Tumgik
#man. i do not wish to do this <3
kookies2000 · 6 months
Text
Is it just me, or did all the companies just pull out their big guns against Disney on their 100th anniversary?
The Last Wish and Bad Guys by Dreamworks destroyed it! Mario by Illumination came out. Spider-Verse 2 is self-explanatory. Little Mermaid 2023 fell into their shadow. Barbie by Mattel destroyed the summer, unfortunate for Huanted Mansion. FNAF by Blum House is gonna dominate both October and November. And then we have Trolls 3 by Dreamworks with an all-star cast singing 90 and 2000s classics. AND pulled out an NSYNC song/reunion after 22 years.
I'm convinced the companies were in cahoots this year.
Edit: Forgot Nimona by Blue Sky's, basically calling out Disney's homophobia.
2K notes · View notes
kr-yoongi · 2 months
Text
Tumblr media Tumblr media
Draw Merlin looking up challenge: FAILED
555 notes · View notes
guiiay · 1 year
Text
Tumblr media
quanxi
4K notes · View notes
darth-does-stuff · 6 months
Text
ok everybody saying dan fucks is conrad’s dad you do you but for ME personally the fix will always be conrad’s dad because dan gives cool uncle vibes 1000000% percent more than the fix ever will. but we will both live our truth and we will both be happy 🤝
727 notes · View notes
shima-draws · 16 days
Text
Pudding: Everyone keeps saying we’re the PERFECT husband and wife…ehe…husband and wife!! Me and Sanji-san! 😳🥰
Meanwhile, Sanji: (Luffy kissed me when I told him I’d bake him a cake once we got back to the Sunny safely. Does this mean if I bake him two cakes I’ll get two (2) kisses. Maybe I should bake three just to be safe)
297 notes · View notes
naariel · 7 months
Text
Lace your heart with mine Let your sleeping soul take flight Take me through the night Down, down, down by the river
Tumblr media
736 notes · View notes
boysbeloving · 3 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
apo with kitties for @discluded
Happy Birthday, Kyuu!
401 notes · View notes
tyttetardis · 2 months
Text
Macbeth Q&A 18th Jan 2024 Part 1
Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️
The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.
The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.
Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!
To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).
David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".
First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!
Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.
David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.
He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.
Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.
When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!
Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.
Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.
Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".
It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.
David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.
He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.
Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.
David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.
Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.
David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".
Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.
The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.
Part 2
212 notes · View notes
chronurgy · 6 months
Text
i gotta say playing as durge and finding the Prayer for Forgiveness in the mind flayer colony has genuinely made me unwell. Durge and gortash..... I'm rotating them. gnawing on them. absolutely freak4freak. help.
219 notes · View notes
aroaessidhe · 6 months
Text
Tumblr media
2023 reads
The Spider And Her Demons
YA Australian urban fantasy/horror
about a Malaysian-Chinese girl who’s half spider-demon, just trying to keep her head down and survive high school
when she accidentally kills and eats a man in front of the most popular girl at school, they strike up a strange friendship and she starts to learn more about herself and the supernatural world
aroacespec/sapphic ish
#The Spider And Her Demons#Sydney Khoo#loveozya#aroaessidhe 2023 reads#you give me a teenage girl with giant hair spider legs who scuttles across her bedroom wall on page 3#and then eats a man and i am already sold.#also aus books are always so familiar compared to US books :)#and yes sexuality stuff is ambiguous but basically: a bunch of discussion on relationship hierachies (ie friendship equally/more important)#themes of feeling unlovable bc you're different and different forms of love#multiple times the MC says she has no interest in dating or relationships and also is touch (and maybe sex) repulsed#- but of course that Also has to do with the whole Being A Monster thing#and it definitely shows some kind of attraction to dior - ie looking at her lips/bare skin; blushing; etc#and ends on sort of hand kiss / 'is this something??' vibes#I asked the author and they said they see them as QPR / platonic soulmates but are not at the point where they would know what to call it#which makes total sense to me!#the part of me who wants more obvious aroace YA wishes it was a little more specific#but also I DO love ambiguity and I think it wouldn't be true to the characters#who are clearly not even ready to start figuring that stuff out.#and also. aroacespec sapphics is like. also something i want#also like. I think it's reductive to assume just because 'looks at lips' is a common allo attraction trope....doesn't necessarily mean#it has to be that. yknow.#anyway. i loved it a lot.#gross spidergirl (affectionate)......#also dior is such an interesting and complex character. like another book could have made her nicer or less fucked up
192 notes · View notes
fiendishartist2 · 9 months
Text
Tumblr media Tumblr media
guess who just watched this years fourth of footwerk
317 notes · View notes
naffeclipse · 7 months
Text
do you ever sit and think about everything that is happening to you and what you need to do and what you want to do and you're sitting motionless completely locked into your brain and it all goes nowhere but it's filling you to the point of overload
yeah anyways
Tumblr media
170 notes · View notes
samwpmarleau · 8 months
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
JAMIE & KEELEY            ↳ 1.03 Trent Crimm, The Independent
204 notes · View notes
densitywell · 7 months
Text
Marisha's comment about how Relvin is one of those parents who ended up with a child they didn't know what to do with really gets to the heart of it, i think, and is such a good way to tie the fantasy element of Imogen's powers into things more tangible. because there are really a lot of parents like Relvin in real life, who have a child with the person they're happily married to and never expect to be left alone with the kid. or who expect a ""normal"" (read: cisgender and heterosexual, able-bodied, relatively neurotypical and obedient, etc.) child and end up with one who's ""difficult"", who demands more or different of them than what they believe they signed up for. and that's not entirely entitlement on a parent's part- many cultures' common frameworks of parenthood and child-rearing do not include space for these children. it makes sense that Relvin was unprepared. raising any child is difficult, and raising a child whose needs you were never taught how to accommodate, who the world is so cruel to, is even more challenging.
and yet. and yet, the person who bears the brunt of the harm in these situations will always be the child. they're the ones who have to live every moment of how the world treats them, without the support that their parent is supposed to provide them. and when asked to care for his child even when she turned out to be ""difficult"", Relvin couldn't. for entirely sympathetic reasons, of course. he tried, in his own way. i don't think he's a bad guy. but he's let his own broken heart bleed onto his daughter. he hasn't been able to give her much else.
156 notes · View notes
skitskatdacat63 · 5 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
2023 Brazilian Grand Prix - Parc Ferme - Fernando Alonso
136 notes · View notes
gracebethartacc · 3 months
Note
For the art requests how about Magnifico testing out his new powers after becoming a star/gaining Aster’s powers?
You had impeccable timing on this ask because I was literally working on this as you sent it but yeah idk how I did it but made a serious non meme related animatic all in one day that is a grace first I think
96 notes · View notes