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#long rambles with me!!
unforth · 9 months
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Gentle reminder that very little fandom labor is automated, because I think people forget that a lot.
That blog with a tagging system you love? A person curates those tags by hand.
That rec blog with a great organization scheme and pretty graphics? Someone designed and implemented that organization scheme and made those graphics.
That network that posts a cool variety of stuff? People track down all that variety and queue it by hand, and other people made all the individual pieces.
That post with umpteen links to helpful resources, and information about them? Someone gathered those links, researched the sources, wrote up the information about them.
That graphic about fandom statistics? Someone compiled those statistics, analyzed them, organized them, figured out a useful way to convey the information to others, and made the post.
That event that you think looks neat? Someone wrote the rules, created the blogs and Discords, designed the graphics, did their best to promo the event so it'd succeed.
None of this was done automatically. None of it just appears whole out of the internet ether.
I think everyone realizes that fic writing and fanart creation are work, and at least some folks have got it through their heads that gif creation and graphics and moodboards take effort, and meta is usually respected for the effort that goes into it, at least as far as I've seen, but I feel like a lot of people don't really get how much labor goes into curation, too.
If people are creating resources, curating content, organizing the creations of others, gathering information, and doing other fandom activities that aren't necessarily the direct action of creation, they're doing a lot of fandom labor, and it's often largely unrecognized.
Celebrate fan work!
To folks doing this kind of labor: I see you, and I thank you. You are the backbones of our fandoms and I love you.
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dumplingsjinson · 8 months
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List of “sweet and intimate actions which make me go feral and have me folding like a folding chair” prompts 
Character B carding their fingers through Character A’s hair and playing with the strands.
Character B peeling back the neck of Character A’s turtle neck sweater to trail gentle kisses down their neck. (This!! It is so hot, and it's everything I didn't know I needed until now, and I cannot stop thinking about it wlkfnlkwe)
Character B placing their arm around Character A’s waist while in public, resting their chin on Character A’s shoulder. “Hello,” they say in a teasing tone as Character A tries to grab ahold of their hand to keep it there but fails a few times before successfully doing so. 
Leaning against each other while in public.
Spooning and back hugs.
Character B letting Character A rest their head on their chest; lets them listen to their heart beat. 
Character B whispering sweet nothings into Character A’s ear.
Character B checking in on Character A to make sure they’re comfortable and okay with the way things are going; to make sure they’re not being too much. “You’re not,” Character A would reassure, repositioning themselves to get closer to Character B.
Just cuddles and snuggles in general.
Neck kisses.
Kisses littered all over the face. (!!! It's one thing to read about it and one thing to experience it wlejbfewljn)
Character B tucking Character A’s head under their chin while they’re cuddling.
Character B nuzzling their neck and breathing in Character A’s scent/fragrance, and commenting on how nice they smell.
Character B making sure Character A gets home safe by driving them home.
Character A telling Character B to message them when they get back home safe, and once Character B gets home, they follow through by sending a message to let Character A know they’ve gotten back home safe.
Taking naps together, from day till night, waking up every now and then to get more snuggles in. 
That soft exhalation of adoring laughter leaving Character B’s mouth after kissing Character A (this shit had me folding so fucking hard it’s not even funny. I Am Weak). 
That soft exhalation of laughter once again just because Character B is so content with having Character A in their presence, and Character A just basking in how cute that sound is and how happy it makes them. 
Character B entangling their legs with Character A’s, pressing their bodies flush against each other’s, leaving little to no space between them. (It’s almost like they can’t get enough of Character A.) 
Kissing so many times, to the point where they lose track of how many times they’ve kissed already. 
Holding hands and lacing their fingers together while they’re cuddling.
Comparing hand sizes and giggling about it together.
Character B stroking Character A’s hair while they’re asleep. (Or uh, pretends to be asleep DJSKKSKDSK but it’s so FUCKING CUTE WHEN HE DID THAT IM GONNA SCREAM, me thinking moments like these only happen in Korean dramas or some shit anfkakfksk-)
The sweet little banters in between; Character B being all cheesy and Character A playfully deflecting their comments only for Character B to playfully push back with an “Is something wrong with that?” or “But I’m not lying.”
Falling asleep in each other’s arms, both not wanting to leave the bed for the entire day and wanting to stay comfortably snuggled up against each other instead.
Character B placing their hands on Character A’s shoulders, and Character A, with a grin on their face, gently grabs Character B’s hands and wraps their arms around their neck while leaning back into them. Character B reciprocates by hugging them closer to them.
The soft noises of content Character A makes when they snuggle closer to Character B, or when they want Character B to hold them closer to them, with Character B happily obliging. 
Character B rubbing their cheek against Character A’s.
Character B trying to not wake Character A up because they look so comfortable when sleeping. (His words, not mine.) 
Soft, repeated pecks on the lips, causing Character A to laugh/smile against Character B’s lips. 
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goldensunset · 7 months
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did you know? if you do your laundry you can get your clothes back
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puppyeared · 7 months
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learned something about myself lately
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risestarkiss · 4 months
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Being Baby Blue
Rise Ramblings #313
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Leonardo Hamato is…an interesting individual.
As a middle child, he doesn’t have to shoulder the responsibilities of the oldest, nor is he fawned upon or babied over like the youngest. Therefore, he ends up having more of a lackadaisical approach to life.
In his free time, instead of training like Raph, Leo can normally be found reading comic books.
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And for good reason! Someone has to be up on the latest issues of Jupiter Jim and his space odysseys.
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But, other than being a Jupiter Jim superfan, who is Leonardo Hamato?
