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#male fridas
nabasart · 10 months
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He's transmasc cause he told me himself
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yesyourstalker · 10 months
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Topher bus is literally the worst fucking character in this show and I love him for that
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scorsesedepalmafan · 2 years
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Would a Diego (from Frida) AU be something that people would be interested in? (for fics and content)
Basically it would be Diego is a flirtatious painter but he is not a cheater. Content would be you are his S.O. or meeting him. A reader that is a painter/artist etc.
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nelraf · 2 years
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FRIDA KALHO MENS WORLD @nelsoncarrerasmen
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scurra-silvestris · 9 months
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Yo! This is my introduction post.
My name's Edward (he/him), but my friends call me Ed. I don't really go by Eddie. Only my teachers and therapist call me that. I'm a fun of satirical comedy, video games and art. All kinds of art. My favorite artists are Frida Kahlo and Olivier de Sagazan.
I'm Jewish by blood, atheist by choice. I'm also pro-choice. Far left wing. I belong to many subcultures, but most of them evolved from punk - therefore I consider myself punk (due to my political beliefs, personal style, actions and of course, music taste). I also fit into the goth subculture. I'm an artist and writer - I will be posting drafts of fanfiction, my own books along with my sketches and finished art pieces.
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lazydoodlesandfanfic · 2 months
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TONY STARK/ IRONMAN MASTERLIST
*DISCLAIMER: SOME STORIES MAY BE TAGGED FOR WRONG DEMOGRAPHIC (ie, Not GN, male or fem) IF SO, PLEASE POLITELTY INFORM ME SO I CAN FIX IT
DAUGHTER!READER
Little Frida (Tony Stark X Daughter!Reader)
Fair Punishment (Tony Stark X Daughter!Reader)
Like You Were Never Gone (Tony Stark X Daughter!Reader) *TW
Bitten (Tony Stark X Daughter!Reader) Pt 1/ Pt 2
Should Have Been A Dad (Tony Stark X Daughter!Reader)
Accidentally Coming Out (Tony Stark X Daughter!Reader)
Bella Ciao (Tony Stark X Daughter!Reader)
Left Behind (Tony Stark X Daughter!Reader)
Not All Gone (Tony Stark X Daughter!Reader)
Never There (Tony Stark X Daughter!Reader)
I'm Here Now (Tony Stark X Daughter!Reader) Pt 2
Your Daughter (Tony Stark X Daughter!Reader) Pt 1/ Pt 2
Do We Have A Deal? (Tony Stark X Daughter!Reader) *TW
More Than An Intern (Tony Stark X Daughter!Reader)
Second Best (Tony Stark X Rogers!Daughter!Reader) Pt 2
Squeeze (Tony Stark X Daughter!Reader)*TW
Dip (Tony Stark X Daughter!Reader)
Session (Tony Stark X Daughter!Reader) *TW
Home High (Tony Stark X Daughter!Reader)
Needing Dad's Assurance (Tony Stark X Daughter!Reader)
Feeling Loved Again (Tony Stark X Daughter!Reader)
Five Days (Tony Stark X Daughter!Reader) *TW
Parental Advice (Tony Stark X Daughter!Reader) Pt 1/ Pt 2
New Enviroment (Tony Stark X Daughter!Reader)
Caring Father (Tony Stark X Daughter!Reader)
Girlfriend? (Tony Stark X Daughter!Reader)
Hiding Hickies (Tony Stark X Daughter!Reader)
TEEN/NEUTRAL!READER
More Like Pepper (Tony Stark X Teen!Child!Reader)
Supporting Dad (Tony Stark X Kid!Reader)
Stubborn Like Me (Tony Stark X Teen!Reader)
Too Much (Tony Stark X Teen!Reader)
Growing Prodigy (Tony Stark X Fem!Teen!Reader) Pt 1/ Pt 2
Homework Struggles (Tony Stark X Fem!Teen!Reader)
SON!READER
Taking The Lead (Tony Stark X Son!Reader)
Looking For Advice (Tony Stark X Son!Reader)
Biggest Loss On The Battlefield (Tony Stark X Son!Reader)
Science Fair (Tony Stark X Son!Reader)
NETURAL READER
Not Combatible (Tony Stark X Asexual!Reader)
Pressing Pause (Tony Stark X Reader)
Set Up Plan (Tony Stark X Reader)
You're Perfect (Tony Stark X Curvy!Reader)
FEM!READER
Shared Feelings (Tony Stark X Fem!Reader)
A Little Protective (Tony Stark X Fem!Reader)
Moving On (Tony Stark X Fem!Reader)
On The Off Chance (Tony Stark X Fem!Reader)
Pressure Due To Age (Tony Stark X Fem!Reader)
Tony's Hacker (Tony Stark X Fem!Reader)
Nightmares (Tony Stark X Fem!Reader)
He's Younger (Tony Stark X Fem!Reader)
Arc Reactor (Tony Stark X Wife!Reader)
WOULD INCLUDES
Having Your First Time With Tony Stark Would Include...
