like IM1 is just a phenomenal movie. It understood it's subject material so incredibly well.
And people skip it and then take Steve and Sam at their word about Tony's strength of character and moral convictions and I scream.
THIS MAN FLEW A NUKE INTO A WORMHOLE WITH THE FULL EXPECTATION THAT HE WAS GOING TO DIE
Yeah, like, that Jump on the Grenade mentality is something that he and Steve actually literally share.
They both had 'jump on the explosive to save people' moments in their introductory movies.
I find so much more strength and inspiration in stories like Thor and Tony, where they are inherently fuck-ups and were shitty people and they are trying so damn hard to be better, which is more Tony than Thor really, but both of them and their first movies are just. I find that more inspiring than Steve or T'Challa or any other hero who was already a good person and just Became Great.
Tell me about the person who has to struggle to find that moral choice. Tell me about Natasha dragging herself from her oceans of blood and Tony fighting the government over whether they have the rights to use weapons he's created and about Thor having to reckon with his family's power being born of imperialistic ravaging of other cultures.
I want to hear about the people for whom being good is hard and a choice they don't have to make, but then they make it anyway.
Also I stand by "I am Iron Man. [infinity snap]" being the most amazing bookend the MCU could have done and probably the best part of the Endgame.
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lilbitofmac · 1 year
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So, the IM2 race suit… 💙✨
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idk-bruh-20 · 7 months
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Irondad fic ideas #159
Fic set in a universe where they never reversed the snap. The world has been grieving for 8 years.
Suddenly, one of the snapped reappears, but it is not Peter Parker. It's someone else (maybe Strange, Wanda, Bucky...)
There's debate about what to do. The returned person doesn't seem to remember much, although it's possible they remember more than they're letting on. Should the remaining Avengers study them, interrogate them, let them live out a peaceful life and forget about everyone else?
The debate gets way more intense when Tony Stark finds out what's going on. They've tried to keep it from him, knowing how he'd react, and he definitely lives up to expectations.
Of course they need to find out everything this person knows. They need to bring their missing people back. They need to bring back his son.
How hard will Tony push to find out the truth? to bring his kid home?
Bonus:
At some point, the person admits that they were lying about their memories. They're here because they fell through a portal. They're from another universe.
Except... they genuinely didn't know Tony had a son? They've never heard of anyone called Peter Parker. And yes, their universe does have a Spider-Man. Their universe even has a May Parker -- she died recently, btw. And it was Spider-Man's fault.
This awful news, and the horror story Tony infers from it, makes him even more determined to rescue his kid. Once they learn how to reverse the snap, he's going to make sure he lives to protect Peter from bullshit like what this other Peter Parker had to go through.
Still, he's heartbroken for the version of his kid in this other universe. Before sending the universe hopper back to where they belong, he tells them all about Peter and asks them to find him, to keep him safe. He may or may not send some tech with videos for all of their memory-zapped loved ones too.
This fic idea was inspired by this fic by @asyouleft!
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Ships where one person can withstand torture to prevent something horrible from happening, but can't handle the person they love being tortured ... that's the good shit. That's that Orpheus and Eurydice parallel level ship.
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airas-story · 5 months
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Everything and Something
“Is life after death real?” Tony asked.
It took a few moments for the words to compute and Stephen blinked as he looked up from his book. “What?”
“Life after death. You seem like the type of person that would know about stuff life that.”
Stephen raised an eyebrow at that. “I do?”
Tony shrugged. “You were the one who taught me that souls were real. Before you I was absolutely adamant that they weren’t. Plus, you’ve died before. Like… a lot.” He winced at the words and Stephen could see that Tony was hoping that hadn’t come off as insensitive.
Stephen wasn’t overly offended. It wasn’t like Tony was wrong.
“My deaths during both of my time loops hardly counted since there was little to no time between them and starting over,” Stephen pointed out. “And the time that Thanos killed all of us was different, we were only sort of dead, contained by the soul stone.”
Tony made a face at that. “So you’re saying that you don’t know?”
Stephen considered that. “Not for sure,” he acknowledged. “There are spells that allow you to talk to someone who has passed on. Though they’re not encouraged. But the fact that you can ‘summon’—“ it wasn’t quite the right word, but it worked for this explanation, ”—a ‘ghost’ it would stand to reason that they must have still been in some realm of existence.”
