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#mel's musings
mellowumbra · 7 months
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~Beautiful edges~
An alpha!Abbywerewolf! x afab!omega!reader
SMUT SMIT SMUT MDNI
will have smut, like prolly gon be nasty need holy water smut. plot! slowish burn. alpha, only female alpha you've ever met. Smut is not under the cut but will be expressed!
⚠️ warnings: porn with plot!! dom!sub dynamic, breeding(r!receiving), vulgar words, VULGARITY, descriptions of genitalia, breeding kink, werewolfheat/rut! overstimulation (r!receiving) power and strength kink
Shummary: meeting an alpha was easy. Trying not to fall in love with one? Harder than it looks.
Here is to ALL YALL freaky sob's that just want to see Abby as a werewolf,,,, I love y'all so much
Also I'm SO SORRY THIS TOOK MY MONTHS FORGIVE ME
~~~~
Relocating to the WLF had taken some time to feel somewhat normal and you owed your life to them. You were accepted as one of them, when you were first alone and near death. Omega's in the wilderness alone was a death sentence, but you managed to make your life here wonderfully enjoyable. As close as normal got, it all flew straight out the window when you met Abby Anderson.
Was it strange to meet a female alpha with unbridled power, skill, and rage? Absolutely. Did she scare the ever loving shit out of you? Absolutely. But that didn't stop you from perking your ears to listen every time her name was mentioned.
Abby was a force of nature, she commanded respect without needing to utter a single word. Six feet of muscle and piercing blue eyes that glowed gold and opulent when her wolf appeared. Everyone in the WLF knew about Abby, and were either terrified, infatuated, or a little bit of both. She worked for Isaac, as she was trained and worked like a dog in combat. She led the most dangerous of patrols under Isaac, the man who allowed the WLF to keep you safe, who sent her out to do his worst work.
Being an unmated alpha made it even more..interesting...
As soon as her name entered your airspace, words passed around about the alpha's skills during her rut. You could not stop the onslaught of other companions dishing tidbits during these conversations. Hell you couldn't go anywhere in the past two weeks and not hear about Abby Anderson, the most "skilled" alpha in the entire WLF. You were even more curious to why a female inherited an alpha title. You wondered why you hadn't heard her name sooner, and you soon figured out why. Abby had been in a relationship, and a serious one at that. But, that was over, from what the other omegas in your rounds gossiped about. You were surprised to hear that Abby had been dating a male, a one of almost equal rank as her. Her most recent "pursuits" were women.
You rolled your eyes at Arya's gossip and finished suturing a deep abdomen wound from your most recent patient. The man smiled at you, thanking you for the dressings and ointment. "Hey y/n," Arya says, your other medical assistant and friend catches your attention.
"Yeah? Whatcha need," you ask, wiping down your med tray and discarding a dirty needle.
Arya then asks you if you need to stay longer or if you need to head out. You reply no, you've got nowhere to be. Arya quickly discards her medical garb and ducks out, the sun already set. You sigh and work on seeing if anyone other WLF member needs to be attended to.
Something overpowering and strange enters your sense just after. It makes you stop, startled by the sudden thick air. A strong scent, almost hypnotizing. Abby Anderson is sitting on the bed across from you, blue eyes fixed on your figure. You start, now taken aback at how she appeared almost soundlessly.
"Jesus Anderson you scared the shit out of me," you swore, walking over to inspect a large shoulder wound running from her shoulder to mid bicep. Her muscles glisten with sweat, a now failing stitch job visible against her skin. Her honey hair in a signature loose braid, freckles dotting her neck and shoulders, clad in a gray tank top that exposes her skin to the blistering sun. "Sorry, is' just a habit," she breathes, "I didn't mean to startle you."
Her smile is dizzying but wanton, skin too white. She's in pain.
"It's alright, what are we looking at huh? A mighty alpha needing some help?" You tease, lifting her arm to assess her shitty patch job. Abby hissing at the pain or the figurative jab, you weren't sure.
You smile quietly, adding in a few words of "Alright gimme a second, I can fix you up."
"Thank you y/n, if I tell Manny that his stitch job was shit he'd take it personally," she chuckles dryly to avoid the grimace of you cleaning her wound with alcohol.
The stench almost clears your nostrils of her overpowering scent, almost. With a steady hand, you begin to swiftly move a needle through her flesh. The skin gave way easy to the needle, signalling she must've avoided coming here for a few hours, at least.
"You avoided coming in here, at least since before dinner," you say brazenly.
Abby puffs a quick breath through her nose, unhappy with the answer you've settled on.
"Maybe I did."
You can feel her eyes on you, this whole time. She follows the movements of your fingers, you can hear her nose purposefully inhale quickly at least once, and your cheeks heat at the sudden interest she's taken in you. Her scent is making your mind do flips, alphaalphaalphaalpha repeating in your head by your unhelpful wolf. Your hands almost shaky by the end, Abby rolls her shoulder with the new bandage applied.
"Keep that one for at least the next 2 days, or until you've noticed its leaked through your bandage. Keep it as dry and clean as possible," you instruct.
Abby just flashes you a blinding smile. "You do a good job, I feel better already. Thanks doll," she flashes a wink at you, smirk in her eyes.
That wink makes your ears turn red, palms suddenly sweaty. You roll your eyes to act nonchalant, placing a narcotic in her hand.
"Take these no less than 12 hours apart with food, and I mean it Anderson, with food," you say, fingers brushing one another's as you close her fingers around the pills. A resounding shock zaps through your fingers as fast as lightning, snapping her head up at you. Her eyes flash red just as fast, replaced by their usual blue.
Your eyes are wide, hand zinging from some unseen energy. Abby thanks you silently with a nod, hands stuffed in her pockets, and rushes off.
-------
Ever since that day in the infirmary, Abby is never out of your sight. During inventory rounds with your other med students, led my Abby's surgeon father, Dr. Anderson. She's always just looming. Your friends start to ask questions when the blonde walks into the infirmary one day, looking as healthy as ever.
You stare curiously as catch her eye, when she throws another wink at you. All your other friends blush and try to look busy.
"You don't look in pain Anderson?" You question, raising an eyebrow.
"No," she chuckles, "but I do want to ask if you had any extra isopropyl alcohol on you? One of my buddies managed to get blood all over a cell, and we need a cleanup," she says, so casually.
You start, but manage to stutter out a response.
"Um y-yeah we have some but it's not here yet, I can bring it to you in an hour or so?" You question, to which she just nods and winks at you.
"Find me in the FOB on the first floor sugar!" She calls out, leaving you a blushing mess.
----
Some time later, alcohol in hand, you make your way to the FOB, when a sharp pain in your abdomen makes you lean against a wall in a back hallway. You shake your head, trying to clear your head as your wolf has taken over, screaming for help. Panic ensues. You know any willing male werewolf will hear you, and you sink into a corner.
Someone rounds the corner, and you can't see who it is as your vision is blurry with tears. You turn your head away to ease the embarrassment. The same overpowering scent you remember from two weeks ago invades your mind, and your wolf goes nuts. It's Abby, and she knows exactly what's happening.
SMUT I REPEAT SMUT
"I'm so sorry please don't come closer pleaseAbby," you beg through near tears, your heat blinding and painful. Quick breaths through your nose accompanied with full body shakes makes Abby growl lowly. She knew you needed to be claimed, the pain unbearable for her future mate to endure. A rumble in her throat makes you tilt your head towards the ceiling, breaths coming in faster. That growl is pure power, pure dominance. The fear in your heart of her power comes through your eyes and Abby realizes your fear, and it hurts. Your intoxicating scent fills her nose like a fog, your fight against a need to be taken care of slowly failing. Your heat and scent flies down to Abby's pelvis, unable to stop the whirlwind of arousal she feels.