Being Pepper' Adopted Daughter and Tony Adopting You Would Include...
Being Tony Stark's Adopted Daughter Would Include...
SIBLING!READER
A Little Talk (Tony Stark X Brother!Reader) Pt 1/ Pt 2
Unfinished Business (Tony Stark X Brother!Reader)
OTHER
Good Girl (Tony Stark)
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coochiequeens · 6 months
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Finally I'm able share some good news
Wild festivals, exquisite fruit-bowls and unusually realistic renderings of motherhood and female friendship – not to mention a glimpse of Lady Hamilton as an enthusiastic follower of Bacchus – will go on show in Madrid on Tuesday as one of the country’s most famous galleries seeks to spike the patriarchal canon of art history with a new, and avowedly feminist, exhibition.
The show at the Thyssen-Bornemisza – called simply Maestras (Women Masters) – uses almost 100 paintings, lithographs and sculptures to show how female artists from the late 16th to the early 20th centuries won recognition in their own lifetimes, only to find their works forgotten, erased or consigned to dusty storerooms.
Organised into eight chronological sections that reflect artistic and social changes, Maestras also explores how female artists, gallerists and patrons worked together to create and celebrate art while living and working in the grip and gaze of sexist, and often misogynistic, societies.
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Elizabeth Sparhawk-Jones, The Shoe Shop, 1911. Photograph: Elyse Allen/© Art Resource, New York Scala, Florence
Seventeenth-century works by Artemisia Gentileschi, Fede Galizia and Elisabetta Sirani give way to still lifes of fruit and flowers before the exhibition moves to portraits – including Élisabeth Louise Vigeé Le Brun’s Lady Hamilton as a Bacchante – and then to Orientalism, depictions of working women, images of maternity, sisterhood and, finally, to images of female emancipation.
Among the show’s early exhibits is one of Gentileschi’s anguished studies of Susanna and the Elders, while the later pieces include Mary Cassatt’s bleary-eyed Breakfast in Bed and Maruja Mallo’s playful Fair pictures.
“This exhibition speaks positively of that other half of art history,” said the exhibition’s curator, the art historian and critic Rocío de la Villa.
“For a long time, the feminist history of art has been beset by all the handicaps and obstacles that had been put in the path of female creators. For example, they couldn’t access the same artistic training that their male colleagues could. They generally lived in an extremely patriarchal system that denied them their rights and in which their signatures had no legal value.”
There were, however, “certain moments and certain places” in which conditions were more favourable to female artists, and the show aims to offer “a series of windows through which we can see a mutual understanding and a camaraderie between artists, gallery owners and patrons”.
It also reminds visitors that some talented women caught the eye of European royal courts, and that some had husbands who helped them in the studio – or even looked after their children – because they knew that their wives’ gifts far exceeded their own.
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Mary Cassatt, Breakfast in Bed, 1897. Photograph: The Huntington Library, Art Museum
Guillermo Solana, the artistic director of the Thyssen-Bornemisza, said Maestras was another example of the museum’s continuing commitment to feminism, education and addressing the prejudices of the past.