Tony hummed thoughtfully at that, brows furrowed.
“Why?” Stephen asked, curiosity tugging at him. “You’re not normally philosophical about this sort of thing.”
Tony shrugged. “I’m not exactly philosophical,” he defended, as though that was some sort of slight. But then to Tony, just maybe it was. “I just… I wonder, sometimes, you know. Sometimes… well, sometimes things feel so unfinished. Questions, you know?”
Stephen did. “What exactly are you thinking about?” Stephen asked, sure that there was something.
Tony watched him for a moment, clearly deciding whether this was a vulnerability that he was willing to show Stephen.
Stephen waited patiently. He knew that Tony had shown him more vulnerabilities than he allowed most people to see, but that was no guarantee that he would this time.
“I just… I wonder, sometimes, if I’ve wasted my life.”
Stephen raised an eyebrow at that. “Wasted your life? You? Do you recall working to save half of the universe?”
Tony shrugged. “Sure, but…” He frowned, as though trying to put together the right words. “I’m not sure that was what Yinsen meant.”
Stephen frowned. “What do you mean?”
“Yinsen. He was with me in Afghanistan. He… He saved me. And he… the last thing he told me was to not waste my life. Me. Not Iron Man.”
Stephen considered that. “What do you think he meant, then?”
Tony was quiet for a moment. “He once told me that I was a man with everything and nothing.” There was something in Tony’s eyes, a slow, heavy grief. “I still have everything… I just… sometimes I wonder if I’m any less empty than I was before." Tony looked away, shaking his head as though annoyed with himself. “It’s ridiculous.”
“It’s human,” Stephen contradicted. He reached out, taking Tony’s hand. “And, for what it’s worth, while I won’t claim I’m everything, I hope I count for something.” He met Tony’s eyes. “You have me.” Tony stared at him, awe and hope and pain. Some part of Stephen ached that after all this time Tony still couldn’t bring himself to fully believe it. It wasn’t a slight against Stephen; Tony simply didn’t believe he deserved good things. “You have me.”
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irondad-defensesquad · 5 months
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EDIT: Also posted on AO3!
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Peter wakes up late.
Arguably, it’s the weekend. Even then, he’s not someone who sleeps until afternoon. Mainly because someone wakes him for breakfast and to get through the day. And on some weekends, he even has breakfast in bed.
It’s 12 PM when he opens his eyes, hearing no noises out of his room.
Indeed, when he gets out of bed, Peter doesn’t find any signs of life in the Compound. Breakfast is not set. And as far as he’s concerned, no one is in the workshop, for he cannot hear any loud rock music coming from it.
“Um… F.R.I.D.A.Y?” Peter looks at the ceiling. “Where’s Mr. Stark?”
“Boss is currently in a series of meetings. He’ll be back by the evening. He said there’s coffee ready, and food in the fridge to heat up.”
“Oh.”
The boy realizes he’s still wrapped by his blanket, as Peter hugs it close.
“Would you like me to call Boss?” F.R.I.D.A.Y asks.
“No, no, I just wanted to know. Thanks.”
“You can let me know if you need him.”
“It’s okay, F.R.I.D.A.Y.”
She doesn’t insist. The house goes silent again.
He wants her to come back.
But he doesn’t say that.
So, Peter goes on with his day. He eats his cereal and he doesn’t mix the coffee with milk like he usually does. He doesn’t like black coffee like Tony does… but it doesn’t feel wrong this time. Peter tries sending messages to Ned and MJ, but they both have plans for today so they won’t be able to talk much today. Aunt May is out of town, hence why Peter is staying over. She does ask if everything is okay, and Peter reassures her he’s fine. May tells him to count on Tony with anything he needs.
Peter just sends her a smiling emoji.
He decides not to talk to Karen. One, putting his suit in the Compound for no reason other than to chat with someone is weird. Second, she would certainly let Tony know, and his mentor would immediately tell something is wrong.
Peter goes to the workshop. He greets DUM-E. As much as he loves the little bot, DUM-E only beeps and Peter has not yet figured out his language. The arachnid doesn’t have anything to fix on his suit. He asks F.R.I.D.A.Y if Tony needs any help with his projects (his mentor has given him permission to help him out if he wants). But apparently, there isn’t anything to be fixed.
