#major grom fans what do we think about this. do we agree. votes

[aquickstart]

thanks for the response! (i had the propaganda question) still haven't seen movie so will wait before digging for those spoilers but definitely curious about the writers/artists comments regarding the comic and arcs you mentioned! it's fascinating that the creators are able to pull off what seems like a very queer-coded relationship despite even in spite of extreme censorship which i think is very different from queerbaiting (again, not having seen/read the source material) but there's been a lot of recent discussion in fandom spaces about this with respect to chinese media as well so am very interested to learn about how creator intent faces off against state censorship and what people end up still picking up on after the fact :) thanks for your thoughts!!

of course!! i'm very eager to discuss anything Major Grom-related to the best of my abilities (and i leave room for doubt and correction because i am fairly new to the fandom, fyi). here's a brief summary of some relevant info; i won't be including creator names and links here so it's not searchable, and also because it's all in russian (again i can do it in dm's). AND i'm sure you can find it out on the Bubble Comics website!

re: canon text itself. according to official extras, one of the characters was initially supposed to be a generic bodyguard type, but the story required him to become a more important companion for the antagonist; to be very brief here, he ends up essentially what the antagonist values most in his life and is narratively mirrored to the protagonist's girlfriend in one of the story arcs. it all comes down to a very pointedly dramatic, tragic, and emotionally charged moment for Igor Grom with his gf, and Sergey Razumovsky with his bodyguard. you know. a very casual bro moment for the latter pair, obviously.

re: creator feedback. the main artist & co-writer of the series has a multitude of what you'd call fanart pieces of these two characters in, like, a romantic relationship. i can't quite say they're canon since they're not included in the actual printed versions, but nothing in the comics contradicts or discredits the possibility of these scenes existing in the canon universe throughout.

the main writer/producer/Bubble Comics owner used to be very much against any kind of non-canon shipping, but he's radically changed his opinion over the years, which he expressed just recently in one of the official Bubble Comics podcasts. him and chief editor/producer are both very open to fan content and encourage any type of fan interpretation, which, to me, doesn't come off as pandering to the audience as much as it does as genuine gratitude and understanding of how storytelling and fandom spaces work. kudos to them from me for that.

as a side note, i do have some uhh uncertain feelings about the chief editor recently being a bit too eager to support the queer ship in question. some people see it as sort of queerbaiting wherein he's playing into the hype, but to be honest he seems like a geeky guy himself who's just generally very comfortable with his own sexuality. do whatever you will with that. i think he's allowed, maybe would be cool to tone it down a bit, but also, maybe not. it's all within reason, i guess.

re: queerbaiting & censorship. here's the part i dread discussing the most because the very concept of queerbaiting is a bit blurred in fandom discussions. i personally believe it becomes even more complicated in places like russia; like you mentioned, i do think this specific case is something other than queerbaiting. like, how are you supposed to do queer rep in mainstream media if you can get prison time for doing it? i think it's very much the case of context and reception, and if you look at the core fanbase, it's got a lot of queer people and/or folks who support the opposition.

of course, it's important to examine the authors of the content and their possible motives: the aforementioned main writer/company owner is linked to pro-state publications through his relatives, so yes, his money does come from the state, technically, at least in part, or at least that is what some people believe and i have no way of proving either point. still, i personally differentiate that from Bubble Comics being state-sponsored (like, FondKino did not sponsor the Major Grom movie, and FondKino sponsors so much of mainstream russian cinema). some people don't, and i guess i get their point. i firmly believe i'd go insane if i filtered every creator i've ever been interested in through the lens of absolute moral purity especially in russia.

but i circle back to the fanbase aspect of it: at some point i think it's equally important to look at interpretation and reception of content as well as its creators. if queer people find themselves relating to the story and the characters, i think it's doing something right.

maybe not though. maybe we are all just being tricked into consuming pro-state propaganda because we are obviously all idiots and my donations to medusa and doxa and ovd-info are nonexistent and dissolve into the air <3

#sorry for that last part. i just. have seen a lot these past few days jcnjsdc #very interesting what you mentioned abt chinese content creation too! i know nothing about this so its super interesting #just the whole discussion around what it is to depict queerness and to do it 'right' is i think one of the banes of my existence #yeah i also! should say that this is all my opinion and my interpretation. and i am notoriously a bad queer #because i believe that queer is inherently subversive and therefore the major grom queer rep is kinda almost perfect in my eyes #again im very opinionated and very bad. love complexity in my fiction can afford consuming bad queers and cops in stories i read for fun #also! i guess i didn't really answer the escaping censorship part of this but #it is complicated for me. i don't know how that works. i don't know what's considered gay enough to warrant state attenition #it's all reasonably deniable in both comics and the movie so i guess that's the answer #as far as creator endorsement goes idk! genuinely! jsyk for example the actors are also very chill about queer ships in interviews so! idk! #maybe it's okay as long as it's not on federal tv. maybe. am not a lawyer am not even a social activist. so. yeah. sorry abt that jdcjsdbv #major grom fans what do we think about this. do we agree. votes #major grom #майор гром #mine