"Hey, hey look at me," she commands, power still in her voice. She's knelt to your eye level. Don't be sorry baby. I'm not going to hurt you, I promise y/n, I promise. Please, let me take you somewhere safer," Abby begs. Alphas don't beg, they command. Her beg, plea has you staring in her eyes, desperate to believe her.
You pant, fear still swirling in your eyes. Abby just offers her hands, warm and calloused. After not saying anything, she slowly lifts you into her arms. Eyes lidded, mouth slightly parted, your heat addled brain screams at the feeling of power and protection. You can't help but inhale deeply at her scent, your core aching for more. Abby slips you into her room.
"Y/n, please," Abby begs. "I want to help you." Her eyes are a tinge of gold, showing her alpha side. She puts her forehead gently to yours. "I know you have feelings for me," she breathes. "But I won't do a thing unless you say it's okay."
Tears streaming down your cheeks, your eyes widen in surprise. You're lucid for just a second. "Oh god Abby, I-I don't know what to say," you groan, embarrassed. Your heat is blinding, a near total body and mind need to just be taken care of.
"I won't do anything you don't want baby," she cooes, her pet name undoing your resolve.
You take a deep breath and swallow, knowing that all you've wanted is for Abby to make you hers. And only hers.
"I want to be yours. I want to be only yours," you admit, cheeks darkening. "Please tell me you feel this as strongly as I do," you rush out, fully vulnerable.
Abby's turn to be wide eyed is short lived before she lands her lips on yours, desperate and hungry. "I want nothing more then to make you my mate. I- want- nothing more -than to fuck you into -this bed- for hours," she groans as you moan into her mouth. Her lips are warm, your arms reaching out to tangle in her blond hair. Your heat is begging, burning like a fire under your skin. You whine pitifully, Abby now fully aware of your need.
"I know darling, I know," she whispers. Abby lays you down on her bed, kissing you with a new ferocity that made you tug at her clothes. Feeling her strong abs run over your now bare chest made you bite her lip, a low growl coming from Abby's throat. Her mouth kisses down your neck and reaches the softness of your chest. With lips and tongue, she sucks your nipple between her teeth, licking it as it grows in need. Moaning at this was music to your alpha's ears. Your breasts are damp with spit and raised pink nipples fall in her mouth as she attends to one after the other.
She pulls your pants off, letting your heat racked body shiver at the sudden coolness. Her eyes flash a deep gold now, looking you over, a wanting moan leaving her lips.
"You have no idea how long I've been wanting to see you like this, how long I've been wanting to do this with you," she groans, the obvious bulge in her cargo pants making your mouth water and brain go fuzzy at her words. Her hands sink into your skin, pulling the flesh as she drags her hands down your stomach and over your thighs. Your cunt is wet, glazed over with slick and need. Pink lips swollen at the want of satiation. She kisses you, hand reaching down to palm you, gathering your wetness along her fingers. Your pants have turned into whimpers, into breathy moans.
"You're so wet for me, my precious mate," she cooes, dominance leaking through her words. "I wonder how wet you'll be when I sink my cock into your wanting pussy," you moan at her words, pulling off her pants. A small gasp leaves your lips as her member springs out of her boxers.
"That is a dick of an alpha for sure," you breathe out, hearing Abby chuckle darkly at your surprise. Its shaft covered in small veins, her pink head leaking precum at the sight of your naked body. Abby leans forward on her elbows, soaking up more of your slick on her cockhead, her kisses to your lips bruising. Your scent is making her drunk, the end goal of this mating lost. Ignoring her own desperation, Abby sinks below your waist and licks a long slow strip up your center, capturing your clit in her mouth to softly suck.
"I'm not fucking you stupid until your come all over my face, my pretty mate" Abby groans.
Her name leaves your lips in a yelp, unfettered moans follow. Her tongue is masterful, her lips covered in your shiny arousal. Up and down she moves her tongue, taking time to let herself tongue fuck you, dipping into your wetness. Latching onto your clit, she sucks soft pressure and swirls her tongue. With nothing to grab onto, you resign to tugging at your alpha's long blonde locks, legs high above your head, resting on her shoulders. The muscles in her back flex and stretch as she fucks you.
"Abby, o-o-oh fuck Abby baby pleaseplease alpha please," you moan and moan, dragging your hands through her hair.
At the mention of her title, Abby growls and picks up her pace. You feel the band in your belly tighten and snap within seconds as your orgasm washes over you in a blissful wave. Your toes curl and back arches off the bed, head thrown back in a long and loud moan. Abby continues to fuck your aching cunt into overstimulation, your legs shaking and breath uneven.
"Baby, baby I can't-can't take it anymore," you whine and moan. Abby doesn't stop but unlatches herself and slaps your pussy lightly with her palm.
"You're going to take what i give you angel, and you're gonna say thank you alpha," she hums and holds your jaw with her hand. "Okay baby?" She asks.
"Yes baby," you say softly, lips puffy as Abby captures them in a deep kiss.
"Thank you alpha," you admit shyly, peeking at her reaction through your lashes. Her breathing is ragged, hair undone and messy. Her eyes are a fierce gold, desire evident.
It didn't even take a minute before she slowly sinks herself into you, squelching sounds accompanied. Snapping up her head to you, she examines your features for any sign of pain. Your eyes are half open, lips parted in an O.
"Are you hurt?" She questions, stilling inside. You slowly shake your head, gripping her shoulders and wrapping your legs around her waist. With that, Abby slowly moves through your now sopping cunt. Her breath is short, focusing on not coming too early. You wrap around her like a vice.
"Fuck-fuck fuck baby you're so wet, so tight so warm you're so perfectfuck you are soperfect," Abby moans.
You moan at her praise, tangling your fingers in her hair, reveling in the closeness of your skin. Held up by her strong arms, the muscles in her biceps flex by your head.
"Hold on tight princes," Abby whispers into your ear, nipping at the skin.
Her thrusts start slow and languid, drawing out loud moans at each bury inside you. Your moans only get louder as her Hips snap back into yours at a near brutal pace, relishing in the wet sound of skin on skin. Abby examines your fucked out state of bouncing breasts, loud breathy moans and profanity.
"Fuck Abby fuck ABBY fuckfuckfuck my alpha fuck my alpha," you moan out, whining at the feeling of her cock stretching your walls to a beautiful feeling.
"Markmemarkmeplease baby breed me please baby please," you whine out, surprising Abby at your vulgar confession.
"Yeah baby? Fuck you'resofuckingwet, you take my cock so good baby you want my pups baby? Want me to breed you like a good puppy?" Abby moans, as the slap of wet skin fills the room.
"I bet you'd like me to breed you, huh baby?" Your fucked out smile gives her the answer she needs. "Yes abby please baby breed me please don't stop," you whine.
"Dirty girl, I knew you'd like that," Abby seethes as she bites your neck, sweat on her brow.
"You wanna be all round and fuckin full for me?"
"please Abby please baby yes yes yes!" you exhale a loud moan from your chest, as she leans forward to kiss you hungrily.
In a fast motion, she flips you on your belly, arching your back and pressing your cheek into the soft mattress. Your ass on display as she spreads you to see the slick drip down your thighs. You shake your ass slowly, all shame gone, wanting to be bred like a bitch in heat.
Her hands find your hips again, fucking into your cunt immediately like the world was ending. Muffled moans and screams come from your lips, Abby moaning at your soaking pussy sucking her in and milking her cock for all it was worth. Listening to your moans go up in pitch and your cunt get tighter and tighter told Abby you were so close to coming.
"You'gon come for me baby? Come all over my cock baby, c'mon you can do it. Cream all over my cock my good puppy," she rushes out, hands pulling you back to bounce on her dick.