Right. Nothing in the workshop, then.
Peter tries watching TV. He doesn’t really focus. He checks his phone but there aren’t any new messages. His friends are too busy for him. Time is passing very slowly. It’s not even mid afternoon and Tony will take forever to come back.
Finally, he goes back to his room. He needs to get his math homework done, anyway. Peter gets his earphones ready and he starts reading the book, his notebook page blank, waiting for his train of thought.
Except the music is too distracting. Even if he lowers the volume, it doesn’t help. But if he pauses it entirely, Peter’s thoughts are going to scream louder.
His notebook judges him. The words and instructions in his book don’t make sense. Even though Peter re-reads over and over again, they only get more confusing, and he loses more patience, as his head pounds.
Ask for help, a little voice says inside him.
Help for what? Homework?
It’s not just homework.
But it’s not important.
Everyone has better things to do.
Peter growls, breaking his pencil in half with a lot of ease, then dropping the meaningless pieces on the floor. He can’t bring himself to fix it or simply throw in the garbage. It’s just a stupid pencil anyway.
His book is slowly consumed by teardrops.
Countless.
Like it’s raining right in it.
Only Peter is the big storm cloud that can’t make it stop. That can’t do the most basic of things.
He can’t take it anymore.
He sobs. A lot. Loud.
It probably echoes in the penthouse.
People won’t hear it, though.
Peter covers his eyes, now wetting his hands instead of the book. The music is still playing and it’s mocking him. You’re stupid. You’re useless. You can’t do anything right.
He cries for a good couple of minutes. It only grows louder and more painful. Peter doesn’t know why he’s like this. He can handle things alone. He has always handled everything on his own and he never broke down like this. Why is he like this now?
The emptiness around him is engulfing him. It’s empty like his apartment when Uncle Ben died. Peter couldn’t sleep for days when it happened. Mostly because he was distracted trying to save other people’s lives, to prevent another tragedy from happening.
But there’s no one to save.
Peter is trapped.
He can’t do this.
He can’t do this.
He can’t…
Someone is knocking on the door.
“Peter?”
Suddenly, he’s back in the bedroom, the book and notebook are just… school objects. They aren’t saying anything.
Peter is too shocked to even open his mouth.
“Peter, I’m coming in.”
Shit. Fuck.
The boy hides himself, turning away from the door, also using his arm to try and pretend the tears aren’t there.
“M-Mr. Stark! I thought- Why”– the teen gulps, unsure what to say that won’t blow his cover. He fears he’s failed anyway –“What’re you doing here?”
“F.R.I.D.A.Y called me, she said you needed me.”
Even though Tony doesn’t sound annoyed in the slightest, Peter only feels pathetic and ashamed of the last three words.
“Y-You didn’t have to come here, Mr. Stark.”
He senses Tony approaching.
“Tell me what’s wrong,” the man patiently requests.
“I don’t know! Something is wrong with- with my brain!” Peter lashes out. He hates himself for that. Despite that, Tony doesn’t get angry. “I tried to distract myself but there was nothing to fix in the lab, TV didn’t help, and not even my stupid homework helps because I’m stupid-!”
“Hey, hey, hey…” Tony is kneeling down next to him. “You’re not stupid. It’s okay.”
Peter cries again with the other’s soft voice. “I can’t do anything, Mr. Stark.”
“That’s okay. You just need a break, kiddo.”
“Yeah, but…”
It’s not just a break that he needs.
“... what’s the point if I’m just gonna be alone?”
Tony gently places a hand on Peter’s arm. The boy finally looks back at him.
“I’m here. You’re not alone.”
“But what about your meetings? They must be more important.”
“You’re more important to me, Pete.”
He knows that, doesn’t he?
Why does it make Peter emotional anyway?
Regardless, Tony throws away the broken pencil for him.
“Come on, buddy,” he calls him, standing on his feet but waiting for Peter to follow him. Actually, he wants Peter to lead the way.
That way, the two end up at the couch. The TV is on and Peter couldn’t care less about what’s airing. Tony grabbed his blanket and wrapped him up in a burrito. Even though he’s wearing an expensive suit, he hugs Peter close and he starts telling him about the meetings today and how boring they were. He also talked shit about some of the people he had to debate with.
For the first time today, Peter smiles, at peace.