“I’d promised myself that I wouldn’t do any mansplaining today but I can’t help it when it comes to explaining what I’ve learned from the process of doing this exhibition, because I’ve learned a lot,” he told journalists on Monday morning.
“The first thing I learned from this exhibition – and which I think the public will also learn – was so many new names; so many fantastic artists I’d had no idea about and had never heard of. Of course, we knew about Artemisia Gentileschi and Frida Kahlo or Paula Modersohn-Becker, but how many important artists have got away – or been taken from us?”
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Frida Kahlo, Portrait of Lucha María, A Girl from Tehuacán, 1942. Photograph: akg-images/© Rafael Doniz @ 2023 Banco de México Diego Rivera Frida Kahlo Museums Trust, México, D.F./VEGAP
De la Villa agreed. “The public is going to ask, ‘How can it be that we didn’t know about these female artists?’” she said.
“How is it that their works were in storerooms until recently? Maestras is a feminist exhibition that seeks to emphatically correct the prejudices that have come about as a result of the patriarchy – prejudices that have meant that works by female artists have remained in museum storerooms during the 20th century.”
She said the male-dominated artistic system had always sought to defend itself by denigrating female artists. Equally damaging, she added, was how historians had played down the achievements of women until their voices were silenced and their creations overlooked and then hidden from view.
“When women are hidden, or robbed of their past, they are robbed of their identity,” said De la Villa. “The power of culture is very important. It just can’t be separated from the social conditions we enjoy, or which we suffer.”
 Maestras is at the Thyssen-Bornemisza museum from 31 October to 4 February 2024
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randomuser678 · 10 months
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I know Clone High fans only care about the white characters that’s why JFK and Topher are the most popular characters right now (Although JFK has a funny voice too) but I fucking love how the show writes Harriet, Confucius, Frida and Cleo.
I already wrote a bunch but Harriet’s obsession with fame because she doesn’t want to fall to the shadow of her clone mother, how she wants to make silly and fun art despite the legacy she has to live up to are so compelling.
I love Cleo’s fall from grace as the former popular girl, and how only now she has a change to be emotionally open to anyone ever. How Frida uses a chill mask that completely falls off when a hot girl has a crush on her, Confucius’s rich parent troubles and social media addict-ness are SOOOOOOOO fun to see being played with by the show.
Joan also gets some good moments, I like how she is not a 1d “not like other girls” type and is allowed to be on the wrong.
I just wish this fandom would stop freaking out ever every sad white boy that shows up. Gogh was already a fandom favorite and he is a recurring background character, people kept projecting depth on Topher when he is literally just a shitty white ally who tries to do good on the most self-centered way possible, but white male characters will always be seen with more depth than any other character on the show because white fans are more willing to project into them than to ever engage with characters from other backgrounds, that has always been how fandoms work and I know this won’t change, so I’m glad the characters of color on this show are allowed to be complex, even if the fandom won’t care.
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pazzesco · 5 months
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🎨 Frida Kahlo
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Frida Kahlo - My Grandparents, My Parents and Me, 1936
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Wedding portrait of Matilde Calderón and Guillermo Kahlo, February 21, 1898
On July 6, 1907, Magdalena Carmen Frida Kahlo Calderón, the third daughter of the Kahlo Calderón family, is born in Coyoacán.
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(left) Frida Kahlo at the age of four, 1911 (right) Frida at the age of five, 1912
At the age of six, Frida contracts polio. As a result, her right leg will be short and thin. Nevertheless, Frida is a restless, active child. Her father encourages her to do sports to strengthen her right leg.
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1922 - Frida wants to study Medicine, so she enrolls in the National Preparatory School. She is one of thirty-five girls in a student body of 2,000 boys. At that time, to help her family, Frida works at a lumberyard, recording entries and exits. In her father’s photographic studio, she also learns how to color photos by hand with a brush.
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1924 - The political climate becomes complicated with an uprising against president Álvaro Obregón. Frida’s mother, concerned about the lack of security, prohibits her from going to school.
