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inkskinned · 7 months

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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

#writeblr #warm up #this is longer than i wanted i really considered removing that part about myself and what i went thru #but i think it really fucking bothers me that EVERY time i talk about being an artist #ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work #part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just #like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r #ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week #this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism #imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY #''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''

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ghosttotheparty · 1 year

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also on ao3

(cw: tics, bullying)

Eddie started shivering in seventh grade.

Even when it was hot, even when he was sweating and desperately wanted a non-rattly fan or a better air conditioner. They weren't normal shivers. He wasn't cold. But his shoulders would jerk or shake, or he would tremble for a second, and he didn't know what else it could have been. Others didn't question it for a while, because it started in October. Everyone was shivering. But by March, it hadn't stopped, and he had to explain himself when people gave him questioning looks or asked if he was okay. (Back when people cared.)

'S just a shiver, I'm fine.

He wasn't fine. It got worse over time. He got used to it, to the weird feeling that took over his body for a few seconds, got used to telling people he was cold, joking that he must be low on vitamins or iron, joking that in the future, someone is walking over his grave. But other people didn't get used to it. They thought he was weird. That was fine with him. Wayne realised something was wrong before Eddie started the tenth grade, because he wasn't just shivering anymore. His whole body was jerking sharply, suddenly, his shoulders drawing up, fists clenching. Eddie didn't question it. Wayne did.

It wasn't normal. But nothing about Eddie was normal. Wayne took him to see a doctor. The doctor make him do things, walk in a line, hold his arms out and push the doctor's hands away as hard as he could, follow a flashlight with his eyes without moving his head. It was all weird. It kind of scared Eddie. The doctor kept writing things in a notebook, and Eddie couldn't tell if he was doing well or not. But Wayne was there, watching and listening intently.

The doctor said he had tics. It sounded funny to Eddie, but then it wasn't funny, because the doctor didn't give him anything for it. He just said there wasn't anything really wrong with him. His brain just worked a little differently. (Which Eddie was already used to hearing.) That his tics could get better or go away as he got older, or they could get worse.

They got worse.

By the end of that summer, his arms were moving, flying over his head suddenly, randomly, and his head was jerking back so sharply it hurt. Wayne was worried about him getting whiplash. Eddie was worried about going to school.

That year, he became the freak.

At first, he tried to explain it to people. The movements were involuntary, he couldn't control them. Wayne contacted all his teachers, who mostly got it, but still preferred to make him sit in the hallway so he didn't distract the class. But the other students thought he was possessed, faking it for attention, and everything in between. They'd throw things at him, and complain to the teachers that he was distracting even when he wasn't moving, just to get him out of the room. They would mimic him, make fun of him, and by September, he learned that the tics get worse when he's upset. He could hear them all snickering and giggling as he shoved his hands under his legs and tucked his chin to his chest or held his shirt over his face, as he held his limbs tense so they wouldn't move, so tense he was exhausted and sore all the time, and then he'd go home and cry because he couldn't control his own body.

He'd have to sit on the sofa so when his head threw itself back, it would hit the back of the sofa instead of the wall, and Wayne would just wait, watching with that fucking sadness in his eyes that made Eddie ache even more. When it finally stopped, sometimes after a few minutes, sometimes after an hour or two, he was so exhausted he'd fall asleep right there on the sofa. He couldn't do his homework. His grades dropped even more, but he managed to keep himself afloat. He did the best he could, doing his homework early in the morning before school or in detention. (Some of his teachers thought he was faking. Mr Peterson was in charge of detention, and he was nice. Considerate. Eddie counted him as one of his few blessings.)

His tics got worse.

In December of his junior year, he started making noises. Short screams, grunts, quiet vocalizations. It scared him. He didn't want to go back to school, but he did. The laughter around him got louder, and he was sent out to the hallways more. He started skipping classes. He knew he'd be forced to leave anyway. So he'd sit in the boys' room, on top of a lidded toiler, his feet up on the stall door, and he'd leave cigarette burns on the walls.

Not everyone was awful. Some kids were just curious about him, asked why he acted the way he did, and he did his best to calmly explain it all. I can't help it, actually. It's just my brain works different. That turned into Eddie's brain's fucked. It's broken. He's a fucking--

So he used it. Eddie the Freak. Attention-seeking, desperate for people to notice him. So he started making devil horns, yelling from tabletops, making himself The Freak so no one could use it against him.

No one, not even Wayne, saw him cry at night, because the attention he got was never the attention he wanted. Because he was tired. So fucking tired. His limbs were sore and his voice was rough, and his neck hurt, and he was sick of being laughed at. But that was all he got.

He kept counting his blessings. Mr Peterson, who never minded Eddie's noises or the way his fists would bang against the table loudly in the silent room, who scolded the other detention-goers when they tried to tease. The Hellfire guys, who got used to his tics fairly quickly, and knew when to pause whatever they were doing if Eddie couldn't hear them over a scream or was distracted by his own body. That nice girl, Chrissy Cunningham, who would slip notes from the classes he missed or skipped into his locker or backpack with sweet smiles. (If Eddie wasn't gay, he would have fallen in love with her.) The other few students that ignored him when his tics acted up, just glancing and moving on. Wayne, bless his soul, who would come to the school to confront Eddie's teachers and complain to the principal about Eddie being mistreated by the staff.

And, oddly enough, Steve Harrington.

Eddie never saw it coming. It was a particularly bad day. He was at his locker, trying to line his books up, but a tic threw his hands up, and some books fell from his locker to the floor. He watched helplessly as papers scattered across the floor, as most students stepped around them, ignoring them, as some jocks trampled over them, over Chrissy's neat handwriting, his fists clenched at his sides. When they passed, he kneeled, picking up the books, and when he looked up, Steve Harrington was kneeling too, gathering the crumpled papers and carefully straightening them out.