Everything is alright now.
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oluka · 7 months
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Tony and transhumanism
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Tony Stark mentions in Captain Marvel: Dark Tempest (2023) #3.
Setting aside the “even HE knows what hands-off means”, it's interesting to me that when faced with a humanoid-machine blend, Carol's mind goes to Tony. She says that Tony was the original transhuman, and well, he maybe wasn't the first in the marvel universe, but he got his first synthetic heart in Iron Man #19 (back in 1969!), and transhumanism has been a part of his story arc for a long time. Some examples on the top of my mind (I know there are more, this is not an exhaustive list):
-When Tony had an implant in his mind to remotely control the armour while he was paralyzed in volume 1.
-His fight with the sentient armour in volume 3, and the end of it, when it gave him its heart (Iron Man vol.3 #30). And fully replaced Tony's heart with its own "mechanical bio-physiology". An artificial heart that was still implanting itself into Tony and fixing his broken ribs in issue 31 (body horror much??).
-Extremis, of course, which to me is the height of Tony's path to transhumanism. It's one of the two logical conclusions to his search to always perfect Iron Man and himself. Either make his body machine, or forgo the body entirely (looking at the three different Tony Stark AIs Tony has made). Extremis is especially good to me because of how he made himself the perfect blend of man and machine. Tony had until then always had recurring problems with his heart and other physical disabilities, and with Extremis he was finally past that "flaw". He was stronger, could heal, but more importantly, his mind was faster and better. I think he never came closer to erasing the line between Tony Stark and Iron Man than he did then. There was so much potential for this story beat, but Civil War and Dark Reign kind of ruined it. I really wish we could have had Extremis for longer, and really explore the classic "what makes one human" "man vs machine" and other transhumanist questions with Tony. Oh well. As an aside, it's interesting to me that Superior Iron Man decided to bring Extremis back. Clearly to him that was the next step of evolution, or in his words, what made him a god. If we push the analysis further, does this mean that regular Tony has developed an aversion to Extremis and what it entails? Maybe some left-over trauma from the Civil War and brain deletion?
-The repulsor node in Tony's chest after he was brought back. That controlled his brain. And also the bleeding edge armour that Tony casually put into his bone marrow. You know. Like one does.
-The fact that Tony apparently was experimenting on his biology and body and that that was the only reason Carol didn't kill him at the end of Civil War II. And then the fact that he managed to bring himself back to life and synthetize a new body.
-The Tony Stark AI that ran around during Secret Empire. Who made himself drunk, and also remembered Civil War somehow, and had all of Tony's character traits and regrets (see Secret Empire (2017) #6). I know it's probably an error on the writer's part, but I choose to believe that somehow this artificial version of Tony really remembers the Civil War. On top of AI Tony acting and thinking like the flesh and blood one, everyone around him really treated him like the "real" Tony. Hydra Steve even said that Tony downloaded his consciousness into the AI. Making it essentially Tony. I don't know where I'm going with this but I have Feelings about AI Tony.
-The whole mess of Tony Stark: Iron Man and Iron Man 2020 where Tony was wondering if he was just a soulless copy of the original dead Tony Stark (Which, weird that he now starts to worry about this after all his deaths and comas and whatnots), decided he was just an AI in an artificial body, and then with the help of his friends remade his body. Again. Also, he spoke with AI Tony for like five minutes and then AI Tony sacrificed himself. I am still mad about that.
Transhumanism is one of the most important beats in Tony's character, right alongside his quest to make the future better and his alcoholism. It's a facinating subject that I will never get enough of, especially not in relation to Tony, who for a very long time has dealt with physical disability, and whose mind and genius is maybe the one thing he can rely on and one of the rare things about himself that he is proud of.
Right now, Tony's just a regular man in a can again, but I really hope that we'll see more of his journey into transhumanism, because to me it's an essential part of his character. And done well, it's an excellent source for angst, too.
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nostalgia-tblr · 5 months
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I watched Avengers: Age of Ultron (apart from I skipped some overly long action sequences) and I am not sure so can someone tell me whether or not Tony Stark was the baddy in that film? Because about halfway through I was sure he was but then it was maybe just an evil robot after all and I am confused because either this film was surprisingly subversive or it was about robots hitting each other.
