#lollapalloza

[msrandonstuff]

if hozier never comes to brasil and makes a whole tour in each state capital I will collapse

#please man.... #stop comming here just for the lollapallozas #i beg you hozier #hozier save me #hozier #save me hozier

[wildflowermybeloved]

Besties i have returned after watching the MV and listening to the whole album...

#Jack in the box #J-hope #I've ascended! #the vibes are immaculate #can you imagine the lollapalloza performances??? #Cause i can't! #we're not coming out unscathed out of this! #i loved Arson the best! #the entire album is a masterpiece #Hobi you're not seeing this but i need to say it #you're amazing!

[dearweirdme]

I wish Tae went with Jk to support him just like Jimin went for Hobi for Lollapalloza

Hi anons!

It’s just something Jimin does. It’s lovely even. Jk talked about missing having the members around recently, and I imagine that feeling is worse when he’s overseas. So having someone with him is a good thing.

Tae did go to Inkigayo with Jk, but also.. he’s been very busy right. It’s probably just not possible. And who knows what we’ll see when Jk’s next project comes out right?

It’s really not a big deal. Enjoy the Jimin, Jk we might possibly get.

#but also is it sure? #members #jk traveling

[mysmorgasbordoffantabulosa]

I wish Tae went with Jk to support him just like Jimin went for Hobi for Lollapalloza

Isn't he still doing promotions for Layover... perhaps he has work commitments in South Korea... it happens.

#my asks

[94erz]

I loooooooved Namjoon’s Indigo performance, for a variety of reasons, but something I genuinely cannot get enough of is the difference in what ways Namjoon chooses to perform his album versus the ways Hoseok is choosing to perform Jack In The Box. 

They may perform the same songs in the same places to the same levels when in BTS, but nothing showcases just how different they are once the choices are in their own hands. Namjoon opened Indigo with a performance at Rolling Hall with a crowd size of 200. Hoseok opened Lollapalloza with a crowd size of over 100k. Then Namjoon did a performance in a crowdless art gallery in New York, whereas Hoseok’s second performance was at MAMA. Hoseok’s 3rd will be in New York for New Years Rockin’ Eve, and his 4th will be at the Golden Disc Awards in Bangkok (pending updates might make this not true anymore...)

So I’m genuinely curious where Namjoon’s 3rd performance will be. I keep seeing some weird bullshit spreading in the fandom that he’s the next to enlist but that makes no fucking sense to me given the next one to turn 30 is Yoongi, in fact by Korean age he already is, so if anyone’s enlisting next it’s him, which sucks because if he really is dropping music in 2023 he’s not going to have much time to even promote it or perform it aside from maybe some small venue stages as well. But Namjoon and Hoseok still have at least to early 2024 to do more shit like promo and perform their music.

Then again he did just say he was chilling and making more music now so who the hell knows anymore...I really hope that was just him keeping his plans on the down low because there’s no fucking way he could really be done now, right?! Like please, more people need to see and hear him too!

#Sab talks BTS stuff #they could not be more different in their professional aspirations it's so funny #like they're so similar in so many ways and yet as artists the line is very clear #Rolling Hall and Air Force One are exactly the kind of stages I see Namjoon #close and intimate small but not too small #where Hoseok is like how can I get on the largest stages possible with the biggest audeinces right now? #and he's doing so fucking good right now #praying for MIK festival Grammys and Hanteo Music Awards next

[diceriadelluntore]

