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#lots of problems
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Lae'zel's character and her entire situation at the beginning of the game becomes so much more funny when you find out she's 22. It makes so much sense. Imagine you're 22 and you're exposed to this dangerous toxin or chemical or something - but not to worry, you learnt that this can be easily fixed, you just need to dial 911 real quick. Common knowledge. Everyone knows that. You learnt that in kindergarten, it's up there with fire alarm drills.
But the people you're stuck with have no concept of modern medicine and when you say "let's go to the hospital" they will say shit like "i think they kill people at the hospital" and "we should ask this swamp lady" or "this guy over there told me about this homoeopathic healer kind of guy but he got abducted" or "this random bard wants to help" and "I'm not going to dial 911 because I don't want the government to know my home address" or "maybe we should consider a deal with Satan". And then a bunch of them KEEP consuming the chemical because it makes them "stronger". One guy might explode for unrelated reasons. You have a few days before this situation is getting critical and suddenly they're solving crime and doing general charity for the community.
And FOR SOME REASON you still try to help these idiots and you STILL want to help them get the cure even though they all keep insisting the "doctors" at the "hospital" might try to "kill them" and they don't have insurance. And you keep telling them to just. go. to. the. hospital. before the time runs out and you all die very horribly of a very treatable condition.
And also you're 22 in a foreign country and you're responsible for shepherding this gaggle of idiots who are all ranging anywhere from 24 to 240 years old.
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solidwater05 · 5 months
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Apparently this needs to be said so
Forgetting things is morally neutral! Memory issues are morally neutral!
You're not a bad person if you...
forget things quickly
forget people
can't remember entire stages of your life
can't remember important things
can remember some things very well and forget other things all the time
can't remember things (or anything!) about your interests
forget to eat, sleep, go to the bathroom, etc
forget to reply to texts
remember things and immediately forget them again
can't remember birthdays, events, etc
frequently answer 'I forgot' to questions
can't retain new information
forget things you used to know
only remember things when it's too late
have vague, distorted and/or unreliable memories
depend on others to know how an event you were in played out
have other symptoms that are worsened by memory issues and vice versa
... and anything else I might have missed!
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cozylittleartblog · 9 months
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@staff if you [change] the [design] of the fucking [dashboard] i will kill you
edit. i want it on the actual post that i am not actually making a de-th threat against the staff. that's shitty. the caption quotes the fucking costco hot dog meme, which i originally said in the tags. if any staff member sees this please do Not take it personally
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notbrucewayne48 · 4 months
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"aphobia doesn't exist"
bitch literally not that long ago an aroace youtuber animator was insulted by almost half of its community for being it
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shadowtraveled · 1 month
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
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but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
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the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
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which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
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the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
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yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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What FNAF crimes are Abby and Gregory scheming,,
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pangur-and-grim · 6 months
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I was thinking about how long it takes to build a relationship with an animal.
like when I first got Tallgeese, she'd run in fear if I tried to approach her. and now three years later it's hard to walk through the backyard, because she's following me about like a puppy and placing herself directly beneath my descending feet.
meanwhile Grim was standoffish for the first few years of me having her, and would act all offended if I tried to scritch her ears. and now, in year eleven, she keeps me up at night by forcing herself under my arm and purring like a jet engine.
it makes me emotional. like here are my little guys, we've spent years figuring out how to love eachother, no big deal or anything.
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uncanny-tranny · 6 months
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Basically, my philosophy around disability fakers is: I would rather a thousand people fake a disability than have one disabled person suffer without care, aids, compassion, or any help.
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almondpiglet · 1 month
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Serizawa carrying Reigen!
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thirty year old salaryman carries twenty nine year old boss cuz they arent gay!!!
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wardingshout · 3 months
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little freak that showed up on my canvas and kept multiplying
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goatsorcery · 4 months
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ill never be over the fact that inquisition doesnt have any sort of prologue. in origins you get your warden’s origin plus ostagar to establish your character before the main story begins. in dragon age 2 you have the fight outside of lothering and choosing to work for the mercenaries or the smugglers in kirkwall. and then inquisition just drops you in and its like if origins just started with waking up in flemeth’s hut and the only way you learn about the deaths of cailan, duncan, the wardens, and loghain’s betrayal is through other characters. i would have loved if there was even a brief bit at the beginning where you get actually attend the conclave, establish your character outside of the world ending stakes, and have the chance to meet some of the people whose deaths you’re about to be blamed for.
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vonkarmic · 1 year
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[ID: A screenshot of Disco Elysium dialogue, edited to read: Racist Lorry Driver - “You sad little pervert.” Authority - Don’t give him power over you. If you back down from this, you’re proving him right. Rhetoric [Medium: Success] - Even if he is right, you can still recover from this. You have ample time to come out of this conversation on top. Composure [Challenging: Failure - Without even thinking, the words leave your mouth 1. I'm happy big and sexually normal End ID]
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alexxuun · 3 months
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I need to know if other artists also experience this. Every time I tried, I have to hide my face and take +2 psychic damage.
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Check out this post… "Quranic Dua, Status: Prayer when you are going through difficult times, diseases, lots of problems ".
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breadtheft1796 · 6 months
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been thinking about how tied crowley is to gay (british) culture in both the book and the show.
how his swagger is compared to famous british, gay and bisexual rockstars like freddie mercury and david bowie. how he casually calls aziraphale by a drag name reminiscent of underground gay clubs of the 1800/1900s and of pet names between gay men. the pointed comment about the police taking an interest in other's love lives when we know he was present in soho nightlight during the 1960s when raids and police harassment of gay clubs happened frequently both before and after legalisation in 1967. golden girls, a show that was beloved by the gay community because of it's positive, non-judgmental and well developed portrayal of gay characters, being his favourite show. the fact that he is clocked as gay in both the book (by shadwell) and the show (by nina).
and that's without going into how closely crowley's experiences mimic that of a gay man raised in and cast out of an insular religious community or how a/c's relationship development reflects gay rights in england as they live through it.
seeing crowley as a homosexual man adds such a complex and beautiful dimension to the character.
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homoqueerjewhobbit · 4 months
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A lot of Christians read A Christmas Carol and gloss right over the "pay workers a living wage" message and take away "not being merry on Christmas is a cardinal sin" instead.
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