#I CANT STAND THE CONFUSION IN MY MIND#also i get why people wrote wanda/sylvie. they should go on a wholesome chick-flick revenge-quest together. and also they should kiss.#also i am now only *half* joking about thor being in love with mjolnir#it kept doing Christianity Bits which was quite awks.#not sure why it used the bit about building the church on a rock for some metal i mean wasn't jesus making a pun there? about peter?#i think Vision might be Jesus? or else he's Dr Manhattan who's done a first year philosophy course. could go either way on that tbh.#BUT TONY WAS THE BADDY RIGHT? WAS HE? WAS TONY THE BADDY OR NOT????#with the homocidal glitches in what he thinks is his winning personality?#and all the weapons he's made and is in fact still making but now he only sells them to The Good Guys?#except look how easily they fall out with each other and also don't a lot of innocent bystanders die in their overly long action scenes?#also i need to write fic about whether mjolnir does in fact obey some unknown code that can be cracked if you set your mind to it#she does like Robot Jesus so apparently we can rely on her to make the major decisions from now on#the ending's a bit ominous - apparently someone's collecting those TVA paperweights to do... something? Oh no! :O#yeah i watched the MCU in the wrong order shut up this was inevitable and Marvisney should just embrace that at this point#(i know 'Marvisney' will never catch on but that will not stop me using it)#the loki series ending is but the latest installment of “unlimited power with no oversight is fine as long as the Good people have it”#UNLESS TONY WAS ACTUALLY THE BADDY. WHICH AS I MENTIONED I AM NOT AT ALL CLEAR ON.#maybe what i mean is was tony stark the baddy *on purpose*?#i only picked this one to watch next because tumblr gifsets told me thor wears a nice coat in it#which he does! but only for a small fraction of the film :(#journey into the mcu#the avengers (the marvel ones not the other ones)
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babystarker · 2 months
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peter has ptsd. tony has ptsd. so many people in their life were worried that their relationship wouldn’t work out because of the struggles they both face, when really, that’s exactly why they work. they know when they other needs space. they know when the other needs to be held. when they should check in with their doctor. when they’re having a flashback the other knows just what to do and how to be there for them. that’s why they work.
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ad1thi · 8 months
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"Steven," Tony says patiently, bluntly, almost unkindly, "I really must leave."
He always does this, Steve thinks to himself absently, Tony always calls him Steven when he's trying to distance himself. As if the extra 'n' was large enough to put an ocean between them.
Steve doesn't mind though. He's learning, through these, trysts, of theirs, that there's a lot about Tony that he would've written off as him being mean, or harsh, or aloof; but is actually Tony's carefully constructed wall.
Tony's built it carefully, painstakingly, high enough so that nothing can ever hurt him again. Steve is likely the first persons in years to ever take a stab at tearing it down.
As the saying goes : 'It's rotten work. Not to me. Not if it's you.'
"I can't be found in your rooms," Tony says again, insistently, "I wasn't even supposed to be in Paris in the first place. I was supposed to be in a conference in Berlin. I'm in enough trouble as it is for changing my schedule at the last second."
Steve doesn't have much to say to that, for a myriad of reasons, but primarily because Tony's words are undercut by the fact that it's Tony who cannot bring himself to leave; who leans in for another kiss, one that Steve gladly parts his lips for. It's wet, and heavy and not in any way, shape or form, the kind of kiss one gives when they want to leave.
Steve is leaning against the headboard of the bed, bracketed in by Tony's arms on either side of his hips; gripping at the sheets so tightly that it's a miracle they haven't torn. Tony's holding himself taut, hovering above Steve, their lips the only point of contact.
"I'm going to go now," Tony says again, when they part for air, "Bruce will be wondering where I am."
It's a lie. Much like everything else that has come out of Tony's mouth in the last five minutes. Tony's in line for the Throne of England, he can't sneeze without his equerry knowing about it.
Steve says nothing, simply tilting his head, and Tony sighs like he's some great nuisance and leans back in for another kiss.
fin
(@ifmywishescametrue)
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sandrasoapbox · 3 months
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...
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has anyone listen to the angry version of Taylor Swift's "illicit affairs" (from her Eras Tour live shows) and get some Starker vibes?