If you ask Leo, he's...*takes out a list*: “Primetime,” “First,” “The Best,” “Number One,” “The Champion,” or some other iteration of all of the above.
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...Huh. Anyways...
Of course, the first thing Leo would tell you is that he's the team's "Face Man."
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As the "Face Man," he’s the one that turns up the charm when they need to schmooze their way out of, or into, something.
He's the face of the group! It's a very important title, right?
Well, in this scene with Hueso, we learn what Leo really feels about his place on the team.
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"There's no team with just a face man." "I'm nothing without them."
Hmm. If he thinks that he is nothing without his brothers, then what's the deal with all of this "Number One" and "Champion" talk?
I believe that Leo is exhibiting a form of Reaction Formation.
Reaction Formation is a primitive defense mechanism that involves transforming one's unacceptable feelings or emotions into the opposite.
"Solicitude may be a reaction-formation against cruelty...romantic notions of chastity and purity may mask crude sexual desires, altruism may hide selfishness, and piety may conceal sinfulness."
Leo has been creating these grandiose titles and this larger-than-life persona for himself as a means to cope with his feelings of insecurity, his anxieties, and combat his self-deprecation.
Gee, forming a larger-than-life persona to counteract their suppressed feelings also reminds me of someone else we know…
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But, I digress...
Behind the fabrications, his insecurities, who he pretends to be, and who he wants to be, the real Leo is still on display, starting as early as the first episode.
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He's attentive, he understands the team's strengths and weaknesses, he assesses situations, he comes up with great plans on the fly, and he is a voice of reason.
These are all the characteristics of a great leader.
However, something happens when he’s actually appointed as such.
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There he goes again. He's cocky, arrogant, and act's as if he's unphased even by the prospect of loosing his brothers. If this is Reaction Formation, then what is he trying to mask with these behaviors?
Previously, he was masking his insecurities, his anxieties, and his self-deprecation, but with the faces he pulls when he thinks no one can see them, I want to say the newest emotion is fear.
He is terrified of being the leader and floundering under his new responsibilities. He's scared of the consequences of his actions, and what those consequences may mean for his brothers. However, instead of voicing his insecurities, or communicating with his team, he doubles down and falls back into old habits.
The "Face Man" persona is turned up to an 11, and things get worse and worse until...
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His greatest fears have been realized.
He has failed as a leader. He has failed his brothers. He has failed to stop the invasion, and they are all going to die because of his failures.
Now he's faced with the harsh reality of his own mistakes, thus he finally faces himself.
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"It's scary to be responsible for the lives you protect, your team...your family. But we do it anyway because that's what it means to be a hero."
He may be speaking to Raph, but he's talking about himself.
His words are his true feelings, the same feelings that have been holding him back this entire time. By opening up, he's able to surrender to himself and let it all go.
And it's the breakthrough we all have been waiting for.
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What Leo doesn't know is that through letting go, he's able to become the true face of the group he is destined to be.
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He's the face of hope.
○○○○
Previous | Being Big Red
Next | Being Purple ○ Part One • Being Purple ○ Part Two • Orange, Baby!
Finale | Being Hamato Yoshi
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thebibliosphere · 10 months
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One of the really fun and interesting things about writing a polyamorous romance as someone who is ambiamorous/polyamorous is finding new ways to make sure the narrative hits the expected genre beats without just sort of... mushing it into a pre-existing monogamous romance mold, which is what I'm afraid happens a lot of the time.
Trust me, it was my job in the publishing house to make them fit that mold. I hated it.
Reading other poly-centric romances, I can always somewhat tell when someone is writing polyamory from a sexual fantasy aspect (zero shade; I'm here for all the group sex) without actually considering how it functions as a relationship dynamic, which can often come off as... well.
It's lacking for me as a romance.
Erotica-wise, it's fine. But it misses the romantic beats for me that I want as a polyamorous-leaning person.
There's so much emphasis on the polycule and never the individual dyads within the larger relationship.
For example, in a triad, there are actually four relationships to handle.
The dyad between A + B. The dyad between A + C. The dyad between B + C. And the overarching relationship between A + B + C.
With monogamous-leaning authors or authors that've been pressed into conforming to the pre-existing genre beats, there's a tendency to treat the relationship as a homogenous mass where everything is fair and equal, and you treat all your partners the exact same way.
And I get it. It's easier to write everything as peachy-keen and to have external conflict be resolved with either acceptance or a brave confrontation.
But it doesn't always land for me as someone who wants to see my style of love represented in the genre.
In healthy polyamory, either closed or open, each relationship is unique in its own way. Taking the example of a triad again, the way A acts with C likely differs from how A acts with B.
And that's a good thing!
Because C might not want the same things as B, so trying to treat them both the exact same is a surefire way to make sure someone isn't getting their needs met, and that will lead to conflict.
Polyamory isn't striving for equality between partners but rather equity.
What are your individual needs, and how do I meet them, as well as meet the needs of my other partner(s)? What do you want from the larger relationship as a whole? How do we accommodate everyone without making someone feel neglected or uncomfortable? How do we show this in the narrative? How do we make sure character A isn't just treating B the same as C in every interaction? Do they ever fall into that pitfall? How do they remedy it?
It seems like common sense when you write it out like that, but it's a major pitfall I see time and time again. The characters never alternate their approach between partners, if there's any focus on the individuals at all.
The other major telltale thing I've noticed is that taking time to be with one partner is seen as a step down from the "goal" of the greater polycule.