"Fuck-ff-fuckfuck Abby I'm gon come 'my god I'm gonna come," your legs shake and let your orgasm push Abby into hers. Abby grabs your stretched out hand and squeezes it, to ground you. White hot pleasure consumes you and the heartbeat between your legs races.
You yell her name and moan a loud FUCK, drool sticking to the side of your cheek.
But abby wasn't done yet, your pleasure just comes first.
Abby's groans grow higher and higher, as your pussy pulses around her. As she feels you completely tighten around her, Abby's orgasm explodes. She feels her cock swell and a euphoric feeling washes over at the feeling of her breeding you completely full.
"Fuck baby, fuck baby ohgod," Abby moans as she collapses against your sweat drenched skin. You moan back weakly, shivering at her slow kisses up your back.
"You're so beautiful baby, gonna be so beautiful for me," Abby whispers, pulling out slowly to your disappointment.
"Fuck princess look at you," the alpha groaned, skilled fingers pulling your puffy pink lips apart to watch her cum drip out of your overstimulated pussy. You whine again, sensitive to her touch.
She coos, kissing the swell of your ass cheek.
"Come here princess let me hold you," Abby coaxes, slowing moving your body to lay between her legs. She softly kneads your back as you lay, breathing in her scent. Soft kisses to your forehead manage to lull you into a dreamlike state.
"Rest my precious mate, I've got you baby," Abby breathes, wrapping her strong arms around your figure.
Maybe falling in love with an alpha isn't hard after all.
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relicsongmel · 4 months
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ACE ATTORNEY FAN SPOTTED ON BABY NAME FORUMS LMAO
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melit0n · 4 months
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Half-Starved
- Oneshot
- Obsessive! Ghost/Reader
- Word Count: 3.2K
- Warnings: Descriptions of gore, canabalism as a metaphor for love, mentions of past domestic abuse, stalking
- Ao3: https://archiveofourown.org/works/52474849
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Simon ‘Ghost’ Riley was born hungry. 
Born with a relentless nagging feeling curled up right between his oesophagus and the squirming muscle of his stomach. From the very moment Simon opened his eyes, he was hungry for something he would never have. Left to starve in the gloom of the locked cupboard he was shoved into for not shutting up. He spent fifteen-odd years greedy for any drop of affection he could get. Anything he could grasp and hold onto, no matter how many bruises it would leave him with. No matter how long he would have to spend chained up like a bad dog in the corner of his room licking his wounds telling himself that it was worth it. That the blood was worth it. The pain was worth it. 
Anything to be acknowledged. 
Now, once again finding comfort in the gloom of his home, he is still hungry. Even more so. However, he didn’t like to be touched, because of him, but he still craved it. Maybe too much. He wanted, wants, to be held tight enough so he doesn’t break. Wants to be vulnerable. But he’s still afraid he’ll end up being a scared kid looking into the slit eyes of a snake again.
He blames his younger self for the predicament he’s found himself in, wants to sit down with him and shake him by the shoulders and ask why. Why he put himself through that for that long. But even so, he can’t blame the kid. He knows how hungry he is now; feels the scraping like dull claws against the soft spot between his liver and his spleen. He can only imagine what it was like for him as a kid. He’s blocked most of those memories out now, though.
He sits through the tugging, the pulling, through each dull meeting. Each dark night spent alone in his bunk. Each evening he spends licking wounds that just won't close. 
Unfortunately, this issue, this dilemma, is a hard one to fix. A hard want to satiate. Being a 6’4 SAS agent with a heavy Manchester accent and an apparently unapproachable demeanour, most people tending to avoid him in the streets, makes it a bit hard to gain attention, let alone affection.
But then there’s you. 
The first word that would come to his mind is kind.
Out of the blue, draped in moonlight and glimmering stars, you begin to appear everywhere. He doesn’t know if you’ve moved here recently, or if his brain has randomly decided to notice your presence, but you’re here. And there. And everywhere, really. 
He sees you in the local corner shop, holding tightly onto the baggy sleeve of whoever you’ve brought along for your midnight excursion, brushing your hand, intently, against that of your work friends on the crowded train you both take every day into the city. You use physical affection as not only a way to show affection itself, platonic or romantic, he isn’t particularly good at guessing unless it’s incredibly obvious, but as a form of comfort and encouragement as well. 
In less than a month into his leave, you’ve managed to become a staple in his civilian life. He sees you in the morning, always at the train station with breakfast and lunch in hand looking quizically around to see if you’ve missed your train like a doubtful deer. He knows you know you haven’t. You’re like him; you’ve got an obsession with time. While his is instilled by the harsh words of the military, yours is brought about by a tight work schedule. And maybe something else. He wonders what the something else is as you both board the already stuffed train, both standing in the same carriage full of warm, tired bodies. 
He sees you in the afternoon as well, sitting outside on a park bench with a friend eating lunch. While you talk, you have a habit of taking tiny crumbs off of your sandwich, flicking them off to the ratty pigeons that flock around your feet like moths to a flame. You always have the same lunch; the same sandwich bread from the same corner shop with the same filing. You have a thing with regularity, routine, as well, it seems. Just like him. 
Of course, he sees you in the evenings too. You both take the same train home, and almost always end up so close yet so far from each other on the carriage. Your work friend gets off at the stop two before yours and Simon’s; always leaving you with a pat on the shoulder and a closed eye smile, which you almost always return. You have a habit of doing a little jump when you get off the train which Simon finds quite cute. It’s almost as if you’re actually afraid of the gap.
Of the fall. 
Either way, you part ways without knowing you’re parting from him, leaving him incomplete in an odd way, and head back to your home. Ghost has an impulse to follow you, in between curiosity at where you live and to make sure you’re safe, but Simon urges himself to head home. To sleep. You linger in his thoughts each time he walks back. 
At first, he’s oddly amazed, a bit in awe, if he were honest, that you can give so much affection so easily, touch so easily, and receive it tenfold from the people around you. 
Then, there’s annoyance, titering on the fine, chipped-away line of anger. Like a mantra, he asks why it’s fair someone can give, give and keep on giving, let alone receive something back, and he can’t? How can you hold someone so closely and not be afraid of a knife in your back? 
Maybe that’s Ghost talking, he thinks. 
Eventually, he falls off the fine line of annoyance and anger into the muddied trench that is jealousy. Jealous not only of you, how you can give and receive so easily, but of the people in your life who get to experience the affection that you give to any warm body that passes by you. Said people who don’t understand how precious and rare that experience is to others. To him. He wants to taste it. Badly. 
Then, it morphs. Twists and turns like a dying thing, all red with chunks of fur sticking at odd angles, into attraction. Turning from a want to be held, a quiet plea to the void for you to keep him together for just a little bit longer, to a need. A need to kiss until both your lips are bloody and raw, bitten and chewed like a pomegranate, seeping your liquid life for him to drink as an elixir. He wants, needs, hungers to feel the comforting weight of your blood in the bottom of his stomach. 
He’s seen the way you kiss, and God above he needs it. Needs you. He doesn’t care if it’s the fleeting, platonic kisses you gift to your friends on the cheek (he wants you to take a chunk out of his cheek. Wants you to chew on the fat like the gum you always have in your mouth), or if it’s the rough ones you give to the men you bring home. The ones that have them chasing your lips for more, which you always allow because you never stop giving. 
Simon wants it. Ghost needs it. 
Consequently, the dull scratching of the claws in between his liver and his spleen grows sharper. After years of the scratching, the pulling, the tugging, he’d thought his hunger pang’s talons had grown weary, but he feels them. He feels the sharp ache like a pistol’s bullet and it bloody hurts. Has him hunched over on his bed trying to claw out his stomach because, for the first time in years, it's hurting him. 
And, for the first time in years, Simon ‘Ghost’ Riley decides to listen.  