[jaketheaudiophile]

Best Albums of 2020

Hello again friends! Another year has passed and therefore it’s time to reflect on the music and art we enjoyed in the past 12 months. Per my annual tradition, I’m dusting off this ol’ blog to write about my favorite albums and songs of a year that will likely live in infamy in the history books. I’m trying to reflect on the positive in both this essay and my personal mindset, so let’s not discuss social distancing or vote counts or contagious viruses or hand sanitizer and instead focus on the things that distracted us or powered us through them in the form of music.

I generally do a personal Top 15, so I decided to stick with that again for this year’s shenanigans. Best songs and potentially another new list idea soon to follow. And, as always, I welcome dissenting votes or other recommendations from those who read and agree and/or disagree.

Let’s do this!

HONORABLE MENTION:

Snooze

“Still” EP

Self-released on November 27

I normally don’t include EPs in my end-of-the-year lists unless I create a separate list devoted just to them, or 2 years ago when my favorite release of the year was an EP (shout out to Invalids). Snooze’s 2019 release “Familiaris” was my favorite album of last year, and this new EP brings a lot of the same energy and sound, but with a much different mood and circumstance. Bassist Cameron Grom tragically passed in 2020 after a lifetime of battling illness, leaving Logan Voss as the primary songwriter and lone consistent band member. Voss partnered with YouTube drum sensation and producer Anup Sastry for “Still”, and the results are certainly massive and memorable. The songs seem to be significantly sadder and more drawn out on “Still” but the circumstances certainly explain these changes. I’m grateful Voss managed to still put something out that is unique and makes me smile even during his heartbreak and struggles, so this EP is definitely still worth mentioning.

#15

Alpha Male Tea Party

“Infinity Stare”

Released December 4 via Big Scary Monsters

Both this album and the Honorable Mention are ranked pretty low on my personal list despite my personal adoration and affinity with each band. This is entirely based on how little of time has elapsed between their release dates and my compilation of this list. With some additional time to listen and process, I might have put them both higher, but without that I’m inclined to still mention them here but can’t in good conscious put them further up the rankings. Similar to Snooze, Britain’s AMTP took a slightly darker, more morose mood into their newest full length, but there’s still enough ass-kicking riffs and grooves to still inspire movement and energy. Bassist Ben Griffiths has come out of the shadows a bit more on this release as well, sharing the spotlight easily with guitarist Tom Peters and proving that he’s better than just holding down the lower notes. This album’s release was also a complete surprise, so kudos to the band for keeping things under wraps and giving fans an nice year-end present.

#14

Elder Brother

“I Won’t Fade On You”

Released October 2nd via Pure Noise Records

Elder Brother has been an object of my adoration for the past few years, but I’ve never been able to fully embrace an album of theirs as a whole. 2020’s release is no exception, unfortunately. They’ve penned some of their best songs to date (such as the gorgeous slow jam, “Projector”) and have expanded their sound with a full backing band. Unfortunately, meandering songs like “Hair” just drag away energy, and the second half of the album really just sort of panders around without resolution. The first half is top notch, but they really end with a whimper instead of a bang. Still, the great songs do shine brightly and warrant this album being included at this spot.

#13.

Jeff Rosenstock

“NO DREAM”

Released May 20 via Polyvinyl Record Co.

Speaking of surprise releases, perennial punk powerhouse Jeff Rosenstock put out “NO DREAM” with no promotion whatsoever. This left fans obviously surprised and that shock was quickly overwhelmed by a super high energy record full of infectious melodies and garage-rock aesthetics. There are a few clunkers but otherwise this is a charming and pleasant listen with some surprisingly deep and brutally honest lyrics and subject matters by Rosenstock. It was also cool to see Jeff get some solid publicity from this record such as an appearance on Late Night with Seth Myers. More attention for musicians like Rosenstock who have clearly put in the hard work is a worthy cause, so props to him and his merry band of misfits.