Frida cannot see her boyfriend, Alejandro Gómez Arias, and cannot attend classes.
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Frida Kahlo - Portrait of her boyfriend, Alejandro Gómez Arias, 1928
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1925 - On September 17, Frida is seriously injured in a traffic accident. The bus she was riding with Alejandro was unable to slow down and was struck by a streetcar. Frida spends a month in the Red Cross hospital, where her older sister, Matilde, visits her.
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Matilde Kahlo Calderón, 1917
Matilde, Frida’s older sister. Matilde will take care of Frida when she is sick and will oversee the correspondence with various physicians.
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1926- Frida paints her first self-portrait.
1927 - Frida recovers enough to resume her social life. She continues to paint, now to earn money to help her parents pay her medical bills.
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Frida Kahlo - Portrait of Miguel N. Lira, 1927
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Frida Kahlo and Diego Rivera on their wedding day, August 21, 1929
Frida weds Diego in the town council of Coyoacán. She is 22 and the muralist is slightly more than twenty years older. Frida’s mother is of the idea that the marriage is the union of “an elephant and a dove.”
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The Bus, 1929
Frida alludes to her accident in the painting The Bus, where she also depicts social classes in Mexico in the early twentieth century.
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Diego pays off the mortgage that Guillermo Kahlo had taken out on the family home, and he puts the residence in Frida’s name. Her parents continue to live there.
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1931 - Frida paints Frieda and Diego Rivera, which represents their wedding.
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1932 - In Self-Portrait (on the Border between Mexico and the United States), Frida positions herself on an imaginary borderline, split between two realities: that of her country, where nature and traditions thrive, but that is also critical, and the visión of the neighboring country, dominated by machines and industrialization.
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1933 - Frida paints My Dress Hangs Here during her stay in New York, while Diego tries to complete the controversial Rockefeller Center mural. In this canvas, Frida uses paint and newspaper and magazine clippings to form an avant-garde collage critical of reality.
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Frida Kahlo and Diego Rivera in the home of Luther Burbank, California, 1931
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Portrait of Luther Burbank, 1931
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Between 1937 and 1938 Frida does 20 paintings—more than she had ever painted in a single year—many of which she exhibits in New York. Ixcuhintli [sic] Dog with Me is one of those works. Noteworthy is the dark-colored dress in the portrait and the cigarette in her hand, still considered a male privilege at that time.
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1939 - In her canvas What the Water Has Given Me, Frida fills a bathtub with symbols to show her life experiences. Roots, a dress, a volcano, birds, insects, a building, her parents, a corpse float in an aquatic world, full of intellectual riddles/puzzles. Her ailment is portrayed in the wound in her right foot.
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1942 - President Manuel Ávila Camacho commissions Frida to paint a still life for the dining room of the official residence. However, the first lady, Ana Soledad Orozco, finds the canvas overly suggestive and returns it to the artist.
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Frida Kahlo seated at/on the Casa Azul pyramid with her Self-Portrait as Tehuana or Diego on My Mind, 1943
Frida again exhibits her work in the Museum of Modern Art (MoMA) in New York, in the heart of Manhattan, and one of the foremost museums in the United States.
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1943 - Roots
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1945 - Frida paints the canvas Moses or The Birth of the Hero, after having read the book by the renowned psychoanalyst Sigmund Freud: Moses and Monotheism. Engineer José Domingo Lavín Revilla, Frida’s friend and patron, had lent her the volumen and asked her to paint her own interpretation. In this work, despite its small format, Kahlo imitates the layout of the mural painting. The canvas will be displayed in 1946 at the Palacio de Bellas Artes, in Mexico City, with the title Nuclear Sun.
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1946 - Tree of Hope, Remain Strong
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1949 - In My Family (unfinished), Frida draws the genealogical tree of her maternal ancestors, of Mexican origin, and her paternal family, of Hungarian-German ancestry. By this time, the painter’s parents had already died and in the canvas they join the grandparents in a cloud in the sky. Kahlo also portrays her sisters and includes the enigmatic presence of a baby, perhaps Frida’s brother who died before she was born.