As more time passes, more time spent getting soaked outside your house in the rain waiting for you to come home because you’re oddly late for all the time he’s known you, it changes again. Writhes around in his stomach and the fat in his veins, to something much worse. Much more harmful, at least, to you. In all the pain of his hunger, he contemplates taking chunks out of you. Maybe that will satiate the creature that squirms in his bloody viscera, laying claim to all of his innards in an attempt to get him to feed for once in his life. 
To allow him to know what it feels like to be full, instead of half-starved. 
Zoning out during meetings easily turns to daydreaming of taking one of his hunting knives to your flesh. Cut strips of skin, like your his sacrificial lamb to slaughter and devour, and finally put those butchering skills he gained to work somewhere other than on the field. He promises he’ll be delicate. Promises he’ll be kind. He wouldn’t dare show you the bloodthirsty rage his opponents see on the field.
Oh, and he can just imagine how you’d cry when he’d do so. He hates hearing people cry. After all, he’s haunted by the echoing sobs of someone lost to him in some distant, sun-stunned, sand-smothered land. But you? He doesn’t mind one bit. It’s another piece of you for him to consume, another piece of you that you can offer to him, gift to him, to bring you two together. 
He knows how much it takes to be vulnerable, so he wouldn’t even be able to describe what he’d do to taste your tears. To savour your salty sadness upon his tongue and be able to offer comfort. To lick your face dry and hold you in his arms; warm body against warm body just like he’s daydreamed about.
The more time that passes, the further he falls. 
On slightly rarer occasions, ones where he’s alone in the quiet of his room for longer than a human should be, he thinks about feeding your own lovingly cooked gore to you. Get’s him more riled up than he’d like to admit.
He can see it as clear as a freshly painted watercolour; a candle-lit dinner. Warm lighting. He’s tried his hardest to cover up the smell of his cigarettes for you, a scent that clings to his walls like mould, with roses. The smell of whatever he’s cooked for you permeating the air.
Soup sounds good, doesn’t it, love? 
It’s a macabre yet intimate fairytale that finds its way into his thoughts when all else is quiet. Leaves him tossing and turning in his bed because the scraping just won't stop. He swears he's bleeding out from the inside, and he’ll break his own kneecaps from how long he’s been on the floor at your feet begging you to make it stop. To stop the scratching, the itching, the nagging feeling. For you to clean and stitch up his wounds, new and old. 
He’s utterly enamoured with the thought. The idea of being that close to another human being. To be able to physically intertwine each other’s atoms through mutual consumption. To be sewn into the quantum patterns of your being. For you to feed him a proper meal like his parents never could.
He remembers being taught in his History class, the one with the old hag of a teacher who, with her droning words alone, convinced him not to take it for GCSEs, that in ancient times people used to eat each other as well. They did this so that in life, and eventually in death, the two of them would share an utterly unique bond, as well as each other's attributes. 
He only really remembers that because his mates laughed at the idea of aristocratic Victorians eating mummies like it was a five-star meal for weeks after that lesson. 
Even so, Ghost decides he could die happy on the field knowing that a part of you rested within him. That even when he was dead and gone, probably much earlier than he should be, you two would still be connected. He would have a piece of you, and you him.
And you, him. Mutual consumption. He doesn’t mind extra scars, extra wounds, because he knows you’ll lick them clean for him. Knows you wash them, stitch them up and check on them so they heal properly. 
In the end, that is the intimacy he dreams of. The affection he wants from you. 
His body is yours, as yours is his. Let him be yours. Let him feed. Let him fulfil you. 
The idea leaves him with a small smirk on his face that Soap nudges him in the ribs for with a prodding grin of his own. 
So, he makes a decision. For once, Simon and Ghost agree on something and work together as one instead of turning the other off for the greater good. 
The decision? To feed. To finally know what it is like to be full instead of half-starved. 
The scraping, the nagging, only grows stronger. 
He makes it a point to bump into you as much as he can before his next mission. 
Anywhere is a dinner table to him. On the crowded train, brushing his calloused hand against yours to ease the hunger for even a second. In the artificial lighting of the run-down corner shop, grabbing that bag of snacks that are just out of reach for you. Anything. Anything will do. But it only temporarily satiates the pang, doesn’t satisfy it. He just gets hungrier and hungrier and hungrier. 
He knows you’ve begun to notice him. You’re getting hungry too. He just hopes it’s in the same way he hungers for you. He hopes you’re hungry for him, and him alone.
At first, you attempt to offer him platonic comfort, which, God above, tastes so sweet. You offer soft touches on his shoulder. You gift your fingers intertwining with his as you cross the street to his home because he’s gone off on another bender trying to stop turning over in his bed and seeing the inside of a coffin that he has to dig his way out of again. 
‘N you’re just some poor night owl who’s trying to be kind. 
It becomes a routine. Both for you and him. You know he’ll come out of the pub at quarter to one and you know he’s expecting you. You’ll walk the same walk to his home, fumbling with his keys as he looks at you with the softest eyes you’ve ever seen on a man, hands intertwined. You’ll still carry him home and close the door softly with your foot as you lay him on his couch and get him a glass of water and whatever painkiller he has lying around. You’ll still stay as he chats, drunkenly, to you. You’ll take care of him and he’ll be whole again, for just a moment. 
At least until the morning comes, anyways. 
He hungers for your touch the same way water hungers for the cavities of people’s lungs. Hungers for your skin like he hungers for the nicotine in his cigarettes. Hungers and begs and pleads until you both fall like Icarus; wax melting and dripping off your backs as you try and crawl your way back to the sun, back to the light, while he drags you down into the depths of the deep blue. 
It's almost poetic.
In the midst of your drowning, the front door opening startles you out of your stupor. You do that a lot, Simon notes. You’ll black out and stare at a wall for hours, whether it be to awkward silence or a piece of music. He doesn’t question it, verbally, at least. From how easily you dissociate, he’d say it's something you picked up a long time ago. He’ll find out when, eventually. 
Carefully, you get up from the couch, approaching him as he walks over to the kitchen counter. The blue plastic bag he has rustles loudly in the spotless kitchen. 
“What’s that?” You ask, gently, placing a hand on his shoulder to get a better look. 
Please give me more. 
He lets out a knowing grunt and pulls out two round, red fruits. At first, you mistake them for apples, but the star-shaped top throws you off. 
“Pomegranates?”
He nods, looking into your eyes for some sort of approval. 
Gingerly, you take one of the pomegranates out of his hand, his fingers twitching as the pads of your digits brush against his. Your eyes dart back and forth between him and the fruit as you do so, careful to earn his compliance as you inspect the fruit. 
I’ll take anything you give. Just please give me more. 
They’re a deep red, almost crimson, and the shine reflects your face on its vermilion skin. 
“Chopping board,” He pauses, “please?”
Nodding absent-mindedly, you place the fruit back into his cupped hands. 
You open the drawer behind the both of you and pull out an old chopping board, red soaked and stained into the wood that Ghost just can’t seem to get out. You place it on the counter next to the pomegranates, along with a clean bowl he didn’t even hear you grab, and then find your way to the knife block. Hearing the subtle shink of a blade against wood, Ghost turns and scrutinizes you as you try to remember which knife is the fruit knife. Choosing the shortest one, you hold it by the handle, facing downwards just like Simon taught you, and place it on top of the chopping board with stitched-up hands and missing fingers from all the times he’s begged for more. From all the times you’ve said you have nothing more to give, but he knows you always have more. 
I’ll take even the spare and broken bits. Just look at me. Touch me. Let me be full.
You watch, intently, as he delicately cuts the top of the pomegranate off, slicing through the thick skin. Gently, he peels the layers of the pomegranate back, kissing each one with the tips of his fingers, letting it stain them something beautifully violent. He reveals the soft viscera inside, glancing back over to you again and again. Looking for something in your eyes you’re not sure you can give. He cuts it into quarters, continuously surprising you how utterly gentle he is with it, but not down to the skin. Leaving it in a fileted star-like shape, he turns it upside down on the bowl, and, using his hand, slowly shakes the seeds off of the fruit into the bowl. 
