I love your take on Crowley!
I know that the early, non-Diasomnia stories aren't really your thing, but are you reading the novels at all?
I have been following some of the fan translations and the second book seems intense! Would love to hear what you think about them.
thank you! 💚💚💚 I'm not really sure why you think I don't like the earlier arcs though, I love pretty much all the characters and their storis! (I think 5 and 1 are my favorite of the past episodes, though 6 infected me with the Shroud brainrot something fierce.) I just...ESPECIALLY love diasomnia. :') but there is room in my heart for all of these dweebs! like, who among us is not just as ride-or-die for Adeuce as they are for us.
that said, I don't really follow the other adaptations like the manga (aside from a dip-in just to see the new Yuus) or the novels, though I keep meaning to check them out! I do like seeing the differences between the different forms of media, and how certain things get adapted one way or another! but alas, time/a lack of accessibility stands in our way more often than not. :( someday...someday I will have time to consume all of the media...
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The fact that Shakespeare implied an entire fraught backstory to Beatrice and Benedick’s relationship with only five words - I know you of old - is so genius. This play is so genius. I don’t think I’ll ever get over the cleverness and subtly of writing in Much Ado.
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it's literally like. i'm sorry but how am i supposed to be content with watching the mandalorian or totj or anything else after this. andor gave us a taste of what star wars could be without the made-to-sell-merch corporate hollowness of so much of the recent content and now i just want more. like between the unapologetically antifascist storytelling, dialogue that rips your heart to shreds, complex and contradictory characters, the gritty and brutal and unfair reality of fighting for a better world... it's such a breath of fresh air.
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Y’know. Anakin was a real asshole in Ahsoka’s hallucination.
Like. She mentions something about what she’ll be able to teach her padawan one day, since all she’s being taught is how to be a soldier, and Anakin’s like “teaching’s not all it’s cracked up to be”
And like. Asshole move. And Ahsoka rightfully calls him out on it. And he goes on the whole “uuuh I was joking. Lighten up.” Literally a complete jackass.
But beyond how he answered the question, it’s a valid complaint Ahsoka is bringing up! Anakin’s teaching her how to live or die. But Ahsoka wants to be taught how to be a jedi.
What happens after the war is over (order 66 never happens) and she now has to navigate a galaxy without a war? The Jedi take teaching very seriously there’s no greater honor than teaching a padawan. And she’s not being accurately taught, so she will not be able to pass anything on to the next generation.
But Anakin brushes it aside because he simply does not respect her or her wishes. Like. He never wanted a padawan, despite teaching being foundational to the Jedi. And he only took ahsoka in because he started to like her and became attached to her. He doesn’t care about jedi legacy, not really. So he brushes her comment off with a joke.
But in the rest of the vision… idk it didn’t feel like we were supposed view Anakin as entirely wrong here. He wasn’t in the right, he was definitely channeling Vader and being an ass, but he was basically the reason Ahsoka survived the fall, right? Bc he was making her choose life? When Ahsoka wins against him it’s sort of like she’s both learned his lesson and moved beyond him. And then for the rest of the season he’s only talked about in positive ways.
And like. That one line ahsoka said was really powerful in relation to the entire point of the show. What does she have to pass onto her own padawan (Sabine) if she wasn’t properly trained herself? That is, perhaps, the only valid plot question asked in the entire show. And it doesn’t get an answer. It’s never even brought up again.
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calling sirius black morally grey doesn’t really sit right with me bc. what did he ever do wrong.
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I love hyperfixations. you can be playing a video game and there's a character you can interact at most twice, and you only see them in ONE scene, and they are of no significance whatsoever, and everyone who plays will be like "oh yeah that's jockington, he love sports. one time when they didn't give Catti a hoola-hoop during gym class she just used him instead" like we have NO REASON to know that. WHY do we know that
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i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc
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looove sherlock and co but if one of you bastards says that it's "just like bbc sherlock" again I will punt you directly into the sun
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tfw when you write an entire novel with two protagonists that spent the entire plot getting closer to each other, becoming best friends and eventually both of them deciding they would rather die than allow the other to not live a long, fulfilling life, their friendship carrying most of the emotional weight of the entire plot and the emotional climax being one of them sacrificing his life so the other can live and then the other crossing literal universes to find him, a tearful smile in his face as he confesses how much he missed him. which is the scene you wanted to write and show the most because, again, this is the pay off to the slowburn you've been writing in the entire novel and what everything has been building up to since the very first chapter. and then you end the novel by having them share a smile, finally confident they'll be able to have a happy future.
but you also just gotta have one of them marry offscreen because everyone knows you can't be happy if you're not in a het marriage with kids lmao it's whatever it's okay i'm fiNE-
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I literally woke up in the middle of the night like God will dark rise is so fucking screwed. The line that’s like. “Everyone wanted to kill the Dark King.” What’s the part where he looks at Violet helplessly, haunted, almost pleading for mercy? But of course he reveals nothing of substance to anyone. Elizabeth is too young to understand but the reader knows what “Her relationship with that boy was…unnatural” can mean. Tying him to bedposts? Failing to strangle him? What else? Never not even once seeing beyond a mythological identity Will himself didn’t know he had? What did he think was the reason? That he was just intrinsically hateful? Of course he says nothing. Of course Violet can’t trust him- he’s given her nothing as painfully real as what she’s given him. So he gives her the sword hoping at least he can die at the hands of someone he loved, but even that doesn’t work out - she gives the sword to a Visander still furious at SARCEAN. The pattern continues; no one looks at Will, who vomits when he realizes what’s happened to James, Will who is much of a liar and killer and sneak as Elizabeth accuses but nonetheless wants to be different. Even when he doesn’t remember his own past. There’s no way out for him that doesn’t hurt. Hope this obsession passes soon given the one and a half years of waiting required for book 3
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