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#lucas papaelias
emoshep · 3 months
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who do i think of today???
the no vacancy bass player from school of rock. his name's neil if you didn't know. (played by lucas papaelias).
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honestly, i don't have much to say about the character because it's such a small role and not at all the focus. he's just cute, has a cool stage outfit and plays bass. nuff said.
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Dreamcasting Broadway: NATASHA, PIERRE & THE GREAT COMET OF 1812
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“They say we are asleep until we fall in love; we are children of dust and ashes.”
Dreamcasting Broadway: Natasha, Pierre & the Great Comet of 1812
Mikaela Bennett as Natasha Rostova
Nathaniel Hackmann as Pierre Bezukhov
Devin Ilaw as Anatole Kuragin
Eleri Ward as Sonya Rostova
Kay Trinidad as Marya Dmitryevna
Jewelle Blackman as Heléne Bezukhova
Ben Steinfeld as Fedya Dolokhov
Ari’el Stachel as Andrey Bolkonsky/Old Prince Bolkonsky
Kim Blanck as Princess Mary Bolkonskaya/Maidservant/Opera Singer
Lucas Papaelias as Balaga/Servant/Opera Singer
Aisha Jackson as Ensemble (Natasha u/s)
Alex Nee as Ensemble (Andrey/Prince Bolkonsky u/s)
Alexia Sielo as Ensemble
Allan K. Washington as Ensemble
Ari McKay Wilford as Ensemble (Dolokhov u/s)
Ashkon Davaran as Ensemble (Pierre u/s, Balaga u/s)
Erikka Walsh as Ensemble
JC Schuster as Opera Dancer/Ensemble
Jessie Shelton as Ensemble (Mary u/s)
Jordan Litz as Ensemble (Anatole u/s, Andrey/Prince Bolkonsky u/s)
José Useche as Ensemble
Kaleb Wells as Ensemble (Pierre u/s)
Khori Michelle Petinaud as Opera Dancer/Ensemble
Lauralyn McClelland as Ensemble (Marya D u/s)
Lauren Luiz as Ensemble (Sonya u/s, Mary u/s)
Marina Kondo as Ensemble (Natasha u/s, Sonya u/s)
Tamrin Goldberg as Onstage Swing/Ensemble
Vishal Vaidya as Ensemble
Warren Yang as Onstage Swing/Ensemble
Zara MacIntosh as Ensemble (Heléne u/s)
Paul HeeSang Miller as Standby (Pierre Bezukhov)
Anthony Chatmon II as Swing (Anatole u/s, Dolokhov u/s)
Billy Bustamante as Swing (Balaga u/s)
Camden Gonzales as Swing
Erica Swindell as Swing
Kim Steele as Swing (Marya D u/s, Heléne u/s)
Sam Strasfeld as Swing
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papermoon4 · 6 years
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THIS FLAT EARTH ~ A new play by Lindsey Ferrentino
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koolecho · 6 years
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I stumbled upon this lovely video series by Lucas Papaelias of his time with Once The Musical. It mostly takes place in his ( or possibly his and Will’s ) dressing room. It’s a little random, but I thought it was funny👌😑✨
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milliondollarbaby87 · 7 years
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School of Rock (2003) Review
School of Rock (2003) Review
Dewey Finn will do whatever it takes to be back in band and win Battle of the Bands, yes even posing as his best friend and pretending to be a teacher when the kids can really rock he decides to teach them some very different lessons.
(more…)
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drawdownbooks · 5 years
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RARE! Typograph.Journal Vol. 02 / Available at www.draw-down.com / Typographic musings for curious creatives: Australia's TYPOgraph.Journal is written by designers for designers. The text consists of conversational, experimental, self-generated, personal expressions about design theory, practice and process. This edition shines a spotlight on creative's who embrace technology in their work, investigating the space between archaic design craftsmanship and today’s lead digital practices, and highlighting fascinating projects that combine both old and new mediums. Letterpress, calligraphy and other slow media are prominently featured, along with expressive digital mediums that reference human gestures and the human condition.Featured design talent includes: The Doves Type, Gonzalo Hergueta and Lucas Benarroch, Starshaped Press, Craig Ward, Novo Typo, Dave Foster, Amy Papaelias, Resistenza, Matt Haynes, Jess Cruickshank, Kate Hursthouse, Steve Mitchell, Studio Lowbrow, Jamie Clarke and more. Published by Nicole Arnett Phillips, 2016. Printed in a hand-numbered edition of 1000. 192 pages, 2 color (black and Pantone 325U) #graphicdesign #typography #typographer #typeface #Letterpress #TYPOgraph https://www.instagram.com/p/ButWfcXn-F1/?utm_source=ig_tumblr_share&igshid=drbfq9o0fmgj
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harrison-abbott · 2 years
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SCHOOL OF ROCK
Was speaking to my friend a while ago, about movies, and we got onto films that we had watched the most times. As in, rewatched, over and over, because they never got tiring despite how many times you’d seen them already. And he mentioned ^^ this flick. And I agree.