Once he’s finished, sure he’s got all of the seeds off, he sets the empty corpse aside and just…stares at the bowl of red. 
The silence is deafening. You want to fill it.
Simon takes a bloody scoop of the red viscera with his right hand, letting the pinkish juice dribble down his hand, his forearm, and drip onto the immaculately clean counter. 
The kitchen smells like bleach. It makes the back of your throat itch. 
He offers his hand out towards you, like an olive branch, like some lurid type of eucharist, and, like the obedient dog you are, you feast. 
“I love you.” He mumbles, fondly watching the muscle of your tongue dart out to catch the pinkish juice dribbling from your frothing maw. 
Be full. Let me fill you, and in turn, you fill me. Feed on me until there is nothing left. Let us decompose, intertwined. Please. Just say you love me, too. 
You’re eating, and you begin to repeat it, but Simon ‘Ghost’ Riley taught you well not to speak with your mouth full. 
-------------------
Note- If anybody believes this needs the Dead Dove: Do Not Eat tag, please let me know. I've seen much more horrific works without the tag, but I'm mildly worried this is inching into the category. 
I've spend the past week hearing Abbey by Mitski at every turn, so I wrote this out in an hour or two. I think if I heard that song or saw something about bloody pomegranates one more time I think I would've started chewing the flesh off of my own bones. Canabalism as a metaphor for love is a incredibly profound, and, in some ways, poetic literature device for the sheer destruction a toxic relationship can cause, so, I wanted to try my hand at it! And also to stop myself from clawing my face off from hearing anything about this canabalism metaphor from literally everywhere on the internet.
I apologise for this being description and inner monologue heavy. I wanted to focus on the horror aspects in this rather than the romance aspects, so I'm sorry if you didn't get what you came here for. 
Do tell if this feels too out of character for Ghost. It was originally written for König, but I changed it last minute. Thank you for sitting down and reading my work! It means a lot <3
I'll leave it up to you if the metaphor is really a metaphor in the end. 
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exitpursuedbyavulcan · 10 months
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Ok i am so, so sorry about this, but Studious V may come later this weekend or early next week.
My literal dream job just opened so I've set everything aside so I can make sure my application is perfect. And I'm going on a trip with some friends this weekend so idk how much time I'll have to write.
Thank y'all so much for your patience, I promise you'll be happy with the end result! 💜💜💜
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A quote from Hans Christian Anderson's Little Mermaid
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Mel's mer-aunts all have gardens. She wants to know if Triton left a little plot somewhere in Atlantica for her and if she gets to visit them
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melverie · 1 year
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Lesson 10 and 11 were great btw
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tbh I wouldn't mind if the rest of the season continues on like this
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catherine-sketches · 3 months
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So in my “will-i-won’t-i” with Hazbin Hotel and Helluva Boss (where I procrastinate and don’t watch the shows and only absorb the content through TikTok, Tumblr and sometimes Twitter) I came across Staticmoth/ VoxVal.
I saw the scene with Angel and Valentino. His abuse and disgusting behavior. I have an idea on how this moth asshole behaves.
And I have seen some people think that their relationship would be toxic, that Vox and Val, if the predictions are correct and become (or are revealed to be) a couple, would beat the shit (physically, mentally and emotionally) out of each other on the regular, but I think the idea that him and Vox having a healthy relationship could be such a punch to the gut plot wise.
Because that would mean Valentino IS capable of understanding consent. He KNOWS what working with someone else means without disrespect. He FULLY knows what sex is supposed to be like.
But that’s is between equals. Vox? His equal. Fellow overlord.
Angel? His property. Why would he give a shit about his thing?
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fazedlight · 6 months
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💗 7 years of supercorp fics 💗
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It's been a little over 7 years since Lena came into Kara's life. This immediately prompted the first supercorp fic and has led to tens of thousands more. Despite the show ending two years ago, supercorp has had some massive staying power (look at that trendline!) and become the biggest F/F ship on AO3.
Something tells me we're going to be creating for a good long time 💪(Including me. If you'd like, read my supercorptober ficlet-turned-oneshot, Echoes of the Forest!)
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cafenervosa · 3 months
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I'm not interested in death! There is only one thing that concerns me, and that is the preservation of life!
YOUNG FRANKENSTEIN (1974)
[ID in alt text]
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mellowumbra · 10 months
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anyone wanna read my smutty ass werewolf abby story?
She's almost doneeeeeeee
also hi ive been lurkin and workin,,,, writers block is a bitch
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relicsongmel · 2 months
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Reblog if you love this girl ❤️
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melit0n · 7 months
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Miasma
- Oneshot
- Stalker Phantom/Reader
- Word Count: 4.9K
- Warnings: None
- Ao3 Link: https://archiveofourown.org/works/50298724
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Your feet move in sync with the fellow members of the soloists; different shades of tulle elegantly twirling in time with the orchestra. This was the final, full run-through rehearsal until to morrow’s show; a new production long awaited to be displayed to the public.
The dance routine was tiring, yet not the worst you had ever done: the repetitive, 10 hours of practice each day with a ballet master who was unwilling to take anything but utter perfection brought more ache to your muscles than completing your role in the show itself. Yet, even with tired, overworked calves, you continued to strive for the grace and refinement that your teacher had forged into your very bones.
The surge of the orchestra reverberates in your chest as adrenaline courses through your veins, as per usual when you danced upon the stage; practice or live show. Despite the hours upon hours you had spent practicing this piece, you still had the innate fear in the back of your mind of tripping over your own feet and falling, or crashing into one of the other fast-moving girls, subsequently earning a condescending reprimandment from the ballet master. 
Nothing but perfection. Something hard to achieve with bruised ankles and lungs constricted within a too-tight corset. 
Despite the lack of a large, judgmental audience, the sting of observant eyes burns into your figure. Being a ballet dancer in a prestigious company, with delicately crafted productions showing to the public almost every other day, you were used to the stare of thousands on your figure. 
This, however, was different.
It was an almost eerie sensation; an uncomfortable tingle raising goose-flesh on the back of your neck.
Covertly, you scour the darkened auditorium, seeing nothing but the bright red velour of the thousands of seats and the rich gold of the engraved private boxes. 
You would have left the odd feeling to be the result of nerves, or the watching eyes of the stage director, or even members of the chorus, yet, it felt unrelenting. Eyes somehow managing to stay trained on your figure and your figure alone, even through the organized flutter of tulle.
As you pirouette, however, you catch the stare of the first violin player in the pit.
Ah.
Augustine would laugh at me for my paranoia, you think to yourself.
Regardless, the swell of the orchestra sends a strain through your legs; your muscles pulled taught in anticipation of finally finishing for the day, if not to only do it again the next day. 
Finally, the woodwind and strings grow louder, along with the leading soprano, and the piece is finished. You flourish your legs outwards in an arabesque, holding yourself delicately on the tips of your ballet shoes, careful not to wobble, careful not to do something that would be counted as anything less than perfection. Simultaneously, you flinch slightly as the sound of ripping fabric meets your ears.
You can feel the beads of sweat running down your back, soaking into the itchy fabric of your costume. Chest heaving, you hold your position for a few moments before a loud, happy applause erupts from the observers of the final rehearsal. Gracefully, the leading lady bows as members of the chorus and corps de ballet surround her; congratulating her on reaching her notes, as if that wasn’t what she had trained tirelessly her whole life to be able to do.
The glare of the calcium lights burns. 
Eventually, the stage director himself praises your group and, as it has finally struck 6 pm, calls for the members of the ballet, the chorus members, the orchestra and the leading actors to part and leave for home. You walk, tiredly, off stage right, rubbing the back of your neck. 