The narrative is framed in such a way that they might start out with individual dates, but the end goal of the romance is to eventually be together 100% of the time all the time, and wanting individual time alone with any one partner is somehow "lesser."
Which is the goal of romance in monogamy, but it's not the goal of romance in polyamory.
Granted, you do need to end on a Happy Ever After or Happy For Now for it to fit the genre requirement. And a nice way of tying that up is to have everyone together at the end as a happy polycule all together all at once. I'm not disputing that as a narrative tool. I'm just pointing out that there's a tendency to present those moments as the sum total of the relationship when in actuality, there are multiple relationships that need to end happily ever after.
The joy of polyamorous love is the joy of multitudes. It's the joy of experiencing new things, both as individuals and as a polycule. If you're not taking care of the individual dyads, however, your polycule is going to crash and burn. You cannot avoid that. So why, then, is there such avoidance of it in stories meant to appeal to us?
Is it simply inexperience on behalf of the author? Or is it that they're not actually being written for us? Is it continued pressure to meet certain genre beats in a largely monogamous-centric genre? All of the above?
Either way, I'm having fun playing around with it and doing all the things we were warned against in the publishing house.
I'm having fun with Nathan and Vlad enjoying their own private dynamic that is theirs and theirs alone. I'm having fun with Ursula and Nathan being so careful and vulnerable around each other. I'm absolutely 100% here for the chaos of Vlad and Ursula without a chaperone. And I'm here for the chaos of Vlad and Ursula together and Nathan's fond, loving eye roll as he trails after them, too enamored to tell either of them no because where would the fun in that be...
Anyway. Don't mind me. Just getting my thoughts out while everyone else is in bed.
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perfectlyvalid49 · 1 month
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On being Jewish, and traumatized (It’s been 5 months and I want to talk):
Judaism is a joyous religion. So much of our daily practice is to focus us on the things that are good. I know that there’s a joke that all our holidays can be summed up as “they tried to kill us. We survived – let’s eat!”, and you might think that holidays focused on attempts at killing us might be somber, but they’re really not. Most are celebrated in the sense of, “we’re still here, let’s have a party!” When I think about practicing Judaism, the things I think about make me happy.
But I think a lot of non-Jews don’t necessarily see Judaism the same way. I think in part it’s because we do like to kvetch, but I think a lot of it is because from the outside it’s harder to see the joy, and very easy to see the long history of suffering that has been enacted on the Jewish people. From the inside, it’s very much, “we’re still here, let’s party” and from the outside it’s, “how many times have they tried to kill you? Why are you celebrating? They tried to KILL YOU!”
And I want to start with that because a lot of the rest of this is going to be negative. And I don’t want people to read it and wonder why I still want to be Jewish. I want to be Jewish because it makes me happy. My problem isn’t with being Jewish, it’s with how Jews are treated.
What I really wanted to write about is being Jewish and the trauma that’s involved with that right now.
First, I want to talk about Israeli Jews. I can’t say much here because I’m not Israeli, nor do I have any close friends or family that are Israeli. But if I’m going to be talking about the trauma Jews are experiencing right now, I can’t not mention the fact that Israeli Jews (and Israelis that aren’t Jewish as well, but that’s not my focus here) are dealing with massive amounts of it right now. It’s a tiny country – virtually everyone has a friend or family member that was killed or kidnapped, or knows someone who does. Thousands of rockets have been fired at Israel in the last few months – think about the fact that the Iron Dome exists and why it needs to. Terror attacks are ongoing; I feel like there’s been at least one every week since October. Thousands of people are displaced from their homes, either because of the rocket fire, or because their homes and communities were physically destroyed in the largest pogrom in recent history – the deadliest single day for Jews since the Holocaust ended. If that’s not trauma inducing, I don’t know what is.
And there is, of course, the generational trauma. And I think Jewish generational trauma is interesting because it’s so layered. Because it’s not just the result of one trauma passed down through the generations. Every 50-100 years, antisemitism intensifies, and so very frequently the people experiencing a traumatic event were already suffering from the generational trauma that their grandparents or great grandparents lived through. And those elders were holding the generational trauma from the time before that. And so on.
And because it happens so regularly, there’s always someone in the community that remembers the last time. We are never allowed the luxury of imagining that we are safe. We know what happened before, and we know that it happened again and again and again. And so we know that it only makes sense to assume it will happen in the future. The trauma response is valid. I live in America because my great grandparents lived in Russia and they knew when it was time to get the hell out in the 1900s. And the reason they knew that is because their grandparents remembered the results of the blood libels in the 1850s. How can we heal when the scar tissue keeps us safe?
I look around now and wonder if we’ll need to run. We have a plan. I repeat, my family has a plan for what to do if we need to flee the country due to religious persecution. How can that possibly be normal? And yet, all the Jewish families I know have similar plans. It is normal if you’re Jewish. Every once in a while I see someone who isn’t Jewish talk about making plans to leave because they’re LGBTQ or some other minority and the question always seems to be, “should I make a plan?” It astounds me every time. The Jewish answer is that you need to have a plan and the only question is, “when should I act?” Sometimes our Jewish friends discuss it at play dates. Where will you go? What are the triggers to leave? No one wants to go any earlier then they have to. Everyone knows what the price of holding off too long might be.
I want to keep my children safe. When do I induct them into the club? When do I let my sweet, innocent kids know that some people will hate them for being Jewish? When do I teach them the skills my parents and grandparents taught me? How to pass as white, how to pass as Christian, knowing when to keep your mouth shut about what you believe. When do I tell them about the Holocaust and teach them the game “would this person hide me?” How hard do I have to work to remind them that while you want to believe that a person would hide you, statistically, most people you know would not have? Who is this more traumatic for? Them, to learn that there is hatred in the world and it is directed at them, or me, to have to drive some of the innocence out of my own children’s eyes in order to make sure they are prepared to meet the reality of the world?
