sierra is sooooo complicated to me like. i could go on about her for so long & also i wish the writers did certain things with her character (which i will get into later in this rant) so ya here we go
firstly her childhood is . very clearly messed up?? it’s established that her mother is Ultra Obsessed with chris and i think sierra mentions being a 3rd generation chris mclean scholar at one point which implies that obsession just runs in the family atp😭 before even going on the show she’s grown up in an environment where this level of obsession is Normal so she doesn’t see anything wrong with turning out the same way
since her mother is like . obsessed with chris & stuff that’s probably what would bring sierra to watching total drama in the first place and i personally feel like she’d fixate on it because it was a group of teenagers her age, people she would like to be friends with if that makes sense? i can imagine she’d be a pretty odd child without many friends so that’d maybe be a reason for her to latch onto total drama, maybe why she latched onto cody too because like. she thinks he’s cute and they have things in common (like theyre both pretty geeky) so she gets pretty parasocial about it because, as mentioned before, her mum being obsessed with chris is just Normal to sierra so she thinks it’s normal for her to be obsessed with cody (spoiler alert girl: it’s really not)
while she’s on the show i feel like she doesn’t change / gets worse because chris sees her exhibiting Mental Illness and just… actively encourages her behaviour? and the other contestants do nothing to stop it, like how most of the time (e.g. paris) team amazon get mad at cody for sierra’s behaviour instead of helping him out for some reason??? no one tells sierra her behaviour is wrong so she just. Continues to get worse until shes out of the competition😭
this is where im gna interrupt with a canon divergence because like . personally i think in the episode where votes were revealed and cody was revealed to have voted sierra Every Single Time, sierra shouldve gotten over him!!!! it was the harsh truth she needed to hear, the dose of reality that cody is NOT interested in her and she needs to move on. she couldve had good character development, building her relationships with other characters and showing off her skills. maybe she’d still be eliminated in drumheller because she made cody that birthday cake as an apology and then kaboom or whatever idk just some way to keep her elimination the same
going down this train could’ve made her character in all stars Actually Interesting ! we couldve seen a side of sierra that kept some of her old eccentric vibes but had her head in the game this time instead of being focused on a boy, especially since cody isnt even in that season
and of course lastly i just wanna say i’m not excusing her weird actions or her creepiness at all, she has some Extreme Flaws and all the stuff she did was absolutely not okay, i just like rotting and seeing maybe why she acted the way she did and i wanted to drop my own two cents on interesting avenues her character couldve went down :3 i know everyone in td is some form of stereotype and sierra was an obsessive uberfan but she couldve still been that after getting over cody, in fact im disappointed that she knew SO much about the cast yet didnt use any of their weaknesses to her own advantage, she couldve dominated the competition😭
so uhhh yeah thats my thoughts on sierra, i probably over-read her to filth but shes very complex to me and i wish certain aspects of her character were done differently, she had a lot of potential especially in all stars but um Everyone had their potential destroyed in all stars so i’ll overlook that
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I really don’t get people who use AI to write things for them and then drop them in their work cause like, call me old school if you must, but I like knowing that every word I put down on a page is my own and represents a clear intention on my part - and if anyone wants to question/challenge that, I can come back with a reasonable articulation of why I did it that way
I get that busy work doesn’t always get this standard (even from me), but I can’t imagine just handing over all that agency and autonomy of self-expression over to some mindless bot that may or may not spew out garbage that could tank the readers trust in you - even if you remember to edit out the “this is an AI language model” that I see in so many papers and articles nowadays
Where’s the pride in your work? Where’s the feeling of accomplishment or improvement? Where’s the rich process of refining what you write down into a final product that you feel confident enough to attach your name to? Where’s the glancing at your final work and saying “I know this isn’t perfect, but I put effort into this and I’m not embarrassed to have anyone else read it”? Where???
And this is all ignoring the fact that ai is trained on masses of work that artists and writers neither consented to nor were compensated for their inclusion in the process, and that by using these models, you’re helping the tech bros who stole these artists’ and writers’ work to get rich
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I'm going with 10 All Time Classics from the Captain America (MCU) fandom. I mean, they're all classics to me, at least. In no particular order:
1. This, You Protect by owlet
First installment in the Infinite Coffee and Protection Detail series, which are all amazing. It's a “Bucky escaping Hydra and rebuilding his sense of self” fic, which he does while spying on Steve. With eventual Avengers Family and a lovely cast of OCs bonding with Bucky in the meantime. It has a very distinctive perspective and writing style; Bucky's in constant internal (and sometimes accidentally external) dialogue with himself, making it hilarious and tragic all at the same time. I love it. I've recently been getting into The Murderbot Diaries by Martha Wells and this Bucky has a similar sassy-but-vulnerable vibe? Read this if you like that, anyway.
