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oatflatwhite · 5 days

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the inherent homoeroticism of war media: a completely unserious presentation by me

[note: some slides have been removed because they're literally just fancams and also i had more than 30 slides boo tumblr image limits]

BIBLIOGRAPHY (just going in order of slides)

and your knees are driving me wild - mash s02e08

george mackay has found his niche in homoerotic war movies

war stories are inherently homoerotic. that's how we got stucky

hangman you look good - top gun: maverick (gif by babyrooster)

letter of recommendation: watching masters of the air secondhand

it's not just sports - masters of the air e02

1 being not gay at all, 10 being liberace in an f-16

we'll go to chicago - band of brothers e01 (gif by @fkmylif3)

it is the law that every piece of war media

kim is a homoseggsual - kath & kim s01e02

Untitled (You Construct Intricate Rituals) - Barbara Kruger

The Secret History of Australia's Gay Diggers - Ben Winsor (+ Paul Fussell quoted within)

Sexuality, Sexual Relations and Homosexuality - Jason Crouthamel

Soldiers bathing in Malaya - AWM

Private Frank Crocker letters featured in Sebastian Faulks and Hope Wolf, A Broken World: Letters, Diaries and Memories of the Great War (2014), pp. 75-78.

mike's mic screencap my beloved <3

winnix gifs by @bandofbrothers2001 @preacherboyd @galebucky

winnix art by @andromeddog

winnix art by @onefineginger

In storms and at sunset by jouissant

winnix memes/text posts: 1 (@bleedingcoffee42) 2 (@krakerjaksstuff) 3 (@claudycod) 4 (@lewis-winters) 5 (@mon-mothmas-collar)

man is a hopeless creature i don't like much of anyone (@sluttyhenley)

You Create Intricate Rituals: The Homoerotic Action Movie - Rebecca Radillo (Lyvie Scott featured)

val kilmer icemav warrior compliation by @mavernick2

t as in top gun: maverick (@misaothewitch)

which is gayer (@holypowell)

we're fools to make war by whimsicule

all my roads lead back to you by liadan14

m*a*s*h video by @amrv-5 (+ reblog tags)

clegan/buck(y) gifs by @4o4notf0und @rcbertleckie

clegan fanart by @ifapromise <3

clegan memes: 1 (@rcbertleckie) 2 (@season-two) 3 (@ww2yaoi) 4 & 5

bomber's moon by moonrocks

**i tried to tag/link everything, if anything is broken or unsourced please let me know and i will endeavour to fix it! standard disclaimer that a) any discussion about war media based on real life people is based upon the fictional portrayals of those people and not the actual dudes. and b) this powerpoint was made for fun, it is not rigorous academic analysis. all opinions expressed are my own. please do not take it too seriously! that's all <3

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hawkeyegender · 3 months

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hes literally a soaking wet cat here

#mike talking #he looks ssoooooooo good here idk what it is maybe the dark hair or but ouuugh #also his side burns i need to look like him #alan alda #hawkeye pierce #mash #mash 4077 #mash 4077th #4077th mash #m*a*s*h #s3e17

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poorly-drawn-mdzs · 10 months

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Why would you—That's not—I just wanted to ask for help, why did you have to go and make it awkward???

[First] Prev <–-> Next

#poorly drawn mdzs #mdzs #wei wuxian #xue yang #Its such a relief to not have to draw so many characters once again.#Redrawing the specific font from the English translated mdzs books was surprisingly fun!#Maybe I'm alone in this...but I think characters switching to a different font of speech for *emphasis* is peak comedy #you can't communicate voice changes of sound very well in non audio forms so this is the best I can do.#Anyways...rip Xue Yang. You finally meet your idol and he brushes you off #Rather— he doesn't live up to the expectations you built in your head #Kind of an on going issue there Jester (I refuse to call him king or sir)#XY is constantly making people out to be the versions he needed them to be to feel justified in his actions #but struggles to pivot when confronted with the fact that these ppl are *more* than just one surface reading!#wwx doesn't actually think xy is flirting. He's just tired of all the fake fans + wants to get out of this convo.#button mashing the A button to skip the unskippable cutscene #Lan Wangji is in the next comic btw. I've missed him dearly. I'm sorry he's been gone so long </3 #edit: poorly spelt MDZS strikes again. This is why I need more time to write my comics. So I can actually proofread B*(#edit2: I cast 'Power of Technology' and fixed my error. Everyone reblog this version instead please