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‘Frida Kahlo’s desk’, Mexico City, Gisele Freund, 1950
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Frida paints Portrait of My Father, Guillermo Kahlo, using a photo of her father in his youth as a reference point.
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On July 13, 1954, at the age of 47, Frida dies.
Days before her death, in her canvas with watermelons, she writes the phrase “Viva la Vida” (Long Live Life), thus naming the work and leaving a final testimony to her resilience and hope.
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carsontumbleweed · 7 months
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Rewriting s2 in my head tbh so its more in character to s1 with the og cast and humor wise. I think its just me being petty but idc anymore. KAHLOPATRA DESERVED MORE OF A PLOTLINE I NEED DRAMA I NEED ANGST (I don't mind the og plotline I just want more of them)
Also context basically cleo was cancelled(and her cat died and her stuff was burned while she was gone. And shes no longer cheerleading captain not trying to torture her just going off whay the show would do in s1 humor) in the beginning of it so now alot of people don't like her ill prob rewrite her thing in that one episode to her getting twitch and some people loving her again like the school starts yo love her then hate her again and Cleo really wants to be the best and the queen bee so she learns that Frida likes girls and they have this thing. Cleo tries to get with her and Fridas like hey I don't think you're all bad you just need educating or whatever so you don't keep saying bad stuff and bla bla Cleos using her for popularity cause Fridas the most popular girl in school at first she thinks Fridas weird but she really grows to love her even does that thing that she did in that one scene that's like 'gasp! Oh that's weird I felt bad for you...even though everything's going great for me' so she's surprised cause she's like woah romance isn't dead. And she tells frida and fridas like woah you're using me and you thought I was weird at first? That's not okay I can't believe you and she skateboards away sadly and cleo runs after her idk what else but they'll end up together!!! Eventually!!! I just want Cleo to go through real development let me cook
And Topher and Abe because Abe is back to the main character and I feel like they would've had a funny plotline but I think the writers didn't want to make Abe a plotline cause Joan was the mc of s2. Its kind of weird making them friends tho I think they'll still be frenrmnies or whatever by the end of the season I don't think their friendship is healthy tho and Abes clinging into the idea of getting some type of friend to be Gandhi because he misses Gandhi alot (notice topher and abes friendship necklace is silver and Gandhis and Abes is gold) tophers pulled out of his shell but he manages to have a weird crush on the one guy that will talk to him. Shocker. He's still in denial in the rewrite I probably won't go too much into it just make it implied that hes 'faking' a crush on Joan(or not idk Im just making it where he has a weird onesided thing with Abe think Joan season one but more 'I want to wear your skin straight male ally way and ruin our friendship to make us into a weird rivalry' if he likes Joan too even funnier) and calls her his compulsory heterosexual female crush.
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diana-andraste · 2 months
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Flower of Life (Flame Thrower), Frida Kahlo, 1943
"In Frida's eyes, blossoms have an indication of sexuality and emotions. She always implies her sexuality in her paintings. Sometimes the sexual references are subtle and not all that obvious, as in her earlier painting Fruits of the Earth, and other times they are the essential, the main thing, as in this painting.
Here she paints a bombshell mandrake plant as male and female sex organs. As the sun beyond anyone's ability to see produces life, sperm shoots from the phallic stamen and vagina-like leaves structure the petaled womb that guarantees the creating infant.
Notwithstanding the way that this painting is dated 1944, it was truly painted in 1943. Its special title was Fire Flower."
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International
Women‘s Day 2024
— To my favorite girls in rock —
This international women’s day is for these two incredible ladies. Immensely talented, candidly beautiful, tremendously underrated. They were trailblazers in their profession. At a time where the rock & pop music scene was dominated by male only bands, such as The Beach Boys or The Beatles, and crowds were bowing to rock-gods such as, Jimmy Page or Roger Daltrey, Christine McVie and Stevie Nicks were right up there with them. Women, as anything else than pretty faces and background singers were scarce in 1970s leading bands. Among Grace Slick, Joan Jett, Ann and Nancy Wilson of Heart and of course ABBA‘s leading gals Agnetha and Frida, they were in good company but still leading ladies in rock bands were a rare breed.
