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mr-styles · 1 year

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Harry Styles' Sonic Evolution: How He Grew From Teen Pop Idol To Ever-Evolving Superstar

Harry's House' not only gives Harry Styles his most GRAMMY recognition yet — it serves as a testament to how much he's expanded his sound over his already storied career.

GABRIEL AIKINS | GRAMMYS/JAN 25, 2023 - 12:02 PM

Watching 16 year-old Harry Styles walk onto the stage for his "The X Factor" audition in 2010, it's remarkable how little some things have changed in the following 13 years. Though his rendition of Stevie Wonder's "Isn't She Lovely" was rather unpolished — even receiving a "no" from judge Louis Walsh — his magnetic charisma and natural talent were more than evident. And at just 16, Styles clearly knew he was on the right path.

"Singing is what I want to do," Styles said in an interview before his audition. "And if the people who can make that happen for me don't think that I should be doing that, then it's a major setback in my plans."

Of course, so much else has changed in the ensuing decade. Styles was tabbed alongside other contestants Liam Payne, Louis Tomlinson, Niall Horan and Zayn Malik to form the group One Direction. As the band stormed the charts and captured the love of fans globally, Styles grew into his abilities — and now, he's achieved a rarified level of fame.

Even after being part of one of the most successful boy bands of all time, Styles has reached new heights of superstardom in his own right. In addition to selling millions of albums and selling out arenas around the world, he's starred in four feature films and became the first male cover star of Vogue magazine. The depth of Styles' charisma and drive he's shown from that first audition have made him an all-encompassing star like few before him.

While Styles was a solo star as soon as he emerged in 2017 — selling out his first-ever solo tour and debuting his self-titled first album atop the Billboard 200 — he has dominated the 2020s. His second album, 2019's Fine Line, spawned his first No. 1 hit in the U.S. in 2020 with "Watermelon Sugar," which also earned him his first GRAMMY in 2021 for Best Pop Solo Performance. But 2022 was the year he took his stardom to the next level — and it all began with an invitation to Harry's House.

The lead single of Styles' third album, "As It Was," became undeniable, debuting atop the Billboard Hot 100 and spending 15 weeks there — the most in history for a British act. And when Harry's House arrived less than two months after "As It Was," it was clear that 2022 was the year of Harry.

The album, featuring smooth electronic beats and funky bass riffs, went platinum in the UK and US, put four songs into the Billboard Top 10 at the same time, and earned Styles the most GRAMMY nominations of his career. His six nominations for the 2023 GRAMMYs include his first in the coveted Album Of The Year, Song Of The Year and Record Of The Year categories; Harry's House also earned a nod for Best Pop Vocal Album and "As It Was" is up for Best Pop Solo Performance and Best Music Video.

If you ask Tyler Johnson — who has co-written and co-produced the majority of Styles' three solo albums — the GRAMMY nominations may just be Styles' biggest validation yet. "It's really the music community recognizing him as Harry Styles — [his time in the band] is just another part of his resume, it no longer defines him. And that's really exciting."

In reality, Styles hardly ever let his past define him. Even Johnson sensed Styles' star power upon meeting the singer in 2015. "When I first met him, I knew a lot about him from the band, but it was obvious he was a star," he recalls. "Especially how he performed in the vocal booth, it was very brave. I was like, 'Wow, this person has no barriers.'"

With no barriers comes a willingness to always try something new — which is why the Harry Styles of Harry's House sounds much different than Harry Styles of One Direction. The change was heard immediately back in 2017 on his first solo single "Sign of the Times," released ahead of his self-titled debut LP later that year. It's a rock track to its core, starting with hearty piano chords and building to a crescendo of wailing electric guitar and crashing drums. This initial offering was a sign of what was to come, as Harry Styles is built on these rock sounds from beginning to end.

Even if reviews weren't outright surprised by this sound, they noted the seemingly brand new, well, direction. "Few people probably predicted the 23-year-old ex-One Direction superstar to drop the kind of album that makes your uncle or your mom perk up," read Variety's review. Pitchfork mused, "If you only know one thing about Harry Styles, it's probably that the album bucks the established trends governing bids for young male solo pop stardom." Styles becoming a rock star was something new, but looking back at the totality of his work, it's not quite as surprising as it might be at first glance.

When assessing the music of One Direction, the singles will of course stand out. Tracks like "What Makes You Beautiful," "Live While We're Young," and "Best Song Ever" are big and boisterous, with infectiously fun hooks. And while each of the group's five albums had rock influences — queue the Clash-like electric guitar opening of "Live While We're Young" — they're all pop projects at their core. And the writers and producers behind them were pop masterminds, too, including Rami Yacoub, Steve Mac, Ed Sheeran, and Ryan Tedder.

By nature of an essentially constant touring schedule and working with so many other people — especially the four other members of the group — there was simply less opportunity to write. Across the 86 songs in the band's discography, Styles has writing credits on only 21 of them, whereas he serves as lead writer on every track on each of his three solo albums.

"I think it was tough to really delve in and find out who you are as a writer when you're just kind of dipping your toe each time," Styles told Rolling Stonein 2017, recalling some of the struggles of being in a band. "We didn't get the six months to see what kind of s— you can work with."

Listening to the songs Styles did have a hand in writing for One Direction, though, the throughline of his career becomes clearer. Even the earliest tracks he co-wrote include key elements to his later songs.

The chorus of Up All Night's "Same Mistakes" takes his penchant for lyrical repetition, creating a folksy call-and-response feeling and pairing it with powerful guitar chords; he uses a similar pattern on Harry Styles' opening track "Meet Me in the Hallway." Made In The A.M. ballad "If I Could Fly" is strikingly vulnerable lyrically and melodically minimalistic; this combination is seen on Styles' solo ballads, like Fine Line's "Falling" or Harry's House's "Matilda."

Styles' solo success also stems from his versatility. Alongside folksy ballads, he has an ear for rock songs to fill a stadium (and after completely selling out his 2021 and 2022 Love On Tour stretches, stadiums may be where he's headed next). "Where Do Broken Hearts Go?" is one of One Direction's most anthemic tracks, tailor made for karaoke or shouting alongside a crowd. It's no surprise Styles is the sole One Direction member on the writing credits for it, and you can hear that same exuberance on his solo rock anthems, from Fine Line’s ultra cool smash "Watermelon Sugar" to the funk rock-infused "Late Night Talking" on Harry's House.

In a 2017 New York Times interview, Styles explained his rock influence — and really, his musicality as a whole — stems from his own musical tastes. "I really wanted to make an album that I wanted to listen to," he said of Harry Styles. "That was the only way I knew I wouldn't look back on it and regret it. It was more, 'What do I want to sit and listen to?' rather than, 'How do I shake up compared to what's on radio right now?'"

Judging by the elevated sounds on Harry's House, Styles' musical interests have grown as he has evolved as an artist. While there are hints of his previous writing and growth on the album, Styles incorporated so many new elements, and that's what makes Harry's House so interesting and so refreshing.

Funk pervades the record, with synths and stylized loops fleshing out tracks like "Music For A Sushi Restaurant" and "Keep Driving." There's a constant sense of playfulness throughout all 13 tracks — something that was apparent to Styles' collaborators long before the world got to hear it.

"Harry just said that he's never been more proud of anything, and Tom [Hull, better known as producer Kid Harpoon] and I are just there for the ride," Johnson says. "We didn't feel too caught up in the kind of reality of who he is and having to put out an album very specific to the commerce side of it. It was a lot of having fun and just kind of burying our heads in the sand and enjoying doing it. That was very different from Fine Line."

Styles can seemingly feel his evolution himself, too. In a wide-ranging interview with Zane Lowe upon the album's release in May 2022, Styles revealed that he tried not to take direct sonic influences on this record like he had in the past. "I kinda felt like you can reference things by the emotions that they evoke," he said.

The same interview points out how much more comfortable Styles has become with being flexible and fluid, both in his own writing and his collaborators. And now that he's found his right-hand men in Johnson and Hull, he finds it easier to bring his ideas to life. This has allowed Styles to continue to expand his writing, and that resulted in an album that launched his superstardom to even greater heights — and showcased Harry Styles simply having fun.