2. The One Who Knows by Dira Sudis (dsudis)
This is a Political Animals AU, in that no-powers Steve is inserted into the Political Animals world and Bucky is TJ. Discusses being outed and depression but is ultimately hopeful. The author is one of my all time faves and has written lots of great stories for this and many other fandoms.
3. Blue Scales by chaya
Steve is a merman AU. He's still Captain America, though. It's crack with heart, I love it.
Best line: "May your scales and your love story be our weird secret forever.”
4. Our Lingering Frost by eyres
AU where Bucky is rescued from Hydra in the 50s (?) and so is around for Steve to be found.
5. Assets Out of Containment by follow_the_sun
It's a classic to *me*, OK? Bucky goes undercover at Jurassic World just as that movie's plot kicks off. They're Hydra dinosaurs! It's just great. Also has a podfic and crossovers with Agents of S.H.I.E.L.D.
6. Not Easily Conquered (series) by dropdeaddream and WhatAreFears
Some of the greatest fanfiction I've ever read, the whole series is epic. Anyway, it's a "Steve doesn't go into the ice" AU with added queer angst when (never sent) love letters from Bucky resurface. I particularly like the second installment in the series The Thirteen Letters, which are just Bucky's letters and are insanely well-written.
7. to memory now I can't recall by Etharei
Time travel AU! Featuring post-CATWS Bucky accidentally switching places with CATFA era Bucky.
8. If Wishing Made It So by Leveragehunters (Monkeygreen)
Genie!Bucky AU! This author is great at writing AUs with fantasy/genre elements, it was hard to choose. They've also written an excellent werewolf!Steve AU and a horse!Steve AU that I really love.
9. Into That Good Night by Nonymos
An Interstellar AU! Very angsty and tragic but with an eventual happy ending.
10. Goodbye Piccadilly, Farewell Leicester Square by Speranza
Speranza must be one of the best writers in the fandom, so it was hard to pick just one of their fics. Other strong contenders were All the Angels and the Saints and The Fifties, so check those out too! But this one has a special place in my heart. Steve, Tony and Natasha accidentally time travel to WW2 London, leading to an accidental run-in with CATFA-era Bucky. The author does tragic and romantic time travel tropes so well, but with a happy ending.
I now realise that most of these are AUs, so here’s a bonus rec for a non-AU in-universe story that’s severely underrated and deserves more love:
+1
Heart, Have No Pity on this House of Bone by Sena
This story follows Bucky in-action in the Pacific Theatre. It’s very well written and, from what I can tell, well researched. Steve only appears in Bucky’s imagination and the story focuses on the horrors of war rather than romance, but it’s gripping! And it explores unrequited love, being closeted and period-typical homophobia, which I also enjoyed. I’m still holding out hope for a sequel.
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7, 9, 12 for fig and gorgug ?
7. Is there a piece of clothing you think [character] is particularly fond of/that you imagine them wearing a lot or like to draw them in?
fig is such a skirts girly to me. usually plaid or like kilts. basically long, short, or layered, she is all about skirts and she Will Not wear pants imo
i love the idea of gorgug being a bandana/head band guy Especially with taking up artificing. i love the hc that he grows his hair out really long so its good to keep and his hair and sweat out of his face as well as being a good grease rag for the stuff he's working on. like. he's a bandana boy for sure.
9. Write a recommendation of someone else's fic you enjoyed!
i have. maybe a million rec's cuz there are so many phenomenal writers in the fandom but one that i adore and also just updated is @storytellervan's it's coming around, yeah, it's coming around which is a phenomenal kipperkristen fic that has one of my favorite portrayals of kristen that i have ever read.
12. What's the funniest or craziest AU idea you've ever come up with?
already answered this one !!!
ask game here!!!