Christine Anne Perfect had been in a band called Chicken Shack over in the old country when she married the bassist of Fleetwood Mac and finally joined his band in 1970. After their founding member and frontman had left the band (and in some ways also this universe), the rest of them, consisting of a rhythm section and two guitar players found themselves somewhat lost and in need of a fresh spark. The spark came in the shape of Christine (now McVie) a very talented keyboard player with a soulful, mellow voice who conveniently, had already been living with them, having spattered her talent all over the last album they’d made as an all male blues band. After a while the music scene in Great Britain had developed in a different direction as the Mac, so they decided to try their luck in the land of dreams — the United States. After initially being promised to be back home by christmas, Christine would stay with the band — abroad — for the next 28 years. She would be a driving force and function as the fierce and headstrong but at the same time caring and peacekeeping den mother of the group, captivating countless souls with her love drunken songs.
In 1975 the somewhat unlucky band that was Fleetwood Mac found themselves in need of personell once again. After all of their lead guitarists had either gone insane, joined a cult, were fired for infidelity or left to do their own thing, in particularly that order, the band anew, was missing a crucial part of their lineup leaving them with an uncertain future. Their luck seemed to have turned as a new guitarist was quickly found, only to discover that he came as a package — with a girl.
Stephanie Lynn Nicks was the grand daughter of an understated country singer who took little Stevie on stage when she was only five years old. Having grown up around music, writing songs since she was a teenager, she was trying to make it big with her boyfriend in the city of angels. Her dreamy lyrics and hoarse, rusty voice was a welcome contrast to Christine‘s neat and upbeat love songs and it was soon clear she would fit right in. Even after splitting with the very boyfriend that brought her into the band, she would stay on as the main focalizer and diligent contributor for decades to come.
Both of those women were in their own way unique and oh so contraire but still stuck together, having each others backs. Neither jealousy nor competition seemed to be able to break them apart. They were co-existing in the sometimes toxic but oh so vital eco-system that was Fleetwood Mac forming a symbioses, as friends, keeping each other sane and most importantly alive and kicking — kicking in the glass ceiling that was the male dominated scene of 70s music and thus paving the way for so many talented young girl-singers, songwriters and musicians to come.
Christine once casually stated in an interview upon being asked if she ever felt the got enough credit, that nobody ever really said, ‘thanks for groundbreaking‘, so here it is: Thank you, ladies. Thank you, Christine McVie, queen of the keys and Stevie Nicks, goddess of the stage, for groundbreaking, for being role models in many more ways than just your talent in music. Thanks for sticking up for each other, for lifting each other up instead of taking each other down, for showing us what true and honest sisterhood is all about. Thank you from the bottom of the heart of just another girl out there trying to make it.
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eatmangoesnekkid · 3 months
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Belly Dance Week 22 or So "Soft Flesh and Ocean"
I originally wrote week 46 but just came to the realization there is no way I could be that far along. That would be mean I have been belly dancing for a year which is not case....let's say maybe at at Week 22.
Today in class my sassy teacher said once again that we are "painting with our hips," a gorgeous reference that immediately turns my hips into two paintbrushes I named “Frida” and “Abo.” When I'm in my belly dance classes, I am always happy that the music is turned up loud. I tend to moan in a low register and talk all kinds of lovely shit to myself (my actual cells)---even speaking my dreams into existence while also moving my body through any lingering fears and distrust. You can consider me as a kind of "dance doula." So much fear and distrust hide out in the folds of a female's body--the hips, belly, breasts, ass, and vocals--these parts so fragile, tender, and worthy of being loved on so I clear the space to allow for more easeful birthing. We must be willing to connect to the parts of ourselves that we hide and feel aren't worthy of being acknowledged for it is there that the portals to new narratives can be opened up. Oh, how shadows need to be noticed first though. Just go outside on a sunny day and look at how many shadows your body naturally makes when you walk through the world.