And the reality of the world is that it is FULL of antisemitism. There’s a lot of…I guess I’d call it mild antisemitism that’s always present that you just kinda learn to ignore. It’s the sort of stuff that non-Jews might not even recognize as antisemitic until you explain it to them, just little micro-aggressions that you do your best to ignore because you know that the people doing it don’t necessarily mean it, it’s just the culture we live in. It can still hurt though. I like to compare it to a bruise: you can mostly ignore it, but every once in a while something (more blatant antisemitism) will put a bit to much pressure on it and you remember that you were already hurting this whole time.
On top of the background antisemitism, there’s more intense stuff. And usually the most intense, mask off antisemitism comes from the right. This makes sense, in that a lot of right politics are essentially about hating the “other” and what are Jews if not Western civilizations oldest type of “other”? On the one hand, I’ve always been fortunate enough to live in relatively liberal areas so this sort of antisemitism has felt far away and impersonal – they hate everybody, and I’m just part of everybody. On the other hand, until recently I’ve always considered this the most dangerous source of antisemitism. This is the antisemitism that leads to hate crimes, that leads to synagogue shootings. This is the reason why my synagogue is built so that there is a long driveway before you can even see the building, and that driveway is filled with police on the high holidays. This is the reason why my husband and I were scared to hang a mezuzah in our first apartment (and second, and third). For a long time, this was the antisemitism that made me afraid.
But the left has a problem with antisemitism too. And it has always been there. Where the right hates the “other”, the left hates the “privileged/elite/oppressors.” It’s the exact same thing, just dressed up with different words. They all mean “other” and “other” means “Jew.” It hurts more coming from the left though. A lot of Jewish philosophy leans left. A lot of Jews lean left. So when the left decides to hate us, it isn’t a random stranger, it’s a friend, and it feels like a betrayal.
One of the people I follow works for Yad Vashem, and a few weeks ago she mentioned a video they have with testimonies from people who came to Israel after Kristallnacht, with an unofficial title of “The blow came from within.” The idea is that to non-German Jews, the Holocaust was something done by strangers. It was still terrible, but it is easier to bear the hate of a stranger – it’s not personal. But to German Jews, the Holocaust was a betrayal. It wasn’t done by strangers, it was done by coworkers, and neighbors and people they thought were friends. It was done by people who knew them, and still looked at them and said, “less than human.” And because of this sense of betrayal, German survivors, or Germans who managed to get out before they got rounded up, had a very different experience than other Holocaust victims.
And I feel like a lot of left leaning Jews are having a similar experience now. People that we’ve marched with or organized with, or even just mutuals that we’ve thought of as friends are now going on about how Jews are evil. They repeat antisemitic talking points from the Nazis and from the Protocols of the Elders of Zion, and when we point out that those ideas have only led to Jewish death in the past they don’t care. And if someone you thought of as a friend thinks of you this way, what do you think a stranger might think? Might do?
The Jews are fucking terrified. I’ve seen a post going around that basically wonders if this was what it was like for our ancestors – when things got bad enough to see what was coming but before it was too late to run? And we can see what’s coming. History tells us that they way people are talking and acting only leads to one place. I’m a millennial – when I was a kid the grandparents at my synagogue made sure the kids knew – this is what it looked like before, this is what you need to watch out for, this is when you need to run. I wonder where to run to. It feels like nowhere is safe.
I feel like I’ve been lucky in all this. I don’t live in Israel. I have family and acquaintances who do, but no one I’m particularly close to. Everyone I know in real life has either been sane or at least silent about all of this (the internet has been significantly worse, but when it comes to hate, the internet is always worse). I live in a relatively liberal area – there’s always been antisemitism around anyway, but it’s mostly just been swastikas on flyers, or people advocating for BDS, not anything that’s made me actually worry for my safety. But in the last 5 months there have been bomb threats at my synagogue, and just last week a kid got beat up for being Jewish at our local high school. He doesn’t want to report it. He’s worried it will make it worse.
I bought a Magen David to wear in November. At the time it seemed like the best way to fight antisemitism was to be visibly Jewish, to show that we’re just normal people like everyone else. Plus, I figured that if me being Jewish was going to be a problem for someone, then I would make it a problem right away and not waste time. I’ve worn it almost constantly since, but the one time I took it off was when I burnt my finger in December and had to go to urgent care. I didn’t think about it too much when I did it, but I thought about it for a long time after – I didn’t feel good about having made that choice.
The conclusion I came to is that the training that my elders had been so careful to instill in me kicked in. I was hurt, and scared, and the voice inside my head that sounds like my grandmother said, “don’t give them a reason to be bad to you. Fight when you’re well, but for now – survive.” It still felt cowardly, but it was also a connection to my ancestors who heeded the same voice well enough to survive. And it enrages me that that voice has been necessary in the past. And it enrages me that things are bad enough now that my instinct is that I need to hide who I am to receive appropriate medical care.
I wish I had some sort of final thought to tie this all together other than, “this sucks and I hate it,” but I really don’t. I could call for people to examine their antisemitic biases, but I’m not foolish enough to think that this will reach the people who need to do so. I could wish for a future where everything I’ve talked about here exists only in history books, and the Jewish experience is no longer tied to feeling this pain, but that’s basically wishing for the moshiach, and I’m not going to hold my breath.