Storia Di Musica #225 - The Verve, Urban Hymns, 1997

Nel videoclip della loro canzone più famosa, un successo mondiale, un ragazzo smilzo e magro cammina in strada guardando dritto davanti a sè: ha l’aria un po’ arrabbiata, i capelli, arruffati, grandi occhi magnetici e una bocca dalle grandi labbra. Sembra un sosia di Mick Jagger. Questa somiglianza fu fatta notare spesso a Richard Ashcroft, sin dagli inizi degli anni ‘90 quando a Wigan mise su la prima band. Insieme a lui il chitarrista Nick McCabe, il bassista Simon Jones e il batterista Peter Salisbury. Si nominano Verve, iniziano ispirandosi al suono magico e misterioso dei My Bloody Valentine di Kevin Shields a cui aggiungono un po’ di psichedelia, frutto di un intenso a quasi “programmatico” utilizzo di droghe, su cui inizieranno a nascere decine di leggende. I primi singoli All In The Mind, She’s A Superstar, Gravity Grace nel 1992 sono il preludio di A Storm In Heaven, che è pubblicato nel 1993 con l’aiuto del produttore John Leckie, figura centrale del britpop. La critica è entusiasta, soprattutto degli incroci tra le chitarra di McCabe e la voce di Ashcroft, le vendita non decollano ma nell’anno dell’uscita suonano spalla dei Black Crowes e degli Smashing Pumpkins, e l’anno successivo una loro incendiaria esibizione al Festival di Lollapalloza. La band viene accusata di possesso di droga e di aver sfasciato alcune camere di albergo negli Stati Uniti, secondo una delle leggende di cui sopra dopo una notte di droghe lisergiche, e vive momenti di tensione. Iniziano a registrare un nuovo disco, con un nuovo produttore, Owen Morris, che aveva già lavorato con gli Oasis. Ashcroft è già una sorta di leggenda almeno tra le altre band britpop, tanto che nello storico (What’s The Story) Morning Glory? il chitarrista e compositore degli Oasis, Noel Gallagher, gli dedica la stupenda Cast No Shadow. A Norther Soul (gioco di parole che prende spunto da una canzone dei Beatles, Only A Northern Song), è decisamente più rock, e contiene le prime, stupende canzoni dal suono Verve: This Is Music, On Your Own e il primo, grande capolavoro, History, producono solo un successo discreto. Tanto che Ashcroft, tra il deluso e il rammaricato, scioglie la band. Passano tre mesi, e il capriccioso Richard la riforma, solo che stavolta non richiama il fido McCabe a cui preferisce un vecchio amico di scuola, Simon Tong, dopo che aveva tentato anche di far suonare con lui l’ex chitarrista dei Suede Bernand Butler, che però va via dopo pochi giorni. Le session per il nuovo disco non decollano, tanto che è lo stesso Ashcroft e tornare sui suoi passi richiamando McCabe, in una nuova formazione a 5 con la doppia chitarra che sarà una delle chiavi per la svolta nel suono della band, che nel frattempo dopo una diffida della famosa omonima casa discografica del jazz cambiano nome in The Verve. La band lavora a pieno ritmo e nel 1997 esce Urban Hymns, co-prodotto da Martin Glover, conosciuto nell’ambiente musicale con Youth (che firma anche alcuni brani) e da Chris Potter, trascinato dalla canzone il cui videoclip è stato il punto di partenza per questa storia: Bittersweet Symphony esordisce al secondo posto nella classifica dei singoli, divenendo una delle canzoni del decennio, del britpop e ancora oggi è famosissima: il meraviglioso muro sonoro degli archi che struttura il brano lo rende irresistibile, attirando anche l’attenzione dell’ex manager dei Rolling Stones, Allen Klein, che nota una certa somiglianza di un certo passaggio con quello usato da Jagger e compagni per The Last Time. Ne nasce una diatriba giuridica dove i Verve sostengono di non aver mai trovato risposta alla loro richiesta di concessione del sampling, ma vengono condannati al pagamento di diritti d’autore e alla presenza dei nomi di Mick Jagger e Keith Richards tra gli autori del brano (tra l'altro dopo qualche anno Jagger e Richards rinunciarono sia alle royalties sia alla presenza dei loro nomi come autori del brano). Il disco è coeso, profondamente lirico, McCabe sfoggia tutte le sue idee (per esempio nella splendida Catching The Butterfly) e per quelle scelte musicali azzeccate i singoli sono uno più bello dell’altro: Sonnett, meravigliosa, l’autobiografica The Drugs Don’t Work scritta da Ashcroft sulla sua dipendenza, Lucky Man, dal lirismo più spiccato, insieme ad altri piccoli gioielli come The Rolling People, che sa di grunge, Neon Wilderness, dall’andamento ondeggiante e sognante, la solennità di One Day ne fanno un disco capolavoro, uno dei pilastri del britpop, album dell’anno per il Melody Maker nel 1997, primo come miglior band e miglior band ai Brit Awards dell’anno successivo, e rimane in classifica 124 settimane in Gran Bretagna. Dopo un inizio tour da tutto esaurito in mezza Europa, e alcune date spettacolari negli Stati Uniti, McCabe, il cui rapporto con Ashcroft è sempre stato contraddittorio, abbandona definitivamente i Verve, che di lì a poco si sciolgono. I tira e molla continueranno per anni, con una reunion nel 2007 e l’album Forth, con la band riunita tranne Simon Tong che suonava con Damon Albarn nel progetto The Good, the Bad & the Queen. Rimane un disco essenziale del periodo, e che ascoltato a distanza di anni rimane ancora molto convincente, esprimendo al meglio il sound e le capacità di una band dalle grandissime risorse musicali ma dilaniata da caratteri piuttosto incompatibili.

#the verve #urban hyms #1997 #recensione

[alngelias]

Me searching for any jhope fics I can find after watching his lollapalloza performance last night:

#jhope lollapalooza #jhope more #bts fanfic #i have a craving for jhope fics rn #army #bts

[seasurfacefullofclouds1]

what kind of promo do you think he will do? or do you want to see him do? obviously he’ll be on radio stations again but i would hope he’d be on a few talk shows - i cant speak for the US ones but maybe some of the UK ones like graham norton even liam has been on that multiple times

Hmmm so far, BMG hasn’t shown their cards really. It seems that at least internationally, Warner Music will be distributing and promoting FitF.

(There are lots of pieces to this album release, so a mistake anywhere along the chain could have resulted in the Amazon leak.)

By going with an early November release, my bet is that BMG is willing to put some money behind the promo. It’s a good release date for winter/ holiday considerations. As I said before, it also dovetails into the Walls January 31, three-year anniversary, which could increase sales of Walls too (a nice gift to fandom would be a deluxe edition of Walls with live remixes and additional tracks like Copy and Change … I’m just saying).