So I feel arousal energy in my belly dance classes--I imagine it is healthy and "normal" to do so but have never asked the other students if that was the case for them. I know there is shame around an aroused female body unless it is in relationship to a male body, so I don't feel compelled to ask. But what I do know is that when I feel the arousal energy rise, when I'm steeped in arousal, consumed by its warmth and nutrients, it's so innocent and pure, and makes me dance a bit slower and more fluid. The more I relax and allow the movement to come find me, the more I begin to feel like water. The medicine is that you are no wasting energy trying to control your movements but you are courageous enough to allow your body open and be moved by the Soul of the dance, this current of pure energy potential.
We had some lovely ladies in our class from North Africa who grew up in cultures where belly dance is a fertility treasure passed on by the elder women in the family, the mothers, aunts, and grandmothers, to the little girls. Ahh, intergenerational traditions.....how amazing!! Egyptian women. Turkish women. Lebanese women. And to see the water in their bodies move when they danced was a pure gift. Poetry. I'm forever changed by their soft flesh and ocean.
I feel most confident in belly dance when I am doing any hip, ass, or breasts shimmies. They feel familiar due to my West African DNA and sexual proclivities. And what's also true is that I loved mimicking the women who were in front of me and were more culturally attuned to belly dance, moving their bellies like waves in the ocean. They unconsciously breathed more from their bellies when dancing and therefore made very complicated movements radiate an effortless scent and texture.
I am opening up in my belly area after years of tightening it as conditioned by western culture’s unhealthy and weird ass, flat belly, beauty standards and self-imposed misoygny. Studying and/or mimicking in a non-obsessive healthy way is a lost art. Sometimes we mimic people, whether famous, culturally-connected, or not, and deepen into our own truth in the process. Today that was my story.
--India Ame'ye, Author
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a-typical · 4 months
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In her 1932 painting Self-Portrait on the Borderline between Mexico and the United States, a defiant Frida straddles an imaginary boundary between Mexico and Detroit, where she was living at the time with her husband, the muralist Diego Rivera. The Mexican side is strewn with skulls, ruins, plants, and flowers with thick roots burrowed deep into the soil. The Detroit side contains factories, skyscrapers, and plumes of smoke—an industrial city that hides the natural cycle of life and death.
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While living in Detroit, Kahlo became pregnant. She wrote of the pregnancy to her former physician, Leo Eloesser, her devoted correspondent from 1932 to 1951. She worried that pregnancy was too dangerous, that her body had been damaged by the famous streetcar accident that shattered part of her pelvis and punctured her uterus. Kahlo reported that her doctor in Detroit “gave me quinine and very strong castor oil for purge.” When the chemicals failed to end the pregnancy, her doctor declined to perform a surgical abortion, and Kahlo faced the prospect of carrying the risky pregnancy to term. She begged Eloesser to write to her doctor in Detroit, “since performing an abortion is against the law, maybe he is scared or something, and later it would be impossible to undergo such an operation.” We don’t know how Eloesser responded to Kahlo’s request, but two months later, she suffered a violent miscarriage.
In a painting she created after her experience, Henry Ford Hospital (La cama volando), Frida lies naked on a hospital bed, the sheets soaked with blood. Objects float in the space around her, attached to her stomach by umbilical cords made of red ribbon: a male fetus (her son), medical objects, and symbols like a snail and an orchid. Detroit’s stark, manufacturing skyline disturbs the background.
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Regardless of her visceral distaste for Detroit and the horrible misfortune that occurred there, art historian Victor Zamudio Taylor claims it was here that “Kahlo, for the first time, consciously decides that she will paint about herself, and that she will paint the most private and painful aspects of herself.”
