“When toxic behavior is portrayed as romantic, it’s problematic. When problematic behavior is portrayed as a character flaw for a character to work through, it’s good storytelling.”
Katsuki Bakugou, my friends.
His behavior was problematic but never once portrayed as romantic at the same time. Katsuki said and did awful abusive things, and he also chose to be better when he was given the chance. If you’re still hung up on chapter 1 Katsuki now then I don’t think you’ve been reading the same story I have.
I can’t speak for everyone, but I’m not shipping Izuku with an irredeemable abuser. I’m shipping him with his most important person. His narrative foil. His childhood friend who made awful mistakes and then made it right when he saw he was wrong. The person Izuku looks up to and strives to emulate, despite their past struggles.
Bakudeku is so good because of how flawed these boys are, and how hard they’ve worked to get over it, and how much they matter to each other after it all
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e.e. cummings, from ‘if up's the word;and a world grows greener’ (in 95 Poems), Complete Poems: 1904-1962
[Text ID: “(for young is the year,for your is the year)
--let’s touch the sky:”]
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every day I think of CS Lewis talking about how you never know what’s going to set someone off and about how when he was a teenager he fell in instantaneous love with this girl who was putting up party decorations and said “don’t you just love the smell of bunting” while sticking her face in the bundle of it she was holding
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Books of 2023. ONE HUNDRED YEARS OF SOLITUDE by Gabriel García Márquez.
Currently reading! This has been languishing on the TBR for a While™ and came highly recommended by a bookstore coworker. I'm only a couple chapters in, so far, and the family tree is ~Messy~, but the prose is lyrical and lovely!
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