Now 28 (almost 29!), Styles has been a beloved star for nearly half of his life. In that time, fans have watched his musical abilities mature, morph and expand; he has shown a willingness to always have an eye on what comes next — and that forward thinking paid off in a big way in 2022. However he evolves next, it seems Styles will never lose the drive and endearing charm the world first saw on the "X Factor" stage over a decade ago.

"He's a very similar person. He's a very consistent, loyal, kind person, very focused. That is all the same," Johnson insists. "He's just doing what people do when they do it more and more — he's focusing in on who he is more, he's gaining confidence, and he's becoming more and more himself — which is a very potent thing."

via Grammy.com

#harry styles #Grammys 2023

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seasurfacefullofclouds1 · 3 months

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I am not coming from a place of any sort of superiority complex or anything like that but sometimes I do wish that Louis’ fandom on social media wouldn’t be filled with so many shallow opinions.

Most of the thinking which is expressed around him that I have come across is so unidimensional. I wish there was a more flourishing and vibrant fandom for him.

For instance, the emotional depth of ending his very first album in a “it’s a solo song and it’s only for the brave” wasn’t explored enough. It’s such a genius thing to do for someone who has been made the mascot for a band for most of his life.

He started and ended walls with “Nothing wakes you up like waking up alone”, again the emphasis on alone.

Then the next album he flipped the theme, he went onto it’s you and me until the end.

I was reading reviews about the album. I felt so bad for the quality of reviewers nowadays it’s almost like they don’t even bother to listen to the album and blame the artist for their preconceived notions.

https://amp.theguardian.com/music/2022/nov/11/louis-tomlinson-faith-in-the-future-review

The fact that this author called his album directionless because he wanted to make a pun on one direction as his punchline is the laziest thing I have seen a writer do.

“She is beauty we are world class” lyrics were criticised by quoting one line without context contrasting it with the one below from the same magazine where so many words are used for lyrics that are presented alongside the excuse of - is searching for emotional depth even required?

https://amp.theguardian.com/music/2022/may/16/harry-styles-harrys-house-review

Also, funny how many different artists were used to describe the influences in Harry’s album but the pun was reserved for Louis’.

“This is clearly the rare kind of success that means the contents of Harry’s House are almost irrelevant” - I guess this really goes to the heart of how people listen to music nowadays, whether fans, general public or music critics.

“This is clearly the rare kind of success that means the contents of Harry’s House are almost irrelevant.”

Not to be a ranting bitch but this is the world view of billionaire corporations that own every creative media outlet, artist, and reviewer.

The “contents” are always irrelevant. Barbie the movie is maximal consumerism dressed in the bare minimal (pun intended) feminism. Consumers don’t have the intelligence or backbone to not consume. Harry can write ten more cocaine-choke her-cheap slut-I should get head I paid for head songs and he’s a lyrical genius, but Louis is a derivative imbecile for writing about grief and loss.

You’re right. The small turns of phrases, the lyrical precision and nuance in Louis’ songs are sometimes so very poignant, and it’s more than Easter eggs or hints or allusions.

I wish on reddit or other forums that there are ways of talking about Louis’ songwriting that are about songwriting and music. Unfortunately, Louis’ forums are always filled with OT5 or Larries or Harries parroting media or obsessing over conspiracies and lies.

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allwaswell16 · 2 years

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[[- Oli Fics -]]

A fic rec of One Direction fics that feature Oli as a character. Happy 30th birthday, Oli! 🧡

🧡 Remember Me Before You by @kingsofeverything

(E, 293k, Louis/Harry) Desperate to find a new place to live after he comes home to find his boyfriend cheating, Harry moves into a loft with three strangers. A New Girl AU.

🧡 You Make Lovin' Fun by @homosociallyyours

(E, 109k, Louis/Harry) Harry is a 28 year old travel writer at a gay magazine who gets the assignment to go a lesbian cruise.

🧡 ghost of you by beckywritesthings / @beckydoesthings

(E, 109, Louis/Harry) a Star Wars AU where Harry is Obi-Wan, Louis is Satine, and somehow there’s a love story between the cracks where there shouldn’t be.

🧡 Ante Post by goldearring

(E, 105, Louis/Liam) Liam is a sports reporter and fledgling news presenter who’s catapulted into the big leagues by virtue of his popularity with focus groups. Louis is the maverick executive producer who isn't quite sure what to make of him, at first.

🧡 under thorn and bramble by thedeathchamber / @louehvolution

(E, 32k, Louis/OC) A mysterious stranger boards at the farm and is very intrigued by Louis, but Louis doubts his interest in genuine.

🧡 Where the World has Come Together by LadyLondonderry / @londonfoginacup

(M, 26k, Louis/Harry) For the crime of elven blood running through his veins, Louis Tomlinson spends his days protecting the human kingdom he’s been cast out of.

🧡 You Bring Me Home by @reminiscingintherain

(T, 22k, Louis/Harry) the one where Louis wants to turn Harry's book into a film, and Harry's very picky about what happens.

🧡 My English Love Affair by @isthatyoularry

(E, 19k, Louis/Harry) The one where Harry writes a song about his English love affair and Louis sleeps with someone in White Eskimo and all he gets is a stupid song written about him.

🧡 house of stone, your ivy grows by edensrose / @holdingthornsandroses

(E, 16k, Louis/Mads Mikkelsen) loosely based on the movie "a royal affair". Louis is a lonely queen married to an odious and imopotent king. Everything changes when he meets the new royal physician.

🧡 It's About A Boy by mynameispiaivy / @missrefridgefreetorator

(M, 14k, Louis/Luke Malak) when a mysterious boy turns your birthday celebration into a night you will never forget, or when it's like, what happens in Vegas, stays in Vegas unless someone asks for your number and you just don't want the night to end.

🧡 Close Enough to Touch by YesIsAWorld / @louandhazaf

(M, 11k, Louis/Harry) Embarking on his first solo tour was stressful enough without his closest friends encouraging him to push even further outside of his comfort zone. Louis definitely did not need a masseuse on tour.

🧡 i can feel a hot one by @turnyourankle

(E, 8k, Louis/Luke Malak) There's something about the fresh air, music, beer and weed that just does something to Louis. But getting some alone time with Luke at Firefly turns out to be harder than expected.

🧡 Don't Want You Like A Best Friend by orphan_account

(T, 5k, Louis/Luke Malak) Louis and Luke hang out a lot, and it doesn't mean anything. Until it does.

🧡 Friend of the Devil by @taggiecb

(G, 3k, Louis/Harry) Harry has to help his friend the Easter Bunny (Ed Sheeran) get ready for Easter. Louis can't wait to help out.

🧡 Let Me Take Care Of You by @tommokat

(M, 3k, Louis/Harry) Louis' in Poland with a fractured elbow and Harry's in California, but all he wants is to take care of him.

#1dficvillage #tracksintheam #trackinghome #1dsource #ficrec #lol did i just make the fastest rec of my life? yes

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harryourdinah · 3 years

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#louis tomlinson #black and white #magazine #unseen #house of solo #photoshoot

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dailytomlinson · 5 years

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Louis x HOUSE OF SOLO

#250319 #DOH LEE #louis tomlinson #hqs #house of solo #house of solo magazine #tw smoking

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rbblarents · 5 years

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Louis Tomlinson x House of Solo - Coloured

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loubacktoyou · 5 years

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That feeling when you order something literally months ago, shamefully forget about it, and it finally arrives! 🥰🥰🥰

#louis tomlinson #house of solo #louis #fashion #model #lt #perfect #king #baby #fashion issue #magazine #one direction #mine #text post

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whilstiveputdownthisfic · 5 years

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Pure beauty arrived in my mail today ❤️

#louis #tomlinson #house of solo #model louis #louis tomlinson #magazine #fashion

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larryvicious · 3 years

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#louis tomlinson #louis william tomlinson #louis smile is precious #house of solo magazine

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hldailyupdate · 3 years

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For British singer/songwriter Harry Styles, 2020 was a career-defining year, bolstered by the December 2019 release of his GRAMMY-nominated sophomore solo album, 'Fine Line'

Though many people might want to write off 2020 as a year that never existed, for others, it was a year of growth, change and even success. For Harry Styles, 2020 was a career-defining year, which is no easy feat when the entire world is shut down. The pandemic left him no choice but to put his world tour plans on pause and strategize a new way to not just promote his sophomore album, Fine Line, released in December 2019, but also keep fans' attention.