You avoid the eyes of the first violin player, trying to catch your gaze yet again. 
Squinting in the gloom, you find a large rip on the back of your costume’s bodice. You scowl as you run your hands over the ripped threads, nails plucking the strings of fibre like those of a harp.
A careful hand finds your shoulder, and you look up to see your friend; Augustine. Happily, you smile at her, her clean white teeth smiling back while she tilts her head in question at you. You stand straight and state, annoyed, “My bodice ripped.”
“Good riddance.” She replies, sarcastically.
"For the amount of funding the costume department receives, I would have hoped they would make one of the main pieces of our costume more durable-”
“-And less itchy.”
“And less itchy.” You agree. “The costumers are not the ones dancing in those for two hours,” You sigh out as you run your hands over your bodice again, feeling the threads of the expensive fabric and praying, quietly, that the costumers would not ask for payment in fixing it.
Augustine laughs joyfully at your expense, saying, “Perhaps you should send a complaint to the costume department, or even-” You huff loudly, already knowing what she was about to suggest, “-The Opera Ghost himself! He’d be sure to scare the costumers into submission, no?”
Laughing tiredly at her jokes, and both of your aching muscles, you continue to walk backstage, cautiously avoiding the moving scene– being directed by the shouting stagehands above– and passing by your fellow actors; each either gossiping, rubbing their fatigued muscles or talking amorously with the sweating stagehands.
“I don’t think I’ve been so tired in my life,” Augustine mumbles.
“Perhaps you are getting old?” You joke back.
“Don’t you even start!” She nudges you harshly in the side, smiling, while you cry out in faux pain. “I don’t think I’ll be able to move after I’ve gotten into bed.”
“Bed?” You question with an eyebrow raised, “I thought we had planned for dinner this week?” Augustine and you had a ritual of going out to dinner, a new restaurant for each occasion, before a new show was performed.
“If I am to afford new ballet shoes, I think I may have to give dinner itself up for a few weeks.” She smiles a tired smile, one that does not reach her eyes.
“Do not speak so, Augustine. I’ve told you once and I’ll tell you again, if you ever need help with your finances,” You place your hand on her shoulder, “Just say so, and I will be there to aid you.”
You both pause in your walking, and she looks at you with lapis-like hues as she speaks, “I could not– would not– burden you so.” You open your mouth to reprove, but she begins speaking again, “Yet, I appreciate your offer.”
Raising an eyebrow at her, you pat her shoulder empathetically as you intertwine your hands. You walk further into the metaphorical guts of the theatre, squeezing up stairs too thin and creaky to be safe and down darkened corridors only illuminated by the dim gleam of the oil lamps not yet put out for the evening. 
Oddly, with each dim hallway you pass, goose-flesh seems to arrive on the back of your neck. As you did during your performance, you chalk it up to the members of the ballet looking at you, or, perhaps, a draft coming from the cellars of the theatre. 
As you walk, both of your hair pins keeping your hair in tight buns come out, as well as your shoes loosened. Many different people walk past you; male members of the chorus with bottles of liquor in their hands, hopeful, seasoned members of the corps de ballet, as well as your fellow soloists, and stagehands unhappy with their pay alike.
“What do you plan to do with this month's payment?” You ask, in an attempt to start a conversation again.
“A new-” Augustine begins.
“-Other than the new pair of ballet shoes.” 
She glares at you, half annoyed and half entertained; “A restock of oil, most likely. Perhaps a new sewing kit? You?”
“Same as you; a re-stock of oil and more cleaning chemicals.” She nods, understandably, at your decision. As you turn past another unlit hallway, your goose flesh arises on your arms now, and you quickly glance over your shoulder to look for anyone in particular, perhaps that first violinist, but, you find no one. No one but the average crowd of gossiping dancers. 
“Are you well?” Augustine stops and looks over her shoulder at you. “Are you looking for someone?” She squints into the crowd along with you, searching the different heads for who you may have been looking at.
“No, I apologise, I just…had an odd feeling.” Augustine looks at you incredulously, before a sly grin makes its way to her pretty face. 
“Hm. Mayhap the Phantom is eyeing you from the shadows…” She puts on an ominous tone, the same tone the stagehands place upon themselves when telling ghost stories to the younger chorus members.
“Don’t-”
“-Eyeing his next victim-”
“-Augustine!” You begin to laugh.
“-Waiting for the perfect moment to drag you down into his cellars and make you a part of his bone collection!” She grabs you by your shoulders and shakes you vigorously as you laugh heartily; relieved of your paranoia by her jesting. With mention of the renowned Phantom, some members of the chorus walking past let out a nervous laugh, some lingering or slowing their gait to listen in on any gossip on the local ghost. 
Still laughing, your chest aching with both the strain of the corset and the joy flooding out of your mouth, you finally reach one of the many dressing rooms, along with many of the female chorus members and soloists; some already changed, others half nude. 
The dressing room was made out of warm, shined oak, and was lit in the lamp-light glow, fire-formed rays spreading like spring petals upon the peeling, ivory-coloured wallpaper of the walls. Multiple wall-length mirrors hang on the walls, the glass of them scratched and worn with time. Nothing in comparison to the official, commonplace elegance afforded to a select few of the principal dancers, let alone the dressing rooms of main actors.
Once, you had visited one of the secondary operatic vocalists in their room, invited to share tea and gossip as she had taken a liking to you, and were astounded at the elegance and grandeur of what should have been a spartan dressing room. The warm room contained a pier glass, a sofa, a dressing table and a cupboard or two. On the walls were intricately designed wallpaper as well as art pieces you swore you had seen once on a visit to the Louvre. Along with an astounding amount of flowers, a tall, wood-set, engraved mirror lay on the far left wall. It matched perfectly with the marble palisade that was the Théâtre National de l'Opéra.
As per usual, different shades of hats were sat, hanging, on dress hangers, as well as dull evening dresses. The more expensive, elaborate dresses with long trains were usually kept tucked away until show night when rich patrons (ring-bearing or not) usually paid visits to the female members of the chorus and troupe of ballerinas.
Reaching your designated changing area, where your own evening dress lay folded neatly upon the wooden bench, you began to converse with Augustine yet again.
“Are you sure you won't join me for dinner this eve?”
Sympathetically, she watches your form from the corner of her eye as she slips out of her costume, reaching around to finally undo her corset, “I am sure, I apologise, you know what it’s like-”
“-Don’t apologise,” You sigh deeply as you undo your own corset, letting the warm air of the dressing room fill your lungs. “I won't berate you for wishing to save some extra money.” 
Aimlessly, Augustine chatters to you about the ache in her calves, and how she believes she’s found yet another ‘life-saving’ treatment for her damaged muscles. Your conversation filters in with the rest of the chatter that occurs in the room, and, half listening to Augustine, you pick up on some of the other’s words. In the left corner, a group of girls surround one of the newer members of the troupe of ballerinas, chatting to her with large grins placed delicately on their rosy faces. You spy the glint of gold and some sort of gem on her ring finger.
Lucky, you think to yourself as you begin to pull on your chemise and stockings. 
In another corner, there are whispered nothings between two girls, one you know to be a young woman named Blanche; a tall thing with peachy skin and hair the colour of a golden sunrise, almost always kept in a tight plat. She looks at the shorter girl, half-dressed, next to her with the same sort of eyes some of the comtes and young vicomtes give to members of the chorus in the parlour.  
You’re pulled back from your people-watching by tumultuous shrieking outside the corridor. Were you not accustomed to the trainee ballerina’s rambunctious shouts after they had finished practice, you would have expected them to have seen a ghost.
Or, rather, the ghost.