He gave them to Eddie with a smile, and Eddie thought he might be dying, in some weird, upside-down dimension where Steve Harrington smiles at Eddie Munson. Eddie took them hesitantly, said thank you, and then he hit him.

He was mortified, almost dropping the papers again, jumping back as his whole body flushed with heat, staring at Steve's shoulder where his hand had just landed heavily, and he burst with a Fuck, I'm so sorry, oh my god--

But Steve had just laughed. Amazingly, it was a kind laugh, with sparkling eyes, and soft cheeks, and he said It's okay.

And then he was gone. Down the hall, after his friends, and Eddie realised his hands were trembling.

Steve kept smiling at him. Even when his friends were making fun of Eddie's Satanic cult, and of the way he couldn't keep still, and of his sad, broken brain. Even when Eddie's brain made him flip Steve off across the cafeteria, Steve saw how Eddie pulled his hand down sharply, and Steve just... laughed. Eddie fell in love with his laugh. It was kind, and it made Eddie feel better, even when he wanted to cry.

Steve graduated the next year. But he didn't leave Eddie alone. Eddie couldn't stop thinking about him, and his kind laugh, and his pretty eyes, and then the sheep Eddie adopted told him all about how cool and brave Steve was, and Eddie fell harder without even seeing him.

The world went to shit. But Eddie got to see Steve again.

Steve was still kind, even though the world was ending, and even during serious discussions, plan-making, how-to-save-the-world conversations, Eddie's tics kept going. His body jerked and shivered, and his head threw back, and his fists hit his own chest and shoulders, and he had to sit down. And Eddie found out that there are more kind people than he thought. When his tics slowed, Nancy wordlessly got him an ice pack to hold to his chest, and when he flung it across the room, Robin caught it with a casual oops, and brought it back to him. No one questioned him, or stared, or laughed, even though he knew how annoying he was.

When he woke up in the hospital, he hurt so badly he couldn't move. He just cried. Steve sat by his bed and held onto his hand. He was crying too. When Eddie stopped crying, Steve carefully slid his rings, clean of blood, onto his fingers.

This one goes here, right?

Yeah.

On the second day, his brain didn't care that he hurt. As Steve was telling him about what was going on with the others (Max was staying with the Sinclairs, Dustin's leg was almost healed), Eddie's hand smacked him across the face sharply, the sting of his rings bringing tears to his eyes before he even processed what happened. Steve wordlessly crawled onto the bed, carefully pulled Eddie against himself, and set a pillow over Eddie's lap for when his fists started hitting his legs. He'd just murmured those words, the first words he'd said to Eddie years ago.

It's okay. It's okay.

And he waited until Eddie's body fell lax against him before he carefully found Eddie's hand, laced their fingers, and pressed a kiss to his forehead.

Eddie was released from the hospital a few weeks later. He stayed in the Wheelers' basement for a few days until Steve's parents left town, for good this time, and then he moved into the Harrington house.

He likes it there. Steve is still kind. Always. He lets Eddie lay his head in his lap when his body hurts or won't stop moving, and he drags his fingers through his hair or holds a joint to his lips for him, and he smiles. (Eddie would go through the end of the world all over again for that smile.) When Eddie's head hits the wall while they're in the waiting room of the hospital for a checkup, Steve just shifts to face him and holds a hand up to the back of his head so his hand hits the wall instead, saying quietly that Eddie isn't allowed to beat his record number of concussions. He drives Eddie to Wayne's even though Eddie doesn't tic when he drives except for a few facial or vocal ones.

When Eddie whistles one night, Steve just smiles at him and says Was that a tic or are you hitting on me? and Eddie freezes, his face burning. Which would you prefer, pretty boy?

Steve kisses him.

And then Steve starts holding his hand even when he isn't having tics, even when they're with the Party. Eddie moves into Steve's room. (They always slept better when they accidentally fell asleep on the sofa together anyway.) Steve holds him when his tics are bad, and Eddie holds him during his migraines, pressing kisses as softly as he can to his forehead and his temples. Steve takes his hand when it moves to hit Eddie's face or chest. Eddie stands steady and holds Steve's hand to himself when he gets dizzy. Steve keeps ready-made ice packs in the freezer to hold to Eddie's chest and legs when they bruise from his fists. Eddie keeps his handwriting as neat as possible when he writes notes in case Steve forgets anything. When they wake up at night, breathless and sweaty and crying, the other is there, arms open, lips waiting.

One night Eddie says very softly, You know, they used to say my brain was broken.

Steve just says, Mine too.

#welcome to projection central #hand wrote this during a lecture today bc i was bored and realised a lot of ppl write/hc eddie as autistic and w adhd #but usually those are the only kinda neurodivergencies i see in fan content #(pretend thats a word)#but then i thought eddie having tics would make sense for his character and i have Experience to write from so #(disclaimer i was not bullied in school nor was i removed from classes (unless i left on my accord bc i wanted to hide in the bathroom))#(some kids teased me or mimicked me or told me to 'do it again' but i dealt w them)#(and the one kid that was really a dick ended up being rly nice by the time we graduated he's cool)#(and i got lucky w my teachers i think they were all very sweet and considerate)#(but i thought this story would make sense and go along with eddies story in the canon)#anyway give eddie tics #anotther hc that his tics calm down/stop when he's playing guitar and playing d&d #mine arent as bad as they were in high school but back then (and on bad days now) they usually calm down #when im focused on something or doing something i enjoy (ie drawing or painting or st)#steddie #steddie oneshot #eddie munson #eddie munson oneshot #steve harrington #steve harrington one shot #stranger things #stranger things one shot

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