What followed was a bit of a phenomenon.

Styles, who has been a star since his One Direction days, became a bigger star with every passing day. His album went multi-platinum, he got his first Billboard Hot 100 No. 1 single with "Watermelon Sugar," he was named Variety's 2020 Hitmaker of the Year, he landed his first-ever GRAMMY nominations of his career (Best Pop Solo Performance for "Watermelon Sugar," Best Music Video for "Adore You" and Best Pop Vocal Album for Fine Line at the 2021 GRAMMY Awards show). And the list goes on.

While these accomplishments would add up to a banner year for any artist, what makes it so unique for the British singer is twofold. For one, he's been in the business for a decade already, gaining fame at just 17 as a member of the huge boy band One Direction. While in the group, which came together in 2010 as part of "The X-Factor," Styles and his bandmates Liam Payne, Niall Horan, Louis Tomlinson and Zayn Malik found global success, selling millions of records, performing in sold-out stadiums around the world and winning many awards.

However, despite how massive the band became, they didn't quite crossover to listeners of all ages—they had a hard time shaking the boy band label. While their music evolved into a more mature rock sound over the years, they never got to a place where they were wholly appreciated by the public in a way that their fans knew they deserved.

Once the band went on hiatus in 2015, Styles went to work creating his first solo album, Harry Styles. It was released in 2017 to much fanfare (it also debuted at No. 1 on the Billboard 200), but it wasn't until his second solo album that he really hit his stride. With Fine Line he found his musical voice and shared an album that not only resonated with his core fanbase but also brought him further into the mainstream.

From the first single released off the album ("Lights Up" in October 2019) all the way to the most recent video ("Treat People With Kindness" in January 2021), Fine Line has continued to grow. It was with this album that Styles became a household name, disconnected from his boy band roots in a way like never before. Gone are the days where people refer to him as "Harry Styles from One Direction." Now Styles stands alone, proud of where he came from but boldly moving forward on his own path.

The even more stunning part of Styles' year, though, and the second reason 2020 was so out of this world for him, he largely let his fanbase spread the good word about his art. Fans on social media hosted streaming parties for "Watermelon Sugar" to ensure it hit Billboard's No. 1 spot. They've created and sold their own merchandise to advertise his music. As only a dedicated stan army can do, they've made sure that every single thing he does goes viral. Even though Styles himself has a limited social media presence, he's still one of the most noteworthy internet personalities, simply because his fans have kept him there. In a world where social media reigns supreme, he lets his work speak for itself and trusts in his partnership with his fans to help him succeed.

The impact of Fine Line was substantial. Because of it, he is currently in the running for his first three GRAMMYs--Best Pop Vocal Album, Best Music Video for "Adore You" and Best Pop Solo Performance for "Watermelon Sugar." And the numbers also back up his work. Fine Line is RIAA certified double platinum, has over 4 billion worldwide streams and spawned six songs that cracked the Billboard Top 100 chart.

Before the album's release, to promote "Adore You," Styles and Columbia Records created a mysterious world called Eroda that trended before anyone even knew it was for a music video. "Watermelon Sugar" became one of the songs of the pandemic summer after the video dedicated to human touch—which has over 194 million views on YouTube—was released in May 2020.

Not one to ever let the album get stale, Styles continued to remind listeners of its existence throughout 2020, even though the world had shut down and in-person promo wasn't an option. Before that, though, Styles caused a buzz as he took double duty on "Saturday Night Live" in November 2019 as the host and musical guest, as well as performing in BBC Radio1's Live Lounge the following month. After a few shows in Los Angeles, London, and New York in late 2019 and early 2020, Styles hunkered down amid COVID and let his music videos do the talking. Aside from "Watermelon Sugar," he released a video for "Falling" in February and "Golden" in October. Fans may not have gotten to see Styles on the road in 2020, but he made sure to keep popping up on their screens, including a virtual appearance at iHeart Radio's Jingle Ball in December, one of his only in 2020.

But 2020 wasn't only a great year for Styles' music, he also graced multiple fashion magazine covers, continued his relationship with Gucci, and even landed a second major movie role, in Olivia Wilde's upcoming Don't Worry Darling. Not only was he Vogue's first man to pose on a cover alone, he did it wearing a dress. He's continued to quietly advocate for genderless fashion by wearing what makes him happy, whether it's fishnets for Beauty Papers or his everyday pearl necklace. Though many rock stars before him pushed similar gender-bending trends, he's become that person for his generation.

Styles even influenced countless people in lockdown to take up knitting, simply to recreate the J.W. Anderson rainbow patchwork cardigan he wore during a rehearsal for the "Today" show in February. After a few fans fumbled through knitting a copycat, the fashion house published a pattern that spread like wildfire. Suddenly TikTok was flooded with people knitting "The Sweater," and fans all over the world showed off their matching rainbow cardigans in their Instagram selfies from home.

As much as the phrase has been bandied about in recent months, it still holds true: It's Harry Styles' world and we're all just living in it. Despite all the setbacks and hardships, 2020 defined Styles as an artist—not just a musician, but a whole artist. It seems inevitable that Styles will only continue to grow his star power as he draws in more fans for this journey. For those devoted fans who have been there for him since he was just a teenager singing "What Makes You Beautiful," though, his meteoric rise in 2020 just made sense.

(11 March 2021)

#harry styles #harry update #article #grammys #march 2021

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kingstylesdaily · 3 years

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How Harry Styles Emerged From Teen Pop Sensation To First-Time GRAMMY Nominee

For British singer/songwriter Harry Styles, 2020 was a career-defining year, bolstered by the December 2019 release of his GRAMMY-nominated sophomore solo album, 'Fine Line'

HEDY PHILLIPS

What followed was a bit of a phenomenon.

via Grammy.com

#kingstylesdaily #Harry Styles #hs: news #hs: grammys 2021 #March 2021

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larentsgirl · 3 years

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Louis Tomlinson from House of Solo Magazine

#lt pics #2021 #louis tomlinson walls #louis tomlinson #louis tomlinson icons #louis tomlinson layout #larry stylinson #one direction #hqs #model louis

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liam-93-productions · 4 years

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I remember meeting Liam Payne once before. I was writing the cover story on One Direction for this very magazine four years ago and, finally, after endless tail chasing and schedule clashes, I managed to pin all five members down backstage at the O2 shortly before they played to what seemed like a bazillion screaming teenagers. The air was heavy with the fug of Haribo Starmix and raging hormones; even at that point the band were already more popular than The Beatles in some circles. Or, as John Lennon would have put it, Jesus.

The band members were courteous and convivial. One certainly got the impression that their time wasn’t their own, although any cracks that would end up splintering the band some years later were kept well hidden. I remember Payne for being perhaps the most grounded out of all five of them. He seemed to have an ease with his status and fortune that kept his ego in check. He seemed genuinely bamboozled at the hysteria going on around them. He was a young, ambitious pop star caught in fame’s full beams.

Last week, in some respects, a very different man sat down for an exclusive chat with GQ Hype. He’s certainly more hench, as this exclusive shoot with fashion photographers Mert Alas and Marcus Piggott prove. Whoa. We talked about his sizzling new underwear campaign with Hugo Boss, his first nude shoot (which may well be his last if his dear mother has anything to do with it) and we reminisced about his One Direction days, a period which he came out of shaken, sure, but not completely upside down or inside out.

He’s been through a great deal since the end of being one fifth of the biggest boy bands in history – drink problems, therapy, (...), anxiety – but at his core he’s still that same multi-talented, hard-working boy from Wolverhampton, honest about his faults and still excited to see where all this is taking him. Undoubtedly, he’s a man who wears his heart on his sleeve. Well, when he’s wearing any sleeves at all...

GQ: So how’s the build-up to the debut album, LP1?

Liam Payne: Good, can’t complain. Just rewriting a lot of things in my world at the moment. That’s why I was in with my top, top manager for a while just reconfiguring things towards the end of the year.

What are you reconfiguring?

Well, we just kind of ticked off album one. The writing process was interesting to say the least. I mean, it was almost like blind dating in LA with different writers, and when that happens it’s hard to get traction, or get to know anyone properly, or let your guard down in a way. You feel like you’re going into different rooms all the time, with different styles. There are so many things that can affect the writing unless you find that one person who can carry you all the way through a record. Post Malone has a producer called Louis Bell, whom he works with, and there's a common stitch throughout the whole thing that kind of puts it all together properly, whereas we never really found that.