— From Here to Eternity: Traveling the World to Find the Good Death, Caitlin Doughty
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hairtusk · 1 year
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Frida Kahlo, Henry Ford Hospital (1932)
In this painting, Frida depicts herself in Henry Ford Hospital, lying on the bed naked with blood and hemorrhage. As in Four Inhabitant of Mexico, this painting has a very intimate space. The body is twisted and the bed is tipped up and that adds the feelings of helplessness and disconnection. The discomfort showed with the way she painted her body: from the waist up she turns toward the viewer; from the waist down she turns away.
This painting is a reflection of what Frida felt when she was having a miscarriage at Henry Ford Hospital. There are six objects flying around her. A male fetus which is the son of her and Diego she has longed to have. The fetus is based on a medical illustration. An orchid looks like a uterus. The stomach she holds against the red ribbons and they look like umbilical cords. The snail is the symbol of the slowness of the operation.
(Text via)
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brujaluas · 2 years
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ALL ABOUT YOUR FUTURE SPOUSE - TAROT READING
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CHOOSE YOUR FAVORITE FRIDA KAHLO
Disclaimer: Don't blame me for maybe not listening to something you'd like to hear, I just say what the cards show me, english is not my first language so there may be spelling mistakes, I'm sorry
Pile 1
His future is in a very delicate situation, I see who are very flawed as you can see, he presents financial stability, and this shows a good professional position that he conquered and this ended up making people seeing him with so much envy even the people closest to him don't like his success side, I see a stormy side in his life, where he doesn't know what to do, because he has a great bond with his emotional side, he don´t use often your rational side. He's a mature person, doesn't like fights and may be older than you. I can also see that he is very affectionate but doesn't know how to show it very well, he looks like a cold person but is very soft hearted. lots of male energy. He probably has problems at home, doesn't get along with a family member (maybe a male figure) who constantly disapproves of him and is very hard on him. Big problems in sight but it will come out of this and be fine You will meet him when he start to know how to deal with the afflicts now, I see that he is going hand in hand with you and, you will be great partners. you are at the moment, you are getting to know each other when he moves to another city, will meet by chance, but it was fate. Make him see who is true in your life because there is falsehood from all sides around him and don't fall into provocations because before he met you, he was more naive but you instructed him to see things clearly, don't be too jealous and unprotected from envy.
i started this reading and felt a very good smell in the air. wow, he really has a lot to say.
Pile 2
I see that you will meet they in something new, it could be a co-worker, a new college colleague, or a neighbor, a new colleague of your friend, is a person with a free spirit and adventurous, detached , may be younger that you, you feel that this person has not had a troubled term in they life and I feel that have one person in they life that does not accept you, or it may be from the family that is very much against the relationship, can be a ex too. I see that things will develop quickly, you and they will get engaged or live together in months, I would say that in less than a year you guys will live together or getting married, I see misfortunes and immaturity on both sides but they will know how to deal with these adversities because have a lot love each other very much, I see you and they will grow financially together, you are the his adventure partner and I see him becoming more committed to things after meeting you. much, much, much love.
It was a fast read because this person's energy is like "I don't have time for this but I love you, hope to meet you soon, take care and feel my big kiss" hahaha a fun person I would say. They can be earth sign, you can open a business together, this person can be a foreigner and you can also meet they in a trip.
Pile 3
This person knows how to live life in a good way, knows how to be kind to himself and will teach you that. You can be the same age or close age, and that person will be very romantic, you know those fairy tales where a gentleman with a white horse comes to save you? because your person is exactly like that, I see you receiving flowers, being pampered, traveling together and happy with great harmony. He can give you good news, but I feel like he needs to work some area in their lives to evolve together in the relationship, he need to let something go, and you, well I have GREAT advice: be careful with someone in your life, big cruelty coming from that person , it could be someone in your family, learn to defend yourself, know that you need to love yourself and you don't deserve to be treated like trash, you deserve more, end this toxic relationship that you have with or never show this person about your life, if you don't do that, all the beautiful relationship you have with your future spouse will end, I also see him being very protective with you, probably, my little roxinol, have a lot problems in your life too, but now it's time to be happy, love yourself first to love him later, don't worry, your love will wait for you.
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