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So Greg Bryk regularly goes live on Instagram to chat with his followers and answer a few questions, and almost every time, someone asks if he’d like to play Joseph Seed again if he had the chance, to which he used to always reply that, yes, he absolutely would. However, in early 2022, he didn’t seem so sure anymore and said it would depend on the script (the question was specifically about a potential Far Cry 5 movie) and the writer(s). Then, a few months later, he implied he didn’t feel like playing the Father ever again because he thought the character’s story was “finished” and that Ubisoft should focus on creating new things instead…
Well, on October 14, 2023, he once again went live on Instagram and, when people mentioned Far Cry 5 in the chat, he revealed that he had reached out to Dan Hay and Drew Holmes, two of the game’s three main writers he’s become friends with, and that they had visited him “on set” (I’m not sure what he was shooting) the day before. In the past, he had already explained several times that he had loved working with them and thought the story they wrote (along with “JS”, Jean-Sébastien Décant, the game’s third main writer) was fantastic. This time, he added that Far Cry 5 was really “special” to him because the writers “cared a lot” about creating something great with amazing characters, and that he thought the whole Seed family was really well-written.
A few minutes later, when he was asked which character he would like to play again if he could, he said it was hard for him to choose because he loves them all, but he eventually picked Jeremy Danvers (Bitten) and Cobbs Pond (Frontier).
Then, surprisingly, he also mentioned Joseph.
I don’t know why he changed his mind again or if the fact he contacted Dan Hay (who doesn’t work for Ubisoft anymore) and Drew Holmes (who recently became the new IP Director for Far Cry) means anything, and I’m not sure I want more Far Cry 5 content to be released anyway (for continuity reasons), but I guess the Seed family’s return, as equally exciting and truly terrifying as this eventuality sounds to me, isn’t completely out of the question anymore in Greg Bryk’s mind!
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reading vol.4 of 2ha is so surreal because this has to be the most yearning i’ve ever read from mo ran and it literally aches, but all i had been thinking for a certain couple of chapters is “wait isn’t this our token of love burns red from ao3? 🧐”
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i read a hannigram fic last night where op decided it was an okay thing to mention vatsyayana and my brain chemistry is fucked now.
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purple prose might be another term that needs to be put on the high shelf of writing advice cause why does nobody seem to agree on what it actually means 😭😭😭
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re: what fandom 'a little life' came from, my immediate knee-jerk thought was "backstreet boys." i have absolutely no basis for this other than Terminally Online Brain Worms esp bc..........there are 5 of those boyband fellas and as far as i remember only 4 main characters in that book lmfao. what can i say. the boyband angle feel right
yeah i'll incorporate that into my belief system
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the worst but also the best part about learning languages is when you reach the point where you are constantly aware that the people you talk to and the media you consume are all making cultural references that you simply do not get so all of a sudden you’re like goddamn it i need to read every piece of classic italian literature ever now
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please make another part of cherry pits 😬 like maybe they get married and yk yk the honeymoon
sorry anon but i’ve already said i wouldn’t write a part 2 for cherry pits :/ this goes for all of my works, if i post them as one-shots it’s bc i intend them that way! also y/n in cherry pits is in college 😭 i don’t think girlies looking to get married
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i got off booktwt for a good reason but my god the Babel-related drama has been hilarious and i am sad that i missed being involved in it real time
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Jeff in that human shirt though 😭
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What other Neil Gaiman work might you like?
The biggest thing to know about Neil Gaiman is that each work of his is a mixture of horror, fantasy, and subtle comedy.
That being said, each of his projects is pretty distinct from one another and there might be some that are more up to your tastes than others.
I haven't read some of his newer stuff (because I largely stopped reading as much since the early 2010s), but I'll do my best to remember what matters in other works.
Horror
The Sandman is a great work for horror fans. It's also great for mythology fans and other nerds, but horror is a major push and pull factors.
The comic is probably the greatest body of work Gaiman produced and it's recommended if you're a goth at heart and are comfortable with themes of death and humans being gods' toys.
The Sandman (TV) is a great adaptation, but it's very short so far and doesn't cover the best stories.
Coraline is a horror story for children. It doesn't have anything that's not suitable for kids, but it can be viscerally scary to some people. Both the book and the film are great.
Mirrormask is my personal favourite, it's a low budget film with mindblowing surreal imagery and one of the best soundtracks ever.
It's about a teenage girl who has troubles with her parents (who run a circus, btw) and who gets swiped up by her imagination into a bizarre world that is being eaten by her depression. Not a scary film, per se, but it's disturbing. However, it's a very warm film and it always makes me feel better.