 Do you know that scene where Jack Black is assembling the band for the first time. And he gets them to play the ‘Smoke on the Water’ scene. It is just so playful and funny. And yet it all comes together and becomes likeable. Becomes rocknroll.
 And I suppose that’s the message of the film. That music can be childish and silly and funny, but everybody essentially likes it b/5 y the end. The kid actors in it are ace. For being child actors. One could argue this is Jack Black’s finest moment … umm. Richard Linklater has made many terrific terrific films which have won awards and so on. One could also argue this is his best film. I’ve never heard anybody say anything bad about it. There’s nothing unlikable about this flick.
 Has a nice story. A curve in the prose that ends well. And it’s just relentlessly funny. With Joan Cussack’s character as well. You know the bit where Spider (that bassist guy from the other band) flirts with her at the end and she doesn’t get it. Lols.
 5/5 from me. Ace film.
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imran16829 · 4 years
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Broadway star and SNL Actress 13 Dies: Laurel Griggs Biography, Wiki, Age, Family, Death and Cause, Fast Facts You Need to Know
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Laurel Griggs Biography, Wiki
Laurel Griggs renown for starring in Broadway’s “ONCE the Musical”. She debuts at the age of six in Cat On A Hot Tin Roof, alongside Scarlett Johansson, Ciaran Hinds, and Benjamin Walker. Laurel Griggs' grandfather revealed the young Broadway star died due to an asthma attack. https://t.co/j7qwaqnQ7m — The Blast (@TheBlastNews) November 10, 2019 Laurel Griggs Age She was 13 years old. Laurel Griggs Parents Laurel lived in New York City with her parents, Elizabeth Rivlin and Andrew Griggs, and her dog McCloud. Her mother, Elizabeth, helped her manage her busy schedule while her father, Andrew, works as a special events director best known for his work at Roxy NYC producing important concerts and corporate events. Laurel Griggs Education Laurel attended public school in Manhattan and she listed her hobbies as music, reading, swimming, singing, ice skating, playing with friends and of course watching movies and television. Laurel Griggs Hobbies Griggs also professed to have a love for music, reading, swimming, singing, ice skating, playing with friends and, of course, watching movies and television. Laurel Griggs Career Griggs made her debut on Broadway in 2013 as Polly in “Cat on a Hot Tin Roof” alongside Scarlett Johansson. After making her mark with Cat On A Hot Tin Roof, Griggs joined the cast of the musical Once, where she played the role of Ivanka for 17 months, which was longer than any other actress in the Broadway production's history. In addition to theater, Laurel had done a number of commercials and voice-overs. Some of her career highlights also included several appearances on Saturday Night Live and on the animated series Bubble Guppies. Griggs was the longest-running Ivanka in the Tony Award-winning musical Once on Broadway. She performed the role for 17 months while also being at school full time. Laurel Griggs Death & Cause (Asthma Attack) Laurel Griggs died on November 5th, 2019 at the age of 13. Griggs’ grandfather wrote on Facebook that her death was due to a massive asthma attack. Her family said that she had suffered a fatal asthma attack, passed away on November 5 and was laid to rest on Friday, November 8.  Laurel is pictured with her parents Andy and Liz Griggs in an undated photo We're remembering Laurel Griggs through photos and videos of her incredible career. Learn more about how you can honor her memory here: https://t.co/wIWatwMeIE pic.twitter.com/7VCU2qz0YO — Young Broadway (@YoungBwayNews) November 9, 2019 Laurel Griggs Tributes Eliza Holland Madore, who also played Ivanka in “ONCE,” paid tribute to Griggs on Instagram. “I am deeply saddened by the sudden loss of one of my Ivanka sisters,” the post reads. “Laurel- you were always smiling and always made other people laugh. I’m so incredibly grateful I got to know you. You will never be forgotten, and we will never stop loving you. Everybody in the Once Family is going to keep you alive through us. R.I.P. My heart goes out to her family.” On Facebook, fellow performer Lance Roberts wrote a tribute post that identified the teen’s cause of death as asthma. He wrote, “Words can’t express how I feel about the sudden loss of our littlest ‘no neck monster’ from Cat on a Hot Tin Roof. She was 7 then. Went into ONCE on Broadway. We lost