#12

Knuckle Puck

“20/20″

Released September 18 via Rise Records

Chicagoland’s Knuckle Puck have been one of the more impressively consistent pop/punk bands of recent years. I’ve always admired their skilled dual vocal arrangements, clean-boosted guitar tones and monstrous hooks. I definitely enjoyed this release but I also have a hard time distinguishing a majority of the moments after the record has stopped spinning. When it’s on, it’s pleasant and fun, but I’m hard pressed afterward remembering what songs are on this release and what are on previous years’ albums or singles. More KP music is never a bad thing, but hopefully future releases give them more sticking points.

#11

Unwed Sailor

“Look Alive”

Released July 12 via Current Taste

After over a decade of near-radio silence, Unwed Sailor have come out with guns blazing in the past two years. Johnathan Ford has put together a new band (most recently including longtime Minus The Bear drummer Erin Tate) and has churned out two full-length records in back-to-back years. I personally prefer 2020’s “Look Alive” slightly to 2019’s “Heavy Age” as it feels more of a throwback to the simpler, jammier Unwed Sailor releases of old. The record doesn’t really have any down points but also tends to drift along without a ton of memorable moments, oddly. Still, though, Ford and company seem to be on a torrid pace and I’m all in favor of enjoying the ride.

#10.

August Burns Red

“Guardians”

Released April 3 via Fearless Records

The model of consistency. August Burns Red are a well-oiled machine at this point. Every few years they hunker down in the studio and churn out another genre-setting collection of catchy metalcore songs. Drummer Matt Greiner is the most outstanding on this release (as per usual) with some truly jaw-dropping fills and beats, and the production for this record is top notch as always. It’s sort of hard to explain what’s good about this because it’s anything and everything. You can set your watch to this band and I’m grateful every time I put them on.

#9.

Melted Bodies

“Enjoy Yourself”

Released September 18 via Plastic Smiles

Another year, another band that Anthony Fantano turns me on to makes my AOTY list. The Internet’s Busiest Music Nerd didn’t formally review this album but did say they kicked ass in a “Y U NO REVIEW” segment. After a few moments of listening, I sprung for the album and it completely took over my music library for the past few months. I equate them as a sort of bizzaro hybrid between “Tim and Eric Awesome Show Great Job” and System of a Down, with Mike Patton-esque vocals, brutal but fun breakdowns, unique electronic elements and overall weirdness. Seemingly containing every genre of music all at once, this album is all over the place in all the best ways. What an amazing debut. It’ll be fun to see where these oddballs go from here.

#8

Beach Comber

“Parting Cuts”

Self-released on April 24

What a fun surprise this record was; in retrospect it feels like that was a recurring theme for bands and artists in 2020. Beach Comber is Rory Friers, riffmaster general from And So I Watch You From Afar. This album doesn’t sound like anything his main group has put out, but instead was meant to be a wedding present for two of Frier’s friends that would never see a mass release. If there’s one good thing that COVID did, it was to encourage Friers to put this out as a pay-what-you-want release to gather some funds in lieu of touring and playing shows. Because of this, we were blessed with a very different but exceptional collection of minimalist, varied low-fi rock. It feels like a lost Anathallo album or Sufjan Stevens b-side collection, and was a welcome breath of happy fresh air.

#7

Hot Mulligan

“You’ll Be Fine”

Released March 6 via No Sleep Records

It feels like every year I’m thanking my buddy Steve Lee on this list for getting me hooked on a quality emo record. He first sent me the incredibly fun video for “*Equip Sunglasses*”, but I wasn’t immediately hooked. I couldn’t quite get into Nathan Sanville’s scream/sing vocal style at first, and thought the band was slightly generic. Still, I found the song getting stuck in my head for roughly the next rest of my life, and eventually checked out the full album, and was pleasantly surprised by the subtly complex intertwining guitar leads and arrangements. Also, kudos to the band for writing pointed and brutally honest lyrics on topics that some bands wouldn’t touch (go read the lyrics for “Digging In”). And yes, Sanville’s vocals eventually ended up really, really growing on me. These young men from Lansing, MI should be proud of themselves for their strong stances and songwriting, and it’ll be fun to see what they put out next.

#6

Man Man

“Dream Hunting in the Valley of the In-Between”

Released May 1st via Sub Pop

After a few years of relative silence, Philly-based weirdos Honus Honus and Man Man gathered up another pile of instruments and multi-instrumentalists, and the result is yet another collection of supremely catchy songs.  Longtime fans like me knew what they were getting, but I think this is one of Man Man’s most complete and accessible albums yet, with not a moment wasted or thrown in without thought. There are so many fun little vocal quips (The random “Went straight to voicemail!” in “Goat”; the solo chorus of “Sucking diiiiiiick” in “The Prettiest Song in the World”) that make the listener smile every time. Everything feels planned out and executed flawlessly, which is impressive when each song features several guest musicians (including Rebecca Black!) and a rotating cast of instruments and players. Keep being weird, Man Man. We don’t deserve you.