Fantasy
Neverwhere is set in a dimension of twisted London Underground where everything that's straightforward in our world becomes weird and too real.
It really tickled my imagination, I highly recommend the book.
Stardust is set in a more high fantasy setting.
It features kings, witches, ghosts, and a star that fell to the Earth. It has a young protagonist who's not exactly the best or the brightest person, so if you hate such things, stick to the adaptation. In my opinion, the book is just lovely.
American Gods is a darker fantasy that asks the questions: "What if every god people ever believed in became real through the power of their worship? And then what if that worship started fading?"
It's set in the USA and because that country is such a melting pot, there are many gods. And not all of them are happy. This is the book that gave Neil Gaiman his reputation of a writer who loves weird sex scenes.
Humour
Stardust the film is often compared to Princess Bride. It's lighthearted, funny, full of imaginative adventures.
Just a very nice film with an all-star cast.
Anansi Boys is a spin off of American Gods, but it's a lot more lighthearted.
Anansi is a trickster god, so you know things will get funky.
I haven't read The Graveyard Book and The Ocean at the End of the Lane yet, but I hear they're very good as well.
Also, short story collections or Norse Mythology might be a good place to start if you want to get a feel of Neil Gaiman as an author first.
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Storyediting Questions to Ask
As You Read the First Draft:
Are there place that surprised you as you read your first draft?
- Why do you suppose that is?
- Is there material there you'd like to expand?
What are the character really doing in this story?
- Might they have issues you haven't explored fully yet?
Look to the places that drag.
- These might be scenes where you have avoided dealing with something deeper.
- What are the characters really thinking in these places?
- What are their passions, frustrations, and desires?
Imagine alternative plotlines.
- How might your plot be different if ti headed off on another tangent from various points in the story?
- You don't have to follow them, but they might suggest other streams that can flow into the main plot.
Think About Structure:
Does you story play out naturally in three acts?
Is there an immediate disturbance to the Lead's world?
Does the first doorway of no return occur before the one-fifth mark?
Are the stakes being raised sufficiently?
Does the second doorway of no return put the Lead on the path to the climax?
Does the rhythm of the sotyr match your intent? If this is an action novel, does the plot move relentlessly forward? If this is a character-driven novel, do the scenes delve deeply enough?
Are there strongly motivated characters?
Have coincidence been established?
Is something happeing immediately at the beginning? Did you establish a person in a setting with a problem, onfronted with change or threat?
Is the timeline logical?
Is the story too predictable in terms of sequence? Should it be rearranged?
About Your Lead Character:
Is the character memorable? Compelling? Enough to carry a reader all the way through the plot?
A lead character has to jump off the page. Does yours?
Does this character avoid cliches? Is he capable of surprising us?
What's unique about the character?
Is the character's objective strong enough?
How does the character grow over the course of the story?
How does the character demonstrate inner strength?
About Your Opposition:
Is your oppositing character interesting?
Is he fully realized, not just a cardboard cutout?
Is he justified (at least in his own mind) in his actions?
Is he believable?
Is he strong as or stronger than the Lead?
About Your Story's Adhesive Nature:
Is the conflcit between the Lead and opposition crucial for both?
Why can't they just walk away? What holds them together?
About Your Scene:
Are the big scenes big enough? Surprising enough? Can you make them more original, unanticipated, and draw them out for all they are worth?
Is there enough conflict in the scenes?
What is the least memorable scene? Cut it!
What else can be cut in order to move the story relentlessly forward?
Does the climactic scene come too fast (through a writer fatigue)? Can you make it more, write it for all it's worth?
Does we need a new minor subplot to build up a saggin midsection?
About Your Minor Characters:
What is their purpose in the plot?
Are they unique and colorful?
Polishing Questions:
Are you hooking the reader from the beginning?
Are suspenseful scenes drawn out for the ultimate tension?
Can any information be delayed? This creates tension in the reader, always a good thing.
Are there enough surprises?
Are character-reaction scenes deep and interesting?
Read chapter ending for read-on prompts
Are there places you can replace describing how a character feels with actions?
Do I use visual, sensory-laden words?
For a Dialogue Read-Through:
Dialogue is almost always strengthened by cutting words within the lines.
In dialogue, be fair to both sides. Don't give one character all the good lines.
Greate dialogue surprises the reader and creates tension. View it like a game, where the players are trying to outfox each other.
Can you get more conflict into dialogue, even emong allies?
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