How come that never materialised?

I was going through a bunch of stuff when we started writing the album – growing up and all sorts of different shit coming out of the band. So for me it wasn't the best entry into the writing side of it and making personal music rather than writing for a band. So it was difficult, but I mean the album is done and coming out and I absolutely love it and it's just interesting to see that my favourite is from when I was younger. The first albums I listened to actually helped create my first album, so super cool.

It sounds like it’s been a long process getting the debut album finished?

It’s been, since “Strip That Down” really, the best part of two maybe three years to get everything finished. And it was difficult. I mean, it's opening up at first and trying to figure out who you are and what people want to know from you. And what the sound is. Trying to find that medium point for all those things. It's just the most difficult thing, especially at a young age when you're constantly changing and you don't really know yourself yet. We spent the best part of five years in a band closed off from the world and I had to go through this really weird transition inside that band as the world, and then myself, came out of it. I mean, even in my therapy sessions, my therapist asked me, “What do you actually like to do?” And I'm like, “I don’t know what I like doing!”

Most people presumed you came out of One Direction fully formed. That wasn’t the case?

Everything changed. New teams, new managers, new labels. Building those working relationships can be tricky. You also become the boss of your own shit, and I was 21, 22 when I first started doing my own thing, so it’s all a bit scary and can be a bit lonely. That’s not a complaint; it's also a lot of fun as well. We have a great time. Now the band members have all worked our way through this first couple of years, you can kind of see everyone's finding their own feet. Take Harry [Styles] at the moment. You know, he's just found what I think is his sound and exactly where he wants to be, which took him a little minute to get into since he had his last album out. So, yeah, it just takes time.

Towards the end of One Direction, were you aware of everyone’s own tastes developing?

I think so. I mean, for me, someone like Louis [Tomlinson] always had a very specific taste – things like Green Day, that was the era he was from... also Oasis and old Robbie Williams. Harry always played an eclectic mix of stuff too. I can always remember the one time Harry put Rick Springfield’s “Jessie's Girl’ on and I had never really heard it before but it was an interesting choice. I liked it nevertheless. And then for me, I mean, when I wrote “Better Than Words” for the last 1D album, it had a different rhythm for us, something we hadn’t done before. So you could definitely see those unique tastes early on. I think funnily enough it was through fashion and style that our own perspectives could be seen most of all, all hints of what was to come for us. We would always wear black on stage, black skinny jeans and a black T-shirt, but maybe we’d add something else as individuals. I remember Harry having these cool rings, for example, and then he’d go crazy with his shirts as time went on. Saying that, I think Louis still dresses pretty much the same as he used to.

Was it competitive with the other band members?

I mean, for me personally, I don't think I ever really looked at it that way. I think the biggest question for all of us at the start was figuring out who the hell we were without each other around, which is a really weird thing because you’d found your dynamic and role within the band. But then when you started a solo thing it was almost like leaving like school or university and trying to find your place within the real world. So I think it was more the pressure of that than anything else, rather than us competing with each other on, like, dress sense or vibe or even the music.

You mentioned therapy. Was that while you were still in the band?

I went into therapy a couple years after leaving. I kind of went off the rails a little bit and just couldn't really figure out what was making me sad. So, you know, my team got somebody around to help me through a couple of different, difficult things that I was going through. I was just trying to figure myself out. It was just such a strange course through life, and then when the switch turns off you're left to your own devices...

Did it throw you off when the band’s scheduled just stopped? Going from having a two-year plan to not even having a two-day plan?

I mean, yeah, we went through a really weird retirement phase. It’s quite funny, when my dad retired, I was telling him what to expect: first off, you're not going to get out of bed for ages, and then all of a sudden you get an urge to get out of bed all the time and start trying to do stuff just to seem like you are doing things. But I think everyone in the band went through this really weird retirement phase and trying to switch off. For me, I remember standing in my garden at my house and just looking around thinking, “It's been a lot of fun, but what do I do now that’s done? What actually happens at this point? Who do I call? Who is the ‘point of’ person?” I just didn't really know what was going to happen; a very strange thing to be involved in. All of it is weird, but that was a real strange moment. But things pick up and slowly you start getting back into the groove again.

Were you worried about not being famous any more? Or making music? About it all just stopping?

Actually, no. I kind of always knew that something would happen. I just didn't know what the hell it was going to be. And that was the scariest part of it. You just didn't really want to make a fool of yourself at that point. I think after such a long legacy of your band being absolutely amazing, the most important thing was make sure you don’t step off that pedestal; don't embarrass yourself. The biggest worry was don't ruin the legacy.

Let's talk about the underwear campaign with Hugo Boss. These are some incredible photographs taken by Mert and Marcus…

It got very raunchy very quickly. I hadn’t been properly warned about the amount of nudity Mert and Marcus do in their work, let's say. Mert’s actually become a really good friend now. We were in his house to three in the morning the other day singing karaoke, which is so funny. Yeah, I mean, really great to work with. I think everyone was quite surprised early on that they wanted to work with me and it kind of gave us a little nod and an entry into working in fashion proper.

Had you always wanted to land an underwear campaign?

Before we landed the deal with Hugo Boss I’d gone into my gym and said, “I'm going to get an underwear commercial.” I just wanted to do it; I knew I could do it. And then it actually happened! And I worked my ass off and I'm still hitting the gym: I didn't realise once you get on that thing you can't really turn it off. You've got to keep it going. Like I said, it’s been a lot of training and being an athlete and working out – it became 90 per cent of my job for the best part of a year leading up to that shoot, which was crazy. Come 2019 everyone's a lot more open about body image and I wanted to get in shape. Not to show off my body to anyone else, I just knew that’s what would give the confidence on set. I didn’t want to arrive not ready and not looking like I’d worked hard to get there. But what a thing to do and then to go on to designing clothes for Hugo Boss too – an amazing experience. We actually had the first design meeting [for the clothing line] here and I remember in the car on the way to the meeting thinking, “What have you got yourself into?” That always seems to happen to me. I was lucky enough to spend some time with a friend of mine, Kim Jones [artistic director at Dior menswear], and he gave me some great advice: “It’s the same as music: once you’ve had a hit you know what people want from you.” And I took that with me into the design meeting and used that to help the whole process. Find the hit and make it work.

Have you done a nude shoot before?

No! Well, not a planned one, at least. There was a lot of tequila involved for this shoot. I mean, the first day we did most of the shots for the capsule collection and then the last shots were the box shots for the front of the underwear packaging – which was just like, “Wow, I get to be the guy on the box,” which was a real moment. I’d never take that for granted. And then like the next day, we set up again and the model, Stella Maxwell, she's in the shoot with me. And it just ended up being a lot more naked than I thought it was – and for her as well. She was also naked. And I was just, you know, “Don’t look!” She was naked behind me and I was thinking, “Liam, don’t look whatever you do.”

Talk to me about the curtain shot...

Wow. Yes, I mean it was just a room full of five or six people and a hell of a lot of tequila to get me to this level. I was standing there and all of a sudden it was, “Right, OK, take them off.” I'm like, “Really? Take them off? Off, off? Like on-the-floor off? Oh, my God.” And there was a real hollow moment afterwards where I was sitting outside smoking a cigarette thinking, “I have basically just shot soft-core porn.” For one, my mum is going to kill me. For another thing, I don’t know how far this is going to go... That was just the first shot! It was a lot of fun to shoot but my mum wasn’t best pleased. There’s this really raunchy shot of me and Stella, and I showed my mum. She took one look at it and gave me a clip round the ear. All I was thinking was, “I better not tell her about the London buses!”

Still, your parents must be very proud?

The One Direction thing was enough. Just to get to that level. I would have happily walked away at that point. But now with all the other things I have managed to achieve, not least this underwear campaign with Hugo Boss, it’s meant a lot to me personally. I think it’s got me closer to those men whom I respect so much, people like David Beckham and Brad Pitt, such icons in their own lifestyles. It’s a real pinch-me moment. I can’t believe it hasn’t all burnt down to the ground yet, to be honest.

You mentioned a bad patch, a depression of sorts?