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majorbaby · 5 months

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#this is nothing. it just jumped off the page at me and i was like #he wears it the very first time we see it and then here it is at the end #coincidence maybe #but how could i not do this #not a web weave but: on writing - stephen king / mash s01e01 pilot / goodbye farewell and amen #mash

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mashbrainrot · 5 months

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M*A*S*H references || Community, 1x13 'Investigative Journalism', 2010

#community #mash #mashblr #m*a*s*h #mash 4077 #mashposting #hawkeye pierce #maybe i should have split this one up...#mash references #mash references mine #helen speaks #long post

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ruffaloon · 1 month

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you got your heart in your hands / but your hands are in trouble

hawkeye pierce truly THE character of all time 💖 please enjoy this silly little tribute featuring largest muscle by cheekface, which i'm half convinced was written with him in mind

#mash #m*a*s*h #mashedit #hawkeye pierce #only includes clips up to season 7 bc that's where i'm at rn #maybe i'll make a full version once i finish the show. only time will tell.#*mine #*video #*other

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marley-manson · 2 months

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the topic is Trapper and the army as foils, you have three hours, go

In no small part the satire of Mash, particularly in the first half of the show, is tied up with gender performance.

The army represents traditional, stifling and violent masculinity. This is shown through everything from freudian jokes about guns (eg Frank and Margaret's flirtations in The Sniper or The Gun), to Margaret trying to cajole Hawkeye into performing a more traditional standard of masculinity while treating him like a soldier in Comrades in Arms Part 2, to many jokes and comments about (usually) Hawkeye not being a real man in contrast to army standards and various specific army personnel (eg Lyle in Springtime, Flagg in White Gold), to Frank and Margaret's worship of the masculinity of the army ("He's twice the man you'll ever be," re: Flagg and Hawkeye, Margaret's lust for MacArthur, Frank pursuing the sniper in The Sniper in an attempt to be a "real man" in Margaret's eyes, etc) to many jokes positioning the military as a sexually aggressive man pursuing Hawkeye ("Sure, the sun the moon the stars, your high school letterman jacket. Same deal I promised nurse Baker." "A receipt please, and promise you'll go out with other doctors," etc.)

In contrast, the main characters all fail to perform traditional gender in some way, from crossdressing to immaturity to indecisiveness to peacefulness to Margaret's masculinity and Frank's pathetic failure to live up to his own masculine ideals, to just about everything about Hawkeye. His cowardliness, his jokes about not being a real man, his jokes about taking the feminine role in sexual encounters with men and women, even multiple double entendres about his average at best penis size.

Trapper is the most traditionally masculine of the main cast. He still subverts masculinity in some subtle ways here and there, such as the occasional feminizing joke and mentions of not being in great shape, but overall he's the more butch counterpart to Hawkeye's fem. He plays the role of boxer while Hawkeye plays the role of diva in their respective manager/star roleplaying episodes. He's broader and buffer and plays football, often seen playing catch with someone while walking around the compound, while Hawkeye disdains sports and doesn't participate. He reads Field and Stream which Hawkeye derides in Alcoholics Unanimous while making a wry comment about shaving his armpits. A past lover nicknamed him Big John.

And there are many, many jokes about Hawkeye and Trapper being sexual partners. The recurring Uncle Trapper and Aunt Hawkeye gag, if my father sees this you'll have to marry me, for me? only if you put those on, your father and I will tell you what we did to have you, that's when I fell in love with him, etc etc etc. It's constant. In these jokes Hawkeye usually takes the feminine role, though not strictly every time ("Me and the missus," is one exception in As You Were, the dance in Yankee Doodle Doctor is another).

