The Magnus Archives (Season One) Production Design Project
Hello everyone! Let me introduce myself- I'm Tilda (or Tilde), and I'm want to be a production designer.
Production designers create the overall look of a piece of media. From costumes, lighting, environments, props, etc., these designers make sure that everything looks cohesive and sets the mood.
So, I thought it would be fun to put my skills to the test by designing season one of The Magnus Archives. My winter break started as soon as I became interested in the show. Needless to say, a new obsession and an abundance of free time go well together.
You may have seen these illustrations posted separately, this is a master post of the whole project. My thoughts, processes, and critiques are all included under the cut. If you read them, I hope you enjoy! If, not, thank you for supporting my work regardless.
The Characters
When designing these characters, I tried to avoid being influenced by fan interpretations. Though, that was a challenge (especially with Jon and Sasha). I found that I looked to my friends for inspiration. Certain elements (Jon's glasses) were based off of what they wore.
Pinterest was also useful for finding clothing and pose references. Some looks were based off of different actors- in particular, Tim was inspired by Nicholas Galitzine and Elias inspired by Matthew Lillard.
Jane was the most fun to design! I believe in making terrifying characters actually terrifying.
Elias's design needs the most work. Having now finished the show, I see that it doesn't fit him. The purple is overly saturated, especially compared to the set. He looks out of place! I'd reverse the color palette to mostly green/yellow with purple accents instead. Although, I will forever defend the purple tint in his gray hair.
The Set
Jonathan's office was a treat to design! Balancing the color and clutter was especially important. This room is meant to be claustrophobic and uncomfortable, but not overbearingly so.
The wood looks to be full of splinters, but not so worn that it can be thrown out. The chairs offer no back support, and the shelves make the room smaller. The goal was to represented Jon's mind. Intricate, messy, and suffocating (Note: that is more of a season two description).
One goal was to capture the look of an actual archive. Valuable times was spent researching the different kinds of storage, files, paper, etc. The texture and color had to be accurate.
A split-complementary color palette of blue-green, yellow-green, and red was used. Of course, I had to get green in there, and the varying hues and desaturated reds worked well for the wood and filing supplies.
Jane's ashes and the Web lighter on the desk place this set at the end of season one. I find details like this to be important, it's one of my favorite parts of design. There is much needed abundance of eye imagery as well. Most obviously in the carpet, but eyes are carved into the table and watch from the shelves.
My main critique is the lighting- the filters used could be adjusted as to not distort the colors of the boxes. They look inconsistent. The Web lighter could also be more obvious, yet it is small and pixelated.
The Props
I designed these as I re-listened to season one, and it is the most recent piece I finished. Combining the details described in the show with what the objects would have realistically looked like was interesting. That was most useful for the clown, the Ming vase, and Ex Altiora.
Each of these objects came from a specific time with a specific look. Ex Altiora was bound in calf leather from the 1800s, so those books were referenced. Same with the frills on the clown's outfit.
The Ming vase was especially interesting, as it is from the Jiajing period. When looking at photographs of Jiajing vases, I found that many of them lacked handles and had an hourglass shape. That was fascinating to me, as many artists depict a standard oval-shaped vase. Also, the vase's design is described as straight lines that create distorted patterns when looking at it. That effect was achieved using chromatic aberration and the liquify tool (chromatic aberration was used to create a vertigo effect on Ex Altiora).
My critiques are... nitpicky. minimal. The shading on top of the garbage bag is unnatural. The thickness of the gold engraving on Ex Altiora is uneven. The "I" in "Immediate Consideration" is not capitalized. Other than that, I'm happy with how the props look.
Conclusion
First off, if you read everything, thank you!! It is a lot, I know.
My greatest takeaways are that 1) ask for critique, always 2) research skills are necessary for design 3) references are your friend! Seriously guys, use your references.
I hope you enjoyed this project and I'm excited to share more of my work in the future!
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Literally no one asked but just for the record no I am still not over how Jon’s fatal flaw was that he never knew when to concede and stop asking questions and then his last words in tma were “no [im not sure] but I love you” letting love take precedent over knowledge and logic and giving in bc he loves Martin
Still not over Martin’s entire arc being about his self hatred and isolation and then his last words in tma being “I love you too” not just a statement of love but a statement of reciprocated love
They both fundamentally changed for the better and that mattered—it may not have been perfect and it may not have been enough to save them from the narrative but it still mattered. I am utterly feral. I am so normal.
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genome THIS (pleag. it would make me happy):
STUPID IDIOT MOTHERFUCKING JURGEN LEITNER GOD DAMN FOOL BOOK COLLECTING DUST EATING RAT OLD BASTARD SHITHEAD IDIOT AVATAR OF THE WHORE BIGGEST CLOWN IN THE CIRCUS LAUGHED OUT OF TOWN COWBOY MOTHERFUCKING JURGEN LEITNER
STOP PINNING ME WHEN I TALK ABOUT JURGEN LEITENER I HATE HIM SO MUCH WHY DOES HE HAVE SO MANY FUCKED UP BOOKS WHY DID HE DECIDE TO FUCK AROUND AND FIND OUT JUST SET THEM LOOSE IS HE DEAD IS HE A BASTARD MAN HAS SUCH A VISCERAL AFFECT ON ME NOT EVEN IN THE ROOM NEVER SEEN THIS MANS FACE AND I KNOW HE HAS THE WORLDS SHITTIEST BEARD GET AWAY FROM ME
if i wanted to get into heaven and god said jurgen leitners waiting inside i would piss on gods feet for the sole purpose of getting sent back down
if i have to deal with jurgen leitner speaking one word in person on voice in podcast not only will i close the tab i will delete my bookmark out of spite and have to rewatch the entire series again for the experience of being able to skip all the times when he is mentioned or alive
i dont even know why i hate him so much. he collects books but i am just mad because i am angy
he better have some fucked up backstory to explain this if hes just some rich shithead whos a fan of creepypasta and wanted the irl version ill go ham
BETTER have had a book make him kill a man cuz if he didnt Im going to make him
paypal.com/IFuckingHateJurgenLeitner
episodes not even about him. vaguely mentioned what is supposed to maybe be his library and I lost it
where the fuck is jurgen leitner if hes still alive im going to so deeply wish he wasnt
crusty old man
ill punch leitner and his sad frail old man twig bones will simply flake apart under my epic huge meat fist and he will disintegrate until all thats left is one final book he kept on him at all times simply titled Now You Fucked Up in ancient yiddish
im not breathing im hyperventilating at this point
i hope theres a date given for when jurgen died or will die so i can make it a reminder on my phone
everyday once a year i will see it and do anything but pay respects to the man who had so many fucked up if true books
String identified:
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Closest match: Calendula officinalis genome assembly, chromosome: 11
Common name: Marigold
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