#5

Protest The Hero

“Palimpsest”

Self-released on June 18

It had been 7 years since Canada’s Protest The Hero put out a full length after leaving the world of record labels and crowdfunding campaigns. It wasn’t without its difficulties, largely due to singer Rody Walker running into vocal issues during recording sessions. Thankfully, he was able to overcome his difficulties and frankly, he killed it. There wasn’t much more life-affirming than hearing him hit ungodly high notes at the end of “From The Sky” and his joy-filled delivery was infectious on every other song. And of course, the rest of the band also fully delivers with their usual technical brand of metal. No complaints at all, hope the next one doesn’t take 7 years to show up.

#4

Caspian

“On Circles”

Released January 24th via Triple Crown Records

I was very excited about this release from basically the end of 2019 on, as these Massachusetts instrumental rock mainstays released the single “Flowers of Light” at year’s end. Thankfully, the album delivered in spades, and it is easily my favorite instrumental release of 2020. Well, that’s not technically true; 2 of the 8 songs have vocals. One welcome addition is an awesome contribution by Pianos Become The Teeth’s Kyle Durfey for “Nostalgist”, who fits the band like a glove. The second vocal track is the lovely eponymous closing track, which gives a pleasant change-up conclusion. Caspian’s three guitar approach means the listener always has a wide swath of atmospheric noise and full bodied sound, and the formula is definitely still working. There’s a reason this sextet are revered, and “On Circles” is the band firing on all cylinders.

#3

Touche Amore

“Lament”

Released October 9 via Epitaph Records

Touche Amore has been one of my favorite bands for several years running, so expectations were very high for their fifth release. 2016’s “Stage Four” was a massive success but is still very hard for me to re-listen to or encounter due to the heaviness of the album’s subject matter, and “Lament” is at least a change in that pace. Jeremy Bolm is never one to pull punches or address the uncomfortable, and his vocal delivery is as engagingly abrasive as ever. Bassist Tyler Kirby is the most obviously improved, but that may also be the production choice of Ross Robinson, who seems to have received as much publicity by working on this record than the band did. All in all, more the same is never bad with these screamo mainstays.

#2

Into It. Over It.

“Figure”

Released September 18 via Triple Crown Records

Evan Weiss is the one reliable dude. We get a new Into It. Over It. record every 3 or 4 years, and they’re always great. His songwriting and arrangement skills are top notch, and there’s enough cool little moments or unique additions to keep the listener engaged throughout the entire album. Weiss’s skills as a guitarist are in the spotlight as always (”We Prefer Indoors”), but drummer Adam Beck proves his talents throughout (”Brushstrokes”). What truly makes the album great for me are the little moments of variety or subtle changes in instrumentation or delivery that pop up in every song. The best example is the middle of the second verse of “Living Up To Let You Down”, when the band changes up the straightforward beat and chord progression to deliver a double-time feel with differently punctuated guitar chord hits (this is very hard to describe in writing; just listen to the song at 1:28). If the songs on their own weren’t catchy or well-rounded on their own, this album would be great, but it’s the moments like this that truly push it out on top. This record lived up to every high expectation I had and I’m thrilled that Mr. Weiss is a part of my life.

#1

END

“Splinters From an Ever-Changing Face”

Released June 5 via Closed Casket Activities

But enough about positive thoughts and happy feelings...Every piece of writing or commentary on 2020 will likely point out how bad of a year that we all just experienced and how grateful we are to be moving forward. I definitely agree with this sentiment for the most part but do feel like we had a lot of interesting positive moments in the year in general. However, with that logic, no album better summarizes my general aesthetic towards this weird quarantined year than this ungodly amalgamation of brutal hardcore this supergroup has wrought. Counterparts vocalist Brendan Murphy sounds like a completely different beast with a lower delivery and growl than his fans traditionally encounter, and guitarist and wunderkind producer Will Putney makes this record sound horrifying, hellacious and, well, HEAVY. Add in some unnerving audio samples and the fact that most songs are between 1 and 2 minutes, and I can’t think of anything else to best summarize my feelings toward 2020. This was the perfect album to put on and let loose any angry or negative thought with the ferocity of the tsunami of sound this group created, and should be commended as such.