Trapper's masculinity is differentiated from traditional military masculinity in a few ways. Most obviously, Trapper abhors the military's violence. He never uses guns and mocks Frank's obsession with them, he's a healer rather than a soldier, and he's disgusted by the results of military violence on the men on his operating table.

He's also secure in himself. The military's brand of masculinity is strongly characterized by insecurity and overcompensation. Frank is the main representative of this military insecurity - a coward who insists he's brave (The Army Navy Game), a man who clings to a phallic gun to compensate for his sexual and gendered inadequacies (a main theme of The Sniper, perfectly mirrored when the army itself comes in with a vastly disproprotionately powerful automatic machine gun on a helicopter to shoot down one sixteen year old), a homophobe repressing his own attraction to men (As You Were, the original script of George), etc. We also see this in Flagg, who implicitly sublimates sexual urges into violence (seen when he suggestively caresses his gun while describing how he wants to torture a boy in Officer of the Day).

Trapper doesn't need to overcompensate. He's well-endowed physically, he's portrayed as a competent and considerate lover, he's a brave man who doesn't mind being seen as a coward, and he may or may not be attracted to men but either way he's not a homophobe (George) and he doesn't express his sexuality through violence. When Margaret proves herself stronger than him, his response is to be impressed rather than offended (Bombed). When he dances with Hawkeye for a gag, he doesn't mind letting Hawkeye lead.

He's also differentiated in terms of tradition, with the mliitary representing a more propagandic 50s traditionalism, and Trapper representing a 70s, countercultural freedom from tradition. We see this in the way Trapper has plenty of sex despite being married, while adultery is a court-martial offense in the military. It's notable that he's open and carefree about it, while Frank and Margaret are surreptitious and hypocritical in their affair. This lack of traditionalism is also shown in his disrespect for authority, often in direct contrast to Frank and Margaret's worship of it, and his allyship to George who the military would persecute for his sexuality.

So ultimately we can see that while Trapper and the military are both examples of masculine performance, Trapper's masculinity differs from the military's in being more flexible, less violent, less traditional, and more secure. The military's masculinity is far more toxic than Trapper's, particularly in the context of 70s counterculture media, which aligns womanizing with sexual liberation rather than a lack of respect for women, accurately or not.

This contributes to their respective dynamics with Hawkeye.

Hawkeye, we've established, is usually more feminine, and there are a myriad of jokes characterizing Trapper as his sexual partner, as well as the military as a sexual pursuer.

The jokes Hawkeye and Trapper make about their relationship tend towards cozy domesticity. They're Radar's "aunt and uncle," they directly roleplay marriage ("Martha, we're going to have to move, the people upstairs are impossible,") and less directly behave as though married (the bickering in Alcoholics Unanimous, the discussion about naming their pony in Life With Father). Occasionally they're treated as a healthy couple in contrast to Frank and Margaret's toxicity ("While I'm gone, promise you'll go out with other doctors," vs "Touch anyone else and I'll cut off your hands" in Aid Station).

In some instances the jokes lean towards predatory - "If you're trying to get me drunk, it'll work," or "Who is this man in bed with me?" "I followed you home from the movies," but they're always playful, always fond. If Hawkeye takes on a submissive or victimized role in these jokes, it's one he has fun with and discards just as easily in the context of the rest of his relationship with Trapper.

So, it's important to note that Hawkeye and Trapper support each other and look after each other in an equal, enthusiastic friendship. From Trapper ensuring Hawkeye gets to sleep in Doctor Pierce and Mr. Hyde, to Hawkeye supporting Trapper when he wants to adopt a child, to Trapper right at Hawkeye's side as they attempt to procure an incubator, they are there for each other every step of the way. If their relationship is a marriage in some ways, it's a healthy, strong, and non-traditional marriage, an equal and open partnership free of jealousy and insecurities.