her yesterday to asthma at 13. RIP dear Laurel Griggs.” Donations in Griggs’ memory can be made to Broadway Cares, a nonprofit that raises money for AIDS-related causes. Actor Lucas Papaelias said: 'Mmy @oncemusical family tragically lost one of our youngest members this past week. we are all heartbroken & devastated. sending love and my deepest condolences to the family of @laurelgriggs_ who played the role of Ivanka on Broadway. we will never forget this sweet, talented young soul.' We are saddened to share that Laurel Griggs passed away this week at the age of 13. Laurel was a brilliant young lady who appeared on Broadway in "Cat on a Hot Tin Roof" and "Once". We send our condolences to her loved ones at this difficult time. pic.twitter.com/SHDEiErN9l — Young Broadway (@YoungBwayNews) November 8, 2019 Fast Facts You Need to Know Griggs made his Broadway debut at the age of six on Cat On A Hot Tin Roof, alongside Scarlett Johansson, Ciarin Hinds and Benjamin Walker. She died on November 5 and was buried on Friday, November 8. His cause of death has not been made public. In addition to the theater, Laurel had made several commercials and voiceovers. Some of the highlights of his career also included several appearances on Saturday Night Live and in the animated series Bubble Guppies The teenager had been living with her parents and was going to a public school in Manhattan. Read the full article
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newyorktheater · 6 years
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In “This Flat Earth,” 13-year-old Julie (Ella Kennedy Davis) doesn’t understand why the newspaper article about the school shooting that killed nine of her classmates has the word “Another” in the headline.
“Has this happened before?”
Her father Dan (Lucas Papaelias) reluctantly informs her that it has.
“If this has happened before, why would everybody be acting so shocked?”
Julie may sound like the most naïve teenager in America, especially given the new mass movement against gun violence that is led by teenagers. But her exchange with her father is one of several resonant moments in Lindsey Ferrentino’s drama, which takes a more oblique approach than most of the other plays about school shootings that I’ve seen — and I’ve seen too many.
The playwright, who made a splash with Ugly Lies the Bone in 2015, which focuses on high-tech efforts to rehabilitate a severely disabled soldier, and, currently, Amy and the Orphans, which tells the story of a character with Down Syndrome, is clearly committed to dramatizing social issues. But she doesn’t make the mistake of trying to explain an inexplicable event. The details of the shooting that has the characters reeling are offered in disconnected bits and piece, and kept vague. Instead, “This Flat Earth” largely focuses on the small, subtly devastating (and sometimes amusing!) effects on a handful of characters in the aftermath.
When the play begins, the shooting is in the past, but so recent that Julie and her best friend Zander (Ian Saint-Germain) have not yet returned to school. They are in her bedroom trying to watch a horror movie. Julie can’t get past how fake it is: “Blood doesn’t really look like that…” Left unspoken is how she knows this. As the play progresses, we learn in just such understated ways (and some more obvious)  how the shooting has been  affecting the two of them, and how it makes them feel isolated. (Dane Laffrey’s set — of four separate rooms on two levels — emphasizes that segregation, and Christopher Akerlind’s lighting underscores how alienating the world feels to them.)  We also see the expected and unexpected ways the mass shooting has on Lisa (Cassie Beck), the mother of a classmate, Noelle, who was killed.
The characters are often awkward. To pick just one of many examples:  Is it still appropriate to call Lisa “Noelle’s mom,” or should she now be Mrs. Harris?
“Sometimes, you have to do things that make you uncomfortable,” Dan tells Julie after she rudely rejects Lisa’s invitation to dinner. “That’s basically all being an adult is: Just one awkward social interaction after another.”
“But I’m not an adult,” Julie protests.
“Well, it’s part of growing up then.”
There is a resistance to the usual platitudes: Lisa can’t stand being told by one more person that they “can’t imagine” what she’s going through. Of course they can imagine it!
There are odd feelings of guilt. “I cried more when my dog died,” Zander confesses to Julie. “Does that make me a bad person?” She reassures him: “You knew your dog better. Plus he could do so many cool tricks.”
