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#lot to unpack here
bananasbyler · 2 years
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New ST S4 trailer.
New clips of byler.
Finn and David being byler warriors and confirming Will’s crush on Mike.
I think this is the definition of winning....
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theropoda · 5 months
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adhdanni · 2 years
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i like how i was so focused on the idea that leo having raphs arm meant that raph had died so i completely pushed aside the idea that leo lost his arm at some point
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since it looks p robotic my guess is that some of raphs body had got so badly damaged that donnie crafted him some robotic limbs- so leo probably lost his arm during/around the same fight that took raphs life then he just took raphs arm as a replacement for his own. either that or don was already gone when leo lost his arm so leo couldnt get a replacement of his own which means that leo probably went around w only 1 arm til raph had died. OR raph died first then leo had donnie build him a replacement in raphs likeness so he could still fight alongside them in a way
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castielsparkle · 9 months
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So does anypony else feel fucking nauseous and insane. about to go to bed i dont have time to dissect this so ill leave it here but um. ok!
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crttvset · 2 years
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I AM ?@@?@ okokook can i explain is that ok . mizuki is my headmate hteyre doing their own thinng + we have an ota ficitive who is transfem htatts the only reason i drew that !!! she is my friennd I DIDNT KWNOW THEY WERE ANTI ENDO ?@?@ i dont think they are anymore htey jsut havetnt touched that blog in a while since htey went dormant for a bit . promise it isnt me though you have to trust me if you can <- leike the blog isnt !!!
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buttl0rd · 4 months
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competitive shitting who's gonna win
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sneakybunyip · 2 years
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poorly-drawn-mdzs · 3 months
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Turtle Takedown Teamwork.
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wei wuxian#lan wangji#tulu xuanwu#Something about changing the action sequence to something gentle is hilarious to me.#The lesson here is “Be nice to turtles. They are gentle creatures. And many are very endangered.”#don't get me wrong here; I love this scene a lot. LWJ's string technique is one of my favoyrite things.#We do get a fair amount of LWJ fighting but I always loved how the theme of strings comes into play.#There is actually a lot to unpack with LWJ being associate with 'strings'.#The musicianship: Of dedication and rigor in one's practice.#The tension between following along a path or composing your own way forwards (playing what has been written vs composing)#A string is a tightly coiled/taunt entity; The same tension that makes it sing so beautifully can be it's downfall if pushed too hard.#And as a non-musical string - something that binds. Be it to his sect and family or how he binds his fate to WWX -#LWJ cannot exist without his binds. It is not something which ties him down though. It keeps him together.#And he himself *is* a bind. He 'ties wwx down' in ways that are initially negatively viewed ('come to gusu' - feels like: come be trapped)#But later it is shown how (despite being introduced as a free spirit) WWX truly wants to be bound to something and someone.#Marriage is a bind he wants. He wants to be tied and grounded by LWJ.#It's starting to sound like innuendo. Let's call his fondness for being literally tied up smart thematic writing.#Finally. Sex scenes that are important to the plot and characters
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romansmartini · 3 months
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can we hold hands and listen to this together
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stil-lindigo · 5 months
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While reading this interview with a West Bank settler, it's important to remember her views do not represent those of all Israelis just like Israel does not represent all Jews. There has been sizeable protest in Tel Aviv against the genocide (quickly squashed under Netanyahu’s police force just like all other pro-palestinian sentiment) but it’s worth reading to get insight into the minds of average people who cheer on Palestinian deaths, and draw up a chair to watch hellfire rain down on innocents. This is the impact of years of settler-colonial propaganda - a complete dehumanisation of a scapegoat population.
It also has to be said that ALL colonialist countries are complicit in encouraging this kind of extremism, by facilitating and stoking the fires of islamophobia post-9/11. Israel is not an outlier - this kind of sentiment is festering EVERYWHERE and attempting to detach yourself and your country's identity from it is like burying your head in the sand.
If you stand on the side of Palestinians in this crisis, you have to be prepared to recognise the signs of islamophobia and fascism everywhere, and stand against them.