Especially this bridge:
And you wanna scream Don't call me "kid," don't call me "baby" Look at this godforsaken mess that you made me You showed me colors you know I can't see with anyone else Don't call me "kid," don't call me "baby" Look at this idiotic fool that you made me You taught me a secret language I can't speak with anyone else
Even if it's not the angry Eras Tour version, still same vibes.
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idk-bruh-20 · 10 months
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Irondad fic ideas #140
FRIDAY has news alerts set up for Spider-Man. This doesn't change during the blip, even though the kid is gone
One day, there's breaking news that Spider-Man is standing on the roof of some extremely tall building. This is during the blip, and no one has seen him in years.
No one has seen Iron Man either, which is why it's so crazy that he's suddenly shooting through the sky
When Tony arrives, he discovers that in fact his kid has NOT spontaneously un-dusted. It's actually just a civilian dressed as Spider-Man. It becomes clear the person was planning to commit suicide. The costume was for courage.
Even with his heart breaking from the false alarm, Tony talks the person down. He says that Spider-Man, too, lost almost his entire family. That he was still the best person Tony knew. At some point, when the person mentions losing a child in the blip, Tony says he understands how they feel.
Once the person has agreed not to jump and calmed down, they realize how unusual the situation is, remembering suddenly that Tony Stark hasn't been seen in public since the snap. They ask Tony, mostly just wondering out loud: why now?
Tony's eyes go to the suit for just long enough for the person to realize. They recall what he'd said about losing a child, and they realize with horror the emotional hell they just unleashed on Iron Man
When they start to stumble out an apology, though, Tony waves them off. He says that Spider-Man would love the idea that he was still helping people, even without being there. And he would love that in some way he'd gotten Tony back out there and helping people too.
Before they part ways, Tony asks the person to consider the suit a symbol of the courage to keep going, not to give up
The person responds, "you too."
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screaming-sparrow · 3 months
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this might be a unique experience. either way, it ranges from "guy with crush on one single person, forever" to "ethical slut" or, alternatively "grimy guy" to "messy but fashionable"
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quietlyimplode · 6 months
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the language of flowers and silent things
Whumptober 2023: Day 18 - I tend to deflect when I’m feeling threatened
Warnings: mentions of child abuse
Word Count: 2.1k (gif not mine)
Summary: Tony challenges Natasha and she challenges herself in going back to a place she thought she’d never return to.
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A/N: <3
Masterlist
Whumptober Masterlist
.
2014
NEW YORK
Tony find Natasha in the elevator. The pull of it going up and down, he steps on and ignores the fact that she doesn’t say anything for ten floors.
It’s all he has in him, before he breaks the silence.
“What are you going to do?” he inquires.
She shrugs, clearly not ready to talk.
They continue to go up, reaching the roof before the door opens with a ding.
“Are we getting out?” he asks, holding the door open.
Tony thinks that likely, she would like to keep going up and down, it’s what Clint does, but he also likes the roof.
He’s a substitute but maybe he can help, he wants to help, whatever ha can do.
Natasha nods and exits.
The night air was brisk and though the light pollution of the city gave it a warm glow, he looks up and comments on the stars.
He’s glad Steve convinced him to put some seating out here because he moves towards it and seems to pull her with him.
“Have you ever thought of marrying Pepper?” Natasha asks, the question out of the blue.
He chokes a little on his saliva, grabbing a bottle of water, handing her one too. The delay gives him time to think.
“Yes,” he replies honestly.
“Do you have cold feet?” he asks.
The subject of Natasha and Clint’s wedding was something that everyone seemed to talk about when they weren’t around.
She smiles small.
“No, I don’t think so,” she tells him.
She leans back.
“Why haven’t you asked her?”
Her push feels fair that he asks a personal question back, though he’s not sure he’s not being mean.
“I don’t know,” he lies.
She glances at him.
“Yes, you do.”
Tony suppresses the biting remarks that flow through his mind and then he glances at Natasha, his friend who doesn’t say or do anything without cause.
If she’s baiting him, it’s for a reason.
He sighs heavily.
“Sorry I deflect when I’m feeling threatened,” he apologises, not really meaning it but thinking harder on how to phrase his reasoning.
“She shouldn’t be tied to me,” he starts, “I’m a mess on a good day, a disaster on the worse ones. Why would she want to be married to me? I’ve traumatised her and pushed her further than any one should, including setting Iron Man suits on her.”