There was a lot of stuff. I was drinking too much and getting into really bad, bad situations for quite some time actually. And I hit a peak moment where I knew the drinking was going to get me; I needed to do something about it. I spent a lot of time drinking to escape the crazy world that I had created for myself. I didn't know what I was doing. That first therapy session and being like, “I don't even know what I like or anything about myself” – it was pretty scary stuff. I was afraid of how far my career was going and that it might go even further. You can say, “Who is afraid of success?” But that’s what it entails sometimes. Success has got the better of me on more than one occasion. When I am losing I tend to concentrate more.

Did you stop drinking for a bit?

Yes, I got sober for about a year, cutting down so the only vice was cigarettes. I hadn't planned to go sober forever, it was more important for me to say I didn't actually didn't need to drink. I wanted to prove it. I did the whole year, no booze completely, and at that point I didn’t actually know being sober was making my life any better. Things went up, but things like my social life plummeted. I was the biggest recluse on the planet. I would get up at 5am and go running in the park, but at night I would be in bed by 7pm. Is that a way to live your life? And in a strange way I am trying to still figure all that out and get the balance right between being a party animal and being an animal in the gym – the latter not being fun at all. We are all at fault; we all need balance.

So, 12 December: Boris or Jeremy?

I think I will vote but I am always out of the country. We need a mobile app where we can vote with our thumbprint or something. I mean, in regards to Boris or Jeremy, I don't think we give people enough time. Same with West Brom football club. They always change their manager every week it seems and we never get time to gel with anybody. So it's like, if I was changing my manager every week, I'd probably be really shit too. We need to give someone a chance to at least have a proper go of it or it will never be fixed. Also, I don't think it's always the one person that's to blame. Take Winston Churchill, people hated him at first, thought he was a drunk, that he had no clue, [wondered] what’s he doing going to war. Maybe we should all just be more like Winston Churchill.

Zayn has been through his own difficulties with fame and anxiety...

I think for anybody entering into these talent shows we do them for specific reasons. And I've often asked myself this question a bunch of times because we all went through it. You know, for me, as I was younger, from my own experience, I entered the show because I wanted to make my dad proud. Fast forward ten years and here we are in his office, talking about an album and an underwear campaign – incredible. But here’s the thing: you just don't know until you get there whether you're built for this or not. For Zayn, he loves music and he's an amazing talent. He genuinely was the best singer in One Direction, hand on heart, out of all of us. But for him to get to a point where, you know, he can't step on a stage? It's a lot. I mean, he's doing great. His streaming numbers are ridiculous but I do think he misses out on the performance side a bit, you know. He can't seem to get past that part. We all have it. I mean, I have this, like, brain fart syndrome: I was on medication for a while, and it was something to do with epilepsy, but I was using it for something else. And it was to do with anxiety for me too, fully prescribed, but I didn't realise that [on the medication] certain lights made me forget, well, everything. I totally forgot who I was. And lyrics. It still happens. I have a fear of it now. It happens all the time. So we all have our little beasties in that sort of scenario. But this era of talent shows, it is dangerous and some people just don’t know what they are getting into.

Did you want to reach out to him?

I did, yeah. I didn’t want him to feel like he was going through this all alone in some ways, or that we were all out to get him. We're the only people who know what you're going through. The only five people who know what you are going through were all in a room together once, and you left – fair enough – but you don’t want anyone going through such evils for no reason. But it got to a point with me where I wouldn’t know where to begin with Zayn. I hope he has good people around him, but I don’t at this stage think it’s anything the rest of us can solve.

Are there still grudges between the five of you?

Definitely in some part, yeah. We had our differences throughout the whole experience with some things. I still think about some stuff that was said and done that now I would do differently, but then that's all part of growing up. Being in One Direction was such a schoolyard mentality somehow – the One Direction University, I call it. Everyone has stuff they’ve said at parties they wished they hadn’t but, for us, the difference was that it was all happening in front of the world. Now we are older, for me certainly there are things that I am just not as bothered about. I think with Zayn’s particular exit and the way he chose to go, we haven’t really heard from him since he left. He didn’t even say goodbye, if I am being honest. It was a really sordid scenario, from our side certainly. A bit strange. It’s difficult.

The Hugo x Liam Payne bodywear collection is available now. Payne’s debut album, LP1, is out 6 December and available to pre-order now.

#liam payne #british gq #hugo boss #hugo bodywear #lp1 #liam's interviews #04.11.2019

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atruththatyoudeny · 4 years

Text

Monthly Reads | December 2019

Oh, look, it's the 28th! Time to appreciate all the amazing authors who make this fandom as special as it is! ♥ Here are all the fics I've read and loved this month:

I Just Want You to Stay | SadaVeniren | a/b/o - kidnapping . friends with benefits - fake/pretend relationship - mutual pining - misunderstandings - fluff - angst - bonding - 35k Louis and Harry have been roommates for four years, comfortable in their routine and their relationship. But all of that is about to change.

When half spent was the night | juliusschmidt | Christmas - Girl Direction - pregnancy - labor - birth - 15k Hi Harry, I’ve skimmed your website and am interested in hiring you to be my doula. I’m 7 ½ months pregnant and not keen to do this whole labor and birth thing alone. After looking around, I thought you might be a good fit because you mention enjoying unusual people with unusual birth requests. I can meet up any day this week. Lou

I Think You're Already Home | jaerie | a/b/o - surrogacy - mpreg - strangers to lovers - panic attacks - famous/not famous - anxiety - mental health issues - 38k Seeing Louis Tomlinson today, it would be hard to guess that he was ever once a member of the world's most famous boyband. These days he doesn't even the leave his own house. The truth is he can't leave his own house. He can't even remember the last time just standing at an open door didn't send him into a debilitating panic attack. But, against his friend's advice, Louis is ready to add meaning to his life again. He's ready to start a family. So what if he doesn't have an omega? There are plenty of surrogacy services just waiting to help the rich and famous become parents. He just has to find the right one for the job.

Christmas Glows With Love | Beanno28 | Christmas - strangers to lovers - light bondage - 5k Harry, a photographer, is taking photos for a porn magazine cover. Louis, a solo porn star, is up for just about anything!

You'll Be Home For Christmas | 2tiedships2 | Christmas - a/b/o - friends to lovers - 15k “Honesty, Lou, just ask Harry for help.” Louis remained silent as he continued to scowl at the Christmas calendar Niall had hung on their refrigerator. “And be nice to my calendar filled with holiday cheer,” Niall instructed. “You’re going to burn a fucking hole in it from the way you’re glaring at the innocent thing. It’s not the calendar’s fault that your heat is starting so close to Christmas.”

Bigger Ain't Always Better! | lovelarry10 | Christmas - friends with benefits - hospitals - 10k Harry buys Louis a rather naughty birthday present, and they eagerly hurry back to Harry's flat, eager to try it out. Neither of them expect what happens next....

Santa's Lap | larryatendoftheday | Christmas - strangers to lovers - 4k Louis is a grown man, and he will absolutely not go see Santa with his siblings. And even if he gives in, he definitely won’t enjoy it. Right? A Christmas story about unexpected gifts, featuring Harry as a mall Santa and Louis as a great big brother.

Down From the North | Chelsea Frew (chelseafrew) | Christmas - fluff - 3k Single father Louis is anxious to introduce his boyfriend Harry to his small daughter now that their relationship has grown serious and Christmas is on the way. Little does he know that his daughter has already met his boyfriend....

Sugar cookies and Trash Brownies | Lemon_cakes_tea | Christmas - 4k Harry and Louis are rivals at their children’s school’s annual Holiday Bake Sale. Harry’s pristinely-shaped and iced cookies are the favorite every year amongst the soccer moms, but Louis’s “trash brownies” are threatening his reputation!

All Hearts Come Home For Chrismas | Beanno28 | Christmas - coming out - established relationship - 8k Harry told his new boyfriend, Louis, that he wanted to bring him home for Christmas with his family, assuming that he would have come out to his family by the time the holidays rolled around. It's now the day they're meant to leave and he still hasn't told anyone in his family he has a boyfriend. He decides to just show up at his Mom's house Christmas Eve with Louis and hope for the best.

(Im)Perfect Christmas | Harryskiwiposes | Christmas - meet-cute - 3k If you asked Harry where the last place he thought he'd find himself on Christmas Eve was, he'd have answered - knocking on his neighbor's door, during a blackout. Yet, here he is.