A collective sigh resounds in the small room as the noise dissipates down the hall, followed by your own dressing room door opening as three giggling girls enter. Augustine gives you a weary sidelong glance as the pitter-patter of ballet shoes approaches your corner. 
“Hello Mademoiselle L/N, Mademoiselle Charbonneau! We finished practice for Polyeucte this eve!” Lucille, a lithe creature with a button nose and bitten-down fingernails speaks, excitedly.
“Yes yes! Yet we didn’t spot either of you,” Little Jammes began to moan, she was a favourite of the chorus and existing members of your troupe of dancers with her tip-tilted nose, forget-me-not eyes and rose-red cheeks. “You promised you would come watch!”
Before you or Augustine could respond, another voice added their opinion on the situation; “They couldn’t! They have the performance for the new production tomorrow eve, imbécile-”
“-Don’t insult Jammes so, Elaine,” Augustine reprimands. “I-” She quickly glances your way, “We apologise. Myself and Y/N are quite fatigued; we were not granted a break to day. If we have time, we will watch your practice in the morning on the Monday.”
The younger girls let out a happy cheer at their small success. Elaine and Lucille skip off to where the other apprentices and members of the corps de ballet were changing, while Little Jammes lingers behind.
Nodding to both yours and Augustine’s forms, she says “I hope your performance goes smoothly tomorrow, mademoiselles.” She begins to turn back to the rest of her group, however, glances at you and speaks yet again; “Oh! And don’t forget your scarf.” She giggles, almost maniacally, before prancing out the door and off to her group.
“Will do, Little Jammes.” You call out after her. She turns and smiles, acknowledging you.
Little Jammes was one fond of jokes, one being stealing your scarf and having you chase her around the Opera House looking for it. A game of hide and seek, as well as hunter and prey. You had kept up the game for almost three years now, her having just turned fifteen.
One of the girls, just putting on her bonnet, turns to you as she fixes the ribbons; “I’m unsure how you put up with such boisterous creatures, even Little Jammes; the lot of them are such brats.” She jokes sarcastically, you smile at her as her eyes, black as ink, look into yours for an answer. 
“It is not much trouble, even if all the majority speak of is the fabled Opera Ghost.” The young lady and Augustine both laugh at your jest. As she finishes with the ribbons of her bonnet, she waves, and wishes you both a good evening. 
By this time, most of the changing dancers had finished dressing and had left, including the members of the corps de ballet and trainees; eager to leave the domain of the Opera Ghost for the comfort of warm blankets and dinner. Augustine and you are slightly behind schedule, taking extra time to chat aimlessly.
“I can’t believe it takes you so long to dress,” Augustine jests as she finishes buckling her shoes. 
“I know you wish to leave for your apartment Augustine; go. I will walk home on my own to night.” 
“Are you sure? Will you be well?”
“Of course, I will be. I am a grown woman, Augustine. Either way, I must talk to the costuming department in order for them to fix my bodice.”
Augustine raises an eyebrow at you, as if thinking this is some test of friendship, before nodding and pulling her shawl across her slim shoulders.
“Good evening, Y/N. Be safe.” She calls over her shoulders as the click-clack of her heels descends towards the exit. “Oh! And I promise to go to dinner with you next week!” She peeks her head over the door frame to call back to you. 
“Sure.” You call back sarcastically. You catch a small smile on her tired face before the sound of the door echoes in the empty dressing room. Finally, you finish dressing, placing your hair into its usual updo again. As you do so, a newspaper, left behind by the young woman of whom you had been talking to, catches your eye. Its newsprint page open on the Opera and Theatre periodical, and a title in bold reads; ‘800 Pounds on a Concierge's head.’
You recognised the tragedy almost instantly, for it had only occurred but three weeks ago. You were surprised the headline was still making rounds, let alone at the top of the periodical. Although, you suppose, this may be an old paper. Underneath the pompous title shows;
On the evening performance of Helle, May 20th, one of the counterweights for the Théâtre National de l'Opéra’s chandelier fell suddenly, upon Madame Colette Auclair, aged 56, during her first and last visit to the Opera House; as she passed on impact. Stagehands deny any and all involvement with the tragedy, and report no issues with the counterweights. Many of the members of the Théâtre National de l'Opéra claim it to be the work of the ever-so-infamous Phantom of the Opera; The Monster of Paris.
You cease reading the moment your eyes graze over the word ‘Phantom’. You felt it ludicrous that an official newspaper would accept and continue to publish such a superstitious and almost mocking piece. Someone’s death shouldn’t be attributed to a spectre that lingers in the imagination of artists, the superstition of the managers, or the absurd and impressionable brains of the young ladies of the ballet.
As are the faults of journalism, you suppose.
Sighing, loudly, you close the paper and check the date, which read that it had been re-published not but a week ago. You glare at the bold print while reaching to the hanger for your scarf, and, when your hands find nothing but cold air, you turn.
All you find is an empty hanger. 
How odd, you think to yourself. It was there but a minute ago, where could it have gone?
You begin to look around the dressing room, before realising what Jammes had hinted at beforehand. Yet, you frown. How could she have gotten in while you weren’t looking? Even if you had been distracted reading the paper, you would have most definitely heard the loud creak of the un-oiled door.
Eyes searching, methodically, around the room, you finally spot the hue of your scarf peeking out from the ajar dressing room door. The tassels lying, spread, across the scuffed wood of the floor. 
Exhaling, yet again, you call out for Jammes, who you still swore had left long before you had, and begin to walk across the room. 
I don’t know if I’ll even have time to visit the costumers at this rate. I do hope they’re staying late this eve, you try to convince yourself.
The heels of your boots send a resounding click-clack across the now bare room. As you near the door you crouch slightly, you begin to walk on the tips of your toes, like a cat ready to pounce on its prey. 
“Jammes…” You mumble out with a smile growing on your face, slowly reaching out to grab your scarf, preparing for a tug of war with a giggling ballet girl, before your scarf zips out from beneath the pads of your fingers. 
You scoff, surprised, before peaking your head out of the doorway, like some weary animal, and looking down the left hall. Your scarf sits, innocently down the hall, peaking out of another corner. Mocking you. 
It was unusually silent. You didn’t hear a laugh nor giggle come from the teasing girl. Glancing down the other hall, you keep watch for the lamplighter. He is not here yet. Softly, you step out of your dressing room and begin walking down the hall to your beloved scarf. 
The oil lamps send shadows down the hall, long, gangly ones that claw at the hem of your dress as you walk forward. Long, gangly ones that you swear whisper in the dark of the halls. Whispers that sound much too like your fellow dancers, asking for you to follow them.
“Jammes?” You call out into the moving mass of darkness. 
No reply. 
Yet again, as you creep closer to your prize, it is pulled away from your grasp; whisping down another ill-lit hallway. 
“Jammes,” You whine, quietly. “This is not funny Jammes. I have to go see the costumers before they leave for the evening.” Despite your worries and growing annoyance, you follow your scarf down hallway after hallway. Ones you find lead deeper into the Opera House, down passages you were sure were only touched by stagehands. Down routes that only the spiders and their webs called home. 
Quite admittedly, you begin to grow afraid. Afraid of both the dark and the odd whispers that you pray are simply the evening wind whistling. The gossip of the corps de ballet begins to catch up to you too, murmuring descriptions of a man, a creature, with the body of a corpse; skin rotting off its own bones and the Night itself hiding in the sockets of the ghost’s skull. 
Perhaps you are just as paranoid as the brats of the corps de ballet. 
Augustine would laugh at me for this, you repeat as your scarf slips out from under your fingers yet again. Just wait until I tell her about my little exertion to morrow morning.
Eventually, you find yourself in a dank hallway deep in the Opera House, near the storage room for all the set pieces, you suppose. 
Jammes must have been dared down here by her friends at least once, you reason with yourself.