Pre-release promo will be centered around the singles. Ideally they’re spaced 4-6 weeks apart with room for charting and growth. I expect another single after the album release, around end of November/ early December 2022.

I would LOVE to see some long, serious interviews about the album-writing and recording process. I want to hear about the fun things Louis did during the pandemic, the shows he binged, his inspirations, ways he dealt with boredom, where he traveled, books he read, music he listened to, stuff that inspired him. Why does he like BVG so much? Why did he grow his hair long, when Eleanor’s best friend’s boyfriend is a professional barber?

I also want to see really fun segments like Hot Ones and Louis playing with puppies on Buzzfeed.

I know this will probably not happen but … Louis doing comedy skits (and performing music, of course) on UK television. He would feel at home and it would BUST the internet! Completely. I know he never looks comfy in USA TV, so he should do whatever he likes.

Louis invited to perform on SNL. Again, this is not likely, but it would give the album great exposure.

BBC Live Lounge. Isn’t it about fucking time.

Holiday festivals 2022.

Photoshoots… we’re all waiting for model Louis to slay. I hope he’s able to have exposure on bigger media platforms - all of his previous magazine shoots sell out in a matter of minutes, no matter who the photographer is or how he is styled (my favorites from Walls are Cosmo, 1883, and TMRW which was so classy to have an entire zine for him). The portrait photographers adore him.

A serious journalistic profile (NYT, Slate, Vice, Pitchfork, Village Voice). Unlikely but a girl can dream! Maybe for LT3.

Louis plays a small but sentimental NY venue in December 2022. For indie cred!

Headlining India Lollapalloza January 2023.

Lolla Argentina March 2023.

Glastonbury 2023.

#lt2 promo #louis tomlinson

[evilrry]

catch DJO at lollapalloza at 3PM CST | 4PM EST on hulu

#joe keery #djo #djo at lolla

[mychanicalbrides]

my screenshot button doesn't work but Vic posted a lollapalloza picture. AHHHHHH CHICAGO PTV FANS WINNNNN!!!!!!!!!!

#pierce the veil #yap

[thisselflovecamebacktome]

Sza is coming to my country with Lollapalloza so there's no way i'm going ($$$) so i'm sending you all the energy i would need for myself

Thank you! and yeah I feel that. My mum is lending me the money for my ticket (she will be coming with me if I get tickets and I'm aiming to get the cheapest tickets but she said to just get what I can if I get the chance) and I'll be paying her back when I get back from Melbourne so I completely get that. If I get to go, I'll go twice as hard for you! But yeah thank you again! 💜

#sza

[gdiie]

seeing my friends post lollapalloza this weekend in august. the shadow of the hilton still looms over michigan avenue, and kids still crowd grant park

[msamuelsson]

At lollapalloza 🎉

[parlantecl]

Jane's Addiction en Lollapalloza Chile 2023: Tarde de clásicos

[gsvip]

DJ Camilla Brunetta é confirmada no Lollapalooza Brasil . Foto: Tinoco . https://www.gentedesucessovip.com.br/aconteceu/festas/eventos/4233-dj-camilla-e-confirmada-no-lollapalloza-2023 #lollapaloza https://www.instagram.com/p/ClMCboKry1n/?igshid=NGJjMDIxMWI=

#lollapaloza

[brn1029]

Time for today’s Rock Report,

Iconic Scottish rock band Simple Minds have sold their "key music interests" to BMG.

According to BMG, the agreement with the band's core members Jim Kerr and Charlie Burchill includes the publishing rights to more than 240 songs across five UK No. 1 albums, the band's neighboring rights and royalties from their entire recorded catalog. BMG has previously served as the administrator of the band's publishing catalog and released their 2018 album Walk Between Worlds. Last month, BMG announced that it will release the band's latest studio album, Direction Of The Heart, on October 21.

Hulu had announced earlier this year that it will livestream several performances from Lollapalloza 2022.

Earlier this week, Hulu announced the streaming schedule for Lollapalooza, which will include performers like BTS' J-Hope, Metallica, Machine Gun Kelly, Kygo, Tove Lo, Don Toliver, Wallows, IDLES, Denzel Curry, Still Woozy and more. Two different live feeds will be available Friday through Sunday, with one feed for the Thursday shows. Select performances will be livestreamed exclusively to Hulu SVOD subscribers at no additional cost. The four-day annual festival is scheduled to take place between Thursday, July 28, and Sunday, July 31, in Chicago.

Black Sabbath legends Ozzy Osbourne and Tony Iommi have reunited for a new single, "Degradation Rules."

The song will feature on Osbourne's upcoming album, Patient Number 9, due September 9.

Iommi spoke about his collaboration with Osbourne in a Rolling Stone interview earlier this year.

"I wrote the whole track and played on it and played the solo on it," the guitarist said. "It's really good. And I like what Ozzy sang on it. I think he did a really good job. And I think they had Chad [Smith] play drums on it."

Osbourne and Iommi last recorded together on The End, an EP of outtakes from Black Sabbath's 13 album.