Compare that to the military's relationship with Hawkeye. In jokes it's characterized as powerful and predatory, far from an equal partnership. Sometimes it approaches positive - in Carry on Hawkeye, much of the humour is derived from Hawkeye and Margaret's gendered role reversal as she assumes military command of the unit. Hawkeye playfully calls her sir, seductively lies on her desk like a secretary in a porn film, and most notably treats an immunization shot as sexual penetration in a prolonged gag about sexual role reversal. Hawkeye has fun playing a sexually submissive role to a representative of military authority in this episode, but it is a submissive role.

Several of the one-off jokes have a similar sensibility, such as the double entendre of "My bellybutton's been puckering and unpuckering all day," in response to a representative of MacArthur assuming their excitement over the general's arrival to the unit, or Hawkeye's "Okay, take me, I'm yours," to Colonel Flagg. They demonstrate a willingness to play the receptive role on Hawkeye's part, but they also, pointedly, disturb the object of the jokes.

When Hawkeye makes these jokes that sexualize military authority, he's attempting to be provocative as well as defiantly drawing disruptive attention to his own powerlessness as a drafted surgeon. The power dynamic between Hawkeye and the authority of the military only goes one way, and Hawkeye gets a kick out of pointing it out in ways that perturb the representatives of that authority, but it's a power dynamic that takes its toll on him.

Many of Mash's plotlines revolve around Hawkeye rebelling and attempting to seize some scrap of agency back from the military. Adam's Ribs, for example, in which he starts a mild riot over the food he's being fed and spends the episode attempting to procure barbecue ribs from Chicago (which Trapper procures for him), or Back Pay where he tries to charge the military for his forced labour. A particularly notable example is Some 38th Parallels, in which Hawkeye complains about being paid the equivalent of a nickel per operation, and his frustration manifests in impotency until he can perform a gesture of rebellion against the military.

One unfortunate consistency of these episodes is that the army ultimately retains its power. When Hawkeye achieves his goals, it's only in small ways that do little more than satisfy his own need to assert his sense of self. Often, Hawkeye doesn't achieve his goal at all, but is thwarted by the army, such as in For Want of a Boot. In every instance he remains powerless in comparison to the authority of the military.

So the context in which Hawkeye makes these sexualized jokes about the military literally fucking him is one of abject helplessness. In a sense, all he's capable of is pointing out what the military is doing and putting it in his own, audacious terms. He's not capable of preventing it. His jokes usually have an edge of bitterness to them in delivery, and when they don't, that tone is imparted anyway by the greater context.

With Trapper, Hawkeye can play-act a marriage or an assault, but in either case he's an enthusiastically consenting, equal partner. Trapper's performance of masculinity allows for Hawkeye to take any role from victim to wife to husband, and enables Trapper to respond in kind from a position of equality and respect. The military, in its insecure, domineering performance of masculinity, is a dictatorial authority, never allowing Hawkeye perform any role but a feminized, victimized one, and only ever giving him the choice of whether to perform with a wry smile or a sneer.

In short, Trapper is the cool, considerate service top to the military's insecure domineering boyfriend.

I'm tagging everyone who enabled this lol, share the blame. @beansterpie @majorbaby @professormcguire @rescue-ram

#mash #this was dumb but writing it was somehow cathartic for me lol #i should've done this with frank and hawkeye as foils wrt subverting masculinity bc i think that would've been much easier #but i got caught up in this honestly. it's incredibly fun to write this kind of shit #maybe i'll post a round 2 sometime #marley on mash #ship ht #mash gs #and like... it's a little bit parodic but also sincere to an extent lol. this is absolutely one way of reading all the freudian #undercurrents in the show. it's definitely silly to contrast trapper and the military to make a point about how the show depicts #masculinity especially for like 1800 words lmao but it's a very fun angle #trapper mash #hawkeye mash #long post

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symphonyincoordination · 5 months

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#mash #mash 4077 #max klinger #Quo Vadis Captain Chandler #I'm feral about this dress #From a distance I thought that was a rose print but you can see it's a different flower clearly here. Chrysanthemums maybe?#Also I feel like this moment is quintessential Klinger. Beautiful outift. Zero time for Flagg's military bullshit. Wanders off singing :)

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red-cicada · 11 days

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HANNIBAL STARTREK AU

HANNIBAL STAR TREK AU

I went with betazoid will cause I felt like it made the most sense, and I just also wanted to see him with extra huge big beautiful eyes

I didn't really think to much into hannibal being cardassian other than 1 - I thought Mads would look good with the cardassian makeup and that 2- that garak kinda reminded me of hannibal

-side note, I decied that in mizumono hannibal would use his claws instead of that knife he had.