I guess I’ll end it with the thought that through all of this hate and pain and fear, we’re still here. And we’re still joyful as well. As much as so many people have tried over literally THOUSANDS of years to eradicate us, I’m still here, I’m still Jewish, and being Jewish still makes me happy.
Am Yisrael Chai.
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wasyago · 11 months
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the brainrot won
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fictionadventurer · 9 months
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I have to talk about Chester Arthur. His story makes me go crazy. A mediocre president from the 1880s who's completely forgotten today has one of the best redemption stories I've ever heard and I need to make people understand just how cool his story is.
So, like, he starts out as this idealist, okay? He's the son of an abolitionist minister and becomes famous as a New York lawyer who defends the North's version of Rosa Parks whose story desegregates New York City's trolley system.
Then he starts getting pulled into politics and becomes one of the grimiest pieces of the political machine. He wants money, power, prestige, and he gets it. He becomes the right-hand man of Roscoe Conkling, the most feared political boss in the nation, a guy who will throw his weight around and do the most ruthless things imaginable to keep his friends in power and destroy his enemies.
Because Arthur's this guy's top lackey, he gets to be Controller of the Port of New York--the best-paying political appointment in the country, because that port brings in, like, 70% of the federal government's funds in tariffs. He gets a huge salary plus a percentage of all the fines they levy on lawbreakers, and because he's not afraid to make up infractions to fine people over, he is absolutely raking in the dough. Making the rough equivalent of $1.3 million a year--absolutely insane amounts of money for a government position. He's spending ridiculous sums on clothes, buying huge amounts of alcohol and cigars to share with people as part of his job recruiting supporters to the party, going out nearly every night to wine and dine people as part of his work in the political machine. He's living the high life. Even when President Hayes pulls him from his position on suspicions of fraud, he's still living a great life of wealth, power, and prestige.
Then in 1880, his beloved wife dies. While he's out of town working for a political campaign. And he can't get back in time to say goodbye before she dies. Because he's a guy who has big emotions, it absolutely tears him up inside, especially because Nell resented how much his political work kept him away from home. He has huge regrets, but he just moves in with Roscoe Conkling and keeps working for the political machine.
And then he gets a chance to be vice president. The Republican Party has nominated James Garfield, a dark horse candidate who wants to reform the spoils system that has given Conking his power and gave Arthur his position as Port Controller. Conkling is pissed, and he controls New York, and since the party's not going to win the election without New York, they think that appointing Conkling's top lackey as vice-president will pacify him.
They're wrong--Conkling orders Arthur to refuse--but Arthur thinks this sounds like a great opportunity. The only political position he's ever held is Port Controller--a job he wasn't elected to and that he was pulled from in disgrace. Vice President is way more than he could ever have hoped for. It's a position with a lot of political pull and zero actual responsibilities. He'll get to spend four years living in up in Washington high society. It's the perfect job! Of course he accepts, and Conkling comes around when he figures out that he can use this to his advantage.
When Garfield becomes president, Arthur does everything he can to undermine him. He uses every dirty political trick he can think of to block everything that Garfield wants to do. He refuses to let the Senate elect a president pro tempore so he can stay there and influence every bill that comes through. He all but openly boasts of buying votes in the election. He's so much Conkling's lackey that he may as well be the henchman of a cartoon supervillain. On Conkling's orders, he drags one of Garfield's Cabinet members out of bed in the middle of the night--while the guy is ill--to drag him to Conkling's house so he can be forced to resign. He's just absolutely a thorn in the president's side, a henchman doing everything he can to maintain the corrupt spoils system.
Then in July 1881, when Arthur's in New York helping Conkling's campaign, the president gets shot. By a guy who shouts, "Now Arthur will be president!" just after he fires the gun. Arthur has just spent the past four months fighting the president tooth and nail. Everyone thinks he's behind the assassination. There are lynch mobs looking to take out him and Conkling. The papers are tearing him apart.
Arthur is absolutely distraught. He rushes to Washington to speak with the president and assure him of his innocence, but the doctors won't let him in the room. He gets choked up when talking to the First Lady. Reporters find him weeping in his house in Washington. Once again, death has torn his world apart and he's not getting a chance to make amends.
Arthur goes to New York while the president is getting medical treatment, and he refuses to come to Washington and take charge because he doesn't dare to give the impression that he's looking to take over. No one wants Arthur to be president and he doesn't want to be president, and the possibility that this corrupt political lackey is about to ascend to the highest office in the land is absolutely terrifying to everyone.
Then in August, when it's becoming clear that the president is unlikely to recover, he gets a letter. From a 31-year-old invalid from New York named Julia Sand. A woman from a very politically-minded family who has been following Arthur's career for years. And she writes him this astounding letter that takes him to task for his corrupt, conniving ways, and the obsession with worldly power and prestige that has brought him wealth and fame at the cost of his own soul--and she tells him that he can do better. In the midst of a nationwide press that's tearing him apart, this one woman writes to tell him that she believes he has the capacity to be a good president and a good man if he changes his ways.
And then he does. After Garfield dies, people come to Arthur's house and find servants who tell them that Arthur is in his room weeping like a child (I told you he had big emotions), but he takes the oath of office and ascends to the presidency. And he becomes a completely different man. His first speech as president mentions that one of his top priorities is reforming the spoils system so that people will be appointed based on merit rather than getting appointed as political favors with each change in the administration. Even though this system made him president. When Conkling comes to Arthur's office telling him to appoint his people to important government positions, Arthur calls his demands outrageous, throws him out, and keeps Garfield's appointees in the positions. "He's not Chet Arthur anymore," one of his former political friends laments. "He's the president."