An Aurora Grove Christmas | dandelionfairies | Christmas - first meetings - 18k Harry gets lost on his way to St. Louis. The roads are horrid because of the snow and he ends up spinning into a ditch. Lucky for him, he finds a cabin nearby, as well as a cute blue-eyed man who immediately helps him. Unfortunately, his car is stuck for the night, but at least he has a place to stay with Louis. With the snow continuing to fall and another storm front coming through, will he ever make it out of Aurora Grove? Does he even want to?

Save me, call me baby | delsicle | a/b/o - mpreg - pregnancy - established relationship - light angst - 14k Louis didn't plan for him and his husband to be pregnant at the same time. Somehow, it works out. An omega/omega love story in three snapshots.

Listen To Your Heart | lovelarry10 | deafness - friends to lovers - mutual pining - 35k Louis has always been comfortable being Harry’s one and only. When Harry starts to branch out, Louis has a hard time letting him go. Harry is very lucky to have someone who listens to what he has to say, despite the fact that he’s deaf. He’s finally feeling like he’s coming into himself, but Louis seems bothered by his newfound confidence.

Waited All Year To Be Near | lovelarry10 | Christmas - light angst - mutual pining - kid fic - established relationship - deployment - past mpreg - 27k Harry’s preparing for the holidays at home with his four children while Louis is deployed. All he wants is his husband home for Christmas. But Louis’ half a world away...

The Truth I Can't Explain (Smoke and Mirrors) | FallingLikeThis | werewolves - blood mages - slavery - magic - telepathy - violence - 9k Louis Tomlinson scans the horizon. It’s dark, but his werewolf eyes are equipped for that. He sees clearly in the inky black of the forest around them. He and every other wolf can see the moment the first blood mage crosses the boundary into their compound. The mages must think they’ve disabled the wards on the edges of the boundary but the wolves did that themselves when they found out the mages were coming. Louis’ pack has opened the door and put down the welcome mat. It’s up to the mages whether that mat becomes stained in blood.

Brighten My Northern Sky | twoshipstiedup | fluff - humour - 10k Harry, Louis, a phone number and fate.

Swipe Right for a Clean Flat | lululawrence | roommates - friends to lovers - humour - 3k The one where Harry and Louis are flatmates and Harry is tired of Louis not doing the washing up. He figures signing up on Tinder as a hot girl might be just the fix for this issue.

Playing To Win | jacaranda_bloom | Big Brother AU - enemies to lovers - secret relationship - 36k Big Brother UK alumni Louis Tomlinson and Harry Styles are selected for the UK vs Australia All Stars series with a massive one million dollar prize in the offing. They’re both fit and smart and would make a great alliance... if only they can stop their feelings from getting in the way. OR the one where Louis really doesn’t want to like Harry, Harry is struggling to quell his growing fondness for Louis, but sometimes, no matter how hard you try, you just can’t fight fate.

Heels Over Head | kingsofeverything (FullOnLarrie) | meet-cute - masturbation - voyeurism - 3k Louis Tomlinson returns from tour to find that his new next door neighbor doesn't realize his backyard is not completely private.

High Heels, Red Dress | Anonymous | World War II - mpreg - period-typical racism - period-typical homophobia - queer culture - drag queens - 15k Louis answers the call when Pearl Harbor is attacked and there is no way around it. The United States is at war. Hiding his queer identity isn't so hard until he attracts the attention of a particular soldier. It's all lies and secrets until the war is finally over. Maybe then Louis can finally have his happy ending. It's up to fate to decide.

#fic rec #my fic rec #monthly reads #my reads #larry fics #completed fics #28th appreciation

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transparenttriumphzombie · 3 years

Photo

Harry Styles On Vogue

Source:

https://www.vogue.com/article/harry-styles-cover-december-2020/amp?__twitter_impression=true

From Vogue MAGAZINE

Playtime With Harry Styles

THE MEN’S BATHING POND in London’s Hampstead Heath at daybreak on a gloomy September morning seemed such an unlikely locale for my first meeting with Harry Styles, music’s legendarily charm-heavy style czar, that I wondered perhaps if something had been lost in translation.

But then there is Styles, cheerily gung ho, hidden behind a festive yellow bandana mask and a sweatshirt of his own design, surprisingly printed with three portraits of his intellectual pinup, the author Alain de Botton. “I love his writing,” says Styles. “I just think he’s brilliant. I saw him give a talk about the keys to happiness, and how one of the keys is living among friends, and how real friendship stems from being vulnerable with someone.”

In turn, de Botton’s 2016 novel The Course of Love taught Styles that “when it comes to relationships, you just expect yourself to be good at it…[but] being in a real relationship with someone is a skill,” one that Styles himself has often had to hone in the unforgiving klieg light of public attention, and in the company of such high-profile paramours as Taylor Swift and—well, Styles is too much of a gentleman to name names.

That sweatshirt and the Columbia Records tracksuit bottoms are removed in the quaint wooden open-air changing room, with its Swallows and Amazons vibe. A handful of intrepid fellow patrons in various states of undress are blissfully unaware of the 26-year-old supernova in their midst, although I must admit I’m finding it rather difficult to take my eyes off him, try as I might. Styles has been on a six-day juice cleanse in readiness for Vogue’s photographer Tyler Mitchell. He practices Pilates (“I’ve got very tight hamstrings—trying to get those open”) and meditates twice a day. “It has changed my life,” he avers, “but it’s so subtle. It’s helped me just be more present. I feel like I’m able to enjoy the things that are happening right in front of me, even if it’s food or it’s coffee or it’s being with a friend—or a swim in a really cold pond!” Styles also feels that his meditation practices have helped him through the tumult of 2020: “Meditation just brings a stillness that has been really beneficial, I think, for my mental health.”

Styles has been a pescatarian for three years, inspired by the vegan food that several members of his current band prepared on tour. “My body definitely feels better for it,” he says. His shapely torso is prettily inscribed with the tattoos of a Victorian sailor—a rose, a galleon, a mermaid, an anchor, and a palm tree among them, and, straddling his clavicle, the dates 1967 and 1957 (the respective birth years of his mother and father). Frankly, I rather wish I’d packed a beach muumuu.

We take the piratical gangplank that juts into the water and dive in. Let me tell you, this is not the Aegean. The glacial water is a cloudy phlegm green beneath the surface, and clammy reeds slap one’s ankles. Styles, who admits he will try any fad, has recently had a couple of cryotherapy sessions and is evidently less susceptible to the cold. By the time we have swum a full circuit, however, body temperatures have adjusted, and the ice, you might say, has been broken. Duly invigorated, we are ready to face the day. Styles has thoughtfully brought a canister of coffee and some bottles of water in his backpack, and we sit at either end of a park bench for a socially distanced chat.

It seems that he has had a productive year. At the onset of lockdown, Styles found himself in his second home, in the canyons of Los Angeles. After a few days on his own, however, he moved in with a pod of three friends (and subsequently with two band members, Mitch Rowland and Sarah Jones). They “would put names in a hat and plan the week out,” Styles explains. “If you were Monday, you would choose the movie, dinner, and the activity for that day. I like to make soups, and there was a big array of movies; we went all over the board,” from Goodfellas to Clueless. The experience, says Styles, “has been a really good lesson in what makes me happy now. It’s such a good example of living in the moment. I honestly just like being around my friends,” he adds. “That’s been my biggest takeaway. Just being on my own the whole time, I would have been miserable.”

Styles is big on friendship groups and considers his former and legendarily hysteria-inducing boy band, One Direction, to have been one of them. “I think the typical thing is to come out of a band like that and almost feel like you have to apologize for being in it,” says Styles. “But I loved my time in it. It was all new to me, and I was trying to learn as much as I could. I wanted to soak it in…. I think that’s probably why I like traveling now—soaking stuff up.” In a post-COVID future, he is contemplating a temporary move to Tokyo, explaining that “there’s a respect and a stillness, a quietness that I really loved every time I’ve been there.”

In the music he has been working on in 2020, Styles wants to capture the experimental spirit that informed his second album, last year’s Fine Line. With his debut album, “I was very much finding out what my sound was as a solo artist,” he says. “I can see all the places where it almost felt like I was bowling with the bumpers up. I think with the second album I let go of the fear of getting it wrong and…it was really joyous and really free. I think with music it’s so important to evolve—and that extends to clothes and videos and all that stuff. That’s why you look back at David Bowie with Ziggy Stardust or the Beatles and their different eras—that fearlessness is super inspiring.”