#I'm going crazy over to many things rn so I'm mashing them all together by making everything into star trek #get ready for some reanimator startrek aus next week maybe #im also gona do saw but i have no idea where to go for that one #it doesnt have to make sense im just having fun #hannibal fanart #hannibal nbc #hanibal #hannibal lecter #hannigram #will graham #mizumono #tw blood #tw injury #star trek #star trek au #cardassians #betazoids #vulcans

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mylittleredgirl · 1 month

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(cut line from 4x10 quo vadis captain chandler)

#we could have had this??????#it's canon now i'm taking it and i won't give it back #i don't know how this script came to be on my desktop there was a link to a drive at some point #maybe someone has it #mash #mashblogging

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saltseashark · 2 months

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happy birthday mike farrell!!!!!

#this concludes the actor drawings until october when i shall do DOS bc i get very emotional abt him #mike farrell #my art #and ofc loretta swit. maybe ill even finish mash by then LOL #hes so sillay.#also WHY ARE ALAN AND MIKES BIRTHDAYS SO CLOSE TO EACH OTHER facepalm facepalm i literally nearly forgot for Both. Augh. anyways

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profoundmakerdreamerss-blog · 4 days

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Tomarry AU time travel but with a twist

— where Tom and Harry are best friends but Harry ends up falling for Tom — and Tom? He rejects him. Because Tom isn't ready. Because he thinks relationships are a waste of time — and believes what he and Harry has is better. And, Harry? Though hurt, accepts his answer. Though there is some residual awkwardness — they go back to being friends.

But— now, Tom is more aware of Harry. Now, that he knows Harry is okay with having a romantic relationship with him, he starts noticing things that he hasn't before. He starts thinking about Harry more than he did before (which basically means he thought about him every second now, back then it was one thought per ten seconds but anyways—) and having realizations about himself that he has been ignoring before due to always thinking about the future. After all he is a busy man with a grand plan — he was just too busy to have time for something mundane like introspection, am I right?

Unfortunately, though before Tom could do something about his emotions derailing his plans — Harry dies. For him. To save him

Tom being Tom, through his all consuming grief and regrets — breaks time conventions to save Harry and ends up travelling back on the day Harry came to Hogwarts. And as Tom tries to make amends for his mistakes by trying to befriend Harry, who is the new transfer student earlier than before, he realizes how strange Harry used to be.

How he would act skittish around Tom or glare at him with so much hatred that would make him stumble. Because Harry never did that, or did he? That didn't matter though, because Tom would win him over anyways — because he is the one whom Harry loves loved. So, he is one who would end up winning him anyways — not Black or Longbottom for that matter.

So this au is basically time travelling harry and time travelling tom but both of them from different points of time, trying to do their best — trying to save the world (for Tom, it's Harry and is that my way of implying Harry was his world? Yes.)

#time travelling tomarry #both of them bring time traveller #being*#but with a twist LMAOOOOO #so basically Harry's trying to save the world #while being dumbfounded because why js baby Voldemort being SO NICE WITH HIM #to him*#what does he want with #Harry #what did harry do lmao #while Tom writing down in his diary of how Harry glared at him only 12 times and ran away from him only 5 times today #and that means theyre making a progress 😭😭😭😭😭😭😭😭#my god #misunderstandings #so MANY OF THEM #and drama #tomarry #harrymort #tom riddle #harry potter #oh yes Tom breaks Harry's past self's heart and then he dies 😭😭#my poor baby #but dw tom will make it better for harry #maybe harry will even get his memories back after they destroy the whole fucking timeline and slams it back together #into a pile of mashed potatoe

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