He loses all his former political friends. He's never trusted by the other side. Yet he sticks to his guns and continues to support spoils system reform. He prosecutes a postal service corruption case that everyone thought he would drop. He's the one who signs into law the first civil service reform bill, even though presidents have been trying to do this for more than ten years, and he's the person who's gained all his power through the spoils system. He immediately takes action to enforce this bill when he could have just dropped it. He becomes a champion of this issue even though it's the last thing anyone would have expected of him.
He oversees naval reform. He oversees a renovation of the White House. He still prefers the social duties of the presidency, but he's respectable in a way that no one expected. Possibly because Julia Sand keeps sending him letters of encouragement and advice over the next two years. But also because he's dying.
Not long after ascending to the presidency, he learns he's suffering from a terminal kidney disease. And he tells no one. He keeps going about his daily life, fulfilling his duties as president, and keeps his health problems hidden. Once again, death is upending his life, and this time it's his own death. He's lived a life he's ashamed of, and he doesn't have much time left to change. He enters the presidency as an example of the absolute worst of the political system, and leaves it as a respectable man.
He makes a token effort to seek re-election, but because of his health problems, he doesn't mind at all when someone else gets the nomination. He dies a couple of years after leaving office. The day before his death, he orders most of his papers burned, because he's ashamed of his old life--but among the things that are saved are the letters from Julia Sand, the woman who encouraged him to change his ways.
This is an astounding story full of so many twists and turns and dramatic moments. A man who falls from idealism into the worst kind of corruption and then claws his way back up to decency because of a series of devastating personal losses and unexpected opportunities to do more than he could have ever hoped to do. I just go crazy thinking about it and I need you all to understand just how amazing this story is.
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oobbbear · 9 months
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Why are scientists trying to give robots realistic human faces cut out all those useless shit just put anything there as a head and I will smash
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ohitslen · 11 months
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Can we consider Wolfwood with short hair, like even shorter, please.
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bucket-of-amethyst · 7 months
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My mom: that song u keep listening to is annoying! It sounds like a horror movie :///
Took me one second to realize the song she thought I was listening in loop like crazy is the decked out tip toe clank block sound 😭
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anipgarden · 11 months
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Things to Do that Aren't Related to Growing Plants
This is my second post in a series I’ll be making on how to increase biodiversity on a budget! I’m not an expert--just an enthusiast--but I hope something you find here helps! 
Some of us just don’t have much luck when it comes to growing plants. Some of us simply want to aim for other ways to help that don’t involve putting on gardening gloves. Maybe you've already got a garden, but you want to do more. No problem! There’s a couple of options you can look into that’ll help attract wildlife in your area without even having to bring out any shovels!
Provide a Water Source
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Oftentimes when I see ‘add a water source’ in informational articles about improving your backyard for wildlife, it’s almost always followed by an image of a gorgeous backyard pond with a waterfall and rock lining that looks expensive to set up, difficult to maintain, and overall just… not feasible for me. Arguably, not feasible for a lot of people. And that’s okay! There’s still ways to add water in your garden for all kinds of creatures to enjoy!
There’s tons of ways to create watering stations for insects like bees and butterflies. A self refilling dog bowl can work wonders! Add some stones into the receiving tray for insects to land on or use to climb out, and you’ve got a wonderful drinking spot for all kinds of insects! You can also fill a saucer or other dish with small stones and fill it, though it’ll likely need refilling daily or even several times a day during hot times. 
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I've seen people online use all kinds of things to make water features. Some go with terra-cotta pots, pebbles, and a cheap pump to get a small and simple fountain. Others use old tires, clay, and a hole in the ground to create an in-ground mini pond system. If all else fails, even a bucket or watertight box with a few plants in it can do the trick--though do be wary of mosquitoes if the water isn’t moving. In situations like these, a solar-powered fountain pump or bubbler are great for keeping the water moving while still making it a drinking option for wildlife (it not even more appealing for some)--and these items can be obtained fairly cheap online!
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Bird baths are an option as well--a classic way to provide for birds in your area, they can be easy to find online or in a gardening store! The only downside is that a good, quality bird bath can be pricey up-front. However, a nice stone bird bath should last a long time, be easy to clean and refill, and be enjoyed by many birds! I’ve also seen tutorials on how to make your own with quickcrete! Bird baths will be a welcome sight to birds, as they provide a space for them to drink and bathe to regulate the oils in their feathers for flight and insulation. Putting a stone in the middle will also help insects to escape if they fall in, and provide a place to perch so they can get their own drink. You’ll want to change the water and clean the baths regularly--as often as once a week, if you can manage it.
If possible, it’s highly encouraged to fill and refill water features with rainwater instead of tap water. Tap water is often treated, so instead of using hoses or indoor kitchen water, collecting some rainwater is a great alternative. Collecting rainwater can be as simple as leaving cups, bins, or pots outside for awhile.
Butterflies and other creatures will also drink from mud puddles. If you can maintain an area of damp soil mixed with a small amount of salt or wood ash, this can be fantastic for them! Some plants also excel at storing water within their leaves and flowers (bromeliads come to mind), making them an excellent habitat for amphibians as well as a drinking spot for insects and birds.
Bird Feeders and Bird Houses
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Some of the fancy, decorated bird feeders are expensive, but others can be pretty low-cost--I got my bird feeder from Lowe’s for around 10 dollars, and a big bag of birdseed was around another 10 dollars and has lasted several refills! If you don’t mind occasionally buying more birdseed, a single birdfeeder can do a lot to attract and support local birds! If you’re handy, have some spare wood, and have or can borrow some tools, you may even be able to find instructions online to make your own feeder. You may not even need wood to do so! Even hummingbird feeders, I’ve found, are quick to attract them, as long as you keep them stocked up on fresh sugar water in the spring and summer!