A trapdoor, locked, sits to the left of you, a bit further up the hall. The wood of the floors let out a cry each step you take; bending around your feet. You fear it may snap from right under you. 
“Jammes!” You call out frustratedly. You had spent twenty or so minutes travelling down into the depths of the Opera House for a mear scarf; you could have spoken to the costumers and been on your way home by now! Typically, your cat-and-mouse chase with Jammes only lasts ten or so minutes, for her mother calls on her before she can go too far. You were tired, frustrated and ever so slightly fearful. 
As you begin to turn yet another corner, one you would suppose would lead down into the storage rooms and the vaults of the opera, you are met with pitch black itself. It was as if there was a wall of night standing before you; a mirror reflecting a pitch-black sky you couldn’t see.
Out of the void reaches a white, silken gloved hand, holding your scarf, and your scream echoes loudly in the empty hall like the first chords played in a silenced auditorium. Your hand immediately goes to your chest, to squeeze your thumping heart into submission as your lungs heave for Oxygen it doesn’t have. 
“Apologies, Monsieur, I…” You try to catch your breath, incomplete thoughts rushing through your brain due to the spike in adrenaline. “...I did not see you.” He wears the type of expensive glove only those who visit the Opera House and its members wear. Clean, white as pure as a dove’s wing, and well made. Immediately you question, mentally, what someone of supposed high status is doing so deep in the belly of the Opera House, especially since there had been no public show today. Further, if Little Jammes is nowhere in sight, then is this who has been leading you around the Opera House with your scarf? Or, perchance, has Jammes given your scarf to him in order not to get caught?
He speaks not a word; you do not even hear him breathe. Your nostrils are met with a terrible stench as a breeze ascends from under the trapdoor and behind the man, sounding more like agonised cries than wind. Mold, stagnant water and…and death. The type of miasma that lingers in your apartment when a trapped animal passes in the cage of your walls; rotting to dust. 
Rotting. Rotting flesh. Rotting flesh pulled taught against bones like a drumhead. A horrible image infiltrates your fatigued mind. 
You are unable to see a single inch of him other than his silk-covered hand, the beginning of his clean, nicely dyed overcoat and of course, your scarf. In the dim lighting, his hand seems to be trembling, as if holding a tremendous weight. Let alone the grip he seems to have on your scarf; the fabric crinkling under his fingers. Despite him holding it out for you to take, the grip he holds on to it with makes it seem he almost wishes not to let go. Conditioned by years of interacting with the higher class, your mouth immediately goes to asking on his well-being.
“Are you well, Monsieur?” You whisper, emphatically with fear laced in your voice. 
The hand reaches further outwards with your scarf, and makes a motion for you to take it. You stand there, between the stagnant air and the man, looking back and forth between your scarf and where you believe his eyes to be. 
You look at him with an uncertain stare, before gently reaching out to take your scarf. You approach this like you would approach a wild animal; with slow movements, and careful eye contact. Cautiously, your hand meets the soft fabric of your scarf, as well as the coolness of his gloves. 
A shudder seems to run up his arm, and you’re half sure he flinched from your touch. Yet, your scarf remains in an iron-grip, despite your light tugging. 
Again, you squint into the void, trying to find his eyes in the dimness of the oil lamps. “...Monsieur?” You mumble, even quieter than before, with an increasing amount of panic in your voice. As if suddenly remembering he’s holding your scarf, he jolts, yet again, and releases it. 
Yet, his hand still lingers in the air.
Wrapping the scarf around your neck, you can almost feel his eerie gaze following your hands as you do so. His hand still floats, trembling in the air. It almost seems like he wishes for you to take it. Take it and follow him into the vaults of the opera house. Take it and make you a part of his bone collection. 
You waft the idiotic thoughts away from your head with a swift movement of your hand, disguised by pushing the ends of the scarf behind your back. 
Idiotically, with worry laced in your movements, you reach out for him again, gingerly placing your hand on his upper arm. A shiver of your own rattles through you, like a cold finger caressing your spine. The pads of your fingers find the expensive threads of his overcoat, and, dear Lord, he is so cold. Even through his coat, you can feel the wintery burn of his skin. He was so bony; ever so skeletal. With such a gentle touch, you felt as if you could crush the bones of his arm. 
A half gasp half sob quickly escapes his mouth, regardless of the distraught tone he held, he manages to sigh with perfect pitch and time. 
“Forgive me-” Taking a step backwards, you apologise immediately, but you’re met with the quick swish of fabric through the dank air as another foul-smelling wind arises from the trapdoor. It flutters through your hair and causes a chill to settle in your chest. It curls up around your lungs and heart and makes every breath difficult.
Your scarf does nothing to keep you warm. 
Most of the dimming oil lamps are quickly blown out by the strong gust, and the little you could see of the man is engulfed by the dark. 
Only one oil lamp remains, barely lit, behind you. 
Quickly, you step backwards until your back hits the wall, and you reach for the lamp. Unhooking it, you bring it forth to the hall, thrusting it outwards into the void. 
There is nothing there other than lingering dust. 
Another gust of wind arises, and quickly puts out the lamp. As you now stand in the dark, a cacophony of whispers erupts upon the cold wind.
He’s here, The Phantom of the Opera.
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I had an unbelievable amount of fun writing this. I'm sorry if this doesn't read completely right; I was doing my best to imitate Gaston Leroux's writing, since I wrote this for Leroux!Phantom rather than Musical Phantom (or any other phantom for that matter). Further, I apologize to any possible ballerinas reading this, for I know the terminology Google and some ballet Tumblr blogs gave me may be incorrect.  I know there isn't that much actual Phantom interaction, but I wanted to focus on the more creepy and touch-starved version of him. Either way, thank you for reading <3
Historical Notes:
- Calcium Lights = Another word for limelights
- Théâtre National de l'Opéra = The name given to the Palais Garnier from September, 1870 to January, 1939 
- 800 pounds on a Concierge's head = An actual headline written by Gaston Leroux himself. On May 20th, 1896, a performance of the opera Helle was underway when a counterweight, one of multiple that held the chandelier up, broke loose and fell through the ceiling; killing a Concierge on her first (and last) visit to the Palais Garnier, which inspired the falling of the chandelier in Phantom! Forensic investigators later said a nearby electrical wire probably overheated and melted the steel cable holding up the counterweight, causing its fall, yet, for all the superstitious opera workers, it was said to be the famous Opera Ghost. The name used for the concierge is made up. 
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exitpursuedbyavulcan · 8 months
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Probably not gonna be posting or reblogging much today - personal stuff
Next chapter of Silver Dragon is about 60% done, gonna try and get that out sometime this week so I can start working on the final part of Studious
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dracoguts · 4 months
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(⁠⁰⁠▿⁠⁰⁠)⁠◜⁠✧ hallo! Mel here for The Dragons Guild with another special Faesta fan request photo! Today we picked an outfit for another guild member, not just little ol me! The comment from the user reads:
"For the reserved Leader who wears many layers: I would like to see them as a tempting succubus. thank you in advance."
What do you think? Do you feel charmed by our super cute leader? Let me know in the comments!
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melverie · 1 year
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Just remembered that Satan in the "A World of Our Very Own" devilgram says that he believes he was "born in order to meet MC" and it always sounded incredibly cheesy to me but then I thought about it a little more and--
Originally, Satan was just a small glimmer inside Lucifer's consciousness until Lucifer's wrath reached its peak with Lilith's death which, in turn, resulted in Satan's birth
MC is a direct descendant of Lilith after she was reborn as human
If it weren't for Lilith's death, neither of them would be here
Both of their existences are directly intertwined with one another, so in a way Satan's right
They have always been destined to be a part of each other's lives
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rushin-safire · 2 months
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FIXED MY ART BLOG LINK ON MY MASTERPOST, WHOOPS-
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