He pauses.
“But you love her,” Natasha asks, cutting him off.
He nods.
“Yes,” he responds definitively.
“And she loves you?”
He doesn’t respond straight away.
“Do you think it should be that easy?” he asks, getting into the philosophical debate.
Natasha doesn’t answer straight away.
“I never thought I was the marrying type. I can’t have kids, I’m not… normal. I have a lot of trauma that impacts on so many things, and my life… I suppose it’s not stable.”
Looking to the sky, she continues.
“But he convinced me that it didn’t matter. Having kids, the trauma, the life I… we lead, it’s just part of who I am. He tells me often it doesn’t matter, I think it does but maybe not in the way he thinks. When we agreed to get married, we provided we’d find Yelena. Find Barney too, so we would have some family with us. It seemed important the time. It should be that easy maybe, to commit to another who sees all your flaws and the bad things about you and still want to marry you.”
Tony stays still, making his body freeze whilst she talks. He has so many questions, so many retorts and quips, but he restrains himself.
“Barney being dead, makes it easier. Yelena being alive, makes it harder. It was the rules we decided on, and since she’s been back, we haven’t talked about it much. I think maybe he’s forgot, maybe that he doesn’t want to anymore, but then he hugs me; kisses me and I know it’s not true. But what if because he doesn’t have family there, that I shouldn’t either.”
She lets the thought hang in silence and he laughs at her.
“You’re an idiot,” he tells her.
Natasha stands and turns on him.
“No no, don’t be huffy, don’t leave. I’m just saying, that you two are made for each other. None of us are normal, he asked, you agreed, and so the world isn’t bowing down to the arbitrary rules you sent it, maybe you just need to have a conversation about making a date instead of ruminating on the fact that likely the day won’t hold all your ideals.”
He stands.
“Pick a date,” he says.
She frowns at him.
“What?”
“Go on,” he jibes, “pick a date, do it now.”
“Is this really the reason why you were riding the elevator?” he asks.
Natasha shakes her head.
“No, Yelena has made contact under the house you provided, she wants to meet. There’s a house in Ohio,” she says softly. “A place I never wanted to back to.”
“Pick a date,” he urges, “there’s no time like the present.”
He calls to Jarvis and asks for Clint to meet them on the roof; in response Natasha punches him in the arm.
“Ow,” he complains.
“How are you getting to Ohio?” he asks, changing the subject.
“Can I borrow a plane?”
Tony shrugs, “of course.”
“She’d say yes in a heartbeat, you know,” Natasha throws at him, “Pepper is a superhero in her own right. She’s my friend and your partner. I think she left the life of normal a while ago.”
Tony thinks on it.
Natasha is right.
She’s always right, it seems.
Clint appears near them, and he frowns.
“When’d you get here?”
The easy grin of the archer is infuriating.
“You rang?” he laughs.
Tony looks to Natasha.
“He thinks we should pick a date for the wedding,” she admits.
“I was unsure you still wanted to get married, given the Yelena situation.”
Clint cocks his head.
“December 30th,” he says decisively.
Natasha spurts a laugh.
“What?”
“December 30th,” he repeats.
Clint looks from Tony to Natasha, “sorry, I should have said something. It’s just, you hadn’t mentioned it and I wanted to book the place out and…”
He cringes.
“December 30th, do you have anything on that day?”
Natasha laughs and hugs him.
“Only one thing.”
Tony eyes them.
“I don’t either,” he says in a deadpan voice.
Clint claps him on the back.
“Then I suppose you’d better come too,” he smiles.
.
Yelena waits in the apartment, opening all the cupboard doors, exploring the place and taking the bits she wanted.
Freelance, she decided was the easiest thing to do.
It gave her the freedom to pursue her own investigations, whilst providing an income stream.
She could thank Natasha, but in truth, she’s still not sure how she feels about the tentative relationship.
There is something she wants to give her though.
Relationships, family, are not things that seemed to come easily for Yelena; or more accurately, they weren’t things that stayed.
A lifetime of abandonment issues, she thinks, and then laughs at herself.
A knock at the door breaks her from her reverie, and judging by the gait, she assumes it’s Natasha behind the double barrel locked door.
Hand on her gun anyway, she opens the door.
“I’m unarmed,” Natasha opens.