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98chao · 1 year
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suffering from demotivation so heres a dump of doodles/shitposts/unfinished art thats been collecting dust in my art folder from the span of a week to a year ago
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acecroft · 5 months
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🍫🧸
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undying-love · 9 days
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Paul being very secure about his sexuality: A compilation
"The reason why we didn’t do Up Against It wasn’t because it was too far out or anything. We didn’t do it because it was gay. We weren’t gay and really that was all there was to it. It was quite simple, really. Brian was gay…and so he and the gay crowd could appreciate it. Now, it wasn’t that we were anti-gay – just that we, The Beatles, weren’t gay."
“It was always obvious Brian was gay and we could talk to him about gay things, but he would never come out with, ‘Hello, Paul, you’re looking nice today.’ I was quite obviously un-gay, due to my hunting of the female hordes. I think we all gave that impression."
Q:  You must be very secure with yourself.
Paul: I think it is that. I'm OK with gay people, too, because I'm essentially comfortable with my sexuality. I can goof around with gay people. I sort of know who I am by now.  And it's about time.
"I imagine he heard it [Dear Friend]. I think he listened to my records, but he never responded directly. That wasn't his way. We were guys; it wasn't like a boy and a girl. In those days you didn't release much emotion with each other."
"One thing he told us was that one in every four men is homosexual. So we looked at the group! One in every four! It literally meant one of us is gay. Oh, fucking hell, it’s not me, is it? We had a lot of soul-searching to do over that little one."
"There's a song I do called Here Today which is specifically written for John. That sometimes catches me out. I realise I'm telling this man that I love him and it's like I'm publicly declaring this in front of all these people I don't know. I sometimes wonder what I'm doing.
Q: In “Here Today”, you talk about your love for John. Did you ever say that to him, in those days?" Paul: No. I'm sure we both felt it. But that is not something two boys use to say to each other. If they were gay, maybe. Otherwise it is rare that that happens."
"My view is that these things are there whether you want them or not, in your interior. You don't call up dreams, they happen, often the exact opposite of what you want. You can be heterosexual and be having a homosexual dream and wake up, and think, 'Shit, am I gay?' I like that you don't have control over it. But there is some control -- it is you dreaming, it is your mind it's all happening in."
"We were in New York before he [George] went to Los Angeles to die, and they were silly but important to me. And, I think, important to him. We were sitting there, and I was holding his hand, and it occurred to me — I’ve never told this — I don’t want to hold George’s hand. You don’t hold your mate’s hands. I mean, we didn’t anyway. "
"Yeah, I think he [John] did [love me], yeah. It wasn’t actually a spiky relationship at all. It was, uh, very warm, very close and very loving, I think. All The Beatles. We used to say, I think we were amongst the first sort of men to come out openly – and you remember, it was quite sort of strange in those days, we’re talking about a long time ago now when homosexuality was still sort of largely illegal."
"Because he [Robert Faser] was gay, it raised a few small-minded eyebrows, and funnily enough, one or two of them were from within the Beatles: ‘Hey, man, he’s gay, what you going off to Paris with him for? They’re gonna talk, you know. Tongues are going to wag.’ I said, ‘I know tongues are going to wag, but tough shit.’ I was secure about my sexuality. I always felt this is is fine. I can hang with whoever I want and it didn’t worry me. I mean, we didn’t share a room or anything."
"With Robert’s thing of course there would be gayness. But there was no open gayness. If there was to be gayness it would be a quiet phone call that Robert would go and take in the bedroom or something. That was one of the good things, actually, because I knew he was gay and he knew I wasn’t gay so we were quite safe in our own | sexuality. We could talk to each other. "
Lastly, there is this odd anecdote that may or may not mean anything, but here it is:
One of the strangest of these incidents came at the end of 1992 when Mark Featherstone-Witty attended the MPL Christmas lunch. Mark took an accountant friend to the meal, a McCartney fan he'd known for years, which led to a strange and unpleasant row. By Mark's recollection, Paul's manager Richard Ogden summoned him into the MPL office the next day where he read him the riot act for bringing an unwelcome guest to Paul's party. 'What do you mean by bringing someone who was so obviously gay to Paul's Christmas party? Have you any idea about the responsibility you carry in this project?' he allegedly asked. 'What are you talking about?' replied Featherstone-Witty, explaining who his friend was. 'But he was gay, you stupid fucker!' 'No, he isn't.' 'You've got to be careful. You can't do anything that would embarrass Paul...'"
Fab : An intimate Life of Paul McCartney by Howard Sounes
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hoshingi · 5 months
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🌈
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up-against · 6 months
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THE geoffthony hug. if you even care.
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