These observations feel knowing and assured, made all the more credible because of a persuasive cast, the steady direction by Rebecca Taichman, and the playwright’s playable specifics for her main characters. Zander and Julie, childish and scared on one level, care for one another in a mature way. They also exhibit the beginnings of a mutual adolescent crush, which we begin to realize may have been caused, or at least sped up, by the trauma. Julie’s dad Dan is a former stand-up comic who now works for the town’s water department.  They live in the poorer hill district of the unnamed town, but he snuck Julie into a school in the wealthier district, which is why Zander has a laptop and a cell phone and Julie can’t afford them. Dan’s well-meaning decision helps fuel what little plot there is in a play that is most successful as a character study of grief or shock or fear.
Yet Ferrentino doesn’t seem satisfied in keeping to the concrete. She seems to want to suggest something more profound. The title provides a clue. It refers to a class report on Christopher Columbus that Julie didn’t get to deliver on the day of the shooting, in which she explains that people in Columbus’s day believed the earth was flat. “Now we think it’s funny they thought that,” Julie says in her report, which her father asks her to recite for him. But “what’re the questions right now that in the future people will laugh at us for not answering?” And, if we’re paying attention, we realize those current-day questions include the ones spoken earlier by the naïve Julie: Why is everybody so shocked about shootings since they keep on happening in America? Why can’t anybody fix it?
Much of this, as I said, has some resonance.   But the playwright doesn’t stop at such clear, careful indirection. There is a cellist (Christine Kim), periodically playing Bach’s Cello Suite, and then a fifth character, the upstairs neighbor Cloris (Lynda Gravatt), who used to be a cellist, and sees the past clearly; she can also see into the future, as we witness in a surreal extended final scene that feels influenced by “Our Town.” The cellist scenes demonstrate the thin line that can exist between artful and arty, and “This Flat Earth” occasionally goes over the line.
Click on any photographs by Joan Marcus to see them enlarged.
Ella Kennedy Davis as Julie and Lucas Papaelias as
Lucas Papaelias as Dan and Cassie Beck as Lisa
Ella Kennedy Davis as Julie, and Lynda Gravátt as the upstairs neighbor Cloris
Ian Saint-Germain as Zander, Ella Kennedy Davis as Julie, Lucas Papaelias as Dan
This Flat Earth
Playwrights Horizons
Written by Lindsey Ferrentino, directed by Rebecca Taichman
Scenic design by Dane Laffrey, costume design by Paloma Young, lighting design by Christopher Akerlind and sound design by Mikhail Fiksel.
Cast: Cassie Beck, Ella Kennedy Davis as Julie, Lynda Gravátt, Lucas Papaelias and Ian Saint-Germain as Zander. cellist Christine Kim.
Running time: 90 minutes
This Flat Earth is scheduled to run through April 29, 2018
This Flat Earth Review: Another School Shooting, and Two Teens Reel In “This Flat Earth,” 13-year-old Julie (Ella Kennedy Davis) doesn’t understand why the newspaper article about the school shooting that killed nine of her classmates has the word “Another” in the headline.
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emoshep · 3 months
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who do i think of today???
the no vacancy bass player from school of rock. his name's neil if you didn't know. (played by lucas papaelias.)
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not much to say about him, honestly. he's just cute, has a neat stage outfit, and plays bass. nuff said.
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#oncemusical represents at #NYTWcelebratesBob !
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drawdownbooks · 6 years
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Typograph.Journal Vol. 02 / Available at www.draw-down.com / Typographic musings for curious creatives: Australia's TYPOgraph.Journal is written by designers for designers. The text consists of conversational, experimental, self-generated, personal expressions about design theory, practice and process. This edition shines a spotlight on creative's who embrace technology in their work, investigating the space between archaic design craftsmanship and today’s lead digital practices, and highlighting fascinating projects that combine both old and new mediums. Letterpress, calligraphy and other slow media are prominently featured, along with expressive digital mediums that reference human gestures and the human condition.Featured design talent includes: The Doves Type, Gonzalo Hergueta and Lucas Benarroch, Starshaped Press, Craig Ward, Novo Typo, Dave Foster, Amy Papaelias, Resistenza, Matt Haynes, Jess Cruickshank, Kate Hursthouse, Steve Mitchell, Studio Lowbrow, Jamie Clarke and more. Published by Nicole Arnett Phillips, 2016. Printed in a hand-numbered edition of 1000. 192 pages, 2 color (black and Pantone 325U) #graphicdesign #typography #typographer #typeface #Letterpress #TYPOgraph
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mickrories · 9 years
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"Once Medley" Lucas Papaelias Fare-Thee-Well: A Goodbye Concert for Broadway's Once Highline Ballroom - January 6, 2015
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peggyschuylers · 9 years
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lucas papaelias gave me his guitar pick and a kiss
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