She takes the gun out and shows her. Natasha’s hair is braided tightly, two separate Dutch braids running down her head.
“Are you ready?”
Yelena sits back on the table.
“Depends, where are we going?”
Natasha takes a breath.
“What are you doing on December 30th?”
The question makes Yelena laugh, she shakes her own hair out and starts to braid it too.
“Right now? I have no plans,” she responds, “freelancer now, remember?”
Natasha stands back and watches Yelena copy her hair style, braiding her hair tightly like Natashas.
“Ohio?”
Yelena finishes and stares for a minute, gathering thoughts.
“I want to show you something. I hid something there before we left.”
Natasha clenches her jaw and takes a breath.
“You do not want to go back, do you?” she surmises.
The obvious answer is no, but Natasha refrains from saying it.
“What do you need to get?” she asks, “we can go at any time, the car out the front will take us to the airfield.”
Yelena moves to the door, opening it for Natasha.
“After you,” she tells her, “I’ll explain on the way.”
.
OHIO
Yelena’s apprehension is masked but Natasha feels she sees right through it.
The car ride is silent and the plane, through private is met with a mutual team work to fly it the brief hour and a half to the Ohio airfield.
Natasha doesn’t push; as much as she wants to know what this is all about.
If Yelena is preparing to kill her, then it seems a strange way to do it, to drown her in memories and then kill her where they first became something other than strangers.
Their old house is abandoned.
Something Natasha didn’t expect but the spate of gentrification towards the centre of the city caused other houses to be run down.
A Russian spy house perhaps no different.
Natasha doesn’t want to go in.
She balks at the door for a second before following Yelena in.
She remembers so much and had forgotten so much more.
The room they had seems so small.
The stairs she ran up and down, that she hid under on more than one occasion.
The kitchen where she was beaten, and the toy room Melina would give them lessons in.
She feels her skin crawling, as Yelena leads the way.
Keeping her breathing even, she focuses on doubling breaths, breathe in, breathe in, breath out. It helps to focus her.
She takes some photos, it’s one thing explaining things to Clint, it’s another to see what it looks like.
Natasha thinks that someone must have lived here after they did. They left everything, in the haste they left in, but none of the items left behind looks or feels familiar.
Yelena heads up the stairs, finds the attic opening and hoists herself up.
“You can stay there,” she calls down.
It takes Yelena around five minutes to find what she was looking for, in that time the sky opens up and starts to rain.
Thunder claps and lightning brightens the sky.
As Yelena drops down, she has a wooden box in hand, a wooden box that used to be Natasha’s.
“Hey—“ she starts, but stops when she sees Yelena’s face, holding the box with two hands as she hesitantly passes it across.
“You—“ Yelena sighs, “you struggled at Christmas. I think you knew it was all coming to an end. Maybe anyway. You were mean. I didn’t understand then, Alexei… he wasn’t kind to you; us. But more to you as his stress increased, he left more. Left you in charge. I think it’s one of my favourite memories.”
She takes a deep breath.
“You gave me something for Christmas that year, do you remember?”
Of course she does.
The blue ribbon, the pictures.
The ones Yelena had given her still sit in her favourite book in her own personal safe in the tower. The most precious of possessions.
It seems, Yelena had the same idea.
“Open it,” she says quietly.
Natasha does, slowly, finds the blue ribbon inside and can’t help the tears that pool in her eyes.
She closes the box and hugs Yelena.
If Yelena doesn’t want it or doesn’t expect it, she doesn’t say anything or pull back, instead she nestles her head in the crook of Natasha’s neck and hugs her back.
“Thank you,” Natasha whispers, pulling back and resting her head on Yelena’s.
“You remembered.”
Yelena pulls back, wiping a tear, and turning her back.
“I wanted you to have it, just in case,” she sighs.
The words don’t match the mood and Natasha questions her.
“Just in case of what?”
Yelena shrugs.
“Life?” she deflects.
Anxiety stirs in Natasha, and she touches the box carefully.
“Do you want to get something to eat?” she asks, hoping that Yelena will say yes.
There’s a little nod, as they leave the childhood house, Natasha taking one last look.
“It feels smaller,” she says more to herself.
Yelena turns back and looks with her.
“Maybe we’ve just grown,” she responds, and leads the way out.
.
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