An important note with bird feeders is that you have to make sure you can clean them regularly. Otherwise, they may become a vector for disease, and we want to avoid causing harm whenever possible. Also keep an ear out and track if there’s known outbreaks of bird diseases in your area. If local birding societies and scientists are advising you take your birdfeeders down for awhile, by all means, do it!
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Bird houses are naturally paired with bird feeders as biodiversity promoters for backyard spaces, and it makes sense. Having bird houses suited to birds in your area promotes them to breed, raise their young, disperse seeds, and generally engage in your surrounding environment. Setting them up takes careful selection or construction, preparation, and some patience, but sooner or later you might get some little homemakers! Keep in mind, you will need to clean your birdhouses at least once a year (if not once per brood) to make sure they’re ready and safe for birds year after year--you wouldn’t want to promote disease and parasites, after all. But they could be a valuable option for your landscape, whether you purchase one or construct your own! 
Again, do make sure you're putting up the right kind of boxes for the right kinds of birds. Bluebird boxes are some I see sold most commonly, but in my area I believe they're not even all that common--a nesting box for cardinals or chickadees would be far more likely to see success here! And some birds don't even nest in boxes--robins and some other birds are more likely to use a nesting shelf, instead! Research what birds live in your area, take note of any you see around already, and pick a few target species to make homes for!
Solitary Bee Houses
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A bee house or bee hotel is a fantastic way to support the solitary bees in your area! For a few dollars and some annual cleaning, you can buy a solitary bee house from most big box nurseries. Alternatively, you can make one at home, with an array of materials you may already have lying around! You can even make them so that they’ll benefit all kinds of insects, and not necessarily just bees.
Though you don’t even necessarily have to break out the hammer and nails, buy a ton of bricks, or borrow a staple gun. Making homes for tunneling bees can be as simple as drilling holes in a log and erecting it, or drilling holes in stumps and dead trees on your property. You might even attract some woodpeckers by doing this!
Providing Nesting Area
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There are tons of different kinds of bees, and they all make different kinds of homes for themselves. Not all of them make big cavity hives like honey bees, or will utilize a solitary bee house. Bumblebees live in social hives underground, particularly in abandoned holes made by rodents--some others nest in abandoned bird nests, or cavities like hollow logs, spaces between rocks, compost piles, or unoccupied birdhouses. Borer, Ground, and Miner bees dig into bare, dry soil to create their nests. Sparsely-vegetated patches of soil in well-drained areas are great places to find them making their nests, so providing a similar habitat somewhere in the garden can encourage them to come! I do talk later in this document about mulching bare soil in a garden--however, leaving soil in sunny areas and south-facing slopes bare provides optimal ground nesting habitat. Some species prefer to nest at the base of plants, or loose sandy soil, or smooth-packed and flat bare ground. They’ve also been known to take advantage of soil piles, knocked over tree roots, wheel ruts in farm roads, baseball diamonds and golf course sand traps. You can create nesting ground by digging ditches or creating nesting mounds in well-drained, open, sunny areas with sandy or silty soil. However, artificially constructed ground nests may only have limited success. 
Providing Alternative Pollinator Foods
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Nectar and pollen aren’t the only foods sought out by some pollinators! Some species of butterflies are known to flock to overripe fruit or honey water, so setting these out can be an excellent way to provide food to wildlife. You may want to be cautious about how you set these out, otherwise it can help other wildlife, like ants or raccoons. Butterflies may also drop by to visit a sponge in a dish of lightly salted water. 
Bat Houses and Boxes
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Big or small, whether they support five bats or five hundred, making bat boxes and supporting local bats is a great way to boost biodiversity! Not only will they eat mosquitoes and other pest species, but you may also be able to use the guano (bat droppings) as fertilizer! Do be careful if you choose to do that though--I’ve never had the opportunity to, so do some research into how strong it is and use it accordingly.
Provide Passageway Points
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If you want your area to be more accessible for creatures that can’t fly or climb fences, allowing or creating access points can be an excellent way to give them a way in and out. Holes in the bottom of walls or fences can be sheltered with plants to allow animals through. 
In a somewhat similar manner, if you’re adding a water fixture, it’s important to provide animals a way to get into and out of the pond--no way in, and they can’t use the water. No way out, and they may drown. Creating a naturalistic ramp out of wood beams or sticks, or stepped platforms out of bricks, stones, or logs can do the trick. 
Get or Keep Logs and Brush Piles
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I’ve already mentioned logs a good handful of times so far in this post. To be used as access ramps, or as nesting areas for solitary bees. But they have value as much more than that! Logs on the ground provide shelter for all kinds of animals, especially depending on size--anything from mice, reptiles, and amphibians to things like turkey vultures and bears will use fallen logs as shelter. Inside of a decaying log, there’s a lot of humidity, so amphibians are big fans of them--meanwhile, the upper sides of them can be used as sunning platforms by things like lizards. Other animals can also use the insides of logs as nest sites and hiding places from predators too big to fit inside. Fungi, spiders, beetles, termites, ants, grubs, worms, snails, slugs, and likely much more can be found inside rotting logs, using the rotting wood as food sources or nesting places. They can then provide food for mammals, amphibians, reptiles, and birds. They can also be regarded as a landmark or territory marker as wildlife get more familiar with your space.