The seismic changes of 2020—including the Black Lives Matter uprising around racial justice—has also provided Styles with an opportunity for personal growth. “I think it’s a time for opening up and learning and listening,” he says. “I’ve been trying to read and educate myself so that in 20 years I’m still doing the right things and taking the right steps. I believe in karma, and I think it’s just a time right now where we could use a little more kindness and empathy and patience with people, be a little more prepared to listen and grow.”

Meanwhile, Styles’s euphoric single “Watermelon Sugar” became something of an escapist anthem for this dystopian summer of 2020. The video, featuring Styles (dressed in ’70s-flavored Gucci and Bode) cavorting with a pack of beach-babe girls and boys, was shot in January, before lockdown rules came into play. By the time it was ready to be released in May, a poignant epigraph had been added: “This video is dedicated to touching.”

Styles is looking forward to touring again, when “it’s safe for everyone,” because, as he notes, “being up against people is part of the whole thing. You can’t really re-create it in any way.” But it hasn’t always been so. Early in his career, Styles was so stricken with stage fright that he regularly threw up preperformance. “I just always thought I was going to mess up or something,” he remembers. “But I’ve felt really lucky to have a group of incredibly generous fans. They’re generous emotionally—and when they come to the show, they give so much that it creates this atmosphere that I’ve always found so loving and accepting.”

THIS SUMMER, when it was safe enough to travel, Styles returned to his London home, which is where he suggests we head now, setting off in his modish Primrose Yellow ’73 Jaguar that smells of gasoline and leatherette. “Me and my dad have always bonded over cars,” Styles explains. “I never thought I’d be someone who just went out for a leisurely drive, purely for enjoyment.” On sleepless jet-lagged nights he’ll drive through London’s quiet streets, seeing neighborhoods in a new way. “I find it quite relaxing,” he says.

Over the summer Styles took a road trip with his artist friend Tomo Campbell through France and Italy, setting off at four in the morning and spending the night in Geneva, where they jumped in the lake “to wake ourselves up.” (I see a pattern emerging.) At the end of the trip Styles drove home alone, accompanied by an upbeat playlist that included “Aretha Franklin, Parliament, and a lot of Stevie Wonder. It was really fun for me,” he says. “I don’t travel like that a lot. I’m usually in such a rush, but there was a stillness to it. I love the feeling of nobody knowing where I am, that kind of escape...and freedom.”

GROWING UP in a village in the North of England, Styles thought of London as a world apart: “It truly felt like a different country.” At a wide-eyed 16, he came down to the teeming metropolis after his mother entered him on the U.K. talent-search show The X Factor. “I went to the audition to find out if I could sing,” Styles recalls, “or if my mum was just being nice to me.” Styles was eliminated but subsequently brought back with other contestants—Niall Horan, Liam Payne, Louis Tomlinson, and Zayn Malik—to form a boy band that was named (on Styles’s suggestion) One Direction. The wily X Factor creator and judge, Simon Cowell, soon signed them to his label Syco Records, and the rest is history: 1D’s first four albums, supported by four world tours from 2011 to 2015, debuted at number one on the U.S. Billboard charts, and the band has sold 70 million records to date. At 18, Styles bought the London house he now calls home. “I was going to do two weeks’ work to it,” he remembers, “but when I came back there was no second floor,” so he moved in with adult friends who lived nearby till the renovation was complete. “Eighteen months,” he deadpans. “I’ve always seen that period as pretty pivotal for me, as there’s that moment at the party where it’s getting late, and half of the people would go upstairs to do drugs, and the other people go home. I was like, ‘I don’t really know this friend’s wife, so I’m not going to get all messy and then go home.’ I had to behave a bit, at a time where everything else about my life felt I didn’t have to behave really. I’ve been lucky to always feel I have this family unit somewhere.”

When Styles’s London renovation was finally done, “I went in for the first time and I cried,” he recalls. “Because I just felt like I had somewhere. L.A. feels like holiday, but this feels like home.”

“There’s so much joy to be had in playing with clothes. I’ve never thought too much about what it means—it just becomes this extended part of creating something”

Behind its pink door, Styles’s house has all the trappings of rock stardom—there’s a man cave filled with guitars, a Sex Pistols Never Mind the Bollocks poster (a moving-in gift from his decorator), a Stevie Nicks album cover. Fleetwood Mac’s “Dreams” was one of the first songs he knew the words to—“My parents were big fans”—and he and Nicks have formed something of a mutual-admiration society. At the beginning of lockdown, Nicks tweeted to her fans that she was taking inspiration from Fine Line: “Way to go, H,” she wrote. “It is your Rumours.” “She’s always there for you,” said Styles when he inducted Nicks into the Rock & Roll Hall of Fame in 2019. “She knows what you need—advice, a little wisdom, a blouse, a shawl; she’s got you covered.”

Styles makes us some tea in the light-filled kitchen and then wanders into the convivial living room, where he strikes an insouciant pose on the chesterfield sofa, upholstered in a turquoise velvet that perhaps not entirely coincidentally sets off his eyes. Styles admits that his lockdown lewk was “sweatpants, constantly,” and he is relishing the opportunity to dress up again. He doesn’t have to wait long: The following day, under the eaves of a Victorian mansion in Notting Hill, I arrive in the middle of fittings for Vogue’s shoot and discover Styles in his Y-fronts, patiently waiting to try on looks for fashion editor Camilla Nickerson and photographer Tyler Mitchell. Styles’s personal stylist, Harry Lambert, wearing a pearl necklace and his nails colored in various shades of green varnish, à la Sally Bowles, is providing helpful backup (Britain’s Rule of Six hasn’t yet been imposed).

Styles, who has thoughtfully brought me a copy of de Botton’s 2006 book The Architecture of Happiness, is instinctively and almost quaintly polite, in an old-fashioned, holding-open-doors and not-mentioning-lovers-by-name sort of way. He is astounded to discover that the Atlanta-born Mitchell has yet to experience a traditional British Sunday roast dinner. Assuring him that “it’s basically like Thanksgiving every Sunday,” Styles gives Mitchell the details of his favorite London restaurants in which to enjoy one. “It’s a good thing to be nice,” Mitchell tells me after a morning in Styles’s company.

MITCHELL has Lionel Wendt’s languorously homoerotic 1930s portraits of young Sri Lankan men on his mood board. Nickerson is thinking of Irving Penn’s legendary fall 1950 Paris haute couture collections sitting, where he photographed midcentury supermodels, including his wife, Lisa Fonssagrives, in high-style Dior and Balenciaga creations. Styles is up for all of it, and so, it would seem, is the menswear landscape of 2020: Jonathan Anderson has produced a trapeze coat anchored with a chunky gold martingale; John Galliano at Maison Margiela has fashioned a khaki trench with a portrait neckline in layers of colored tulle; and Harris Reed—a Saint Martins fashion student sleuthed by Lambert who ended up making some looks for Styles’s last tour—has spent a week making a broad-shouldered Smoking jacket with high-waisted, wide-leg pants that have become a Styles signature since he posed for Tim Walker for the cover of Fine Line wearing a Gucci pair—a silhouette that was repeated in the tour wardrobe. (“I liked the idea of having that uniform,” says Styles.) Reed’s version is worn with a hoopskirt draped in festoons of hot-pink satin that somehow suggests Deborah Kerr asking Yul Brynner’s King of Siam, “Shall we dance?”

Styles introduces me to the writer and eyewear designer Gemma Styles, “my sister from the same womb,” he says. She is also here for the fitting: The siblings plan to surprise their mother with the double portrait on these pages.

I ask her whether her brother had always been interested in clothes.

“My mum loved to dress us up,” she remembers. “I always hated it, and Harry was always quite into it. She did some really elaborate papier-mâché outfits: She made a giant mug and then painted an atlas on it, and that was Harry being ‘The World Cup.’ Harry also had a little dalmatian-dog outfit,” she adds, “a hand-me-down from our closest family friends. He would just spend an inordinate amount of time wearing that outfit. But then Mum dressed me up as Cruella de Vil. She was always looking for any opportunity!”