So how do you get logs for cheap? Try Chip Drop! I talk about them more in a future post, but you can mark saying that you’d like logs in your drop, so they’ll give you any they have! In fact, you may even get a drop faster if you're willing to accept some logs. You may also be able to approach arborists you see working in your area and ask for logs. There may also be local online listings for people selling logs for cheap, or just trying to get rid of them. If there’s land development going on near you, you may be able to snag logs from trees they cut down to make space. Do keep in mind, you don’t need to have huge gigantic logs laying around your property to make an impact--even small logs can help a lot.
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If possible, creating and leaving brush piles on the edge of your property can be a great boost to biodiversity--even if you may not see the wildlife using it. They’ll provide shelter from weather and predators, and lower portions are cool and shady for creatures to avoid the hot sun. The upper layers can be used as perch sites and nest sites for song birds, while lower layers are resting sites for amphibians and reptiles, and escape sites for many mammals. As the material decays, they also attract insects, and as such they’ll attract insect-eating animals too. As more small animals find refuse in your brush pile, their predators will be attracted to them as well. Owls, hawks, foxes, and coyotes are known to visit brush piles to hunt. Making a brush pile can be as simple as piling branches and leaves into a mound, as big or as small as you want. You can even use tree stumps or old fence posts near the base, and keep stacking on plant trimmings and fallen branches. Do note that you don’t want to do this near anything like a fire pit.
Don't forget, with all of these, your mileage may vary for any variation of reasons, so don't worry if you can't take all of even any of these actions! Even just talking about them with other people may inspire someone else to put out a bat box, or leave a few logs out for wildlife!
That's the end of this post! My next post is gonna be about ways to get seeds and plants as cheaply as possible. For now, I hope this advice helps! Feel free to reply with any questions, success stories, or anything you think I may have forgotten to add in!
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brookheimer · 11 months
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not sure why people don't seem to understand that shiv being the victim of misogyny and vitriol from all the men in her life can and does coexist with the fact that she is not a feminist liberal hero fighting to save democracy. why is it that we never afford her any nuance? she's either the only good person on the show and deserves to kill every man in a ten foot radius (twitter) or a uniquely evil cruel sociopath with no heart fueled entirely by spite (reddit). is it not just so much more interesting for her to be a fascism aiding and abetting character like the rest of them who also views herself as more progressive in spite of everything else about her and who undergoes horrific treatment at the hands of the men around her yet has no interest in undoing the system that allows them to do so, only in ruling it herself? shiv is not any better than the others nor is she any worse than them. there's no Evil Olympics here guys, nor should there be. snook said it herself in the after credits sequence -- shiv was just lucky that her interests aligned with her sympathies. who knows what she would've done had mencken been her best personal option? yes she cares infinitely more about politics than roman, yes she is still very much interested in maintaining the capitalist, fascist structure and even strengthening it, so long as it ends with her on top (which either way would be a win for liberal causes bc Woman). fascism isn't one-size-fits-all. it's not just mencken and trump. it's also mattson. it's also logan. it's also roman and shiv and kendall. that's... kind of one of the main points of succession? but even so, that does not negate the fact that as a woman it is so hard to watch some of the scenes with her and tom/roman/kendall -- of course that misogyny will resonate with female viewers, as it should!!! but that resonance needs to coexist with a deeper understanding of her character -- if you want to root for a bad bitch fighting against misogyny go watch, i don't know, captain marvel or whatever. what makes shiv interesting is that she's so so so much more than that -- she is the product, victim, and perpetrator of misogyny and fascism, two concepts so heavily intertwined they're virtually inextricable from each other. tl;dr it's one thing to be like my god someone give shiv a gun and it's another entirely to say, entirely seriously, that shiv is the Good Liberal Feminist One and the rest are all evil. like i absolutely adore shiv but i would honest to god find her so fucking boring if she were actually the person these tweets make her out to be i'm sorry
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bixels · 8 months
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What's K.O. CRISIS?
Hey all. Over the past couple months, I've gotten a lot of followers who probably don't know about my OCs and portfolio projects that I'm also working on, so I'm making a quick master-post for it!
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K.O. CRISIS is a series of artwork––character designs, illustrations, sketches, and animations––inspired by late-90s/early-2000s anime and Y2K culture.
Set in an alternate-history Los Angeles in the year 2001, the story follows disabled Taiwanese-American Ashley Tang as she fights her way to the top of the bracket in the national augmented boxing championship.
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As the youngest female fighter in the championship, she'll have to fight tooth-and-nail to defend her place amongst the heavy-weights. While her rare dual arm prosthetics help even the playing fields, it'll take more than brute strength to prove her worth.
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But this isn't a story about an underdog triumphing against all odds. Throughout the story, Ashley will push herself to the limit for the sake of validating her existence under the grinding heel of the sports media machine, in a world that values disabled bodies more than their lives. As the championship rages on, one question seems to linger through the roar: Is Ash strong enough to win, or is she brave enough to quit?
Through the project, I'm hoping to explore representations of prosthetic-users in pop culture as "enhanced superheroes," as well as discussions of trans-humanism under medical capitalism, the fetishization of new technology, and the commodification of disabled people as entertainment.
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Accompanying her journey include characters like Noora Balakrishnan, a local transfem prosthetics engineer who doubles as Ashley's ringside mechanical cutwoman.
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The project is still in its early stages, especially since I sorta rebooted it earlier this year (meaning I'm no longer using past, outdated art for the project). If you enjoy it, you can find more artwork for the project under the #ko crisis tag!
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slavhew · 3 days
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charmed, i'm sure
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