“As a kid I definitely liked fancy dress,” Styles says. There were school plays, the first of which cast him as Barney, a church mouse. “I was really young, and I wore tights for that,” he recalls. “I remember it was crazy to me that I was wearing a pair of tights. And that was maybe where it all kicked off!”

Acting has also remained a fundamental form of expression for Styles. His sister recalls that even on the eve of his life-changing X Factor audition, Styles could sing in public only in an assumed voice. “He used to do quite a good sort of Elvis warble,” she remembers. During the rehearsals in the family home, “he would sing in the bathroom because if it was him singing as himself, he just couldn’t have anyone looking at him! I love his voice now,” she adds. “I’m so glad that he makes music that I actually enjoy listening to.”

Styles’s role-playing continued soon after 1D went on permanent hiatus in 2016, and he was cast in Christopher Nolan’s Dunkirk, beating out dozens of professional actors for the role. “The good part was my character was a young soldier who didn’t really know what he was doing,” says Styles modestly. “The scale of the movie was so big that I was a tiny piece of the puzzle. It was definitely humbling. I just loved being outside of my comfort zone.”

His performance caught the eye of Olivia Wilde, who remembers that it “blew me away—the openness and commitment.” In turn, Styles loved Wilde’s directorial debut, Booksmart, and is “very honored” that she cast him in a leading role for her second feature, a thriller titled Don’t Worry Darling, which went into production this fall. Styles will play the husband to Florence Pugh in what Styles describes as “a 1950s utopia in the California desert.”

Wilde’s movie is costumed by Academy Award nominee Arianne Phillips. “She and I did a little victory dance when we heard that we officially had Harry in the film,” notes Wilde, “because we knew that he has a real appreciation for fashion and style. And this movie is incredibly stylistic. It’s very heightened and opulent, and I’m really grateful that he is so enthusiastic about that element of the process—some actors just don’t care.”

“I like playing dress-up in general,” Styles concurs, in a masterpiece of understatement: This is the man, after all, who cohosted the Met’s 2019 “Notes on Camp” gala attired in a nipple-freeing black organza blouse with a lace jabot, and pants so high-waisted that they cupped his pectorals. The ensemble, accessorized with the pearl-drop earring of a dandified Elizabethan courtier, was created for Styles by Gucci’s Alessandro Michele, whom he befriended in 2014. Styles, who has subsequently personified the brand as the face of the Gucci fragrance, finds Michele “fearless with his work and his imagination. It’s really inspiring to be around someone who works like that.”

The two first met in London over a cappuccino. “It was just a kind of PR appointment,” says Michele, “but something magical happened, and Harry is now a friend. He has the aura of an English rock-and-roll star—like a young Greek god with the attitude of James Dean and a little bit of Mick Jagger—but no one is sweeter. He is the image of a new era, of the way that a man can look.”

Styles credits his style transformation—from Jack Wills tracksuit-clad boy-band heartthrob to nonpareil fashionisto—to his meeting the droll young stylist Harry Lambert seven years ago. They hit it off at once and have conspired ever since, enjoying a playfully campy rapport and calling each other Sue and Susan as they parse the niceties of the scarlet lace Gucci man-bra that Michele has made for Vogue’s shoot, for instance, or a pair of Bode pants hand-painted with biographical images (Styles sent Emily Adams Bode images of his family, and a photograph he had found of David Hockney and Joni Mitchell. “The idea of those two being friends, to me, was really beautiful,” Styles explains).

“He just has fun with clothing, and that’s kind of where I’ve got it from,” says Styles of Lambert. “He doesn’t take it too seriously, which means I don’t take it too seriously.” The process has been evolutionary. At his first meeting with Lambert, the stylist proposed “a pair of flares, and I was like, ‘Flares? That’s fucking crazy,’ ” Styles remembers. Now he declares that “you can never be overdressed. There’s no such thing. The people that I looked up to in music—Prince and David Bowie and Elvis and Freddie Mercury and Elton John—they’re such showmen. As a kid it was completely mind-blowing. Now I’ll put on something that feels really flamboyant, and I don’t feel crazy wearing it. I think if you get something that you feel amazing in, it’s like a superhero outfit. Clothes are there to have fun with and experiment with and play with. What’s really exciting is that all of these lines are just kind of crumbling away. When you take away ‘There’s clothes for men and there’s clothes for women,’ once you remove any barriers, obviously you open up the arena in which you can play. I’ll go in shops sometimes, and I just find myself looking at the women’s clothes thinking they’re amazing. It’s like anything—anytime you’re putting barriers up in your own life, you’re just limiting yourself. There’s so much joy to be had in playing with clothes. I’ve never really thought too much about what it means—it just becomes this extended part of creating something.”

“He’s up for it,” confirms Lambert, who earlier this year, for instance, found a JW Anderson cardigan with the look of a Rubik’s Cube (“on sale at matchesfashion.com!”). Styles wore it, accessorized with his own pearl necklace, for a Today rehearsal in February and it went viral: His fans were soon knitting their own versions and posting the results on TikTok. Jonathan Anderson declared himself “so impressed and incredibly humbled by this trend” that he nimbly made the pattern available (complete with a YouTube tutorial) so that Styles’s fans could copy it for free. Meanwhile, London’s storied Victoria & Albert Museum has requested Styles’s original: an emblematic document of how people got creative during the COVID era. “It’s going to be in their permanent collection,” says Lambert exultantly. “Is that not sick? Is that not the most epic thing?”

“It’s pretty powerful and kind of extraordinary to see someone in his position redefining what it can mean to be a man with confidence,” says Olivia Wilde

“To me, he’s very modern,” says Wilde of Styles, “and I hope that this brand of confidence as a male that Harry has—truly devoid of any traces of toxic masculinity—is indicative of his generation and therefore the future of the world. I think he is in many ways championing that, spearheading that. It’s pretty powerful and kind of extraordinary to see someone in his position redefining what it can mean to be a man with confidence.”

“He’s really in touch with his feminine side because it’s something natural,” notes Michele. “And he’s a big inspiration to a younger generation—about how you can be in a totally free playground when you feel comfortable. I think that he’s a revolutionary.”

STYLES’S confidence is on full display the day after the fitting, which finds us all on the beautiful Sussex dales. Over the summit of the hill, with its trees blown horizontal by the fierce winds, lies the English Channel. Even though it’s a two-hour drive from London, the fresh-faced Styles, who went to bed at 9 p.m., has arrived on set early: He is famously early for everything. The team is installed in a traditional flint-stone barn. The giant doors have been replaced by glass and frame a bucolic view of distant grazing sheep. “Look at that field!” says Styles. “How lucky are we? This is our office! Smell the roses!” Lambert starts to sing “Kumbaya, my Lord.”

Hairdresser Malcolm Edwards is setting Styles’s hair in a Victory roll with silver clips, and until it is combed out he resembles Kathryn Grayson with stubble. His fingers are freighted with rings, and “he has a new army of mini purses,” says Lambert, gesturing to an accessory table heaving with examples including a mini sky-blue Gucci Jackie bag discreetly monogrammed HS. Michele has also made Styles a dress for the shoot that Tissot might have liked to paint—acres of ice-blue ruffles, black Valenciennes lace, and suivez-moi, jeune homme ribbons. Erelong, Styles is gamely racing up a hill in it, dodging sheep scat, thistles, and shards of chalk, and striking a pose for Mitchell that manages to make ruffles a compelling new masculine proposition, just as Mr. Fish’s frothy white cotton dress—equal parts Romantic poet and Greek presidential guard—did for Mick Jagger when he wore it for The Rolling Stones’ free performance in Hyde Park in 1969, or as the suburban-mom floral housedress did for Kurt Cobain as he defined the iconoclastic grunge aesthetic. Styles is mischievously singing ABBA’s “Gimme! Gimme! Gimme! (A Man After Midnight)” to himself when Mitchell calls him outside to jump up and down on a trampoline in a Comme des Garçons buttoned wool kilt. “How did it look?” asks his sister when he comes in from the cold. “Divine,” says her brother in playful Lambert-speak.

As the wide sky is washed in pink, orange, and gray, like a Turner sunset, and Mitchell calls it a successful day, Styles is playing “Cherry” from Fine Line on his Fender acoustic on the hilltop. “He does his own stunts,” says his sister, laughing. The impromptu set is greeted with applause. “Thank you, Antwerp!” says Styles playfully, bowing to the crowd. “Thank you, fashion!”

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